Tropers / Puzzarian Ideal

Ok, let's make this brief. I don't know how this works.

[Insert speech by Fischl, a character from Genshin Impact here]

Ok, done. Need to edit that. I like Geometry Dash, Puzzle & Dragons, & Touhou Project, by the way.

I'm back, and I actually have something to put on here! Behold!...yeah, I'm also singlehandedly responsible for revitalizing Touhou in the Pantheon.

Rules

Rules. The following are not suggestions or tips, but things that have to be followed:

• When writing a profile, take note of the following:
  • For obvious reasons, gods cannot be followers, high priests, or heralds. The 'gods' have ascended meaning there is no need for said character to be a follower of another if they have ascended.
  • No hype profiles, please. 'Hype Profiles' are profiles that have been made out of ongoing events and have not been around for a long time. This creates 'hype' due to popularity and certain elements either through certain scenes, memes, dramatic acting or considered overly awesome. They are not bad tropes but building a portfolio solely for that is a bad idea, as they do not say a thing about representing the trope best (unless it's those trope concepts that they are trying to embody for a long time)
    • You can see one if the profile is only showing off how awesome they are or suddenly pushing how 'significant' they are thanks to the just very recent events rather than respecting the longstanding good representations of the trope. And usually having... minimum portfolio or flavor texts and being a bit too generalized or self-contained to events from within their home series instead of interacting with other Pantheon members.
• When posting in the forum, take note of the following:
  • When you suggest a God, please explain why they fit the trope. Not everyone is going to understand just "X should be the God of Y because they exemplify the trope" off the bat, especially if they're unfamiliar with the work.
  • You must use the Trope Pantheons discussion thread in the forums if you wish to add a new deity, story, something else of importance to the Trope Pantheon canon, or reworking an existing deity (be it simply improving their existing profile or changing their title).
    • For new and reworked deities, 3 [tup] means the profile will have a one-week waiting period.
    • For new and reworked deities, 4 [tup] is a 3 day waiting period.
    • 5 [tup] is an automatic ascension for new and reworked deities.
    • Speaking of reworks, for anyone that wants to improve such profiles, they have to review the current trope the character(s) has and see if it still holds up or if there is a better rep for their trope.
  • For adding new Treasures to The Great Treasury or new Dominions to the Dominions Expansion, the following rules apply:
    • For new Treasures or Dominions, 3 [tup] is a 3 day waiting period.
    • 4 [tup] is an automatic addition to the Great Treasury or Dominions.
  • Do not repost a profile in the forums more than twice a day if noticeable changes have not been made in between. If a profile is posted a third time in a row without noticeable alterations, it will be downvoted. This is so spamming of no-effort profiles is less frequent and to prevent tropers from getting aggravated seeing the same profile over and over. The minimum acceptable change has to be one flavor text.
  • The Pantheon is not a mouthpiece for you to voice your opinions on certain characters. You may like certain characters more than others, but do not make the mistake of making profiles for characters you like to look like Character Shilling.
  • Every troper new to the Pantheon is barred from approving or downvoting profiles until they have ascended at least two profiles.
  • Do not include fan reception in any profiles. It has nothing to do with the character themselves and will create unnecessary conflict.
  • Write a detailed explanation on why the character is the best candidate for the deity of that trope. If people disagree with you, do not force it on the people.
  • Keep in mind that if you still want to try to find a trope for a particular character, you are only given three chances to find a particular trope for them. If a suggestion goes past three possible tropes, then it will come off as shoehorning a character into the Pantheon just for the sake of that character to be there.
    • On a related note, even if a character does have a free trope being suggested, there is still a limit of three attempts for suggesting that character for that trope. If no one responds to that certain proposal after being posted three times, then it will get to the point where the idea will be seen as being shoehorned into the Pantheon. In addition, the idea needs to be considered acceptable and approved because they are good, not for the sake of pitying others. After all, no one is responding to their idea.
• When posting Pantheon related stuff to the wiki, take note of the following:
  • Do not put a link to these Pantheon pages into the main wiki page. The moment you want to note in a trope example that the character is a God of this trope, do not do it. If you see leftovers of this practice, correct the situation by deleting the offending text. This goes for any non-Pantheon page. The only exception to this rule is if a page in the Pantheon could be confused for a page in Main, like Good Colors, Evil Colors and Pantheon.Good And Evil Colors.
  • Rule of Cautious Editing Judgment applies here. Do not bring things that would incite fights; hot topics and 'urgent' news are not pertinent to the Pantheon's mission. For example, the political scene and some really bad politicians. We are not here to fight each other, so don't suggest things that go in that direction, this is a fictional Pantheon after all.
  • To add a Pantheon page for a certain work, 4 or more characters coming from the same series/franchise should be ascended before adding the page. For Creator specific pages, 4 deities coming from the same creator and 2 individual work pages coming from the same creator is the minimum to warrant a page.
  • Do not create a trope page for a story until the story is fully completed.

