There's an Orbitz commercial where a guy is watering his lawn, and a scientist-type from an earlier spot floats down in a hovercraft. Getting out, he strides over to the guy and removes an envelope from his coat.
Scientist: Hi! You booked a flight and the price went down, so here's an Orbitz Price Assurance check for the difference.
Naruto: Sasuke can start a fire with his eyes. Instead of just setting fire to the Juubi, he throws it, combining it with Naruto's Rasenshuriken, creating "shakutonkourinshuippukokuyari zero shiki" (a.k.a. throwing star shaped like a windmill and arrow blacker than liqueur) to set fire to the Juubi.
Everything the characters or mechs do, and even the laws of physics themselves, are subject to Rule Of Cool. The fight scenes especially make absolutely no logical sense whatsoever, but it really doesn't matter because they're so awesome.
Throwing galaxies like ninja stars.
Kamina, resident Bad Ass draws his trusty Katana, and it keeps coming out of the sheath for ten feet, for no reason other than it looks cool while battling someone wielding a meat cleaver. The length of Kamina's sword seems directly proportional to the length of the speech he is making while drawing it.
In the same vein, DOUBLE K, the buddy cop version of the anime, combines how Rule Of Cool driven both types of shows are.
UFO Robo Grendizer: The main character is an alien prince that pilots the mechanical embodiment of his planet's god of war, that is armed with a double-edged scythe that emerges out of its shoulders, and it can be combined with devices allow it bury underground, swim or fly in space. When the main character wants to ride Grendizer, he leaps since a tall hatch and shouts loudly his name, transform his clothes into his Latex Space Suit as airborne.
Cowboy Bebop can be very confusing if taken on surface value, with only five episodes needed to tell the full narrative. Despite this fact, the entire twenty-six episodes remains a standard of great anime for it's smoothness, filmic style, well choreographed action sequences. This is only one element that enabled the show to succeed.
Samurai Champloo has little to no narrative and is often too weird or silly to be taken seriously. Fans like the show for it's devil may care attitude and breakdancing samurai battles. The Boondocks television series was heavily inspired by Samurai Champloo and is one of the main reasons it was made in the first place.
In Busou Renkin this is Lampshaded by Kazuki as the motivating reason behind many of Captain Bravo's odd mannerisms . "Because it looks cool that way!"
What else can you say about a series where a cyborg combines with an alien robot lion, a bullet train, a drill car, and a stealth fighter to form a Humonguous Robot that uses a space-warping screwdriver and a Hyperspace Mallet capable of turning whatever it strikes into light particles? And of course, the series features a rather famous Memetic Mutation to explain it all: "With courage, 1% becomes 100%!"
The Hyper Space Mallet came with several by virtue of being a transforming tank. Then it becomes a transforming triad of spaceships.
Played with in Metal Fighter Miku. Early in the series, the team's mentor asks the girls to explain the purpose of the robot-like metal suits used in their wrestling league. After one team member gives a detailed explanation of the various computer systems and sensors built into the outfits, he dismisses it all with a simple "Because it looks cool!" In the end, it is revealed that his overarching goal has been to convince everyone to do away with all the pseudo-futuristic glitz and return the sport to the muscle-and-technique competition that wrestling is supposed to be.
In an episode of Ghost in the Shell: Stand Alone Complex, the Major one-handedly fires a enormous .50-caliber sniper rifle and reloads the bolt-action by using her knee and the force of the recoil. Why one-handed? Because she's missing her other arm. Even considering the fact that she is a full-on cyborg, the scene borders on absurd but is it jaw-droppingly awesome? Yes, oh yes, oh yes....
Fist of the North Star, if examined with a critical eye, would collapse under the weight of its Fridge Logic... if not for how it essentially created the Rule Of Cool-based Shōnen series. It's hard to complain about the implausibility of the premise when you're trying to retrieve your jaw following the fight scenes.
Giant Robo. Giant mechas, supernaturally gifted fighters in sharp clothes and all rounded up by a pompous Wagnerian soundtrack.
Karas: How else can you explain the ludicrously overpowered kick-arse hero who can transform into a jet and a car to combat the rise of blood-drinking Conspicuous CG cyborg demons?
Erecting a sprawling civilian metropolis directly atop a military base that is certain to be attacked by aliens wielding doomsday weapons is just Saddamesque enough to be cool.
Skyskrapers slide down underground to hang from the roof of the Geofront whenever one of the aforementioned aliens turn up. This ends poorly but seeing them rise back above ground after a fight with that music is a CMOA.
The entire reason Hideki Anno decided to go with the name isn't because of religious symbolism, but because he thought the words sounded cool.
Dinosaur King. The plot involves cards that become dinosaurs (or dinosaurs that are cards) and an evil gang who wants to use them for world domination. Makes no sense? Watch one of the dinosaur fight scenes. All your complaints will be blown away by the sheer awesomeness of dinosaurs attacking each other with elemental powers.
Jack Rakan based his entire fighting style on this. His moves include summoning a building-sized sword, surfing on a sword, and shattering a magical pocket dimension just by being awesome. It's repeatedly lampshaded by other characters.
Chamo: This shouldn't be physically possible.
Jack: It just takes a little spirit.
Kotomi: He just ignores the laws of magic.
The Negi vs. Rakan fight. The ridiculous lengths that it goes to (Negi reveals that he is not left handedfive times in a single chapter) would just be overkill if it weren't so freaking awesome.
Lelouch constantly uses Rule Of Cool to his advantage. He lampshades it saying that people don't give a damn about reason, but they can't resist miracles. However, this is more a case of Willing Suspension of Disbelief among characters than among the audience.
Most of the character/costume designs and acting fits this trope. For example, Zero's mask wouldn't work in real-life, but isn't it cool?
Appleseed the fight scenes in second CGI movie ("Appleseed Ex Machina"), which opens and closes with combat sequences that would make a Cirque du Soleil-trained Green Beret turn flushed with jealousy and admiration.
Burst Angel: Jo, an awesome fighter, even if not sociable at all, can pilot a mecha as if it was her own body, do incredible stunts with weapons, and save her Damsel in Distress.
Sengoku Basara is set (theoretically) in the Sengoku Period but it features a Mecha Samurai who is twenty feet tall with a drill, jet pack and miniature treads on his feet. He launches into battle and can fly.
FLCL has characters Dual Wielding guitars and a giant hand that is actually a giant spider cowboy robot whose arms are the hand's fingers.
Soul Eater's character designs are chock-full of martial arts, scythe-spinning and slicing through things at just about every given opportunity.
The beginning of the Arrancar arc has the first 'fighting in mid-air' battles. It has a justification (soul reapers can walk on spirit particles) but it still counts because it's damn cool.
A specific example in soul society of bending the rule that meant they couldn't 'fly' in the first place - the Dynamic Entry into the cells where Rukia is held is assisted by a giant winged device that is ONLY useful in the Seireitei. Said dynamic entry involved seeing a giant wing come from nowhere while Ichigo radiates his badass aura, to the surprise of two captains, before discarding it and landing next to Rukia.
In Biomega, for its special forces Toha Heavy Industries makes a folding gun that shoots hypersonic projectiles using brain waves. With this thing, Zoichi takes out a handful of intercontinental ballistic missiles within a few minutes of launch.
Black Jack. Tezuka does not fail biology but that didn't stop him from making up crazy new stuff for the titular hero to deal with. For example, extracting a parasite from his intestines while under attack by dingoes.
Lampshaded in Brave Police J-Decker. Three of the main robots eventually combine to form a bigger robot called Build Tiger — which, appropriately enough, has a large tiger face in its chest. When asked why, the designer states: "Because it looks cool!"
Saint Seiya: It's hard to question the plot when bishonen in cosmic armor and eighties multicolour hair are beating the ever-loving stuffing out of each other for every reason under the sun, and with every attack under the sun too (from Mind Rape to Something about a Rose) whilst running up stairs and visiting Hades in time for tea. It's so much fun you just HAVE to go along with it!
The anime adaptation of Fate/stay night has this to thank for at least one difference from the original visual novel. In the game's Fate storyline (which the anime is primarily based on), one of the main villains of the series, Gilgamesh, approaches Saber and Shiro. After severely wounding Shiro, Saber launches a series of attacks at Gilgamesh, which he shrugs off with his armor, thereby averting Armor Is Useless. In the anime, this is replaced by Gilgamesh summoning swords from his Noble Phantasm, the Gate of Babylon, so that they block the path of Saber's swings, a method much more visually appealing than just having him stand there and take it.
In Pokémon Special, if something doesn't follow game mechanics, this is why, and no, we don't need humans getting directly involved in our Pokémon battles, up close and personal with the danger, but things sure do get a lot more awesome that way.
