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Hollywood Costuming

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The bodice, hairstyle, makeup, and especially the tan lines, are more accurate for 1955 than 1255.

Due to factors ranging from budget to Artistic License, period costuming in shows and movies is just downright inaccurate half the time — and that's not even counting instances of Reality Is Unrealistic where there's a justification for the anachronistic elements. This extends well beyond clothing and accessories: period-accurate hair and makeup are even harder to find in Hollywood.

Sometimes costumes are accurate to one historical era or style, but not the particular one relevant to the story. Sometimes the costumes have more to do with the contemporary fashions of the production rather than those of the story's setting. Sometimes the costume designers will just decide to throw historical accuracy to the wind and go for creativity and visual impact instead — this often happens with Pimped-Out Dress scenes, especially if the historically accurate version wouldn't create the right impression on the audience.

This is actually Older Than Print. Up until the Enlightenment, most Western European visual artists had little to no idea what ancient Middle Eastern or Greco-Roman clothing looked like — and would likely have been deeply scandalized if they did — resulting in hundreds of Biblical or mythological characters in full medieval or Renaissance dress. In Shakespeare's time, theater troupes used the cast-offs of wealthy patrons as costume wardrobes, recycling outfits across many productions. Victorian reprints of Jane Austen's novels often had new illustrations depicting the characters in modest Victorian clothing rather than the comparatively skimpy light muslin dresses of the Regency era. And in The Golden Age of Hollywood, certain movie costumes have been marketed to sewing pattens and altered to be more budget-friendly, easy to sew, and in-line with contemporaneous silhouettes.

Note that to count an example must take place in a Real Life historical era, not a neo-historical future or a Fantasy Counterpart Culture.

A Sub-Trope of Hollywood History.

A Super-Trope to Gorgeous Period Dress and Hollywood Military Uniform.

Often overlaps with Fashion Dissonance, Present-Day Past (when the sets, props, and costuming are not historical at all), Costume Porn, and Fashions Never Change. Some instances may be caused by Newer Than They Think on the costumers' part. Extreme cases can lead to What The Hell, Costuming Department?

Subtrope of Hollywood Style.


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    Comic Books 
  • Asterix:
    • The Gaulish women conform more to 1950s expectations of gender roles, with feminine bias-cut and fishtail skirts (with some teenage girl background characters wearing circle skirts), than to relatively unisex historical Gaulish dress, where the main difference between the genders was that women's tunics were a bit longer. One story hinges on a Straw Feminist liberating the village women by persuading them to wear trousers rather than skirts — historically, Armorican women and men both wore trousers under layers of tunics for maximum warmth and comfort in a cold, damp climate. This is lampshaded in a strip drawn by Uderzo for Elle magazine in which the narration describes historically accurate Gaulish fashion while Geriatrix's wife is posing about looking like a 1950s movie star. She even has a beehive hairstyle, while all the other Gaulish women have historically accurate (but timeless) long or plaited hair.
    • Cacofonix's slowly evolving design caused him to end up with something of a 1970s retro-50s hairstyle around the time that this was happening in Real Life, but this is definitely intentional and based on his personality. Almost definitely unintentional is that the shoes worn by the Gauls would be more at home in the 11th Century.
    • Used for deliberate stereotyping in other cases:
      • Asterix's Britannic cousin Anticlimax wears baggy tweed trousers (as the historical Britons did) but his shoes have long ties that wrap tightly around his legs up to below the knee, giving his trousers the distinctive shape of plus-fours.
      • A Turkish woman in Asterix and the Magic Carpet is dressed in a burqa, more than 700 years before Islam arrived in Anatolia.
  • Wonder Woman (1987): Flashbacks to the time of the siege of Troy and earlier, show the Amazons in and their foes in clothes inspired by the chiton, but mixed with a modern sense of style. For reference, the chiton was popularly worn from around 750 BC to 30 BC, and the time period depicted was around 1190/1170 BC, which is a rather big gap.