Instructions and Tips

Here are some tips one should keep in mind when editing:

• Preparing to write:
  • First thing to do before presenting a profile is to go to the Trope Pantheons discussion thread. In the forums, you must discuss with other users on adding ideas and seek their approval with sound reasoning. You can also get some assistance in the forum thread by either asking for help and those interested asking if they can help. Submissions that are added without discussion are likely to be deleted and those who violate those rules by adding Pantheon content without discussion will get reported to the mods.
  • If you feel the need to remove a character for some reason (poor quality, outdated titles, etcetera) and replace him/her with another or outright rework, please see what the other tropers think about this in the discussion thread before doing anything hasty. Use good reasoning to see if your idea can easily replace the character present without drawing out your statement or giving too ambiguous claims most do not understand.
  • Please be sure to consult others in the discussion about what you want to work on before making the profile. This is done to see if your proposal is the best representative and so, in case your profile is turned down, you do not waste time writing something that others might not find suitable.
    • In the same vein, if you adopt a profile from another troper, it is recommended that you make an announcement that you have done so on the discussion thread. More often than not, a trope that was reserved for something was given away to someone else. Check the Related tab on the top of a page to see if a trope or character has been reserved by a user.
  • If, for whatever reason, you are writing about a God who just happens to be a person in real life, just try to be very careful about what you decide to say. Do not try to make the editing seem too meta (self-referential) and use the creativity to create hypothetical scenarios towards fictional characters.
• When writing a profile for a character, here are a few things to note:
  • All deities should be sorted by their divine ranking. Put Overdeities on the top of the page and Quasideities on the bottom. Also, be sure to add them in alphabetical order by their first/given name (can be reversed if it is Eastern ordered). For a group, if there is no official name for them all list down all their names by order of relevance or (if too long to list) title them as Insert Name Here Main Characters or some other identifiable title along the same lines.
  • The maximum number of tropes that a god can have is two, but do not try to abuse that fact. If you need to use a second trope to specify a certain thing about their position, that can be excused either because said character represents their trope choice very well alongside the first trope. It is still generally encouraged to only have one trope.
  • A trope can only belong to one profile at a time. The only time two profiles can share a trope is if there are explicit variations listed in the trope page proper (e.g. Muscle Angst is held by both Biscuit Krueger and Chihiro Fujisaki as the former represents "Too Much Muscle" and the latter represents "Not Enough Muscle")
  • If the character you are about to add to a House already exists in another, make sure to mention that this person has spots in another House as well. Up to 2 places can be made for a deity, with the sole exceptions being those at the Main House to highlight those characters' importance to the Pantheon's lore.
  • For a character's theme song, try to avoid calling it "Theme of God X" or "Theme of (Show where God X originates from)". If possible, try to find out if the song has an actual name through research. Most importantly, it has to be part of their series' official soundtracks from the media. Do not list songs that are made by fans or outside sources. If they were not specifically used as music for that specific character, then they do not count. Furthermore, it has to be a general theme specifically made for that characters' appearances, not some generic music that plays for many other instances not related to the character in question.
  • For images, when adding an image for your chosen character, it is highly recommended to use a stylized image that embodies the character or renders that also highlight a character's behavior (such as cool poses). Most images should be from the main adaptations of the character unless the images from the other media are of a higher quality than the adaptation. Unless it is needed, do not use fanart for images. If you are, please attribute it to the original artist. Due to the website's dark mode, removing white backgrounds from an image is paramount. This website is suggested to do the background removal. If an image you have takes up too many bytes, it is suggestible to use this site to reduce the byte size. If the byte is still too big, run the compressed image through other sites (or even the same one) to compress even further. Use wikis to look for better images, as even wikis for the series might not contain good official images.
  • Creativity is your friend. While it is not recommended to get too ditzy at your ideas, it is best that when writing a profile for a certain character, do you think of capable scenarios between X and Y. Tip: do not use shallow examples (X wields a sword and Y wields one too) and try to think of relationships that make sense (i.e those characters that are shout-outs for another).
• Pantheon Content:
  • Some series or genres will eventually have greater representation in the Pantheon than others. This is unavoidable, but a little diversity helps to make you not look like a shill. Try to ensure that if you add a deity from a popular series, make sure that it is because they are a good representative for the trope in question, and not just because they are connected to another deity in their respective canon.
    • As far as deities from actual mythologies, there is generally an expectation to build the profiles off interactions from fictional portrays rather than basing it entirely from the actual myth. Therefore, a mythological deity should be more of a Composite Character whose main identity is from the actual myth.
  • Occasionally there will be Gods that carry a title without a trope. This is not forbidden, but it is well-advised not to abuse them. The only house where trope-less profiles are wholly allowed is the House of Food. Mainly due to most food items lacking tropes, and adding tropes about said foodstuffs is slightly unnecessary. However, the character being ascended for their choice of food, or food-related thing must be a decently good representative of said item. (i.e their Trademark Favorite Food, or something that they are closely associated with In-Universe, or both).
  • For Dominions and Treasures profiles, always consider what made those places/objects popular in the first place. Were they plot-important, identifiable imagery or have a unique aspect of it? Do not just bring regular objects under the basis of following a certain canon.
  • Do not write in self-promotion or blatant advertising. Minor references to something are fine but writing that clearly intends to advertise something will not be given toleration.
• For Profile Standards:
  • Flavor text is used to describe certain things about a character, place, or object. To avoid short ones, it is recommended to write flavor text with 4-7 sentences that can fill around 2 lines each. Be warned that adding too many sentences does not equal good flavor text as it is not an essay of sorts (unless words are substantial and do add to the overall line).
  • Character Profiles of a certain person should have the following:
    • A portfolio that contains at least 7 (at the minimum) tropes describing their character.
    • Flavor text count for a deity profile should have by minimum, 10 (depending on if the character in question has enough relationships/characterization) to 15 with a maximum of 20-25 for an individual profile.
    • On the other hand, group profiles (profiles of a group that has 4 or more members) have their maximum flavor text count to 15 minimum, giving individual lines for the other members of the group (unless the members are not as characterized) up to 30 at max.
  • Dominion profiles of a certain place should have the following:
    • A portfolio that contains at least 5 (at the minimum) tropes describing the context of the place.
    • Flavor text count should range at least 10 to 15.
  • Treasure profiles (inanimate objects without a trope) should have the following:
    • A portfolio that contains at least 6 (at the minimum) tropes that describes the object itself.
    • Flavor text count should be at least 7 flavor text up to 12 to constitute a treasure profile.

