An Improbably Female Cast is when a work's cast almost entirely consists of women in a situation where this would be unusual. For example, a supposedly mixed-sex school where females make up more than two thirds of the students.
It has been argued that the main reasons for a work choosing to have an Improbably Female Cast are: they target a male demographic, with fanservice and the possibility of girl-girl interaction; or they target a female audience that is more likely to empathize with a predominantly female cast or they target a queer female audience who likes both. Confusion between these motivations can easily result in a Periphery Demographic for both types of show. The writer may have wanted to tell a story about women outside of a traditional female role, to emphasize a fictional society in which this would not be unusual, or have been forced by Executive Meddling to add an unusual situation to provide excitement or appeal to a male audience.
Note that the mere fact of a story focusing on a group of women in a larger setting is itself not an Improbably Female Cast; it can occur only when the cast is intended to represent the entire or majority membership of a group and yet with no explanation most are female. For example, a work where the cast comprises the entire student body of a mixed-sex school, yet women are more than two thirds of the students, is an improbably female cast. The same may also apply if the cast is an entire year group (a substantial division) or a single form group (a representative group). However, a story about a group of female friends in the setting of a mixed-sex school is not Improbably Female; it's simply a story about those particular characters, and the focus on that group makes no assertion about gender balance in the wider setting.
The Spear Counterpart is so incredibly common it would be near impossible to list all the examples. Its extreme Spear version is The Smurfette Principle, where there is only one woman in a cast of men.
Closely related to World of Action Girls, which facilitates the abundance of women. Any examples of casts made up exclusively of female characters (regardless of how improbable) fall under Chromosome Casting.
- Galaxy Angel is a parody of a galactic peacekeeping force that, for some reason, is entirely made up of cute girls - aside from the cute boy Twin Stars and a middle-aged commander. The role is usually performed by Forte whenever a gag requires a "male" equivalent, something she eventually starts complaining about. Broccoli (the production company) sometimes lampshades this in gags, notably the prince who kidnaps Milfeulle and a flashback to Usada's father, who are obviously women in really transparent disguises.
- In Silent Möbius, the special agents battling the monsters/demons from another dimension are all women. At one point, their leader offers some sort of philosophical justification about women being able to bear children and thus being the key to the future. It doesn't really hold water, especially since one of the agents is a cyborg and most certainly unable to become pregnant.
- Kurogane Pukapuka Tai featured an Imperial Japanese cruiser in World War II that is entirely crewed by women, except for the only one recurring male character, the old, Zen Master-like Captain of the Unebi. No explanation is given except that the cruiser's intended crew were all taken ill with typhoid and a substitute crew had to be found; why these would be all women is not explained, although a shortage of military-age men in 1943 might be one.
- None of which explains the all-women crews of the ships they interact with, including US and British cruisers and a German U-boat.
- Parodied in the Excel Saga episode "Increase Ratings Week", in which all the female characters are drawn in moe style (as they go to a swimming pool, which just so happens to be populated by characters catering to nearly every fetish imaginable) and all the male characters are forced offscreen (much to their displeasure).
- In Hyper Dimension Neptunia The Animation as with its video game equivalent, all the characters representing personifications of parts of the (male-dominated) game industry are girls.
- Gunslinger Girl explains why all the assassins are children note , but it never explains why there aren't any young boy assassins.
- Geneshaft features a society openly declared to be 90% female. Justified in that the entire society is genetically engineered to have a 1:9 female-male ratio because women are seen as easier for society to control (and also because it allows the few male characters to have a Supporting Harem and, in the case of evil characters, to easily prove that they Would Hit a Girl)
- Lyrical Nanoha delves more and more into this with each season.
- You see that redhead at the far right of the page image? He is one of only three major male characters in the entirety of StrikerS, and he gets the least amount of character development. And this was a season with so many characters that the character page had to be split in three.
- ViVid takes it even further since it only introduced one new male character, and they've been dead for hundreds of years. During the tournament arc (which was open to both genders) there wasn't a single male entrant to be found, not even among the extras.
- ViVid Strike! continues the trend, only introducing two male characters. One of them is a Satellite Character and the other is dead.
- Episode 13 in the anime adaptation of Granblue Fantasy. Any male characters get relegated to background characters with maybe 1 or 2 lines, while the episode focuses heavily on the much larger crew consisting almost entirely of women. Even poor Gran is replaced with Djeeta, a lady who essentially takes his place.
- New Game! is about a game studio and its staff. While in real life one you expect the industry to be male-dominated, the cast is completely female. The internal justification being the manager Shizuku is a bit of a lesbian Covert Pervert; she'd prefer hiring those who'd be cute enough so that she'd forgive their mistakes if the need arises.
- Sakura Quest follows in the footsteps of its predecessor by featuring a main cast of five females but an equal number of male to female characters in the series. Unlike Shirobako, however, the girls aren't working in an industry that's heavily male-dominated in real life, being basically publicity actors and PR workers for a tourism board, which in Real Life tend toward hiring young, attractive women for those positions, therefore successfully averting this trope.