    Films — Animation 
  • Aladdin is set in Agrabah, a fantasy version of the Ancient Middle East, however Jasmine's signature sky blue bandeau top and pants combo looks more 90s Southern California than 9th century Persia, as it shows off a LOT of skin than would be appropriate for the time period.
  • Anastasia starts out well, with the styles looking like Imperial Russia and with the citizens of St. Petersburg looking much like how they'd dress in the 1920s. But several of the styles that the title character wears after shopping in Paris reveal too much of her curves for actual 1920s high fashion, especially the dress she wears to the opera (deliberately styled after Audrey Hepburn).
  • Snow White and the Seven Dwarfs is obviously set somewhere in the Middle Ages. But that doesn't explain why Snow has very 30's hair and makeup.
  • Cinderella has a vague setting but the gowns and conveniences suggest the early 19th century. Cinderella has a 1950s hairstyle and an evening dress straight out of a Christian Dior collection.
  • Tangled has a deliberate example. Mother Gothel wears a medieval dress while everyone else is in Renaissance(-ish) clothes. This is meant to imply that she's hundreds of years old.
  • Disney's Sleeping Beauty has Aurora in a dress that fits perfectly into 1950s high fashion, but bears only a passing resemblance to anything actually worn in the 1300s.
  • The Frozen series is supposedly set sometime in the early to mid 19th century, yet the skirts of both female leads' costumes don't even show a hint of crinoline. They either fall in tight folds that flounce nicely when moving, like Anna's ball gown, or straight down, like Elsa's coronation dress. A cut scene from an earlier draft of the first movie showed the sisters together in a dressing room where Anna tries on a tight laced corset (as fashion standards of the actual time period dictated), possibly lampshading the physical features both Elsa and Anna display. Arguably, the fact that both sisters were shut inside the castle for 13 years with minimal contact to the outside world (ostensibly to hide Elsa's powers) may somewhat explain where their clothing styles seem out of touch with everyone else.
  • In Pocahontas John Smith's haircut screams "90's boyband", while the native ladies wore what were basically mini dresses with fringe. On the accurate side, Powhatan's cloak was based on something the historical figure actually owned.
  • The Swan Princess goes for Rule of Cool with some of its costumes. Most of the characters wear medieval themed outfits to fit the fairy tale theme. Queen Uberta on the other hand wears a Victorian Era bustle and skirt with a medieval style bodice. The "Princesses on Parade" sequence likewise has a princess presenting herself in a Battle Ballgown made of plate armor, and another in a dress made out of corncobs.
  • Titanic: The Legend Goes On: Molly the singer wears a strapless dress that would be far too risqué by 1912 standards.