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My First Impression (and Magnum Opus) for the Pantheon

Chimata Tenkyuu

Chimata Tenkyuu, Goddess of Divine Wealth (God of the Unowned, God of Gensokyo's Markets)

• Lesser Goddess (Intermediate Goddess during her special markets)
• Symbol: Her own Ability Card, The Blank Card
• Theme Song: Where is that Bustling Marketplace Now ~ Immemorial Marketeers
• Alignment: Lawful Neutral, leaning towards Lawful Good
• Portfolio: Being a business goddess, having the best fit for her role, a very colorful style, Zipperiffic, too much of a rule stickler, hoster of a Secret Shop, desperate for faith
• Domains: Marketing, Final Boss, Cards
• Herald: Nitori Kawashiro
• Followers: Zhongli
• Allies: Most, if not all, good/neutral-aligned Touhou Project & Yu-Gi-Oh! deities, the Epic Battle Fantasy Team, Rainbow Dash, Princess Luna, Beatrix LaBeau
• Enemies: Brand X, those that break the rules of her market
• Rivals: The Merchant, Gust
• Respects: The Dealer & Heath Stonebrew
• Opposes: Seto Kaiba, most of the House of Crime and Transgressions, corrupt businesses
• On speaking terms with: Bruno Bucciarati & his gang, the Phantom Thieves of Hearts, The Scrybes, Angela & Roland
• Very Divisive Among: The entire House of Commerce
• Unconfirmed Relationship: Keiki Haniyasushin
• As one of the newest to pass into the land of fantasy, Chimata has plenty to prove for herself, especially as a goddess for a particular sect of human growth- the act of trade. With exchanging and bartering face-to-face evolving out into things such as credit, deliveries, and online marketplaces, she lost faith to the point of weakness and potentially even death and being forgotten. In fact, that would have been her fate had it not been for her initial move to Gensokyo...and then fighting off its Incident Resolvers trying to convince them that the Ability Card trade was harmless.
  • Of all people, it was Marisa Kirisame who suggested her to be ascended, since they had collaborated before. All of the previously mentioned points and then some more tidbits afterwards was all that was needed for her ascension. Many were rather surprised by this, especially Reimu Hakurei, who accompanied Marisa that day.
• Dislikes those fueled by greed, as she is a little bitter over her deal with Megumu Iizunamaru falling through, though in no small part due to Tsukasa Kudamaki. Evenmoreso if these money-mongering folk try and 1-up her during her markets, and in fact, she'll take things out on anyone if they break the rules she sets when she opens up shop, even by accident. The Bone Cousins learned of this the hard way when Phoney tried to scam Chimata out of a deal a few days after her ascension, which resulted in all three being sent swiftly to the House of Health & Diseases for a week of recovery, and Chimata being subsequently banned from the Hall of Character Writing for her outburst there. The blame did fall between both parties, but moreso on Phoney for the entire Hall losing out on a potential trade partner.
  • Speaking of Megumu Iizunamaru, they seem to have their relationship made up after some time since the Lunar Rainbow Market incident and are now likely friends again. Some may even go as far as to say they’ve opened the doors to something more. Naturally, Chimata didn’t deny anything, but she would prefer to stay friends with the tengu, especially considering her own relationship in the Pantheon with Keiki.
• Isn't really fond of black markets, especially after Takane Yamashiro set up one for the Ability Cards. With Marisa's aid, that issue was...well, not exactly as taken care of as one may believe, but it's harmless enough, as said black market remained open, but Chimata resumed oversight for the trade at large. To this day since then, she still doesn't have too much good to say about these, but has been spotted perusing through quite a few in the Pantheon, but it is never confirmed if she bought anything.
• Her affinity with cards through the Ability Card trade has landed her in the company of some Yu-Gi-Oh! deities, and now she partners with them on some occasions as a liaison between trading parties. Sometimes, you may even see her trying the game out herself, usually playing against Jesse Anderson, due to their shared affinity for a rainbow motif and being pretty particular LGBTQ+ icons. Other times, you'll find her having a chat with Maximillion Pegasus, playfully debating about the fine details of card design, ranging from effects to artwork and everything in between.
