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The Dog Bites Back

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"I will treat any beast which I control through magic or technology with respect and kindness. Thus if the control is ever broken, it will not immediately come after me for revenge."
Evil Overlord List, Rule #48

It's all gone to hell. The base is collapsing about your ears, your Evil Plan is in ruins, the heroes are lining up for the Humiliation Conga — what more could go wrong?

Well, remember that mook? Or that victim you had cowed, or enchanted? Or that member of your crew you left to the cops when they came knocking? Doesn't matter who it was specifically, but what does matter is that he's the one you've been abusing since you, and he, showed up.

He's got a knife. And he's ready to plant it right in your back. Oh, Crap!

Unlike the Bastard Understudy and The Starscream, this character attacks as a crime of opportunity. There is no danger that he will take over the villain's place in the grand scheme of things. There is however a possibility that he will menace the others as a True Final Boss. The backstabber often ends up dead — but this is not often a case of Redemption Equals Death, because the motive is often not heroic; even victims are generally motivated by revenge. The villain's only control was fear (or mind control), and when he's no longer afraid (or brainwashed)...


May shade into Give Me a Sword when the character fails to act rather than actively attacks him; a wounded and powerless Big Bad may be helpless unless his Mook throws him something, so he demands it, and the Mook — just doesn't. This can sometimes tie into an Ironic Echo if the Mook uses the Big Bad's own Villainous Demotivator lines as a reason he can't help.

Especially likely for the villain who holds It's All About Me. Can result from a backfired attempt at Being Tortured Makes You Evil. If the victim has also been evil he may also demonstrate this, by showing that from all the villain's crimes the one that he did against him mattered.

The Reverse Mole and/or Fake Defector may launch similar attacks, for similar motives, but in their case, the attack was planned, or else the plan was to look for such openings. Losing control of a Tyke-Bomb or a Psycho for Hire may result in this as well.


One use of this trope is to spare the hero from the burden of personally dispatching the villain, in the same way as a Disney Villain Death or Bad Guys Do the Dirty Work.

Often occurs in the form of Bodyguard Betrayal. Very similar to Mistreatment-Induced Betrayal. Subtrope of Hoist by His Own Petard and Karmic Death. See also Nice to the Waiter. Not to be confused with The Dog Shot First. If the dog biting back does some puppy-kicking of its own, it's He Who Fights Monsters. If it's a pack biting back it's La Résistance, and The Revolution Will Not Be Civilized if they fall into evil themselves. If the hero deliberately sets this situation up, he's saying Do with Him as You Will. If it's the villain biting back against the world, he's saying Then Let Me Be Evil.

As a Death Trope, more than one Spoiler will be unmarked ahead. Beware.

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    Asian Animation 
  • Happens quite literally in the Lamput episode "Doc Dog", where Fat Doc and Slim Doc train a big dog to go after Lamput, which gets distracted when Lamput disguises himself as a female dog. Then the docs try to get his attention by grabbing his love interest, causing Lamput the "dog" to pretend to cry. The big dog gets angry at the docs for messing with his crush and chases after them for it.

  • So this little guy goes into a bar. There's one seat left at the end, and he takes it. Enter this big, body-building guy who looks like he could bench-press a truck. He walks up to the little guy, and says, "Hey! You're in my seat!" "Sorry, sir," says the little guy, "but I was here first. So unless you have a very good reason—" The big guy goes into a martial arts stance. "Tae Kwon Do from Korea!" the big guy interrupts. And WHAM! He knocks the little guy to the floor, and takes the seat. The next day, the little guy comes into a bar, with his head bandaged. There's one seat left at the end of the bar; he takes it. Enter the big guy, who goes up to the little guy. "Didn't I tell you that's my seat? Kung fu from China!" WHAM! The little guy gets knocked to the floor again. The next day, the little guy doesn't show up. The big guy comes in. There's one seat left at the end of the bar. He takes it; he's happy. Enter the little guy, with his head bandaged and one arm in a sling. He walks up to the big guy, and with his good arm... "Crowbar from Sears!" WHAM!

