The USA Network is a cable channel owned by NBC Universal (initially it was owned together by Universal, Paramount and HBO, but HBO sold their stake in 1987 and Paramount sold out in 1997). Initially debuting as the Madison Square Garden Network from 1977 to 1980 (no, not the one that shows the Knicks and Rangers, although they were staples of the network's early years). Over the years, it has shown a variety of series and events, most notably WWE Raw and Smackdown (until it moves to Fox in 2019), Monk, Psych, Burn Notice, the Westminster Kennel Club Dog Show and U.S. Open tennis.
Back in the 80s and early 90's, it was essentially cable's "melting pot", or less favorably, "used car" network. It reran everything under the sun—from the usual assortment of sitcoms, dramas, movies, cartoons and sports, to the less expected, such as game shows, court shows, and news updates. During the early to mid 90s their slogan was "The Remote Stops Here", to emphasize the variety of programming and that theoretically you could stay tuned and see everything.
They started changing in the mid-90s, dropping the court and game shows and starting to focus more on original productions and off-net reruns, with the slick, CGI-heavy look dropped in favor of a new, "star" logo, and a look based off a behind-the-scenes look at the fictional "USA Studios" (which was now the brand for USA original programming). This was replaced in 1999 with a new "flag" logo and flat CGI graphics (they had dropped the cartoons and news updates by this point); that lasted until 2005, when the current logo and look was adopted. However, this isn't a case of Network Decay—primarily because USA catered to a wide audience, and never really had much of a focus.
In 1998, media mogul Barry Diller bought the USA network and Universal's television division. Diller, the former CEO of Paramount and Fox, and owner of the Home Shopping Network (HSN), decided to use these assets to create a new conglomerate, USA Networks Inc. Diller re-branded Universal Television as Studios USA, which continued making the Universal shows for networks, cable and syndication. When Universal bought USA back in 2001 it was renamed back to Universal TV; there were also film and home entertainment divisions (the former created by merging October Films and Gramercy Pictures after he acquired them along with USA, and has since become Focus Features, the latter absorbed into Universal's video division). Diller also created USA Broadcasting and began converting his over-the-air HSN stations into independent stations airing syndicated and local programming; this experiment was carried out in Miami, Boston, Atlanta, and Dallas, but any further attempts to expand the format were quashed by fiscal issues (indeed, the New York station was on the verge of switching to the new format) and the stations were sold, after a bidding war with ABC, to Univision (which utilized the stations to form a secondary network named Telefutura, since renamed UniMas).
One of USA's notable characteristics from the early 2000s onward has been their programming choices and their focus on unique characters, which gave the network the tag line USA: Characters Welcome . They like to make new shows, with unique premises, starring talented but largely unrecognized C- or D-list actors, but with an optimistic edge to their characters who are usually Jerks with Hearts of Gold and promoted by the network under a theme known as the "Blue Skies" concept. This has worked out pretty well; how many Emmys did Monk win again?answer Often, they guest-star actors from cancelled shows on sister NBC Universal networks Syfy and NBC.
Starting in The New '10s, USA began moving away from its "Blue Skies" programming concept and deliberately commissioned series that were significantly Darker and Edgier and Hotter and Sexier than the frothy procedurals the network had become known for. Shows like Suits, Complications, Satisfaction, and Mr. Robot all featuring dramatic storylines along with more swearing, sex, and drug use. Even older comedic shows like Royal Pains started veering towards drama rather than laughs. To some, this symbolizes USA's entry into a Dork Age as the response to many shows is that they're being "adult" simply for the sake of being "adult" rather than actually addressing mature themes through meaningful stories. The fact that outside of Suitsnote and Mr. Robotnote many of these new shows have short runs seems to be testament to thatnote . However, it is a decision USA seems to be sticking to. Royal Pains, the last of the "Blue Skies"-era shows, ended in 2016 and USA no longer has any truly family-friendly programming on its slate or in development.
Some other notable USA Network programs and blocks:
- Airwolf (1987 episodes) — The final season of this show was made for this channel, though it was known as the season with No Budget.
- "Back-to-Back-to-Back NCIS" (an eight-hour block of NCIS every Monday, Wednesday and Thursday)
- Bumper Stumpers (1987-1990) — Canadian-produced game show from Dan Enright and Wink Martindale. Hosted by Al Dubois, and aired in Canada on Global TV.
- Calliope, a response to Nickelodeon's Pinwheel
- Campus Cops, a mid-1990s sitcom
- Check it Out, a Canadian sitcom (co-produced by USA) and an adaptation of the notably bad British sitcom Tripper's Day, centering around a fictional supermarket and its weird crew of employees. Notably, the main character was played by Don Adams.
- Commander USA's Groovie Movies (1985-1989) — Showcased horror and science fiction movies on Saturdays and Sundays.
- Colony (2016)
- Common Law
- Covert Affairs
- Dance Party USA (1986-1992) — Philadelphia Dancing program. Originally a local series on WPHL-TV from 1981 to 1987 called Dancin' On Air.
- The Dead Zone
- Duckman (1994-1997) — Animated series from the creators of Rugrats.
- Eyewitness (2016)
- Fairly Legal
- Falling Water
- The New/$40,000 Chain Reaction (1986-1991) — Canadian-produced revival hosted by Blake Emmons for a short while, and then by Geoff Edwards. Aired in Canada on Global TV. (USA also aired reruns of the Cullen version before this version premiered.)