  • Surprisingly doesn't hold Seto Kaiba to a high degree, but it's easy to understand why- despite him usually operating under her rules, Kaiba is rather stern and somewhat uncaring about his transactions. This upsets Chimata slightly as his attitude isn't really ceremonious, which doesn't bode well for her faith.
  • Chimata got banned, again, this time from the Hall of Sportsmanship after obscenely tearing through it in a fit of rage from Bandit Keith trying to swindle her out. Despite many advising Keith not to do just that, his ego and confidence said otherwise. These outbursts of her did actually attract the Hall of Anger, to which some found her berserk state to be quite the attraction.
• Her motif for rainbows seems to be a callback to a medieval Japanese tradition where special marketplaces opened when a rainbow is in the sky- and to Gensokyo, that is more than true as she holds hers there under a lunar rainbow specifically. This allowed her to get along rather well with Rainbow Dash & Princess Luna, and by extension most of the good MLP deities in the Pantheon. But specifically to those two, they seem to have a pretty decent loop with each other- Dash & Luna can provide the weather and conditions needed for Chimata to set up market, and in return, they split whatever profit they earned. Chimata spends her shares towards her business, while Princess Luna puts hers in the Canterlot treasury (keeping very little to herself), and Rainbow Dash spends hers on...sci-fi memorabilia. When Reisen Undogein Inaba was approached regarding this friendship, as she shares a hall with Luna, she considered it swell, citing it as yet another success for the market goddess.
• Her zipper-laden outfit has once garnered the attention of Bruno Bucciarati. Let's just say that the makeover that Chimata's clothes got that day was...interesting, to say the least. When Sanae Kochiya was approached to give her perspective about that moment, as she had been an eyewitness, she recalled that her reaction was less than miraculous. And as for the rest of Bucciarati's gang, that one moment almost made them wanna consider adding the goddess to their ranks as their finance & inventory handler, but she respectfully denied that offer, stating that if anything, she would rather be business partners with them so as to not earn stigma from more unsavory groups.
• Regardless of intent, Chimata doesn't really like thieves, as, well, they can potentially disrupt her markets in some way or form. The only exceptions, and only barely so, to this rule are the Phantom Thieves of Hearts, as what they steal is highly specific (being desires, which makes Chimata wonder what would happen if they collaborated with Toyosatomimi no Miko), and that she has agreed to be a courier for their targets, slipping them their Calling Cards if needed. She hopes that in the future, she would be also able to utilize the Metaverse as a way to expand her business and even aid the Thieves by bringing in more supplies.
• Her arrival in the House of Commerce has definitely gotten some of their members, as well as the members of other Houses once things spiraled outward, talking and offering and bartering and all that.
  • Absolutely loathes Brand X, as the day after her arrival, they began mass-producing their own Ability Cards- and even Spell Cards- in an attempt to run her out of business immediately. Fortunately, this also pissed off a lot of the other Touhou deities, as not only this enroached upon their own design space, but they also became aware that actions like these legitimately cause Chimata pain, so they teamed up to halt the corporation's production entirely. Montgomery Burns found this amusing, but Scrooge McDuck was significantly less pleased by this. Seto Kaiba remained indifferent.
  • A lot of the Demigods and Quasideities within the House, being mainly merchants (like Anna, Bubs, & the Kecleon brothers) and benefactors (such as Speedwagon & Byakuya), quickly rallied to support Chimata after that incident, and as a result, her connections became far and vast, reaching most if not all of the Houses across the Pantheon. This kind of put her at odds with some of the Intermediate and even Greater Deities, however, as people like Sundowner and corporations like Lobotomy Corp. began to take notice of her shocking rise. They took notes and kept a close eye, however- they wouldn't want to share the same fate as Megumu Iizunamaru or Brand X.
