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Eve: I know you are an extraordinary person.
Villanelle: What else?
Eve: I know something happened to you.
Villanelle: What else?
Eve: I know you're a psychopath.
Villanelle: You should never tell a psychopath they are a psychopath. It upsets them.
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BBC America's Killing Eve is a 2018 thriller drama series developed by Phoebe Waller-Bridge, based off of a series of novels, Villanelle, by Luke Jennings.

Eve Polastri (Sandra Oh), a desk-bound MI5 Officer begins to track down talented, psychopathic assassin Villanelle (Jodie Comer), while both women become obsessed with each other.

In genre, Killing Eve is a fairly traditional piece of Spy Fiction—the main characters are government agents, assassins, and spies (and quite a few of them are Russian). But in themes and tropes, Killing Eve is quite unique. It places the homoerotic subtext between hero and villain at the center of its narrative. Villanelle is a Likable Villain who is still unquestionably a horrible person. Set against a backdrop of politics and intrigue, it largely ignores them, directing its focus instead toward an introspective look at its characters.

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Season 1 came out in 2018, and there are 2 seasons so far. Episodes are here.


Tropes in this series include:

  • Action Film, Quiet Drama Scene: The series is character-driven which makes the carnage even more brutal even if it happens off-screen.
    • Villanelle meeting Eve for the first time in the bathroom left her so at a loss for words that she lost control and killed everyone in the hospital room, though Konstantin had emphasised that she needed to make it look like suicide to fend off any suspicion from the authorities.
    • The beginning of episode 5, with Eve trying to approach Villanelle after she repeatedly shoots at the vehicle where her target is in.
  • Actually Pretty Funny: While Villanelle’s overconfidence, loose cannon behavior, and flippant dismissals irritate Konstantin, irk Anna, and infuriate Eve, they can’t deny that she elicits smiles and guffaws especially when she unexpectedly jokes in the middle of a tense situation or where she’s being reprimanded for her misbehavior.
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  • Adaptational Name Change: Villanelle's real name in the books is Oxana Vorontsova, in the TV show she is Oksana Astankova.
  • Adaptational Villainy: Villanelle is much kinder and more innocent in the books. She's still shockingly lovable and sympathetic in the TV show because of some incredible acting, but a much worse person.
  • Admiring the Abomination: Eve is impressed with the precision of the murder incident in Vienna to the surprise of her colleagues and superiors.
  • Age-Gap Romance: Villanelle is 25, while Eve is presumably in her forties, like her actress.
  • Almost Kiss:
    • 1.05. Villanelle has Eve again the wall, with a knife at her throat and is looking at her lips. The Moment Killer: Niko arriving home.
    • The season 1 final, when Villanelle and Eve are lying on the bed—before Eve stabs her.
    • 2.04, between Eve and Hugo. The Moment Killer is when Eve’s phone goes off.
  • Ambiguously Bi: Eve tells Bill she's pretty straight. But Bill suggests Eve is bi because of how she recalls Villanelle. Bill should know, as he's fallen in love with both sexes himself. The show's narrative definitely agrees with him.
  • Ambiguous Situation: In the first season finale, is Eve genuinely considering having an affair with Villanelle, until she changes her mind and stabs her instead? Or is she merely faking reciprocation of Villanelle's feelings for her, so that Villanelle would let her guard down?
  • Armor-Piercing Question: Eve has lots of questions for Carolyn when she is summoned to work with her again in the first episode of Season 2, but is silenced when Carolyn asked: "What really happened in Paris?"
  • Awesome Mc Coolname: Villanelle. Justified, as it is a codename.
    • A villanelle is a type of poem. Likely a Shout-Out to the character from Winterson's The Passion, which is the first example of it being used as a person's name.
    • It obviously sounds like villain, except as a feminine name.
    • There's also something vaguely French-sounding about Villanelle, in the vein of names like Arielle, Gabrielle, Emmanuelle, Giselle, and Marielle. This makes sense for a Russian girl looking to distance herself from her Russian origins and establish a new version of herself in Paris.