    Films — Live-Action 
  • The page picture comes from The Court Jester, where the historical accuracy was spelled out in the credits to be set aside for humor and fun. This includes the Dior New Look dresses the noble and royal ladies wear.
  • Gone with the Wind is a fairly good example of Shown Their Work in terms of costuming (especially by 1930s standards), but Vivien Leigh's makeup as Scarlett O'Hara is obviously mid-20th century with the thick cream foundation and high arched eyebrows.
  • This picture of Rose Hobart as Anne Neville (with Basil Rathbone as Richard III) in 1939's Tower of London. Mostly it's that nice hat. Heart shaped headresses are known as Mary Stuart caps for a reason and Mary wasn't even born until after Anne was dead and buried.
  • Young Bess is mostly accurate with regards to the Tudor costumes. But the hairstyles worn by Bess, Anne Boleyn and Catherine Parr are far too short - at just past the shoulders rather than the long hair that would have been more accurate for the period.
  • The movie adaption of Anne of the Thousand Days has Genevieve Bujold wearing French hoods as 60's era headbands. For the record a French hood is supposed to have a bag attached to the back to cover the hair, and they were kept on by ties that knotted under the chin. The knots are sometimes left out in paintings of the day.
  • The Carry On periodic films had their fun with this trope. An obvious example is all of Charles Hawtrey's characters wearing the same Harry Potter-style spectacles.
  • Pride and Prejudice (1940) dresses all the women in mid-19th century hoop skirts, instead of the shift dresses worn by Jane Austen forty years earlier. According to legend, the dresses were recycled from Gone with the Wind, the setting they're actually appropriate for. Word of God is that the setting was moved a few decades specifically so they could use more flamboyant costumes.
  • 300 uses the clothing conventions of ancient Greek artwork rather than period-accurate fashions, as does the original graphic novel. This results in more nudity than even the Greeks would be quite comfortable with.
  • In the 1947 film version of Good News (set in The Roaring '20s), the men's costumes are roughly period-appropriate, but the women's hair and clothes are contemporary.
  • From Here to Eternity puts Alma and Karen in hairstyles that are more appropriate for the early 1950s than the film's 1941 setting.
  • There was, at one point, an exhibit at the Los Angeles County Art Museum dedicated to Hollywood "historical" costuming, showing actual costumes from various productions. The three Cleopatra VII costumes (1917, Theda Bara; 1939, Claudette Colbert; and 1963, Elizabeth Taylor) were particularly fun to compare. Claudette Colbert's version is the least inaccurate.
  • In Auntie Mame (at least the first film adaptation), many outfits don't even try to look like the 20s or 30s.
  • The plot of the Doris Day film Tea for Two revolves around the stock market crash of 1929, but the fashions are vintage 1950. Made worse by the fact that the movie opens and closes years later with Doris's children going through a trunk of old clothing and laughing at their parents' Roaring Twenties outfits, which they never actually wore onscreen!
  • Another Doris Day film, On Moonlight Bay, falls into this as well: it's set in the 1910s, but everything about the costuming suggests 1950s, particularly Marjorie's bangs.
  • Pocketful of Miracles is set in the early 1930s but the clothing and hairstyles, especially for the women, are very early 1960s.
  • Ralphie's mother in A Christmas Story sports a 70s style perm despite the story being set in the 40s. And that's even weirder when you remember that the movie was filmed in 1982, when the Farrah Fawcett cut was just beginning to fall out of style.
  • Braveheart, mostly for the Scots. Specifically, they wear the belted plaid, a piece of clothing that would not develop until several centuries later, and in a manner which is entirely ahistorical — one historian described it as the equivalent of Cromwell's Roundheads wearing modern business suits with the jackets back-to-front.
    • Also blue-painted faces, which hadn't been in style for about 1500 years.
  • Every woman in The Ten Commandments (1956) has obviously 1950s hair and makeup.
  • Similarly, despite the accurate period costumes, the women in Meet Me in St. Louis (made in 1944, set in 1904) have 1940s hairstyles, although at least many such styles like pompadours were inspired by turn-of-the-century Gibson Girl fashions. Rose and Esther also wear their hair down, when girls of their age would surely have worn it up.
  • Pick a Dracula movie. Any Dracula movie.
    • 1931's Dracula can mostly be excused from this: the whole story got a period update from The Gay '90s to the time the story was filmed, which today may seem odd but at the time was simply Pragmatic Adaptation along the lines of moving a story set in the 1960s to the 2010s. By this logic, Mina and Lucy's bobbed haircuts, heavy makeup and long narrow dresses make sense. What doesn't work, though, is Dracula's ancient "brides" having similarly sleek, short hair.
    • The Hammer Horror series (and unrelated spiritual successors like The Fearless Vampire Killers) are all apparently set in Überwald circa 1965. Try finding one of these films where the women's hairstyles aren't some architectural combination of Gibson Girl poufs and 1960s half-updone bouffants and their dresses aren't some weird gestalt silhouette that only existed in sixties impressions of the nineteenth century.
    • The Setting Update Dracula A.D. 1972 inverts this. Drac's latest victim drifts about in a very-chic-by-early-70s-standards combination fluffy bob/long-in-the-back haircut and a standard diaphanous pseudo-Victorian shift.