    • Through Yuuka Kazami, of all deities, Chimata was forwarded towards Crazy Dave as a potential partner. The market goddess was albeit horrified at first as she noticed that Dave hasn't been able to collect profit due to him selling very, very low, and his shop is...well, to her, she thought it was a little less than desirable. This earned her an earful from both Dave and Yuuka, which led to quite a few apologies and a deal to help expand the plant-selling proprietor's business, especially after roping the Temmies into the offer, as they are also partners with Dave. Many became spooked at this display from the flower youkai, even Chimata herself- after all, messing with Yuuka will definitely shorten your life expectancy.
    • One god that has managed to get under Chimata's skin without really triggering her is Gust. Despite both of them being capable business partners, they never really quite got the hang of each other, with Chimata's more old-school barting style versus Gust's modern and rapid corporate way of buying & selling. Each time they both are present in a market, they're usually found trying to outplay the other, nearly ending in an actual battle but never going through, with no clear winner.
  • Among many new contacts, the Epic Battle Fantasy Team managed to get ahold of her very quickly as a result of her gained power from beating back Brand X. Both she and the team quickly warmed up well, as not only did they have interesting cards to share (Ability Cards for Chimata, & Monster Cards for the Team), but the latter had also gotten to the rhythm of fighting with danmaku very, very well. Both sides consider their partnership to be relatively smooth and as-usual, with the Team calling their favors for the God of the Unowned simple fetch quests.
  • Both the Dealer and Heath Stonebrew were rather intrigued by Chimata's offerings, though they waited out the rush of people making deals with her so that they can have their own offers be proposed in a calm, natural order. Chimata, in return, seemed to like what they had in store and very much appreciates their neutral, respectful nature, and therefore treats them as such in return. Since then, when hosting her markets, she may often impart some helpful knowledge on how to play the games these two represent (being the Game of Life & Death and Hearthstone, respectively), and sometimes splurges a bit of her earnings at Heath's tavern afterwards, where she makes more deals, offers, and even plays a game of Hearthstone or two.
  • While in Heath's tavern one day, Chimata learned of a mysterious group known as the Scrybes, who also ran their own card game- Inscryption. Piquing her interest, she set out to find these game-runners, and sure enough, she located them when she went up to meet with some of the Yu-Gi-Oh! deities for another round of card trading. Rather than just give you boring jargon, here's a brief word from each Scrybe on Chimata.
    • Grimora: "She seemed like a fairly calm individual, but is rather peculiar when it comes to following the rules of her markets. I have heard of her breakouts at some Halls after her rally against Brand X, so it'd be wise to be on your best behavior around her...no matter what."
    • Leshy: "Chimata found interest in my camera rather quickly, citing its technology as a way to increase the quality of her Ability Cards while downsizing the effort needed to make them. And through her, I learned of a few other Gensokyoans who have magical cameras- like that wily amanojaku, for instance."
    • P03: "I bought Mike's and Takane's cards from her early on so that I can get better shit later. Speaking of later, when I met her again, I got Okina's, Koishi's, Mokou's, Alice's, and sometimes Eiki's depending whether I have too much cash after buying the first 4. The others are garbage, save for like, Eirin's, Mamizou's, Suwako's second one, Raiko's, and arguably, Sumireko's, all of which I buy on occassion if she doesn't have the first 5 I mentioned. That's it."
    • Magnificus: "Chimata is a fast learner- she picked up my side of the game's mechanics quickly, seeing as she is accustomed to playing Duel Monsters. She also moves accordingly to the market, expanding and shuffling her selection of wares to fit what part of the Pantheon she is right now. I have high hopes for her."