Final Fantasy: Unlimited:in relation to Kaze and his extremely long Magun summoning sequences. In Real Life it would be impractical but in the show it looks so cool!
Highschool of the Dead Anime school girls with big knockers? Been there, done that. Anime school girls with big knockers...fighting hordes of zombies? SIGN ME UP!
In Fullmetal Alchemist: When Mustang fights Envy he continuously snaps to continue burning him to death. However, he ignites Envy with the first attack, making the snap unneeded due to how his alchemy functions, by changing the explosive gas concentration in the air. The snaps are added purely to make Mustang look cool as he roasts Envy alive.
In Final Fantasy VII: Advent Children, the fight sequences (long enough that you can consider the other scenes "non-fight sequences") consist entirely of "cool", and little to no realism. Just a few examples:
During one of the motorcycle fights, Loz leans over, digs his piston-powered gauntlet into the pavement, then swings around on it, with his bike clamped between his legs, to throw the whole bike at the hero with beyond-lethal velocity.
The hero is thrown several hundred feet into the air by his friends (one of which is a GHOST) in order to slice a dragon god in half with his sword.
Part of the final fight has the hero and the Big Bad swordfighting while jumping and balancing on slabs of a falling building, to a soundtrack of hammering electric guitar with a chanting Latin chorus.
Nomura has gone on record by saying he told The Team to ignore the laws of physics and just do what looked coolest.
Advent Children is what happens if you take a Final Fantasy game and make every attack a Limit Break. Alternatively, it's an answer to the question, "Just what would it really look like to have level 99 characters who can kill just about anything?" In a game, much of that is covered by numbers increasing, but the movie shows that kind of personal power in practice.
Gatchaman: A huge sea/air/spaceplane turning into a giant bird of flame. To take down giant mecha. Hinotori or Firey Phoenix or Firebird mode, it is awesome. And then there was the episode with the Icebird.
Dragon Ball: You have a race of space pirates that transform into giant apes or golden haired Gods battling slug people that can regenerate limbs and materialize anything using their antenna, a pink Djinn that can turn anything candy, an intergalactic, racist real estate speculator and giant humanoid cicada created from stolen DNA because... why not!
This piece◊ of Stephen Colbert fanart. Until his producers nixed it, this was going to be a World of Warcraft card. It's the little details that make it: notice the microphone and eagle talon in the hilt of the flaming sword. All that's missing is him riding a flaming unicorn/pegasus while wielding a flaming laser chainsaw and fighting Hitler and Osama bin Laden on a Hydra, who is also on fire. Someone please draw that.
The premise of Godyssey would not work from a theologyical prespective but there's no denying that's really really cool. It is thus; The Greek pantheon appears before Jesus on the cross and demands that he stop mocking divinity by renouncing the low and filthy mortals he serves. Jesus responds by removing himself from the cross and beating the shit out of them all.
This is the canonical explanation for the name of the Marvel Superhero Team The Avengers. What are they avenging? Nothing, The Wasp just thought the word "Avengers" sounded cool.
Hitman: How else do you describe a plot about a professional killer from Gotham City who got superpowers after being bit by an alien parasite having to deal with everything from demons with magic guns to zombified zoo animals?
Super Dinosaur How else can one explain a series about a T-rex who wears battle armors to fight dinosaur mutants armed with BFGs or BFSs?
Six String Samurai. After the Russians nuke everything, Elvis becomes King of the remains of Lost Vegas. A samurai Buddy Holly battles Slash to claim his throne. "Only one man can kill so many Russians. Bring his guitar to me!"
Crank: Near the end of the first film After Chase is disarmed, he makes a gun out of his finger and thumb, points it at a guy, goes "Bang" and it kills him. It turns out to be his backup, but for a few seconds everyone watching the movie went "Mind bullets...?! Okay, mind bullets, let's go with that."
The Matrix: The premise involves robots farming humans for power and using a computer generated reality to placate their minds. This ignores both the first and the second laws of thermodynamics, but who cares? Robots, man!
The famous lobby scene. There was no reason for them to be there except for a cool shootout.
Neo draws his sunglasses before he starts to fight Smith. THAT is the Rule Of Cool in action.
This trope is the sole reason the "Burly Brawl" scene in Reloaded exists. It's ten minutes of Neo fighting endless clones of Smith for no real plot-enhancing reason. It just looks cool.
When Neo kicks Agent Smith and then instead of taking his foot down, he moves it in air and then put it down. Totally Frigging Cool.
The Agents (and later Neo's) ability to dodge bullets is never replicated to dodging much slower punches and kicks. This is due to Rule Of Cool, because if they did the fights would last all of five seconds.
Transformers movie and Revenge of the Fallen: There is no other reason for these films to exist or for anyone to watch them except that Giant Transforming Robots are inherently cool. It could be argued that Michael Bay's career rests on taking a premise and making it cool.
Clone Wars: you once see the same weapon on the Millennium Falcon being carried around by a single ARC trooper, and instead of using four arms, Grievous juggles four light-sabers around between his hands and prehensile feet (albeit as an "unwelcome surprise"), making for some of the best fights in Star Wars history.
Lightsabers, themselves. They're swords and lasers. They cut through most everything.
Basically, all forms of combat featured in Star Wars are glowy sci-fi futuristic space versions of some form of Real Life combat that was (and is) considered to be extremely cool. Lightsaber duels? Swordfighting. Starfighters? Old School Dogfighting. Starship battles? Naval battles. The Clone Wars? Huge armies tearing each other apart. The Force and Force-based Psychic Powers only add more awesome to the mix.
The reason why Darth Vader is still in his suit by the time the original trilogy rolls around is obviously because of how cool he looks in his suit.
The AT-AT Walkers' practical problems include: high center of gravity, multiple fully-exposed points of failure, extremely poor visibility, severe weakness in that they can be easily tripped up and disabled, offensive weapons which only point forward, no way to defend against an attack from below... the list goes on and on. In a nutshell, these machines would be far less effective in battle than a modern tank but they are undeniably cool.
The end of Four Rooms, has the most understated rule of cool bet ever. For a $1000 tip, the bellboy wields the ax in a car-or-pinky-finger bet about whether or not one of the guys can start his lucky Zippo lighter 10 times. Chop, snatch and strut out the door.
300. If you're bothered by the fact that Xerxes' army did not, in fact, include cave trolls, ninjas and rhinos, and that Spartans wore armor and had backup, you should recite the MST3K Mantra. Even in-universe there's an explaination. The story of the 300 is being told by a lone survivor, leading an army of Greeks about to fight the Persians, so of course it runs on Rule Of Cool
The Martial Arts genre wouldn't exist without this trope and the Wuxia genre absolutely thrives on it. How else can you explain somebody jumping 30 feet in the air, and then jumping off of their sword in midair to gain more altitude? The Flying Guillotine was made infamous because of these movies. It's a nasty little contraption that consists of a basket with blades and a chain. You throw the basket onto somebody's head, pull the chain, the blades go to work, and it's Off with His Head!!
Shoot 'em Up: There is a shootout while skydiving. This isn't a movie, it's a religious experience.
In the commentary for Serenity, Joss Whedon discusses the scene where the good guys come through the opaque and sensor-killing "ion cloud" followed by an army of Reavers to back them up against the Alliance. Because the cloud kept the Alliance from seeing them coming, it was a perfect cavalry-coming-over-the-hill moment: 'I don't know what an "ion cloud" is, we just made that up but I would have sold all my knowledge of science to get that scene.' (paraphrased)
Wanted as well as the director's previous films, Night Watch and Day Watch, where things exist for no other reason than because they're cool. Example: Let's drive a car across a building. Why? Why not? You get the feeling that when they were thinking of the concept for this movie, someone said "What would happen if you took all the cool stunts from The Matrix, and turned them Up to Eleven?"
One example, pointed out by Bob Gale on a DVD Commentary, occurs in the third film. Doc and Marty try to get the DeLorean up to eighty-eight miles per hour by pulling it with horses. Gale pointed out that the Doc would know horses don't run that fast and the Doc even points that out in the scene. However, the filmmakers had to do that shot with the DeLorean being ridden across Monument Valley like a covered wagon because it would look cool.
The fact that the time machine itself is a DeLorean is Rule Of Cool in itself. What self-respecting geek hasn't fantasized about having a time-traveling DeLorean? This is specifically invoked as one of the reasons Doc chose the DeLorean. He starts to give a practical reason, but is interrupted and doesn't revisit it.
Doc:The way I see it, if you're going to build a time machine, why not do it with some style?
TRON. This movie has become a cult movie, heavily enjoyed by geeks and people into computers, even though it's obvious to any such person, or for that matter, anyone above the age of seven, that computer programs are not glowing people running around inside a computer. It's just so much fun that this doesn't matter.