    • Bram Stoker's Dracula is a weird case. Lucy and Mina wear painstakingly carefully designed late-Victorian gowns about 80% of the time, with appropriate hairstyles to match, even when the costumes are ugly by modern standards (Lucy's direly frumpy wedding dress comes to mind). But when the Rule of Symbolism flies in, accuracy goes straight out the window, resulting in a few costumes that are just off the wall. Mina's decades-out-of-style bustle dress however is meant to show that she's a poor school mistress who can't afford the latest fashions.
  • Mostly averted in Doctor Zhivago, but all the women have very 60s hair.
  • In the Clash of the Titans remake, the Greek Gods have Medieval European suits of armor. Yes, from the High Middle Ages, and complete with armor plates. The Greek Goddesses and the civilians wear Hellenic period costumes, instead of the Mycenean or classical periods more appropriate to the subject matter, creating an overall Anachronism Stew.
  • In Roger Ebert's review of Spartacus, the film, he criticizes the hair and makeup of the female characters (especially that of the rich, spoiled Roman women at the beginning of the film, who looked like they stepped out of a 1960's hair salon.)
  • A Knight's Tale throws period accuracy out the window, as Jocelyn has many outfits and hairstyles that are modelled after punk rock. The entire film is an Anachronism Stew running on Rule of Funny.
  • Parodied in Time Bandits. Our heroes discover that Robin Hood's Merry Men are disgusting, filthy dwellers of The Dung Ages. Then Robin himself emerges in a spotless Lincoln green tunic and tights straight out of an old Errol Flynn movie.
  • In Argo, the events of the film take place during 1980, but the characters wear tailored suits and fitted shirts that look very modern compared to the looser, boxier fit favored in the 80s. Even in moments when the film takes great pains to match the look and style of a 70s political thriller, some of the characters are dressed like they just walked in from a late-2000s runway show.
  • Susannah York's makeup and short, tousled hairstyle in Battle of Britain are clearly products of 1969, when the film was made, rather than 1940, when it was set.
  • In every film adaptation of The Great Gatsby, which is set in 1922, the fashions are almost always based on late 1920s hem lengths and waistlines, rather than the "streamlined Edwardian" gowns of the early 20s. Here is what women would have actually worn at Gatsby's mansion in 1922. The 2013 adaptation pushes this even further with modernized depictions of the 1920s and heavy Art Deco motifs. The men's fashions are fairly accurate apart from the exceptionally skinny trousers — The Great Gatsby Wears Prada, if you will.
  • Jennifer Grey's permed hair in the 1963-set Dirty Dancing makes it hard for a new viewer to tell this ISN'T supposed to be the 80s.
  • Hush... Hush, Sweet Charlotte features an opening that's supposedly in the 20s. But the hairstyles of the women at the party are all in the 1960s vintage - with not a single '20s Bob Haircut in sight.
  • My Favorite Year: When clips of Alan Swann's films are shown, they are in typical Swashbuckler style, where the intent was to look bright and flashy rather than accurate historical costuming (and one clip is a straight-up Expy of The Adventures of Robin Hood). There's also the "Boss Hijack" costume with yard-wide shoulderpads, pinstripes, and an over-sized homburg hat, a comedic exaggeration of Boss Rojack's clothing.
  • The fashions and hairstyles in Titanic are all accurate to 1912, even high fashion to a T as analyzed in this video, but the makeup is more to the standards of the late 1990s when the film came out, while during the time period when it is set, makeup on women was seen as scandalous.
  • The 1923 silent film Little Old New York is set in 1807, but the women all wear Victorian fashions instead of the Empire dresses they should be wearing.
  • More Dead Than Alive is set in 1890s, but all of the women sport late 60s hairstyles. Otherwise the costuming is pretty accurate.
  • Sodom and Gomorrah may be set in Bible Times (specifically, the time of Abraham), but many of the characters, most notably Stewart Granger as Lot, sport bouffant hairstyles, while the women wear copious amounts of eye shadow, all tying the film firmly to the early 1960s, when it was shot.
  • Alice in Wonderland (2010) has Alice surreptitiously ditching her corset before the family goes to a garden party, much to her mother's shock and disapproval. However, any outfit designed to be worn with a corset would not look as good as Alice's blue dress does on her (it would sag and wrinkle), and would be less comfortable without one, not more (because the weight of her skirts and petticoats would now be directly on her hips, instead of supported by the boning—ouch).
  • Beauty and the Beast (2017) thanks to Emma Watson's insistence that Belle would not wear a corset with any of her dresses - as she felt she wouldn't want to be restricted and move freely. But the film is set in 18th century France, when stays were designed to support the bust rather than reduce the waist, and had to be easy to move in. Going without one back then would be the equivalent of going braless today; stays were pretty much the ancestor of the bra.
  • The Harvey Girls is set in the 1800s, but the curled hairstyles on most of the female characters look more appropriate for the 1940s. The real life Harvey Girls were forbidden from wearing makeup in uniform, but the movie shows them with obvious lipstick and full 1940s Hollywood makeup.
  • Little Women (2019) won an Oscar for its costumes, which attracted a lot of criticism for many reasons. Despite the Civil War setting, the March sisters can be seen wearing new cotton dresses, even though there was a cotton shortage in the war! They also surely would have worn hand-me-downs, given their Impoverished Patrician status. The fashion is also out of order; in the first timeline, hoopskirts are worn when bustles were more appropriate, and it's the other way around in the second. Many of the girls freely wear their hair down, when they would have worn it up and with bonnets.