  • Beneath Notice: The new assassin managed to kill the victim by disguising as a beauty salon worker who gave him a pedicure, puncturing his toe that caused a bubble in his bloodstream making him die from an embolism.
  • Betty and Veronica: Okay, Eve, you have two people vying for your affection. One is your nice, pacifist husband who has a stable job and wants to protect you — though, granted, this does manifest in ways that you do not like, and he doesn't seem to quite understand you and what makes you tick. The other is a gorgeous young woman who kills people for a living, is utterly obsessed with you, and takes a worrying amount of pleasure in violence and bloodshed — but she's arguably the person who understands you most in the world. Decisions, decisions...
  • Black Comedy: All over the place. There's a whole page dedicated to that.
  • Blatant Lies:
    • Villanelle tells Konstantin that she doesn't even think about Eve while she has the woman's scarf wrapped around her neck. It can also count as Suspiciously Specific Denial since the creator, Phoebe Waller-Bridge, stated that the characters don't spend a waking minute without thinking of each other.
    • Niko’s friend, Dom, asks Eve if it’s legal to interview the Polish witness under the guise of being her cousin when it’s clear that she’s not suited for an interview yet. Eve replies that it’s fine... but didn’t answer Dom’s question if it is.
  • Book-Ends: The song “When a Woman is Around” by Unloved played when the viewer first sees Villanelle on the job in the first episode. The season finale shows Eve walking to Villanelle’s apartment with the same song that underscores Eve’s determination showing that they’re not so different. Only this time, Eve’s target is Villanelle—who spent most of the season eliminating her own targets but has never been one herself.
    • Season 1 ends with Eve attacking Villanelle and stabbing her, believing she can't love. After Eve tells Villanelle that she can't love at the end of Season 2, Villanelle attacks Eve and shoots her.
  • British Humour: It mostly comes from Eve's family and friends, but Eve delivers some herself. Most notably is her Catchphrase of "piss off," and flatly describing how she'd brutally murder her husband to him.
  • Brutal Honesty: Villanelle’s interaction with Gabriel concerning his injuries is mostly this. Justified by Gabriel since he says that doctors and nurses are preventing him from knowing how bad they are when he just wants to know the truth. He also knows that Villanelle isn’t one to mince words and asks her to look under his bandages for this very reason.
  • Bury Your Disabled: In the first episode of Season 2, Villanelle meets Gabriel, who has been severely injured in the car accident that killed his parents. She viciously kills him in spite of the fact that she has no reason to do so.
  • Bury Your Gays: We find out Bill's bisexual? Well, he's definitely going to die, then.
  • Bystander Syndrome: A woman on a bus in Bulgaria spots one of Villanelle's victims, wounded and banging on the window of his office building, trying to attract attention and get help. As Villanelle advances on him and the bus pulls away, the woman pulls out her phone...to call her mother, asking if she wants anything from the shops.
  • Character Title: The books are titled after Villanelle, while the show is titled after Eve.
  • Chekhov's Gun: Villanelle momentarily looks at Konstantin’s wrist when she pulls him in for a hug after her assessment. When she makes the threat to his daughter, he shakes his wrist to conceal the bracelet—the accessory that she used to deduce that he indeed has one.
  • Chekhov's Skill: Villanelle advises Eve not to tuck the knife at the front of her pants so that it won’t slip and cut her. Eve remembers this all too well when she later conceals a knife at the back of her pants to stab Villanelle.
  • Contrast Montage: Done to wonderful effect at the end of the second episode. To the tune of “La Marseillaise”, Eve and Villanelle simultaneously search each other’s identity which results in both women being astounded that they’ve already met in a situation where they’re least likely to suspect each other. This emphasizes that while they lead different lives, one in a domestic situation and the other living it up in her gorgeous flat as a single, affluent woman, they each inhabit an environment dominated by men and share a macabre fascination with murder. Even their reactions to their realizations are contrasted; the normally unflappable assassin Villanelle tosses her laptop onto the bed and appears to be genuinely shocked, while Eve is grinning and perfectly calm, despite the fact that she might now be Villanelle's next target.