The jungle swordfight between Mutt and the bad girl. Realistic? Not in the least. Supremely friggin' awesome? Hell yes.
The fridgenuking! What if that was the writers saying "Dr. Jones is badass enough that you can't kill him with nukes, or whatever is immediately surrounding him"?
The scene in the original Raiders of the Lost Ark, where Indy shoots the giant, black-draped swordsman in the Cairo marketplace, was originally to have been a complex whip-and-sword duel. It was cut due to a general ailment among the cast and crew that day.
6 funny examples how Rule Of Cool can mingle with something and get rabies. "...should be pretty cool. Right?"
James Bond: The gadgets, the plots, some of the more improbable (and more awesome) fight/chase scenes...All the stuff Agent 007 does is governed by this trope.
The climactic fight scene in the movie version of V for Vendetta. It's an overblown Matrix ripoff given that in the comic V just lets Finch shoot him, but still completely awesome. Considering that it was directed by the Wachowski brothers, it's not surprising. They made The Matrix too.
Roger Ebert says in his review of the Iron Man 1 movie that military weapons tend not to look nearly as cool as Iron Man, but also that "It wouldn't be nearly as much fun to see a fight scene between two refrigerators crossed with the leftovers from a boiler room."
And of course Iron Man 3: Why not have it at Christmas?
Pirates of the Caribbean: You got your pirates, your undead, your curses, your sea monsters, your totally impossible swordfights and Captain Jack Sparrow.
G.I. Joe: The Rise of Cobra features a Powered ArmorCar Chase through Paris, an underwater dog fight, and Snake-Eyes. In the "making of" commentary on the DVD, one crew member attributes the mantra (loosely paraphrased) "overdo everything; then make it even bigger" to director Stephen Sommers, and says that they were reminded of this policy daily during the production of the film.
Postal the movie. From a notoriously bad director, based on a non-politically correct game, starring unknowns and having a ridiculous plot, all of which is redeemed by a constant onslaught of "how in the hell did they get away with this; this is unbelievably cool".
In The Lord of the Rings, due to Tolkien's terminology ("wings of shadow") describing the Balrog, nobody on the production team was quite sure whether the wings were literal or metaphorical. Peter Jackson later admitted they added the wings just because it looked cool.
Despite eschewing Space Opera tropes, it's hard to deny that the film is built around the idea of three-meter-tall blue quasi-Algonquian catpeople fighting mecha from space, and it plays fast and loose with the laws of physics and probability to make that happen.
Anyone with even the tiniest bit of knowledge in basic botany or zoology would know that Pandora's flora and fauna primarily evolved to look visually impressive to moviegoers. How would a giant species with impenetrable armor plating and no apparent predators not quickly overpopulate? Why the extra legs and bio-luminescence when they serve no function and could even be a liability? Cuz' they look cool, now less thinky, more watchy!
It's also the only justification for some of the tactics depicted. Even if the hero knows nothing of his own world's history, common sense should tell him that having lightly armed cavalry charge armour and machine guns is suicide but it's such cool, heroic suicide that he does it anyway. The human air combat vehicles seemed to have been designed by an idiot: You know why modern armed forces don't have open gunner's nests on their aircraft and use bomb bays rather than having soldiers push explosives out the back? Because the crew would be too easy of targets and they'd get slaughtered, that's why. In a nutshell, Cameron didn't have an open encyclopedia in his lap when he wrote the movie, so you're under no obligation to use any logic when watching it. Just repeat to yourself...
Zombieland. Why would you go to an amusement park and turn all the lights on, turning your location into a gigantic target? Why would you jump out of the car and let it sink into the river, instead of hitting the brakes suddenly? Why would you try to con the first signs of life instead of going with them, then why would you leave? Why would you take a motorcycle or a shovel to fight zombies? Why? Why? Because it's awesome.
This song from the film Sivaji: The Boss. As this blog post puts it, "the waycool approach is to ride up, while napping, on a motorcycle that you drive with your feet, dismount by means of wheelie on the front tire, and shoot the bad guys with a machinegun hidden in your guitar. Then the stunningly attractive Bollywood actress will sing and dance with you."
This promo poster from Watchmen. True, he could be lighting the cigar purely from the convection of heat, or off the barrel of the flamethrower, but you do NOT want to taste a cigar that's been lit off a kerosene flame.
Scott Pilgrim vs. The World : Why do all of Ramona's evil exes meet some requirement of video game boss style, explode into coins when defeated, and everyone naturally is just that good at martial arts? So that when Scott wins the girl, it's really cool.
The entire Alpha and Omega, especially the wolf characters. Unlike most people who believe this is a mistake. A majority of the wolves have Anime Hair and a few have eye colors discommon to actual wolves. This also includes wolf society portrayed on this movie.
The Fast and the Furious series features this trope in abundance, but it really reaches its apex in the climax to Fast Five. The heroes steal a 10-ton vault by attaching it via steel cables to two souped up Dodge Chargers, then use the cars to tear the vault from the building. They then proceed to drag the vault all over the city in a huge car chase, with the vault careening all over the place and causing massive destruction while still going fast enough to outrun police cars. Anyone with the most basic knowledge of physics knows that this is impossible, but it's so cool that few people complain about it.
The only reason why the tanker didn't buckle under its own weight when used as a melee weapon against a Kaiju or why the Jaeger and the Kaiju don't buckle either.
Gypsy Danger's pilots don't use their sword until halfway through the movie. If they had pulled it out right away, they couldn't have used the very cool tanker, and they couldn't have used the sword in midair!
Dynamite Warrior is a Thai movie about cowboys (well, buffalo traders and buffalo thieves, technically) who either have extraordinary Muay Thai skills, have magical powers, or (in the case of the titular character, the protagonist) fight using primitive rockets. In one scene two characters escape pursuit by using some of the rockets to propel their cart away from the people chasing them.
X-Men Origins: Wolverine is generally considered at its best when it remembers that it's about Hugh Jackman running around stabbing people in the face.
It's unlikely that a functional interior room like a kitchen at the Pentagon would be designed with a circular shape like in X-Men: Days of Future Past, but it makes Quicksilver's Wall Run look cooler, so who cares?
Mythological gods and heroes in general are full of this. That's half the point of most of them. Hercules, Gilgamesh, the entire cast of Romance of the Three Kingdoms... all fuelled by Rule of Cool. Where else are you going to hear that an Eight Headed Snake was defeated by Sake of all thingsnote Besides Ōkami. In fact, most mythological heroes weren't necessarily heroic in the modern sense. A lot of the time, all it took to be a "hero" was strength and daring, not morality.
Tom Sawyer in The Adventures of Huckleberry Finn decides that freeing Jim from the plantation simply by getting the key and letting him out of his cell isn't romantic enough and wants to make an elaborate plan with Rope Ladders, a journal made of leaves, and food poisoned with sleep medicine, just like in the books. The "cool" swashbuckling achieves nothing except getting him shot.
This is the nature of witchcraft. A witch is simply someone Genre Savvy enough to take advantage of this rule.
There exists an order of monks known as the Monks of Cool, who seek ultimate coolness instead of zen enlightenment. An acolyte has achieved this when his master takes him into a room full of all types of clothing and asks, "Yo, my son, which of these is the most stylish thing to wear?" and he responds, "Hey, whatever I select." Cool, but not necessarily up-to-date.
Snow Crash. A Mafia-controlled pizza delivery company, chaingun battles with aircraft carriers, ninja skateboard couriers, and intersections being shut down by sniper fire from rival road construction companies are just the beginning. Eventually you get to the part with the supersonic attack dogs and the Badass Biker who has a nuclear torpedo in his motorcycle's sidecar. Then you get to the supersonic motorcycle swordfights....on the internet.
In one of the books of the Star Trek: Deep Space Ninerelaunch novels, an interstellar portal (which, mind you, could have led to anywhere in the galaxy) just happens to lead to a Malon garbage scow that had been taken over by a Hirogen hunter. Why? So that Taran'atar, their local Jem'Hadar character, could fight with him, of course!
In MEG, Jonas Taylor is swallowed by a 40 ton shark and he cuts through the stomach lining to get into the heart chamber. Then he rips the heart and goes back through the stomach and reach the surface with only a broken escape pod, an air tank, a mask and a 200 million year old tooth. Logical? HELL NO! Awesome? Yeah!
...remind us of the pictures clever children sometimes draw "out of their own head," where you will see a modern villa on the right, two knights in helmets fighting in the foreground, and a tiger grinning in a jungle on the left, the several objects being brought together because the artist thinks each pretty, and perhaps still more because he remembers seeing them in other pictures.
Scourge of Warrior Cats is a cat who wears a collar with dog teeth sticking out of it. It's uncomfortable, but he wears it because he knew it was awesome.