- In Plain Sight
- Jackpot (1985-1988) — Canadian-produced revival hosted by Mike Darrow, and aired in Canada on Global TV.
- La Femme Nikita (1997-2001) — Canadian-produced program starring Peta Wilson, based on the 1990 French film Nikita.
- Law & Order: Criminal Intent — in this case, actual new episodes instead of just reruns, until the series ended in 2011.
- Lots of reruns of various Law & Order shows (except for the original, to which TNT/Sundance/We/WGN/Ion co-own the rights)
- Modern Family
- Mr. Robot
- Necessary Roughness
- Night Flight (1981-1988) — Aired on Fridays and Saturdays late at night. In its final year, it introduced Super Sentai to the continental United States with a Dynaman parody dub.
- Pacific Blue
- Playing House
- Political Animals (2012) — Critically-acclaimed political mini-series.
- The Purge - a 10-episode miniseries based on the film series of the same name.
- Queen of the South
- Radio 1990, a music video show
- Royal Pains
- Rush 2014
- Sailor Moon: Reruns of the DiC dub as part of the Action Extreme Team until Toonami picked it up.
- Saved by the Bell: The New Class (1993-2000) — Was rerun from 1997 to 2001.
- Silk Stalkings (1993-1999 episodes) — After two seasons on CBS from 1991 to 1993, this crime drama jumped ship to USA for its next six seasons.
- The Sinner
- Smush (2001) — Short-lived game show hosted by Ken Ober.
- Strip Poker
- Tattooed Teenage Alien Fighters from Beverly Hills (1994) — USAs second sentai show (after Dynaman), as well as their attempt at producing a completely American take on Power Rangers that didn't have footage recycled from a tokusatsu series.
- Unsolved, a true crime series.
- USA Cartoon Express, a block of classic and new cartoons which ran from the 1980s until 1996 when it was rebranded as the USA Action Extreme Team. Originally showed Hanna-Barbera and Ruby-Spears cartoons that had little to no syndication demand (and weren't licensed by Ted Turner); Turner bought up the entire HB and RS libraries when forming Cartoon Network, leaving the Cartoon Express with a random assortment of pre-existing cartoons and lower-quality original cartoons until the change to Action Extreme Team. That block, which featured (in addition to Sailor Moon) Universal creation Exo Squad, Sonic Sat AM, Gargoyles and even Dogtanian and the Three Muskehounds, as well as four original series: one based off The Savage Dragon, Street Fighter (following up from the Universal movie), Mortal Kombat: Defenders of the Realm, and Wing Commander Academy (all of those shows once had a Cross Through arc involving the "Warrior King" chasing down a powerful sphere through all four shows' universes). It lasted until 1998 in favor of infomercials and more endless repeats of Wings, which defined the network's image in the mid-to-late 1990s.
- USA High (1997-1999) — Teen comedy from the creators of Saved by the Bell.
- USAM — A comedy block consisting of America's Funniest Home Videos (the Saget years), Wings and some of NBC's few 1990s "Must See TV" failures getting a second life as morning Filler.
- USA Fun and Games, for lack of a better term, which ran from 1984 to 1995 with such shows as Tic-Tac-Dough, Pyramid, Press Your Luck, The Joker's Wild, High Rollers, The New Hollywood Squares, Scrabble, Sale of the Century, Wipeout (1988), Caesar's Challenge, and the Canadian game shows mentioned above; they also ran two original game shows from Stone-Stanley Productions in 1994: Free 4 All and Quicksilver.
- USA Saturday Nightmares, a horror-movie block that ran on Saturday nights in The '80s and eventually merged with USA Up All Night
- USA Tuesday Night Fights (1982-1998) — Boxing program hosted by Al Albert and Sean O'Grady
- USA Up All Night (1989-1998) — A late-night interstitial program showcasing edited versions of cheesy B-Movies that typically ran on Friday and Saturday nights from 1989 to 1998. One of the network's most beloved originals by longtime viewersnote , Gilbert Gottfried hosted on Saturdays from the beginning of the run in January 1989 to the end in March 1998, Caroline Schlitt hosted on Fridays from June 1989 to December 1990, and Rhonda Shear replaced her on that edition from January 1991 to March 1998. After that, only the name remained as the banner for overnight movies until 2002.
- The War Next Door
- Weird Science: The Series (1994-1997) — Based on the 1985 film of the same name.
- White Collar
- Other WWE/WWF programming:
- Miz And Mrs. (2018-present): A Total Divas spinoff focusing on The Miz and Maryse.
- Tuesday Night Titans (1984-1986): A talk show in which Vince McMahon interviews WWF talent interspersed with sketches, included several genre parodies with Mr. Fuji.
- WWF Action Zone (1994-1996): A Sunday morning program which featured high-quality matches between top talent for its first two years.
- WWF All American Wrestling (1983-1994)
- WWF Heat (1998-2000): the Sunday night show which served as a pre-show on pay-per-view weeks.
- WWF Livewire (1996-2000): For a portion of its run it was a call-in talk show.
- WWF Mania (1993-1996)
- WWF Prime Time Wrestling (1985-1993): the direct predecessor to Raw on Monday nights.
- WWE Tough Enough (2011, 2005)
Also, USA Network tends to have a weekend marathon almost every weekend, picking one show from its popular lineup, which means (at the moment) all of its current original series (with the exception of Fairly Legal, which doesn't have enough episodes quite yet), plus NCIS (ridiculously common) and Law & Order: SVU (less so).