  • Cowboy Cop: While Eve initially skirts the rules when she investigates Villanelle on her own, Villanelle comes across as a criminal version of the trope right down to being pulled off assignments due to reckless behavior and a handler who acts much like Da Chief.
  • Depraved Bisexual: Villanelle, who shows attraction to both sexes and is a trained, ruthless assassin. This is downplayed by the show having other bisexuals as well: Bill, who is a really good guy, and probably Eve herself.
  • Distracted by the Sexy: Villanelle tunes out while she’s staring at a passerby—a woman with thick, wavy hair—causing her male date to ask her if she happens to know the woman by any chance.
  • Double-Meaning Title: The show's title could be referring to:
    • A time of killing ("eve" in the context of "on the eve of the elections")
    • Villanelle going after Eve
    • Eve Gaining the Will to Kill
    • A part of Eve dies, or the old Eve dies to make way for the new.
  • The Dreaded: Raymond, Villanelle’s new handler, is described as this by Konstantin. He handles errant assassins who are on the verge of being eliminated by the organization which employs Villanelle. He’s indeed so dangerous that he’s considered someone to be wary of even by effective contract killers, and it reflects their precarious situation as a liability for an all-powerful organization like The Twelve, adding more danger in an inherently risky profession. Of course, Villanelle is flippant and continues to taunt Raymond, even saddling him with credit card bills for her expensive purchases.
  • Driven to Suicide: Anna, Villanelle's former lover, shoots herself rather than shooting Villanelle.
  • Dysfunction Junction: Our story focuses on Eve (a woman who has a morbid fascination with female assassins and may or may not be infatuated with one), Villanelle (a female assassin who is definitely infatuated with Eve, and is also a psychopath), Frank (a whiny dick-swab with major financial issues who is The Mole), Carolyn (an Iron Lady who may or may not be entirely on the level and is certainly hiding something), and Kenny (a brilliant, introverted hacker). Elena and Bill are the only protagonists who aren't somewhat messed up, and Bill's dead before the first season is halfway through.
  • Epunymous Title: Eve is the name of the the heroic co-protagonist.
  • Eureka Moment:
    • Eve ties her hair up in the bathroom then was suddenly reminded of the young woman who told her that she looked better with her hair down. This leads to Eve suspecting that she might be a clue to their suspect.
    • Eve figures out that Frank is the mole being paid by dubious organisations for giving intel by remembering a conversation where he’s worried about his children’s future because of money issues.
  • Even Evil Has Standards: Villanelle isn’t above using a child as an accomplice to a crime, killing a human rights activist, sweet-talking a former lover then running her over with a vehicle next, but was mortified at Irina’s question if she’s a pedophile when she kidnapped her.
  • Evil Counterpart: While Konstantin couldn’t be exactly described as an upright man, he is quite benevolent towards Villanelle compared to her new handler who warned her with a chokehold that would have killed her while she’s still weakened from her injuries. This scene could be compared to Konstantin warning Villanelle in the first season when he wrapped his hand around her neck, but it wasn’t intended to hurt her and only to frighten her when she went behind his back to assasinate the French business magnate.
  • Evil Is Petty: Villanelle attempts to make a young girl smile back at her and was irritated when she didn’t. She observed that the young girl reciprocated a male attendant’s smile then proceeded to imitate this by following the facial details that make a genuine smile to the T. The young girl finally responded in kind and Villanelle rewards her... by tossing her ice cream over her lap.
  • The Fashionista: Villanelle is one. It is a way to express herself and a sign of her financial independence.
  • Fatal Family Photo: Sort of. The audience is introduced to Bill's lovely baby, and some of his personal backstory. Of course, he doesn't make it to the next episode.