The Dresden Files is, by the admission of its author, constructed out of this. When the main character magically blasts werewolves through walls, fights vampires alongside mob bosses, running into the middle of a faerieapocalypse,reanimating a ZOMBIET-REX and PUNCHING OUT SANTA CLAUS (who is also Odin) you KNOW it's this trope.
This seems to be one of Willy Wonka's guiding principles in Charlie and the Chocolate Factory — why make ordinaryImpossibly Delicious Food when you can make awesome sweets such as sugar eggs that dissolve in your mouth and leave a little pink sugar baby bird on your tongue? It's not enough that he has a subterranean river of melted chocolate running through his factory — he also loves to travel down it via a boiled-sweet boat that looks like a Viking longship. Many of the inventions mentioned only in passing are absolutely ridiculous-sounding, but also sound like great fun: fizzy lemonade swimming pools, marshmallow pillows, toffee apple trees that can be planted in backyards! Also, the Great Glass Elevator he uses to zip through the factory? It turns out to be equipped for space travel in the sequel.
Live Action TV
Smallville, being a Superman show that ran for ten years, and with one of the producers a fan of the Silver Age madness, sure has its moments.
The "Clark time" effect. They love it so much they give Super Speed to dozens of villains that usually don't have them, because it looks so blasted cool.
Lana Lang with the Prometheus armour. It is "armour" that gives not the slightest trace of being worn, and gives kryptonian level speed and strength. Oh, and you need to start some fires... over a water tank... containing the test subject... and there is no energy input... Yes, it makes no sense but it is all forgiven when Lana bursts out of the lab like a phoenix from the flames and does a Bullet Catch.
While testing to see if small amounts of dynamite can clean the inside of cement trucks of solidified cement, they fill one up with FBI-provided high explosives and blow it up to smithereens. Why would this be considered important information in the busting of this myth? The correct answer is: Who cares?
A Silurian lady fighting crime in Victorian England with her human maid/lesbian lover? WITH A KATANA?? Admit it, you want to watch that episode now.
Doctor Who S32 E13 "The Wedding of River Song" Balloon powered cars floating around a 'modern' London with flying-lizards, Roman soldiers on the underground, Charles Dickens on early-morning TV to talk about his latest book and Winston Churchill riding into parliment on his personal mammoth.]
The premise of a computer being downloaded into a guy's mind makes no sense whatsoever, and when that computer is upgraded to make him magically learn kung fu, all plausibility goes flying right out the window but Chuck can kick people in face, so who really cares?
Sarah's knife-throwing exploits fall firmly into this trope.
If Casey is coming to the rescue, why bother with making him take the door when you can have him parachute in through a glass ceiling with a team of Special Ops commandos?
The tricked-out Nerd Herder has hidden passenger-side controls, a remote control, a hidden central console, handcuffs that come out of the steering wheel to detain prisoners, and a driver's seat that can be ejected out the door. Why? Because it does, that's why.
Within canon, when Morgan can't think of a way to pick the Buy More's new assistant manager, he finally decides to go with a bouncy harness cage match. Not that anything involving Jeff and Lester can be terribly cool, but it's the principle of the thing.
The creators of Rome admitted they ignored the date the real Atia died simply because they loved the character and wanted to keep her on. Most fans agreed.
Stephen Colbert on The Colbert Report uses this trope when he was protecting the identity of a former employee deployed in Afghanistan - "For security reasons I can't show his photo, and for cool reasons I will refer to him as 'Tank Gunbullet'."
The The Future Is Wild BBC miniseries, a followup to the Walking with ___ series, focuses on what life might be like millions of years in the future. It's got elements of evolutionary biology, but most of it is rule of cool all over.
Star Trek: You could fill a hundred encyclopedias with all the technical and narrative inaccuracies; two dimensional space, clear contradictions in the standard operating procedures of Starfleet, glaringly inefficient ship designs, unrealistic scale of space, unrealistic equipment, convoluted timeline of events, the list is infinite. However....when Trek fires on all cylinders warp nacelles, NOBODY gives a damn.
In the season four premiere of Star Trek: Enterprise, the Enterprise's targeting sensors are disabled, requiring the ship to get close enough to the target to eyeball it. This serves no plot purpose but the target happened to be a facility in Nazi-occupied New York. The result was the Enterprise flying over New York City, fighting Stukas with plasma cannons.
In the Grand Finale of Fringe,Walter has developed Abnormal Ammo that will not only kill their typically-Immune to Bullets enemy, but cause the bodies to float in the air due to [insert Techno Babble here]. When Peter asked why they'd need them to float them if it could kill them, Walter says, as if he'd been asked the painfully obvious, "Because it's cool."
Joss has specifically cited this as the reason why, in the final episode of Season 7, all of the Ubervamps suddenly start dying easier than regular vampires seem to, even when being fought by normal humans.
The Power Rangers franchise got its success by being practically fueled by this trope, the premise alone involving a small group of teens doing martial arts and making awesome if slightly goofy team poses while wearing motorcycle helmets and fighting giant monsters by piloting transforming giant robots might seem very silly, but if you tell it to any Power Ranger fan, you'll likely get the response "Who cares? it's freaking awesome!"
The Rule of Cool most likely explains why people usually portray phoenixes as birds of prey. Granted, herons and ibises (which phoenixes were historically based on) are effective predators in their environments, but they're just not as cool as hawks or eagles. Heck, showing phoenixes as birds made of fire when the original myths just said they were regular birds reborn in fire is an example of this trope.
The fight raged on for a century, Many lives were claimed, but eventually The champion stood, the rest saw their better: Mr. Rogers in a blood-stained sweater.
Muse: Rule of Cool is the reason for Muse's existence. It ain't high art but who cares with the stuff they make?
The video Knights of Cydonia features cowboys, androids, birds of prey, seduction, kung fu, rayguns, dirtbikes, execution, Soviet imagery, holographic band members, a unicorn and a half-submerged Statue Of Liberty, and is set in a goldrush town named after the Martian region of Cydonia. It doesn't make a great deal of sense, but it is still awesome!
Another song is about "superstars sucked into the supermassive", with huge riffs and piano's that would make an appropriate soundtrack to Dante's Inferno. Oh, and the live shows are truly awesomely epic. The Power of Rock, indeed.
The video for "Shine On Me" by Chris Dane Owens. It's every fantasy movie imaginable fed through a wood chipper, spliced with shots of a Legolas lookalike strumming a guitar.
Captain Dan. More specifically, Captain Dan and the Scurvy Crew, a group of rapping pirates with song titles like "Hook it up," and "Keel Haul 'Em."
Seasick Steve is a folk singer who used to be a hobo. He plays a three-string guitar.
Rush's 2112 is 20 minutes long and the vocals account for less than 10 of them. Does most of the rest of the song have anything to do with the story it tells? For the most part, no, but that's not going to stop it from being awesome.
Liquid Tension Experiment; when Dream Theater members gave up any semblance of composition and just dazzled everyone with their unbelievable instrumental prowess.
The album cover of Painkiller by Judas Priest has a silver angel riding a motorcycle with buzzsaw blades for wheels, and a chassis that is a dragon. This shiny angel rides his impossible motorcycle through the air over a bunch of skyscrapers slowly sinking into lava.
Ninja Sex Party's song "Dinosaur Laser Fight". It's about dinosaurs having a laser fight in space with sharks and robots because a tyrannosaurus couldn't get a high-five.
Bananarama. With fire, a woman dressed as the devil, a woman with huge bat-like wings, a woman in a beret pushing a man from one table to another, the band dancing and singing, and all those different women being worshipped by men, and a woman in a wedding dress coming out of a casket, and with none of these different elements acknowledging each other, the video for "Venus" runs on this.
Former Hollywood Undead member and current solo rapper, Deuce, has a music video for "Let's Get it Crackin" where he spends most of the video dancing with hot girls in typical rap star fashion, but then takes out a gun and nonchalantly shoots them all dead for no apparent reason. Despite the sheer randomness of this, fans still liked the video a lot, possibly for two reasons. First, because the video started out so typical, and then had a never-before-done twist. Secondly, randomness aside, it's still sex and violence. Which is almost always a win.
Some wrestling moves (especially the more elaborate finishers) fall into this category. The effectiveness of every move used in pro wrestling is directly proportionate to how cool it looks.
Space 1889 the things requiring most suspension of disbelief are also the coolest; dinosaurs on Venus, Victorians in Space, supertough Martians riding on big scary birds, canals of Mars and flying ships. There are rather detailed and reasonably plausible explanations for these, if you accept slightly different natural laws, though. Perhaps the most blatant example of greater need for suspension of belief for extra cool styff is two prototype giant steam robots in the adventure Tom Fleet and his Steam Colossus in Challenge 61.