  • Got off the wrong foot with Angela and Roland, because of her (Chimata's) association with Marisa, who's known for stealing books. Thankfully, they've recently managed to reach a fragile agreement after some rather interesting methods of trade, by having Chimata prove herself against them through one of their Boss Rushes. Despite having many Ability Cards, the market goddess, or rather her replica, couldn't hold out long enough and was subsequently defeated by the second wave of Sephirahs, being turned into a new book for the Librarians' troubles. This book gave the duo the ability to form more books...the good-ol' fashioned way, without needing to rely on having poor plucks going into the Library. A revelation like this shook all three, and they quickly scaffolded a new deal to take advantage of this. Only time will tell how far this partnership goes.
• Is actually often seen at the Hall of Anger, usually led there by others trying to calm her down when someone broke her market's rules. Chimata is afterwards is taken to the House of Health and Medicine, usually as a result of fatigue and exhaustion from letting loose a little too much, to recuperate. These outbursts, which happen surprisingly more frequently than one may expect, has caused a few of her investors to calmly cut off deals with her, and making everyone else associated with her a bit more wary- even those trying to usurp her place in the Pantheon's business world.
• Has been spotted with Keiki Haniyasushin on many, many, and I mean many occasions, like, a lot. Many across the Pantheon have speculated how deep their relationship goes, especially considering that both have a lot of similar qualities. From being goddess born out out facets of humanity (praise & trade), to their colorful and odd outfit styles, to both being goddesses that rely on faith, quite a few suggestions were thrown in the air. The common prevailing theory? They may be either best friends, or something more.
  • To .... find the sculptor that follows the rainbow. The sculptor would be a great boon to you, so tell her your story; consider her words a more tender form of the Prescripts, if you will.
  • Chimata asked Keiki to accompany her one time as a bit of emotional support to the Library of Ruina to meet up with Angela & Roland for the trio to share their progress since the induction of the market goddess' book to the duo's collection. While there, Keiki ran into Yan, who looked like he was anticipating her arrival there. He asked of the haniwa maker for him to join her ranks, in any way, sharing his tale of him blindly following the commands of the Prescripts (which are in turn funneled by the City & the wishes of humanity's collective unconscious) to the point that he lost it all, hoping she would sympathize in some way to get her to accept. Harkening back to when she was brought into existence as a leader for the animal spirits, she agreed to have Yan as an ally, right as Chimata's meeting with Angela & Roland concluded. When the trio returned to the front, however...
    Chimata, to Keiki: Who were you talking to here at the entrance? There's...nobody around.
  • Another beneficiary in Chimata’s repertoire as a result of her ever-expanding sphere of influence in the Pantheon’s business world was Beatrix LaBeau, though their first meeting was far from normal…well, depending what you consider normal in the Pantheon, that is. When the duo met up with Beatrix, Keiki acting as emotional support as usual, Bea was explaining how plorts revolutionized the Pantheon when Keiki got her foot stuck in one. Of course, cue a bunch of mishaps that won’t be explained, but instead of Keiki hating the rancher for the mess, she instead learned the usefulness of these plorts after all, and also offered to be a partner of the Far Far Ranch, which surprised both Bea and Chimata. In return for the Haniwa Army Corp researching and supplying plorts further out to customers in need, they will guard the ranch and Bea with their continuous stream of numbers, and ensure that no hostile takeover will happen without a Pantheon-spanning brawl in the process. The trio all made the agreement together over dinner that night, and so Gensokyo becomes a new major player in the plort industry, with Chimata handling business and advertising while Keiki handling supply and protection.
• "You foul barbarian... How long are you going to believe that you can use violence to hold dominion over objects? Possession of an object can only be controlled by the god of the markets. As long as they possess something, none can escape from the hands of God! The market has been opened! Let us return all things to nothing!"