  • Fatal Flaw: For all of her impressive intellect and unique talent in making connections that makes her a maverick, Eve is lacking in self-awareness that she’s unable to (or doesn’t want to) know what she wants or where her motivation to chase Villanelle is coming from. This leads her to compromise the safety of her friends, ruin her marriage, and lose her jobs.
  • Foe Romance Subtext: Of the “deliberate and self-aware” variety.
  • Foil: Zigzagged as the season progresses.
    • Eve’s home is mostly functional, comfortable, and crammed with furniture and books showing that it’s a little stifling but reflects her cerebral nature. Villanelle’s apartment has lots of space and is mismatched with souvenirs that she gathered from her travels arranged haphazardly with antiques and modern equipment. The final episode shows Eve trashing Villanelle’s apartment making it haphazard for real.
    • Eve’s surroundings have a grey template and the places she frequents are functional such as work spaces and not much for hedonistic delights. Villanelle is travelling in many parts of Europe with sweeping locations, bright colour templates, and catering to epicurean and sensate pleasures showing Villanelle’s high need for stimulation. But then, Eve becomes just as addicted to the adrenaline rush towards the end of the season in her pursuit.
    • Eve is too tired to have sex with Niko and is relieved when he reassures her that he prefers to sleep. Then cut to Villanelle woken up by Konstantin while in bed with a beautiful girl and a beautiful boy during a languorous afternoon.
    • In the first episode of Season 2, the new assassin’s modus operandi is presented as distinctly different from Villanelle: where she is flamboyant and ostentatious, this person is discreet and meticulous.
  • Food Porn:
    • In the pilot alone, two fairly long scenes are devoted to Villanelle savouring mildly sophisticated food. Right before committing a crime. It ties in her status as a Hedonistic killer associating killing and indulgence.
    • Sharp eyed viewers might have noticed the many, many shots of sausages throughout the show.
  • Freudian Excuse: Invoked by Eve during the dinner when she learned about Villanelle’s family background and history of violence. Anna considered the possibility that Villanelle’s violent behaviour could be a result of poor upbringing and thus she gave Villanelle extra attention, more than any other student she’s ever had. This led to an illicit affair which ended with Anna’s husband being murdered by Villanelle.
  • Genre Savvy: Villanelle correctly deduced that Frank’s mother—who is actually a Russian Intelligence Agent, and not related to Frank at all—is lying when she said that he’s not at home by noticing that his car is still in the garage.
  • Get Ahold Of Yourself Man: Villanelle has to do this to Eve in a darkly hilarious moment in "I Have a Thing About Bathrooms." Upon finding Villanelle in her apartment (to have dinner with her), Eve of course freaks out and starts screaming for help. When screaming "I'M NOT GOING TO HURT YOU!" and choking Eve doesn't work, Villanelle shoves Eve into the bathtub and turns on the cold water to shut her up. Amazingly, it works.
  • Gory Discretion Shot: In 2.05, Villanelle interrogates The Ghost offscreen. Whatever she does or says to her, it's enough to not only get all the information Eve wants, but also reduces the tough, silent professional killer to tears.
    The Ghost: Monster.
  • Groin Attack: Villanelle has a certain habit of this. First she cuts off Frank's penis before killing him, then it's revealed she did this to an old lover's husband as well.
  • Hidden Depths: much to the surprise of other characters
    • Bill: Queer, really gets around, kinky.
    • Carolyn: The consummate professional, excellent spymaster, gushes like a schoolgirl.
    • Konstantin: Handler of a sociopathic assassin and maybe more, but a true family man.
    • Eve: She fumbles in social situations, is oblivious to her own feelings but is keenly perceptive and adept at making connections, which others, even her own supervisor, weren’t able to notice, thus catching the attention of Carolyn Martens.
    • Villanelle: She’s extroverted, a charmer, but actually a lone wolf. It works to her advantage, given that she herself is aware that it’s difficult to work with people like her. When she’s working with others, if push comes to shove, she’s shown to be a natural leader and easily takes to calling the shots.
  • Inappropriate Hunger: Eve was taken aback by the smell of the corpse in the morgue then was suddenly surprised that she wanted to eat a burger. Justified by the medical examiner when she said that the smell of formaldehyde makes people crave meat.