Several White Wolf games have an literal Rule of Cool called Stunting.
This is the central rule of the Exalted. Not only do many, many things in the setting exist solely because they're cool, but it's an actual rule — although it doesn't use that name, it's a mechanical manifestation of it in spirit — where giving a cool description to accompany an action grants a Stunt bonus to perform it. The more awesome it sounds, the bigger the bonus.
Case in point for the Exalted Rule of Cool outside of the Stunt mechanic: chainklaves. Then the Alchemicals had to go and beat it with the gyroscopic chakram: for when Captain America needs to get in on the Chainsaw Good.
Stunting also makes it into Changeling: The Lost, in the specific context of Dream Combat, and with some caveats appropriate to that.
The small RPG company Atomic Sock Monkey Press has a particular obsession with the Rule of Cool. At least one of their games ("Monkey, Ninja, Pirate, Robot") relies entirely upon the principle behind the Rule to exist. Most games from the company incorporate a rule called "Being Badass," where if the player describes something he does in a particularly cool or effective way, the attempt gets a + 2 on the dice roll (and in a game that uses only two six-siders, even + 2 is a worthwhile bonus).
The RPG Fire Born from Fantasy Flight Games was built on this trope, featuring as it does reincarnated dragons. Who fight the forces of darkness in near-future London. With kung fu. As the game progresses, they get flashbacks to when they ruled the ancient world as full-size dragons.
In GURPS the Rule of Cool is neatly quantified for Game Masters wishing to run cinematic campaigns: "The "cinematic" campaign is one where realism doesn't rule because if it did, it would constantly get in the way of the story. In a cinematic campaign, swashbuckling heroes can defeat dozens of foes because the story calls for it. Spacecraft whoosh or roar in the silence of space because fast things whoosh and powerful engines roar. Rightness always overrules mere correctness."
Shadowrun has been described thusly: "Say your mission was to get a can of coke from a vending machine. Step four can be 'pull out rocket launcher' and nobody will blink."
With the proper min/max techniques, it is possible to acquire an ECM-equipped armored stealth helicopter equipped with a long-range armor-piercing missile launcher with 36-hour operational endurance and a secondary heavy machine gun as a basic starting character. Whether your game master will let you, on the other hand...
A certain selection of Adept powers boost your character's unarmed combat ability. If you boost your Magic attribute high enough, it is easily possible to create a character who can punch through an armored battle tank without breaking into a sweat.
Misuses of the Restricted Gear quality could fill pages. Want a helicopter with a heavy laser cannon? Go ahead. 5 kilometer range remote-guided armor-piercing missile launcher? Sure. Power-armored troll with an assault cannon? It would take two applications of the quality to get military-grade armor and the assault cannon, but yes.
Spirit Of The Century, besides having PCs able to pull off basically anything they've ever seen in a movie, fight gorillas on top of a zeppelin, ride dinosaurs, etc., asks the GM to stop and think, before declaring any rule, "What happens if the PCs succeed, and what happens if they fail?" and is expected to come up with a sufficiently interesting answer for both, just to guarantee every roll will have cool enough results either way to be worthwhile. The game also encourages things like taking gangsters and making them zombie gangsters, or making their leader a talking gorilla, etc.
Star Wars Saga Edition has the Second Wind mechanic, Force Points, and Destiny Points, which work as Rules FOR Cool. The Second Wind ability allows a heavily beaten character to pull himself back on his feet and return to the fight for a short duration. The rare Force Points significantly increase the chances for success in critical situations, while the even rarer Destiny Points can almost guarantee success when it is vital for everything he fought for. (Like having only one single shot left before the Death Star blows all your friends up.)
This is an explicit rule of design in Magic: The Gathering. Anything can see print if it's cool enough.
The independent game Cosmopol only exist because of this rule; Theodore Roosevelt having four terms as president and Buckminster Fuller designing an entire city!
Champions and the Hero System invoke this rule repeatedly. The rules emphasize "dramatic realism" but we all know what they mean by that. Combine it with the fact they have strength tables high enough to permit a PC to lift a castle.
The Torg: Humanoid dinosaurs? Check. Oppressive cyberpunk theocracy? Check. Two-fisted archeologists? Check. Ninjas fighting megacorporations? Check. Ancient astronauts? Check. Lovecraftian horrors in the jungle? Check.
"Infinity": you can (with some minor list restrictions) pick any models from a faction you like "because they look cool" and be able to win with them. One faction is made up of the most bad ass French to ever exist, Russians, British and US Special Forces, Scotsmen in Kilts waving broadswords and assault rifles AND werewolves. That is one single faction.
Dino-Riders: time traveling humans and alien monsters, some with sharks for heads fighting each other while riding on dinosaurs outfitted with space age armour missile launchers and laser cannons. Dinosaurs equipped with thumping great guns and laser cannons battling each other! How did that not catch on? These days, they're mostly remembered through pictures shared as "most-awesome-thing-ever" memes. Thankfully it was continued by Imaginext Dinosaurs.
BIONICLE qualifies with such things as giant-sized, biomechanical tigers that can extend their neck and have caterpillar tracks instead of back legs; robotic heroes surfing on lava or riding on rock slides with buzz saws attached to their feet; humongous insects with powerful blasters implanted onto their bodies; desert bandits riding on dinosaurs; and all kinds of warriors/villains/monsters you can build out of Lego sets with the most bizarre powers you can imagine. Even such mundane things as transportation were cool when the setting called for it. Nowadays, the story tends to focus less on these aspects and more on the actual plot — that is why the introduction of cybernetic dinosaurs with laser targeting-systems was so welcomed.
Most of the technology exists either to be unnecessarily cool or to be unnecessarily complicated, and often both.
There is not a single creature in the series that is not Art Major Biology in one way or another.
In Metroid Prime 2 there's Luminoth Script. It's a three-dimensional array of lit and unlit nodes, linked by lines, with the shape and which nodes are lit or unlit conveying the message. This array is impossible to read or write in two dimensions, needlessly complicated, and likely can't convey the amount of information it's shown to... but it looks awesome.
Devil May Cry: The core basis of the gameplay is beating shit up and making it look good like rocking on a guitar bearing the soul of a lightning succubus for crowd control.
If you don't think that Dante's motorbiking up the vertical walls of the Temen-ni-Gru was cool, your definition might be unnecessarily strict. the bike had flamethrower attachments.
Nero's sword revs like a motorbike.
Suda51: Many of their games runs off the Rule of Cool.
Killer7 has a paraplegic assassin whose manifested alternate personalities do his bidding while fighting evil spirits,
No More Heroes stars an otaku who won a lightsaber on an internet auction and went on to become an assassin so he can get laid,
Lollipop Chainsaw shows a cheerleader using a chainsaw to survive a zombie apocalypse,
Killer Is Dead: An assassin who fights cyborg mooks with a katana and a cybernetic arm while not hitting on ladies...
This trope and intentional Zeerust are the only things that can explain the giant scorpions, the radiation hanging around after 200 years and keeping things a wasteland, and the fact that that many buildings are still there after being nuked then left to rot for over 200 years, cars that explode in mushroom clouds and most of all... Liberty Prime. A giant, bipedal robot with Gort's laser eyes and a backpack of miniature nuclear missiles, which it throws like footballs and is voiced by Peter 'Optimus Prime' Cullen.
Is it possible to blow someone's head apart by launching a teddy bear at them? Probably not. When you get the Rock-it Launcher and manage to do just that, will you care about the previous question? No.
The opening sequence of the first counts. Yes, it's a tutorial level, but does it really matter when Sora is navigating a black void, walking on stained-glass floors of Disney characters, and it all culminates in a battle against a giant Heartless with a hole in its chest in the shape of a heart symbol?
The final battle in Kingdom Hearts II, where Sora and Riku fight Xemnas. They're floating in space and you can slice buildings flying at you in half and send them flying back without moving. This is so impossible the only explanation is that the laws of physics were breaking. Considering what was happening at the end of the game, it's not too far-fetched.
A lot of the combination attacks with world-specific partners fall into this area, as do the Drive Forms. Where did Donald and Goofy go? Why does Sora's roar with Beast kill everything? Why does Auron's sword do more damage when he's got Sora attatched to his back? Where did Sora and Mulan get all those fireworks? Better question. Who cares!? It's freaking awesome!
Flowmotion from Kingdom Hearts 3D also runs off of this. Bouncing off walls, spinning around lampposts, dashing from building to building, and all of it can be used to fight enemies. It's given no explanation whatsoever, Sora just sees another character do it and suddenly he can too.