Other Approved Deities

• Touhou Project deities:
  • Eirin Yagokoro, Goddess of Creative Chemistry (Brain of the Moon, Town/Hourai Pharmacist, The Lunarian That Offers Medicine As Needed) as a Greater Goddess in the Hall of Fields of Science (House of Science)
  • Satori & Koishi Komeiji, Divine Duet of Sibling Polarity (Satori: The Girl Even The Vengeful Spirits Fear, The Sickness in Everyone's Heart, The Youkai with the Lonely Silhouette, Armchair Detective Under the Ground | Koishi: The Closed Eyes of Love, Someone Thinking of Nothing, Imaginary Personality Holder, True Horror! Standing Right Behind You, Unintentionally Closed-Hearted Satori) as Lesser Goddesses in the Hall of Siblings (House of Family and Relatives)
  • Keiki Haniyasushin, Goddess of Replacing Old Management (The Sculptor God Crafted by Utter Isolation) as an Intermediate Goddess in the Hall of Manners of Authority (House of Leadership)
  • Tenshi Hinanawi, Goddess of Abandoning Heaven (Chiko Hinanai, Tenko, Girl of the Sphere of Neither Perception nor Non-Perception, Young Mistress of Bhavaagra, Superficially Scarlet and Otherworldly Celestial, The Well-Fed and Well-Dressed Celestial) as a Greater Goddess in the Hall of Rebellion and Revolution (House of Philosophy)
  • Kasen Ibaraki, Goddess of Lacking Disguise Knowledge (Kasen: Ibaraki-douji, Ibarakasen, One-Armed Horned Hermit, The Hermit, Protagonist of the Main Part, One-Armed Horned Hermit Costuming Shrine Maiden of Hakurei Shrine, Menace! The Hermit Who Listens to Wishes, Covet! The Hermit Who Grants Wishes, Taoist-Minded and Animal-Loving Hermit, Wile and Cunning Oni/Crafty and Treacherous Oni, Mountain Hermit | Ibaraki-Douji’s Arm: The Inhuman Arm That Abandoned Virtue and Embraced Vice) as a Greater Goddess in the Halls of Identity Issues (House of Personality) & Disguises (House of Costumes)
  • Kosuzu Motoori, Goddess of Shattered Worldviews (Bibliophile with a Deciphering Eye, Kozu) as a Demigoddess in the Hall of Reveals and Twists (House of Narrative)
  • Sumireko Usami, Esoteric Goddess in Purple (Expose the Esoteric! The Secret Sealing Club's First President, The High School Girl Who Chooses Books Over Luxuries, Mystic and Difficult-to-Handle Schoolgirl, First President of The Secret Sealing Club) as an Intermediate Goddess in the Hall of Common Colors (House of Colours)
  • Jo’on & Shion Yorigami, Contrasting Goddesses of Orange & Blue (Both: Oil Sisters Who Have It All | Jo'on: The Most-Despicable and Disastrous Younger Twin Sister | Shion: The Most-Despicable and Disastrous Elder Twin Sister, The Simple and Frugal Poverty God) as Intermediate Goddesses in the Hall of Color Combinations (House of Colours)
• Non-Touhou Project deities:
  • Sky Striker Ace - Raye, Goddess of Ludonarrative Resonance as a Lesser Goddess in the Halls of Gaming Narratives (House of Gaming) & Narrative Tone (House of Narrative)
  • Ange le Carré & Princess Charlotte, Divine Pair of Similar Strangers (Ange: Princess Charlotte, A (from the Commonwealth's spy org, Control), Alice (during Episode 6), Chloe (during Episode 9), My Turtledove (by Princess) | Princess: Ange le Carré, Priscilla (during Episode 6)) as Demigoddesses in the Hall of Identity Issues (House of Personality)
  • Shinobu Oshino, Divine Representation of Vampire Lolitas (Kiss-Shot Acerola-Orion Heart-Under-Blade) as a Lesser Goddess in the Halls of Vampires (House of Undead and Phasmata) & Fictional Expies (House of Derivatives)
  • Elaina, Goddess of Cute Witches (The Ashen Witch, Miss Elaina) as a Lesser Goddess in the Hall of Witches and Wizards (House of Magic and Sorcery)