  • Vanity Fair: When Thackeray was drawing the illustrations to his own novel, set in the Jane Austen era, he appended a note to the text explicitly stating, "I have not the heart to disfigure my heroes and heroines by costumes so hideous," (!) and so clothed them in the fashions of the years of the novel's serial publication (1847-1848). Ironically, modern audiences generally find early Victorian fashion bizarre and unflattering compared to the much breezier styles of the Regency period.
  • In Harry Potter and the Philosopher's Stone, J. K. Rowling has "Nearly Headless Nick" wearing a ruff to hide the disjunction between his head and neck. Unfortunately, she states in Harry Potter and the Chamber of Secrets that Nick was executed in 1492, a good fifty years before ruffs came into style. The film versions depict Nick in the high style of the 1590s, a good hundred years after his supposed death; blame that on the first book as well, where Nick claimed that he'd been dead for "nearly four hundred years".
  • Judge Dee: The illustrations are stated to show the characters in Ming-dynasty clothes rather than Tang. This is a deliberate reference to the historical Chinese works the series is based on where the current fashions were used for illustration (not to mention a common Framing Device is a Ming-dynasty person finding a historical artifact and getting flashbacks to the violent events of the book).
  • Ms. Wiz: Parodied during a Time Travel Episode. Ms. Wiz poofs herself and two other girls into 1854 and dresses them in clothes from the wrong era.
    Nabilla: People weren't wearing powdered wigs and huge silly skirts in 1854! We're at least a hundred years out of date.
  • C. L. Moore's "No Woman Born": Happens In-Universe when the protagonists watch a stage show with "gorgeous pseudo-period costumes." The narration goes on to lampshade this trope.
    Since the play concerned Mary of Scotland, the actors were dressed in something approximating Elizabethan garb, but as every era tends to translate costume into terms of the current fashions, the women’s hair was dressed in a style that would have startled Elizabeth, and their footgear was entirely anachronistic.