This is even more true of the Gaiden GamePainkiller: Overdose. Why is your character a angel/demon hybrid who makes pop-culture references his backstory couldn't possibly let him know? Why are your first three weapons a disembodied demon head with dangling spine, a redesign of the aforementioned shotgun as a weapon that fires bone shards and petrifying sludge, and a redesign of the aforementioned weed whacker as a magical puzzle cube? Because it's cool.
Serious Sam and Serious Sam: Second Encounter. Hordes of enemies rushing at you for no reason in locales so vast, grandeur and glorious that the only real explanation is to look cool and make you feel like the coolest player ever. Which you are.Sometimes.
Ragnell in the 10th Fire Emblem is said to be indestructible, but in the ending cutscreen it is shown heavily nicked for no other reason than to look cool.
Super Smash Bros.: There is no other way to justify scenes such as a crossdressing ninja punching a hole through a fighter jet to fight its anthropomorphic fox pilot. Following this, both fighters are stopped by being offered tea by a princess. All of them are on top of a moving airship that is currently engaged in combat. The storymode in Brawl is built on "that would look cool".
One of the settings for battle is a spacecraft that flies out of the atmosphere, climbs into space, goes into hyperdrive, weaves through asteroid debris, hyperdrives back to the planet, re-enters the atmosphere. This is just as a backdrop.
Bioshock. No, they didn't have automated turrets or flying unmanned machinegun robots in the 60s, and the technology to build an entire city on the bottom of the ocean wasn't even feasible in the late 1940s but that's terribly irrelevant when one considers that you also have a Magical Hand That Shoots Bees and can set people on fire by snapping your fingers.
For Bioshock Infinite you get the magic to sic a murder of crows on people. Even so, how does the flying city of Columbia carry enough fuel to stay airborne, or to lift all those stone buildings, marble statues, cobbled streets and parks at all? Through awesomeness.
God Hand: a Meme about the game goes from "These levels look bland" to "HOLY SHIT THIS IS FUCKING AWESOME I'M THE MOTHERFUCKING FIST OF THE NORTH STAR JESUS CHRIST" in three panels. And it doesn't even mention the Luchadore Gorilla.
God of War. You play as a large Spartan wearing little but a tunic, wielding blades attached to chains that are sheared into his arms, and you kill monsters 10 times bigger than you in brutal over the top ways. Also, you get to kill a god. Several times. Hell, half the stuff Kratos does would seem appalling if they weren't so damn awesome.
Fighting games in general lean heavily on this one but Yoda and Darth Vader are in Soul Calibur 4. There is no other possible explanation and if the developers try to provide one, they are lying bastards.
Disgaea. There is an entirely logical explanation as to why your Pettanko brawler can punch her enemies into the sun: Because it's awesome looking.
Ninja Gaiden indulged in this from time to time, but Ninja Gaiden II for 360 revels in it. There are zombies with chainsaws and cannons for arms, six-limbed werewolves with giant scythes, flying battleships, ninja special ops forces with rocket launchers, and a boss fight on the Statue of Liberty. Then Ninja Gaiden Sigma 2 makes you fight the goddamn Statue of Liberty itself.
Prince of Persia went from possible though infeasible acrobatics in Jordan Mechner's original games, to Ubisoft's disregard for the laws of physics relative to human motion. Could a man jumping twelve feet out into space at a sheer stone wall grab an eight-inch, ninety-degree angle stone ledge with anything resembling enough grip to keep himself from falling? Try doing it ten times within a minute's span, with your life on the line each time, in addition to running along or up walls for anything more than three steps at most. Why does it all work? Because it's cool as hell.
Dante's Inferno. You start off by killing the grim reaper, stealing his scythe, descending into hell and eventually killing the lord of hell himself. Along the way you also fight a giant naked woman throwing babies out of her boobs. Everything this game does is examine sections of the original poem and make them as cool as possible.
From Metal Gear Solid 4, it's worth mentioning the final confrontation, the Climax Boss battle of the game. It's a fistfight between two guys biologically clearly over fifty and both are perfectly capable of kicking your ass. The battle is on the top of a submarine. Why? Because it's cool.
A Let's Play series for Persona 3 calls attention to this when it mentions who the main character's ultimate Persona is: "Messiah is... well, he's that guy. Yeah. THAT guy. We're going to battle against the incarnation of Death by summoning that guy. I don't think this game could possibly be any more metal."
Elite Beat Agents. The game's plot revolves around an organization of The Men in Black and Cool Shades who appear to help people out with their problems while dancing to pop songs. Helping a white blood cell fight off a virus just in time for the Olympics to Ashlee Simpson's La La? No problem. Assisting a coffee-addicted taxi driver in driving a pregnant woman to the hospital to the song Sk8er Boi? That's nothing for the EBA. Helping a diver find treasure while YMCA is blaring in the background? That's not even trying! How do you save a down-on-his-luck baseball player? By helping him win his next game? No! Clearly, the solution is to help him save a small boy from a giant lava-spewing rock monster in an amusement park! With baseball!
EBA's predecessor, Osu! Tatakae! Ouendan, ran on this trope too - Japanese-style male cheerleading is used to encourage a buddy cop pair to fight back against an invading army of battery-like aliens. An overworked salaryman to protects his city and his daughter in Ultraman fashion and the entire planet to blast an oncoming meteor with concentrated willpower
In the sequel, Earth's population is called upon again, this time to turn the sun back on through The Power of Rock.
Contra 3: The Alien Wars for SNES had one level almost entirely composed of the player riding on in-flight missiles.
Contra: Rebirth game for Wiiware attempts to one-up this by having the character ride down the flaming remains of a space station during reentry, and jump from one to the other while fighting a boss.
Final Fantasy VIII has one case where a giant interstellar entity hurtles your enemies into a galaxy going supernova. Bahamut's got a long history of destroying things from orbit.
Crisis Core, Bahumut's signature move, Exaflare, involves the giant dragon surrounding the MOON with crystals, blowing half of it up, and turning it into a GIANT LASER which is pointed towards the planet, thus taking out a good amount of HP.
The Glove of Doom and related weapons: At first, it simply summons kamikaze walking robots. Then, things go insane, with a "gold" version that throws robots the same size as Ratchet (with an ammo capacity of 40 robots, released in groups of four), and the higher levels of the Agents of Doom, which produce flying drones with rocket launchers...
Even the basic rapid-fire weapon in Up Your Arsenal develops Rule Of Cool powers after a while - not only does each shot ricochet an ungodly number of times, they also discharge red lightning when they hit.
The Karmic Transformers in Ōkami. Sure, they don't serve any other purpose than making Amaterasu look different, but there's something awesome about seeing a Japanese◊ Spitz◊ beat up enemies and bosses.
Crazy Taxi: In real life, taxicabs wouldn't be allowed to break every traffic law in existence in an effort to get their customer to their destination as fast as possible. Thank goodness this isn't real life.
Diviner Maros in City of Villains. He's a seer who can see an entire section of time at once and spends his time forgetting what week it is and creating time paradoxes. At one point he starts to send you on a mission, only to realize you did that two missions ago and then pauses to remember when he is. He frequently sends you to places he only knows about because you told him where they were when you got back, or gives you advice based on stuff you told him in the future, because he gave you that advice. How can he do this? Because he's cool.
Mischief Makers: Sequences in the game include outrunning a tidal wave on a tricycle, riding giant bees, and a stage literally called Missile Surf.
And the boss fights? Well, one of them has the main character riding on the back of a giant cat and fighting an anthropomorphic sentai wolf on a transforming motorcycle. The cat can also do the aforementioned missile surf while the main character grabs giant lasers out of the air and throws them back at said wolf.
Prototype: You can punch your enemies to death, but why do that when you can achieve the same result by shoryukening them, punching them thrice in midair, then slamming them into the ground like a rail spike? Then you can use his corpse to down a military helicopter, grab the now-plummeting helicopter in mid-air and chuck it down at a tank and finish off with a ground-pound, taking out any infantry stragglers.
Little Red Riding Hood's Zombie BBQ. Little Red Riding Hood may not be the definition of cool. We've seen zombies in media a million and a half times. BBQs are what middle age men do to show off their cooking skills while keeping their testicles intact. Put them all together and there is nothing uncool about a grown Little Red Riding Hood in skimpy clothing using a flamethrower on the undead.
Scribblenauts. Why make a game where you can make God fight Cthulu? Why make a game where you can travel back in time, ride a dinosaur through the time machine, and then kill robot zombies with said dinosaur? Because you can.
Shinobi III, Return of the Ninja Master: Ninjas on surfboads? Check. Ninjas on kites? Check. Climbing your way to the top of a cliff on falling rocks while fighting flying ninjas? Hell yes, check.