  • It's Personal: Villanelle's most notable crime was castrating a man before murdering him. Later, it's revealed she had been fixated on his wife, with whom she was having an affair.
  • I Want My Beloved to Be Fashionable: Villanelle steals Eve's luggage, then returns the bag—now full of personally-selected designer clothes and shoes. After that, she spies on Eve trying on a dress. Unbeknownst to Eve, Villanelle picks her out a belt to match and leaves it near her changing room.
  • Idiot Ball: Characters tend to catch it often.
    • Bill chases Villanelle into a nightclub, despite being in no way prepared to deal with her
    • No one decides to give Eve protection or put surveillance on her house, even after Villanelle knows where she lives and is clearly obsessed with her.
  • Jack Bauer Interrogation Technique: Subverted. Carolyn is trying to get information out of Frank, but he's not cooperating, and is instead whining and nearing a breakdown. Carolyn sighs, rolls up her sleeves, tells Eve, "I'm sorry you have to see this," and then... gives Frank a hug. It works, and he starts spilling his guts.
  • Jerkass Has a Point: Villanelle tells Eve in the fifth episode that it’s possible they’re working for the same people if they follow the chain of command up high enough. Upon arriving in Russia and seeing Carolyn being quite chummy with Konstantin, it appears that maybe Villanelle wasn’t too far off.]
  • Like You Would Really Do It: Both cliffhangers are to do with the possibility that either Eve or Villanelle will die. Villanelle, of course, didn't, so of course Eve isn't going to die, either.
  • Love at First Sight: Word of God states that Eve and Villanelle meeting in the bathroom for the first time counts as this.
  • Meaningful Echo: Both Villanelle and Eve wipe a drop of blood off themselves in the first episode, largely hinting that they are not so different.
  • Mentor Occupational Hazard: Bill was Eve’s immediate supervisor but they had a reversal of positions when she took the job for Carolyn. Nevertheless, he educated her on her possible bisexuality, how kinks can be specific and about his openness to sexual exploration in spite of his advanced age which shows that any person including Eve, can have an awakening. He also was the person she respected to be her anchor. When he died, she went full throttle on her pursuit of Villanelle and her obsession. His death compelled Eve to double down on her actions, for better or worse.
  • Mercy Kill: At the hospital in Paris, Villanelle meets Gabriel, a tween who has lost his parents and had his face disfigured in a car accident. Because he is nice to her and is likely to have a difficult life after he recovers, Villanelle does what she thinks is a favor by snapping his neck. However, it's something of Protagonist Centred Morality as there's no indication he would agree.
  • Mexican Standoff:
    • Between Nadia, Villanelle, and Diego in the climactic scene of the fourth episode.
    • Between Eve and Villanelle in the season finale.
  • Mood Whiplash: In spades. The series employs this as well as its characters. Villanelle uses this as a diversionary tactic when Eve starts to ask her why she castrates her victims, as well as about her past. Villanelle appears to cooperate... until she asks about Eve’s wardrobe and how it confounds her which made Eve smile for a bit and appeared to be on the verge of laughing, then Eve asked about Bill.
  • Murder the Hypotenuse: Villanelle killed her girlfriend's husband, because he was an obstacle to them. Naturally, her girlfriend was horrified.
  • Never Heard That One Before: Subverted. When MI5's quartermaster comes in to outfit Villanelle with some classic spy stuff, she asks for the watch with a laser.
    Q: Do you know how many times I've heard that one? Never. Our operatives are professionals.
  • No Periods, Period: Averted. Villanelle has tampons stored along with her guns and weapons showing that they’re just as essential to her life and job. This also serves as a ploy to get her assessor to stop asking questions about anxiety by mentioning her heavy period. She also gets another caterer to allow her access to the bathroom during a mission by saying that a guest asked to bring her a tampon.