  • "I Remember Larry," by "Weird Al" Yankovic, is about a cruel prankster whom the narrator eventually gets his revenge on... specifically by breaking into his house and dragging him into the middle of a forest, where Larry is stuffed inside a garbage bag and left for dead.
    • It was a pretty good gag!
  • On "The Opheliac Companion", Emilie Autumn says that the song "Liar" could also be called "What The Fucking Dog Did." See the quotes page for her explanation of this trope.
  • "Goodbye Earl" by the Dixie Chicks is about a woman who gets together with her best friend to kill her abusive husband.
  • "Janie's Got a Gun" by Aerosmith is about a girl who kills her father after years of abuse.
  • "Lily, Rosemary And The Jack Of Hearts" by Bob Dylan.
  • Bruce Springsteen's anti-corporate song "Death to my Hometown" describes the plight of a town left economically ruined by Corrupt Corporate Executives and Morally Bankrupt Bankers. At one point Springsteen exhorts the townspeople to "Blow the robber barons straight to Hell," and at the very end of the song we hear what sounds like guns cocking, then firing, implying they may have taken his advice.
  • Literally in Mason Williams' "The Prince's Panties", in that the "panties" are the prince's dogs, that he mistreats.
  • "No More Pushing Joe Around" by Daniel Johnston seems to be about a man who's fed up with the world and decides to fight back.
    No more pushing Joe around
    No more pushing Joe around
    There'll be no more pushing Joe around
    He's up and punching now
  • "16 Miles" by Ego Likeness is about a woman fleeing across a wilderness after killing her abusive husband.

    Newspaper Comics 
  • One Peanuts story arc had Charlie Brown finally having enough of the Kite-Eating Tree eating his kites and taking a big bite out of the tree. This ended up getting him in trouble with the EPA.
  • Most of the humor from Garfield comes from the titular fat cat playing pranks on, or downright abusing, Jon and Odie. To break the monotony, Jim Davis has admitted that from time to time he'll include a strip where Jon, Odie, or both, will pull a fast one on Garfield.
  • Modesty Blaise: Kang, the Big Bad in "Death Symbol, is killed when he stumbles unarmed into the quarters of the Sex Slaves he has been keeping and abusing. A dozen girls dog pile on top of him and smother him to death.

    Professional Wrestling 
  • Decade's goal in Ring of Honor started out as making sure people who walked out on the company but came back were not "rewarded" for it, but this gradually degenerated into breaking "rookies" (basically anyone with less time in pro wrestling than BJ Whitmer, Jimmy Jacobs or Roderick Strong, especially ROH trainees or recent graduates), and in the process they lost the respect of Cedric Alexander, who has been their most persistently encountered resistance.

    Tabletop Games 
  • In Warhammer 40,000, a crazed Cardinal named Bucharis was a ruthless tyrant who conquered entire systems from the Imperium. When his empire started to fall apart billions of people began to revolt against him, eventually he was cornered and the rebels tore him to pieces with their bare hands.
  • Chronopia: The One King united humanity as the Firstborn, to ensure that they would never be enslaved by the other races again(this includes the elves, the dwarves, and the Blackbloods).
  • In Genius: The Transgression, a Beholden who has been abused enough, or a moral Beholden told to do immoral things, gets to make a check to break free of their condition. A successful check means they're no longer dependent on their master, and are free to take out their anger on him.

    Visual Novels 
  • Sakura Matou in Fate/stay night. Her target is awesome, she's the love interest here and a good guy. But she seems to enjoy beheading Shinji Matou with pure magic or ripping Zouken Matou out of her heart, gloating and then crushing him a little too much for it to be 'heroic'. Plus the whole 'stealing the show and becoming an apocalypse in the form of a teenage girl' thing.
    • By that point, she's clearly not heroic (the 'killing Shinji' bit is where she ceases to be, even if he deserved it). She's also clearly not herself, and the rest of the route consists of Shirou and (eventually) Rin trying to save her from the darkness that is consuming her.
  • The first victim in Shion's Roaring Rampage of Revenge in the Cotton Drifting and Eye Opening chapters of Higurashi: When They Cry is Onryu, her grandmother. Given the cruel treatment she suffered for much of her life, quite deserved.
    • In the special Dice Killing Arc, Rika finds herself in a world where Satoko isn't her best friend but rather a Spoiled Brat and a bully who likes to make her life miserable. Rika puts up with it for a while, but finally reaches her breaking point and proceeds to beat Satoko with a chair over and over again.
  • In ClockUp's Fraternite, Shion finally turns the tables on her bullies, which takes place later in the True Ending route.
  • In New Danganronpa V 3, one of the Monokubs, Monodam, is said to have closed off his heart to others thanks to Monokid bullying him so much. Guess who the first Monokub is to die and who causes it? More specifically Monodam shoves Monokid into the iron maiden used to snuff out Kaede's lights.


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