Touhou has Marisa, who mentions that spellcards aren't made to be overwhelmingly powerful, but to have beautiful patterns and look cool in both Silent Sinner in Blue, and her own Grimoire of Marisa. That isn't to say there aren't spell cards that worry more about pure power rather than style, but as a whole, you could sell tickets to an audience to see a spellcard lightshow if you were so inclined. The fact that you can't use a card that can't be beat shows that power isn't the main focus, and the point of the system in the first place was so that youkai would ease up on the power and allow competition between themselves and humans.
Naruto: Ultimate Ninja: Using an Ougi (or Ultimate) triggers a cutscene of your character using his powers with all almighty coolness.
These things could never get off the ground in real life. But who cares? They. Look.Cool.
Ace Attorney: Court proceedings aren't anything like that in real life, but after you've played a bit, you'll wish they were.
Team Fortress 2: So it comes time to update the most overpowered and controversial class in the game with a new weapon, what do you give him? Valve gave him a claymore sword that decapitates on killing blows, a shield that resists fire and explosions, AND makes him run faster than any other class in the game. All of this for seemingly no reason other than the fact that the demoman is Scottish, and it makes a pretty cool Braveheart reference.
Star Wars: The Force Unleashed does things with the Force that were so cool it blew your mind away. Fighting a forty-story tall alien tentacle monster? Throwing Darth Freakin' Vader into the wall? Crashing a low-flying STAR DESTROYER into a major city!
There is a part on Shadow the Hedgehog's intro cutscene showing Shadow doing Chaos Control quickly, then punching an alien. Rinse and repeat for 10 to 20 seconds. That part of the cutscene does look pretty cool, and has no effect on any aspect of the game at all, so the use of chaos control here is justified by this rule (Normally, you need a Chaos Emerald and charge up the chaos control to do it, you cannot do it instantly).
On Shadow's intro on Sonic the Hedgehog (2006), Shadow is shown running through snow while avoiding many robots shooting him. He then runs through the robots. The robots blow up, and then he bounces on a single robot to get past a big door. That's a full use of this rule. However, the Chaos Control he proceeds to use is unjustified because it doesn't look as cool as it should... especially after what he just did.
The truck came back for Sonic Generations. It now chases Modern Sonic for far longer, has buzzsaws at the front and even chases Sonic UP A BUILDING. Yes, that thing can now fly.
Mike Tyson's Punch-Out!!. Why else would a four-foot-tall, 107 lb, 17-year-old kid from The Bronx be travelling around the world, fighting circus freaks, competing for the World Heavyweight Boxing Championship? Because it's cool. In the Wii version, why else is Mike Tyson replaced as the final challenger by Donkey Kong?
This is why Grenade Launcher exists in Left 4 Dead 2. As Valve said, they and many people wanted to see more stuff blow up, so they threw in the weapon. Combine the weapon with fire bullets and you got a gun of awesome.
Hybrid Heaven. It's your typical "aliens plotting to take over the world and only you can stop them" plot, but you beat the aliens by performing wrestling moves on them.
Just Cause 2 's programmers stated that they tried to set the game so that the laws of physics would seem to be drunk, to encourage the players to do more crazy things because it would be cool It worked.
Ultima I. Just Ultima I. After spending much of the game fighting in a standard RPG setting you must upgrade your weapon to a Phazor, buy a space shuttle and fight TIE Fighters to become a Space Ace so a princess will give you the location of a time machine that you can use to stop the Big Bad before he reaches One-Winged Angel form. Spoony said it best:
"This game takes D and D, Star Trek, Star Wars, Doctor Who, among many other things, throws them in a blender and just hits the puree switch. And my God is it beautiful!"
Alan Wake has a scene where you have to defend yourself on a rock stage (in the middle of a farm field) while a kickass metal song plays and pyrotechnics explode around you. Why? Because fuck yeah.
Viewtiful Joe involves this trope because it's based in the land of Action Hero movies . Upon entering Movie World, Joe becomes a martial arts expert, capable of taking tank shells to the face, and can kill enemies just by striking a pose. After you defeat Fire Leo by burning at temperatures over 1000000 degrees, you join a planet-dwarfing mech-battle.
Tomb Raider: Where else can you play as a daring female archaeologist that is packing heat as she fends off enemies from wolves, to henchmen, and even a freaking Tyrannosaurs Rex while performing acrobatics to either evade enemy attacks or to get from one place to another. Things get even crazier once Lara Croft gets on a vehicle and can run enemies over or make insane jumps over a chasm. Even the traps are taken to the extreme, such as poison darts, rolling boulders, spikes, fire traps, and many more as the series progressed, yet they still remained awesome.
The trope is lampshaded by the developers in the remake Tomb Raider Anniversary when they discuss the Uzi wielding teenager. In the original game, the kid was fought in what appeared to be an underground skateboard park and he fought Lara by shooting at her while he was skateboarding (the area had a ton of pits with lava in them in case you weren't in enough danger) and giving the line "You firing at me? You firing at me? There's no one else here so you must be firing at me!" The developers admitted that looking back on the level design for the boss fight now, it looked pretty damn silly, but at the same time, it was too cool.
The Espgaluda series features characters can slow down bullets and power up their attack by using Kakusei ("Awakening"). Not only does activation instantly change their gender, but they also inexplicably change into a different set of clothes. The character designer said that it was just to look cool.
Sengoku Basara. Samurai Dual Wielding spears, scythes, chainsaws or six swords at once. Riding horses like circus freaks. Shit blowing up. Engrish. Ninjas. Pirates. Zombies. Gundams. A Norio Wakamoto -voiced villain. All historically accurate, of course.
The Powered Armor in Vanquish's main function is the ability to get on your knees and jet around the battlefield at 50 miles per hour. Plus you can slow down everything around you and mark targets in Bullet Time. It makes no sense and would be extremely unwieldy and impractical in real life but in the game it's as cool as they come.
Bulletstorm tasks the player with trying to cook up the most outrageous kills they possibly can to score points. To facilitate this, you have a leash you can use to toss hapless enemies around and your kicks can send foes flying great distances. It's nonsensical but it's all in good fun. Having to willfully suspend your disbelief will be a non-issue once you drag that enemy in front of a big Venus flytrap to get eaten alive and your score goes up.
Saints Row: The Third. Bail out of a plane amidst Lampshaded implausible quantities of stuff which also fell out. Kill enemies in free-fall. Catch a girl and deploy a parachute. See the plane coming back to ram you, drop the girl, shoot out the plane's windscreen, fly through it shooting everything in sight, fall out the back, more midair combat, catch Shaundi again...
Saints Row IV starts you as a special operative trying to stop a nuclear missile, which you do by dismantling the missile in flight, then you cut to being the President of the United States, then aliens invade, then you get put in the Matrix where you have superpowers.
Borderlands and Borderlands 2: Sure, having a shotgun that shoots missiles or a machine gun that can electrocute people doesn't make much sense, but damn if it isn't awesome. The DLC goes even further with it; Tiny Tina's Assault on Dragon Keep has a gun that shoots swords. Which then explode into more swords.
No Man's Sky: could any of the planets you can visit in the game be as close together as they are in Real Life and be anywhere as viable or possible as they are in-game? Of course not; though you're not likely going to care when they make for some truly breathtakingalien skies and scenery.
The inclusion of raptor-riding banditos alone proves the point here, but if that doesn't convince you, there's also Dracula, who happens to have a moon base with a moon laser. He hangs out with Paul McCartney, the real Micheal Jackson, and Tupac.
See also this strip and the one directly following it. No other webcomic features a ninja MD flying a private jet into a thunderstorm where he will be attacked by missile volleys and pterodactylsbirdosauruses, which he will subsequently defeat in a single minute so that he may continue on to the apocalyptic Aztec tennis temple to save the world's greatest tennis champion who must play a game of tennis against the avatar of the Aztec god of destruction in order to save the world from imminent doom. The only reason any of the above makes any sense, at all, is because it is so goddamn cool.
King Radical comes from Radical Land, which is even more like this; everything there is based on the Rule Of Cool. Not just almost every plot point like in the normal setting of the comic, but everything else too. Even the Sun wears sunglasses. Given the general nature of the comic, it makes perfect sense when he reveals (in "A Cumberland Ninja in King Radical's Court") that the world of the comic is halfway between Radical Land and a boring universe like ours, influenced by the energies of both, which is why it looks like the world we know with the addition of the occasional ninja doctor or vengeful astronaut ghost or an ogre running a supermarket.
In Mixed Myth, this is treated as one of the laws of the universe (under the name of Cynmatics). It causes anything that looks awesome to be inherently more powerful, such as how a gold wand with crystals in it is more powerful than a wooden wand. The Genre Savvy characters take advantages of this.