    Live-Action TV 
  • Bridgerton has scenes of the girls being tight-laced into corsets, with Lady Featherington insisting that when she was their age, her waist was only the span of an orange. In the time period the series is set in (the Regency Era), women wore stays and not corsets; the fashion at the time was to look like a Greek column. The dresses weren't intended to highlight a lady's waist, and went straight up and down. What's more is that Daphne has scratches and scabs from wearing her corset without a shift — something which no one who regularly wears stays or corsets would even think of doing.
  • Dr. Quinn, Medicine Woman was guilty of this, although you'd hardly notice compared to all the OTHER historical inaccuracies in the show.
  • Debatable how accurate most of the costuming in Rome is, but the Egyptian costuming and sets were totally off. Egypt was a Hellenistic nation at the time, as was much of the Mediterranean after Alexander the Great's conquests. Therefore, the majority of the Egyptian people including the commoners would actually be wearing Greek clothing as one looked at most coins depicted the royals and the Faiyuum mummy portraits of non-aristocratic families. According to the director's commentary they were perfectly aware of the historical circumstances but chose to go for Rule of Cool, while at the same time trying hard to distance themselves from other well-known and stereotypical depictions of Egypt.
  • The costuming in The Tudors won an Emmy, but if you value your sanity, do not claim it's historically accurate on any Internet re-enactment board or discussion list. The costumes were intended to provoke in the modern viewer the same feelings of arousal and scandal that Tudor court fashion produced in its own day.
  • Charmed:
    • "All Halliwell's Eve" shows the sisters time travel colonial Virginia, and there is a conspicuous amount of cleavage shown. Those puritans probably wouldn't have been exposing that much skin.note  Ditto for when Melinda Warren comes from that time to the present.
    • "Pardon My Past" has flashbacks in The Roaring '20s, and the costumes for the sisters' past lives are very much The Theme Park Version of The Flapper dress. The dresses are all knee length, when hemlines didn't get shorter until the latter half of the decade. P Baxter wears a Little Black Dress which wouldn't be popularized until much later, P Russell wears bold red which wasn't commonly worn then, and P Bowen's is far too revealing; dresses of the time are remembered for being risqué, but only in comparison to the Victorian and Edwardian fashions that came before. While giving the impression of a loose silhouette, the dresses are also still form fitting enough to look sexy by late 90s standards, whereas most flapper dresses were quite androgynous.
  • Practically every male in Little House on the Prairie had a 1970s hairstyle - shaggy mops for boys, perms on adult men. Women and girls had timeless braids or buns that avoided anachronism.
  • Some of Morgana's dresses on Merlin could be worn to a modern-day cocktail party without attracting much comment. Her costume emphasizes her magic and outsider status. Word of God was initially that Albion wasn't a historical representation of medieval England, but that was contradicted by the Distant Finale showing a scene in modern times.
  • A minor, intentional one in Spartacus: Blood and Sand. The Romans wear authentic legionary uniforms, but a version that would not be adopted until 70 years after Spartacus' death. The developers knew this but decided to go with the later but more iconic look to make it feel more Rome-ish. Considering the already highly stylized nature of the series this is probably a good thing. What's more is that there's a blend of aversions and straight examples such as Crixus and Sura sporting modern hairstyles, whereas Lucretia has period-accurate wigs. Or at least, they were believed to be period-accurate at the time the show as made; later research showed that the elaborate styles initially believed to only be possible on wigs actually can be done to someone's real hair.note 
  • Every male on M*A*S*H had hair that was obviously 1970s street fashion, not 1950s military-issue.
  • Every girl on Hogan's Heroes had extremely 60's/70's hair and make up.
  • Same goes for much of the ladies' clothing in Upstairs Downstairs.
  • Happy Days: When the series started out, the characters wore 1950s fashions and hairstyles, but by the fifth season (1977-1978), the cast looked like they were indeed from the 1970s but somehow got warped back to the 1950s. This trend continued into the 1980s, with the characters wearing hairstyles and clothing appropriate for the early MTV era rather than the early 1960s.
  • Averted with Mad Men: the costume designer Janie Bryant worked very hard to get the clothes of the era just right for every character's taste, social class, sensibilities, age, and occupation — along with fitting them to recurring themes in an episode. She even insisted on period-accurate women's underwear to create the proper bodyshaping (those aren't spanx or elastic pantyhose, those are actual girdles and bras constructed in the costume department).
  • Boardwalk Empire begins in 1920 and proceeds roughly in real time, but right from the start cast members, especially women, are dressed in "Roaring Twenties" styles from six or seven years later. The effect is not unlike a JFK-era period piece costumed in hippie garb because "it's the 60s."
  • Lampshaded in the Legends of Tomorrow episode "Camelot/3000", where the resident historian Nate dresses in peasant clothing appropriate to 6th century AD, while the other team members are "looking like a Renaissance Faire." They comment that he looks like a leper. Then they are ambushed by Knights of the Round Table (who are supposed to be a myth), wearing full plate armor (which shouldn't exist for many centuries), who find nothing wrong with the others' clothing, but they also assume that Nate is a leper. It's later revealed that all of Camelot is a time aberration, created by Stargirl in order to help her protect a piece of the Spear of Destiny.
  • In Cimarron Strip, Dulcey's hair is more suitable for the 1960s than the 1870s.
  • While the Vikings ditched the typical horned helmet that were often depicted, the majority of the characters wore leather and bundle of chainmail. Actual Norse people wore animal skins, wool, and linen with colors that were bright.
  • Reign embraces this to the extreme, with sixteenth-century ladies wearing strapless dresses and other very modern looking sartorial confections.
  • Subverted with a Chinese historical series set in the ancient imperial court that was banned because of the 'immodesty' of the low-cut bodices of the women. In vain the producers pointed out paintings of the time, showing that that was the actual style.
  • Game of Thrones would occasionally handwave this by claiming that a certain style was simply local to the area, however some outfits genuinely stand out at beings unusual for a pseudo-medieval fantasy, as seen here:
    • Daenerys and Missendei both at various points wear odd leather shoulderpads whose straps cross their chest in a way that's seemingly supposed to look like armor but mostly just highlights their breasts.
    • Cersei's odd gown from the final seasons with tiny horizontal stripes that looks entirely like it's made of modern fabric, not helped by the odd cap sleeves on the black overcoat, which has a weird metal spinal decoration that looks like it should prevent her from sitting.
    • By season seven, King's Landing has somehow entirely changed not just its fashion style, but prevailing fabric type. While this could be justified as Winter Is Coming, it's odd to see characters who formerly walked around in floaty, colorful silk dresses and long hair wearing thick, body-conforming black knits with pixie cuts.
  • Most male characters in Isabel and Ferdinand of Aragon in particular wear boots at all times, which were usually reserved for riding and walking the country. This obviously has to do with modern audiences perceiving moccasins and breeches as unmanly. The Nasrid court's wardrobe was also criticized as excessively orientalist, being closer to a mix of Moroccan and Ottoman dresses than 15th century Granada fashion.