  • No, You: Carolyn’s conversation with Eve concerning relationships is a variation of this. It results to a lot of unnerved chagrin on Eve’s part given how it’s possibly accurate, and since Bill has said something like this to her earlier.
    Eve: I’m sorry, I don’t like your boyfriends.
    Carolyn: I’m sorry you don’t like your husband.
    Eve: What?
    Carolyn: (Takes a pull of her drink) It’s alright. You can still love him. For me, it is always the ones I like the least that I love the most. Maybe it was the fact that I love them made me dislike them so much. Oh dear (finishes her drink), I’m bordering on the profound. Bed.
    Eve: Bed.
  • Not So Different: Eve and Villanelle, which is why both understand each other so well. It only adds to their mutual obsession with each other.
  • Obviously Evil: With a name like Villanelle... it obviously sounds like villain, except as a feminine name.
  • Oh, Crap!: Happens to quite a few characters.
    • Bill’s reaction when he realized that Villanelle was luring him to the club so she could kill him without anyone noticing.
    • Konstantin almost says this word for word when Villanelle asks him about “The Twelve”, the organisation he works for, of which she has no prior knowledge until that moment.
  • Once per Episode: Villanelle kills someone.
  • Plot Parallel: A major topic of the show is admiration, obsession, and attraction between women, and how these feelings are quite similar and often intertwined. The A-plot for this is between Villanelle and Eve, but the way Elena views Carolyn mimics this.
  • Pre-Asskicking One-Liner: Julian was so distraught over upsetting Villanelle that he appears to be remorseful and miserable over what Villanelle must be thinking about him. She answers by saying “I think you will bleed to death”, reverting to her Russian accent before kicking him in the head.
  • Precision F-Strike: Villanelle in great distress and agitation which is uncharacteristic for her, had to call MI-6 and ask for Eve Polastri to try to escape Julian’s house. The automated operator didn't understand her well and repeatedly asked for the person’s name, causing her to break down in frustration and scream:
    Villanelle: Eve Polastri, you piece of SHIT!!
  • Professional Killer: Villanelle's profession.
  • Psychotic Smirk: Villanelle delivers a chilly one to Bill, right before she turns the chase on him and kills him.
  • Reality Has No Subtitles: Made use of by an interpreter struggling to understand Katya's Polish: she is not only drunk but much younger than the interpreter and using slang—Eve calls on her husband and their young friend Dom (both Polish) to decode it.
  • Running Gag: In the fourth episode, Diego keeps asking everyone if anyone needs to pee before they continue with the job. Villanelle taunts him by refusing to comply and says that she can she hold it in. According to the actor, Diego is described in the script as a “theatrical douche with a weak bladder.”
  • Scenery Porn: The viewers are treated to beautiful locations such as sun-kissed Tuscany, sweeping shots of Berlin, Konstantin’s home by the lake, and trees lining up the road as Villanelle drags Irina from their home, showing Villanelle’s glamorous lifestyle as a jet-setting assassin with an all-expense paid privilege. In contrast, the sullen and dour atmosphere outside of Moscow when Villanelle returns to her native country mirrors her unravelling, loss of control and incomplete knowledge of what is actually happening around her and the true motives of the organisation she’s working for.
  • Serial Killer: Villanelle of course. She fell into the Hedonistic killer category. She seems to thoroughly enjoy the thrill of killing and uses the money to treat herself to nice gifts.
  • Shadow Archetype: Villanelle and Eve are this to each other. Villanelle might be enjoying her life as a sensation-seeking assassin all too much but she’s drawn to Eve’s life of stability and a legitimate job with friends and co-workers who like her. Eve has a good job, a good husband, has good friends in Bill and Elena, and has enough time to do her hobbies, but she’s drawn to female assassins and dreams of a life - like Villanelle's - where she gets to live out her desires and impulses without any compunction or self-consciousness.
  • Shout-Out:
    • Director Jon East cited Ingmar Bergman’s Persona as an influence in the fifth episode.