In Snowflakes, Wray's logic and knowledge of history, and even her grip on reality, are often come into question. But who cares if Erik the Red never piloted the Enterprise, or whether there are wraiths? It's awesome.
In Mob Ties, there is a clan of time traveling yakuza monkeys.
Homestuck: in the (hugely spoilerific!) [S] Dirk: Synchronise, why does Dirk do a handplant while he's flying around on a rocket board? Because it's goddamn cool. Why does he ride through space on a rocket-powered skateboard, high-five an alien while in motion, carry around a robot just so he can fist-bump it later, and save all of his friends lives by kissing them and decapitating himself? Because it's goddamn cool.
Dragon Ball Multiverse: Broly was found unconscious and transformed (powered-up) at the same time, which does not happen in DBZ. The authors stated they did that for the coolness, and the readers didn't approve.
Be Prepared, Scar's song from The Lion King has the ground lifting up to the moon while Scar and the Hyenas are standing on it to make a menacing tower, in addition to lots of green lighting and smoke coming out of the ground. Why? Because it's COOL!
Much of the Animated Adaptation of Teen Titans is built between the Rule Of Cool and the Rule of Funny, resulting in varying controversy. Many recurring questions that linger in the fandom are the identity of Red X, the identity of Slade and the fuel behind his motives, and which of the Robins Robin is. Glen Murakami on the other hand has openly expressed that he couldn't care less about any of these things, so long as the kids liked it and found it cool. In one interview, he uses the word "cool" a good fifteen times to answer just about every other question. Inevitably, the series concluded with more unresolved plotlines than you can count on your hand. Invoked In-Universe with the HIVE Five's name.
Kid Flash: If you're called the HIVE Five, why are there six of you?
See-more: Because...it sounds cool?
Parodied in Invader Zim, where the Virtual Ghost of a Martian justifies their embarking on a pointless project that drove their race into extinction with "Because it's cool." He proved himself right, too. They turned their entire planet into one giant moveable spaceship. That's pretty dang cool!
Rambo: The Force of Freedom: Demonstrates the cavaet listed in the description: You can only use the rule of cool when the result is, in fact, cool. Highlights of this show include Rambo wrestling a panther under water, driving a motorcycle on top of a train, and jumping out of a burning aircraft with a rocket launcher and somehow managing to turn around and blow up several missiles headed straight for his ally's helicopter with it. It's just cringe-worthy how ridiculous it all is, the flawed animation and complete insanity of the idea of basing a cartoon for children on an ultra-violent action hero making it impossible to take seriously.
The creators of The Batman, the Continuity Reboot to Batman: The Animated Series, were looking for a way to set their series apart from the rest. So, they made a spin-off movie entitled, The Batman... versusDracula. Batman. Versus. Dracula. The bat-imagery crossover lets it make a twisted kind of sense. The movie lives up to the concept. Yes, Batman finds a cure for vampirism at the end, and all the citizens of Gotham who were vamps go back to normal. The Penguin becomes The Renfield. Oh, and as if it wasn't cool enough already, The Joker is turned into a vampire for a while. VAMPIRE. JOKER.
In George Shrinks, Becky asks George why his ghost catching machine requires bells and horns. His answer: "they're cool!".
In one episode Kim Possible jumped off a plane without a parachute. Even while she was falling towards her doom, she didn't panic and just by sheer luck was she saved by a blimp. While asked why Kim would do such a deadly stunt, the director answered that it was cool.
Enzo's birthday party. During the festivities, Megabyte crashes the party, and brings out... a guitar? With a dial turned to 11? Megabyte begins jamming. Then Bob steps up to face him, seemingly angry at him for crashing the party. Then he commands his keytool to turn into a guitar and thus begins a rocking guitar duel, between the Hero and the Big Bad! The whole thing ends with Megabyte giving Enzo his guitar, "I've always wanted to do that" and then leaving. Sure, it could've been a trap, or just about anything, but those thoughts never crossed ANYONE'S mind because it was just that freaking AWESOME.
Near the end of the third season of with the system crashing, "User" characters from every game seen prior to the episode suddenly begin appearing in Mainframe. This is explained by the instability of the system releasing "undeleted RAM" — but it seems more like a thinly-veiled excuse for a battle royale between the cast and every User at once. Nobody complained.
Megas XLR A badass opening theme song, a giant robot with a car for a head that's piloted with a video game system. Coop can pull off amazing and special moves because he played video games all his life. It can all be summed up by these two lines, from the episode where Coop enters Megas into a car show:
Coop: Man, there's some tough competition this year.
Jamie: Competition? Dude, you have a giant robot from the future, with a car for a head.
Sokka has a space sword. A sword made from meterorite. Suddenly being the Team Normal became a much cooler position.
The giant drill - that could have been done so many other less cool ways.
SWAT Kats: How did they build a serviceable jet fighter from parts in a salvage yard? One better than the official military's jets? After building a secret hangar? Many of their Special Missiles violate logic and physics. Their jet crash into the water with stalled engines and they get the engines restarted underwater and fly away. Who cares? It's RADICAL and plays to an awesome electric guitar soundtrack.
An in-story example appears in Toy Story: Almost no-one calls out Buzz Lightyear on his delusion about being a real space hero as opposed to a toy, because he's just that cool.
Codename: Kids Next Door: The stuff that happens on a typical episode would be laughable anywhere else, but the fans overlook that little detail because it has 10-year-old secret agents with homemade weapons and vehicles.
In The SpongeBob SquarePants Movie, the climax consists of SpongeBob, seemingly doomed because of Plankton's Evil Plan, singing about the Goofy Goober using a visor and microphone from nowhere to distract Plankton, and when Plankton finally instructs his minions to attack SpongeBob, the microphone and visor are gone just as easily as they appeared and SpongeBob now has a wizard costume with a peanut pattern as well as a Goofy Goober guitar which he uses to play a solo which involves lasers fired from the guitar destroying Plankton's mind-controlling helmets. Despite the blatant, out-of-nowhere Deus ex Machina, this sequence is too cool to question.
Motorcity: nukes, tornado stunts, tanks, and car chases that basically says "SCREW YOU" to physics. Think a more child-friendly FLCL, except with cars instead of guitars.
Ben 10 and its sequels. A wrist-mounted device that shapeshifts the wearer into ten (or more) forms with varied superpowers? Having it means meeting alien heroes, beating down bad guys, and being able to do your chores in a hurry? Oh heck yeah.
As to be expected, Kung Fu Panda takes Artistic License - Martial Arts and runs with it. The Furious Five fighting Tai Lung on a robe bridge, Tai Lung fighting Shifu with his paws on fire, and Po using tai chi to redirect cannonballs is just the tip of the iceburg.
The act of taking Luke Skywalker's prop lightsaber and Gene Roddenberry's ashes up on the space shuttle.
Parkour and Freerunning, when performed by professionals. This applies to Freerunning especially, since Parkour is usually more concerned with efficiency.
This physics experiment. If you want your students to remember waves, the answer is "Flaming Heavy Metal"
Related to the meteorite sword mentioned above: legend has it that the first copy of Jim Bowie's eponymous knife was made from iron derived from a meteorite. Terry Pratchett's sword is as well.
A lot of science (especially medical science) worked this way for most of history, regardless of what reality had to say on the subject. Mercury was reckoned to be a cure-all for centuries just because oh my God look at that that is so fucking awesome.
Quartz watches are not just a lot cheaper than mechanical; they're also a lot more accurate. Why do people buy mechanical at all? A combination of conspicuous consumption and Rule Of Cool. The Seiko Spring Drive is a hybrid mechanical, electric and magnetic watch movement that provides a really cool solution to... no actual problem that can't be solved cheaper by a conventional quartz watch.
There are quite a few instruments and objects used as instruments which may or may not have practical advantages, but are undeniably Cool, such as:
The only reason anyone would create a Dyson Sphere, since the level of engineering required to construct a shell around a star means that any race capable of actually building one, wouldn't need to.
Queen Elizabeth II was shown jumping from a helicopter after being escorted by James Bond as part of the 2012 Olympic Opening Ceremony. If a British Monarch wants to make a Big Entrance, that is the only way to do it.
This is the point of concept cars. Believe it or not, they were even more over-the-top way back when than they are now.
During the BP oil spill Russia suggested that the United States use a strategic nuclear bomb to stop the oil. When many expressed their doubts to this actually working, Russia revealed that they had secretly been using this very tactic for years with a 90% success rate.
Firing guns Gangsta Style makes them extremely difficult to aim and control, is dangerous enough to quickly get someone kicked off a shooting range if they're seen doing it, and has gotten several criminals killed in shootouts with police. Rule of Cool is why so many novices insist on using Gangsta Style anyway, and the third strike against it is why police and self-defense experts don't do anything to discourage its use among the criminal element.