- Shirobako, about a Five Girl Ensemble working in the anime industry appears to avert this at first. Despite the protagonists all being female and many other female supporting characters appearing in roles such as art and administration, there are plenty of important male side characters, too, in almost equal numbers. In real life, anime production unfortunately still has an improbably male cast, except for voice actors, meaning a 50/50 gender ratio still qualifies for this trope. The main characters also formed a coincidentally all-female animation club in high school.
- Queen's Blade is a Fanservice-Fuel Medieval European Fantasy with all the important characters, including protagonists and antagonists, being all females. Male characters seems to exist only as living props or as flat characters serving as living plot devices.
- Everyone in Kemono Friends is female. Presumably has something to do with how Friends are created.
- In the world of Little Witch Academia, one hundred percent of magic-users are female. There are male muggle characters, and even male magical creatures... but no wizards, only witches. No one in-universe ever points this out or provides any sort of explanation, so there have probably never been any wizards — making the whole situation unremarkable to those living in it.
- Justified in Urara Meirocho; since only women have the power to become diviners and only diviners can live in Meirocho, the resident population of Meirocho consists entirely of girls and women. Played straight, however, in the portrayals of visitors as few men are seen among them.
- Yuru-Yuri exaggerates this to the point where even among background characters there are no visible male characters, even in places where they should logically be (one chapter takes place in Comiket, for example).
- Justified in Seitokai Yakuindomo with Ousai Academy, which just switched over to being co-ed, meaning that only 28 of the 552 students are male.
- Discussed in Shounen Note. The choir has very few male singers. At the start of the series they attempt to get more boys to join, but even then girls outnumber the boys. The manga itself has a fair amount of male characters.
- Enforced in issue 100 of Birds of Prey when Oracle decides to enlarge the team after Black Canary's departure. She recruits only female agents, even though a) she had recruited male agents in previous issues (Savant, Creote, Wildcat) and b) even though it would have made a lot of sense to recruit certain male agents (the mission was to break someone out of prison, and Oracle recruited Barda Free but not her husband Scott Free, the world's greatest escape artist, without any explanation as to why Scott was unavailable).
- Birds of Prey is also an example of the Periphery Demographic that an all-female cast can invoke. Is it a series written for girls by having an all-female superhero team? Or is the audience mostly men who read for the attractive female characters and the occasional Girl-on-Girl Is Hot? Some men expressed suspicion when Black Canary was made bisexual because of this, despite the female writer Gail Simone having repeatedly commented on the importance of organic media representation of all kind of gender & sexuality.
- The genderflip AU in Star Trek (IDW). It's established that this universe's Starfleet is vaguely sexist (and not ironically reversed sexism, but the regular kind) and some in Command have doubts about Jane T. Kirk's captaincy based on this. And yet somehow it's worked out that the whole command crew is female except Nnamdi Uhuro and Jason Rand.
- Every character with a "speaking role" (although nearly every episode is voiced entirely by Wren) in Spines is either female or nonbinary (in the case of Shan). Overlaps with Everyone Is Bi and Everyone Is Gay: when characters' relationships are referenced, only one is heterosexual. And the fruit of that relationship leads to mass slaughter and possibly the end of the world.
- Kenji of Katawa Shoujo lampshades how unlikely it is that such a huge percentage of the students at the Protagonist's school aren't just girls, but cute girls as well... Being himself, he of course ties it to the great "Feminist Conspiracy" he's always ranting about.
- Galaxy Angel, much like the anime; to some extent it lampshades and parodies the trope. The men are put in Mission Control, with an Unlucky Everydude, his Lancer and best friend, and various crew members that are either old mentors or cute little boys, and one of those boys is a Sweet Polly Oliver.
- Touhou has few male characters, one appearing in a manga, one being a turtle, one being an angry pink cloud, and one in the PC-98 era. ZUN has stated that male youkai and magicians and whatnot do exist in Gensokyo, but the stories just don't feature them. It's becoming an Enforced Trope, at that, as ZUN originally intended the Final Boss of Undefined Fantastic Object to be a man, but discarded that idea because he wasn't sure how well it would go over.
- Khimera: Destroy All Monster Girls. It's right in the title. The only male character of note is the unnamed scientist who created the titular chimera.
- Sakura Dungeon, though it'd be just as truthful to say that the game has an Improbably Lesbian Cast.
- In Butterfly Soup, the school's new baseball club turns out to be entirely female. It's even lampshaded that they didn't intend it that way.
- In the first chapter of Alpha Shade, set in a parallel Earth in the World War 1 era, nearly all the important soldiers on both sides are women, although crowd photos appeared to be mostly male. There is no explanation of why there are so many female soldiers, given that there were actually very few in WW1.
- Many villages and settings in My Little Pony are populated entirely by females. Justified in that the male ponies are on "a race around the world" for most of the series and, according to one of the comics, baby ponies come out of Majesty's magic mirror.
- This is in effect in My Little Pony: Friendship is Magic, at least in terms of the ponies. While there do exist competent and important males, all five members of the alicorn race (of which the four adults lead Equestria, partially by virtue of their race) are female, as are all six of the ponies that bonded with the world-saving artifacts used to repeatedly save the world. This is much less true of other races, which have or had male leaders (dragons, griffons), or which have only had male examples (draconequi, diamond dogs).
- Many of the Barbie Direct-to-Video movies border on this. Although they are usually adaptations of fairy tales with female protagonists, many of the villains and secondary characters end up female as well.