  • In theater more than a century or so old, there wasn't even an effort to be accurate in the costuming. You would see Cleopatra in petticoats and an ermine cape and Mark Anthony in a doublet and tights.
  • Christine's frizzy '80s Hair in the original production of The Phantom of the Opera (though, that could be an homage to the 1925 silent film too, which would not necessarily still be this, as Mary Philbin's hair was naturally that wavy and was up for most of the film), although the visual designer of the original production stated it was supposed to be styled after the hairstyles seen in pre-Raphaelite paintings. Over the years, this has evolved into much tidier ringlets.
  • Shakespeare's Globe carries on the convention of the actors wearing Renaissance clothing typical of what would have been seen when the shows were new.

    Video Games 
  • Assassin's Creed: Brotherhood is generally pretty good about having correct period clothing. Well, except when it comes to underwear.
  • Metal Gear Solid 3: Snake Eater is set in the 1960s and mostly accurate, particularly with EVA's distinctively 60s hair and makeup, and Para-Medic's various outfits being period accurate. However, there is no way Naked Snake would be able to get away with wearing his hair like that in 1964. This was an intentional decision by the creators to make him look more like Solid Snake.
  • Even taking into account the fact that she is a duchess, a high-ranking member of a secret order and on the titular world-controlling Council, Emily Hillsborrow from The Council could never get away with wearing her outfit back in 1793, especially as a woman. As well as exposed shoulders (scandalous!) and a corset that barely holds her breasts in place which is also open down the middle, her dress is also completely backless. Even prostitutes in that time period dressed more modestly.

    Web Video