Reworked Deities

• Adopted From Azure Legacy
  • Patchouli Knowledge, Patron Saint of Magician Librarians (The Girl of Knowledge and Shade, The Unmoving/Unmovable Great Library, Enigmatic Source of Magic, Witch of the Spring Haze One-Week Wizard, Patchy) as a Lesser Goddess in the Hall of Magic Archetypes (House of Magic and Sorcery)
  • Sakuya Izayoi, Goddess of Flechette Flurries (Maid of the Scarlet Devil Mansion/Evening Storm/Vampire/(Scarlet) Devil, Perfect and Elegant Maid/Servant, Dangerous Illusionist, Lightning-Speed Maid, The Scarlet Devil Mansion's Kitchen Drinker, Buying Diligently Even When Time Is Stopped, PAD-chou, Dog of the Devil) as a Lesser Goddess in the Hall of Projectiles (House of Weapons)
  • Youmu Konpaku & Yuyuko Saigyouji, Co-Goddesses of Cute Ghost Girls and Hitodama Light (Youmu: The Half-Ghost Gardener, Myon | Yuyuko: Yuyuko Saigyouzi) as a Lesser Goddess (Youmu) & Intermediate Goddess (Yuyuko) in the Halls of Ghosts (House of Undead and Phasmata) and Japanese Spirits (House of Otherness)
• Adopted From TPPR10
  • Aya Shameimaru, Goddess of Dubious Journalism (Traditional Reporter of Fantasy, Humble Tengu Newspaper Reporter, Tengu Closest to the Village/Home, Crow of the Tempest/Tengu Reporter, Fabricating Newspaper Reporter, The Tengu who Scatters Autumn Leaves, The Self-Serving Tengu, The Cocktail Party Where the Walls Have Ears, Third-Rate Newspaper Reporter, Reporter of Falsehoods and Self-Righteousness, Aya Syameimaru, SHAMEIMARU, ZUN's girlfriend, Fucking Gossip) as an Intermediate Goddess in the Halls of Sources of Information (House of Knowledge) & Investigative Work (House of Jobs and Profession)

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