    • There are several camera shots used by Jon East as a homage to films by Stanley Kubrick, namely the chapel scene in episode four which is reminiscent of the camera position in the bunk scene in Full Metal Jacket, and the use of the 1-point perspective in the stand-off between Eve and Villanelle where she points the knife on her chest as a homage to 2001: A Space Odyssey.
    • The Mexican stand-off between Villanelle, Nadia, and Diego is a homage to the finale in Reservoir Dogs.
    • One of Villanelle's wigs is named Lulu.
  • The Sociopath: Villanelle displays most of the symptoms, however she still seems to have genuine feelings for Eve, Konstantin and of course Anna. Whether these feelings are genuine love or simply obsession is not immediately clear, but Konstantin claims that Villanelle "loves you to death" and will destroy Eve in the end, just as she did him, Nadia, and Anna.
  • Spy Fiction: The story focuses on assassins, spies, and government agents. Plus it has quite a few Slavs, as is classic.
  • Spy Speak: In the fourth episode, the conversation between Villanelle and Diego is assassin-specific and a signal that they will be working together. Villanelle proceeds to do this but then she couldn’t resist taunting Diego about his hood.
    Villanelle steps out of the train platform then approaches someone with a birdwatcher’s sign.
    Diego: Welcome to England.
    Villanelle: (Reads the sign) I’m so excited to see the Siberian Chiffchaff.
    Diego: Unlikely, they haven’t been seen since two thousand and nine.
    Villanelle: Hmmm.... (points to his hood and traces it with her finger) Do I get one of these...things?
    Diego: (Annoyed, zips down his jacket and pulls off his hood)
  • Stalker with a Crush: Villanelle develops as one for Eve, going as far as stealing her clothes, spying on her and asking a sexual partner with similar thick wavy hair if she can call her "Eve."
  • Stepford Smiler: Discussed by Irina, her kidnap victim, by observing that Villanelle is distraught about her former lover’s suicide, further saying that she’s a good person underneath because she tries to hide her tortured soul with a smile, and that sad people have more capacity for empathy since they feel things more. Of course, Villanelle was flippant and dismisses her as one of those “profound kids.” The show and the character herself are aware that people are expecting her to be this while she has repeatedly shown to feel joy and awe in witnessing carnage and murder.
  • Suppressed Mammaries: In-Universe. The first Villanelle killing Eve hears about was supposedly committed by a flat-chested woman, but we see that Villanelle had strapped down her breasts as part of a disguise.
  • Suspiciously Apropos Music: Much to Villanelle’s dismay, the lyrics to Roxette’s “Listen to Your Heart” playing on the radio as Konstantin drives them away from London actually applies to her jealousy over Eve investigating the new assassin. She demands he turn it off, but he refuses.
  • Switch to English: Villanelle speaks English most of the time, even in a Russian prison (never really satisfactorily explained) or to the French (after a few niceties she prefers to switch to English, even though allegedly French was her favourite subject at school).
  • Take That!: On a meta-level, Villanelle mouthing off to the Instagram influencer who asked for her photo reflects what the writers think of this job and those preoccupied with them.
  • Teacher/Student Romance: Villanelle fell in love with her teacher Anna as a teenager, and they had an affair. She ended up castrating and killing Anna's husband to "free" Anna to be with her.
  • Technician vs. Performer: The Ghost and Villanelle respectively. The former was a fired medical professional who’s very analytical and meticulous in her kills, the latter is a theatrical attention seeker who approaches murder like an artist would and treats them like works of art.
  • Villain Protagonist: Villanelle, the other co-protagonist.
  • Wicked Cultured: Villanelle in spades—stylish clothes, fancy (if messy) Parisian apartment, appetite for designer products and nice food, taste for classical music, polyglot and European.
  • Wounded Gazelle Gambit: Both Eve and Villanelle resort to this in the first episode of the second season. Eve says tells train security that she had a bad oyster, which was why she had to leave her things momentarily, and she is allowed to board the train. Villanelle gets to leave the hospital by telling the orderly she got her results and needed a moment alone, which gives her the opportunity to escape from the hospital.

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