It'll get you nowhere in life,
Not like getting anywhere matters.
Although, I guess it does if you care,
Which I don't."
A character, having faced an indifferent world for so long, finally gives up all pretense of trying. He does the bare minimum to try to get his job done and makes no effort of initiative elsewhere. He knows that whatever he tries isn't going to work, so it's just easier to be jaded and cynical (and right) than to be constantly disappointed by plans that never work.
Depressing as that sounds, this trope is almost always played for comedy. This is because the trope is a popular part of Deadpan Snarker mentality. One of the benefits of not caring is that there's nothing stopping you from making cynical, ironic and humorous quips about the world around you. Granted, said character won't be much fun to be around since he makes these jokes at the expense of nearly everyone else, but again, he doesn't care, and it's not like anyone's going to have the guts to actually do something about it since his irritation doesn't go past his passive-aggressive sarcasm.
But sometimes, they stopped caring because it hurt too much.
This should not be confused with a related concept, Professional Slacker, which is when a character makes an aggressive effort to do as little work as possible.
When used seriously, the character has probably crossed the Despair Event Horizon, or overlap with Silly Rabbit, Idealism Is for Kids!. Compare Giving Up on Logic, Then Let Me Be Evil, Jaded Professional, The Fatalist, and The Power of Apathy. When one's descent into cynicism is triggered by a particular event (rather than a gradual grind over time), see Cynicism Catalyst. If a new character appears and the process starts all over again, see Logical Latecomer. If a work does this to its audience, it's Eight Deadly Words. When this happens to a creator of a work, see Creator's Apathy.
- Played for Drama with Leo from Pandora Hearts. After Elliot's death (of which he blames himself), he pulls a FaceHeel Turn in order to perform his duties as Glen, but he even admits to himself that he hates everything and that "in the end... nothing mattered anymore."
- Played for Drama with Hishigi from Samurai Deeper Kyo. He knows he's dying and that there's no chance of correcting the inherent genetic defect that is killing the Mibu clan. Even as he continues to fight for his one remaining friend, he expresses the fact that he has grown tired and uncaring of the cause he's fighting for.
- Played for Drama in Devilman (and by extension, DEVILMAN crybaby): near the end of the series, Akira's friend Miki is murdered by a lynch mob, he forsakes his efforts to protect humanity to get revenge against Ryo, whose machinations led to Miki's death. This is especially poignant in Crybaby, when Akira flat out states that he has no tears left to cry. This also becomes a Foregone Conclusion: his empathy was the biggest source of his strength, without which he ultimately dies by Ryo's hands.
- Possibly the "rich hottie" in Local #8. He's rich, gorgeous, and considerate, but Megan ends up deciding it "just isn't right" and leaves his bed giving the It's Not You, It's Me line, to which he replies "it never is". Megan sees this as proving that he's secretly a jerk, but alternatively, the poor guy has been through this routine so many times that he's completely indifferent to what she thinks of him now since he knows she's not coming back. It's the easiest explanation for why his doorman "knows the drill". How many Jerkass Casanovas have a doorman who's used to calling a cab for women to go home in the middle of the night?
- Loki's God(dess) of Stories incarnation claimed that their genuine Screw Destiny happened because they did this. Meaning: Falling because of mistreatment or parental favouritism? Trying to show it off to all? etc. These all only mean anything if you give two shits about what they think! And they don't anymore. (They still care about the people, who dare to be their friends... but anybody else, especially Asgard? Nope.)
- In Dilbert, this is an inevitable effect of working for the company with its useless, sadistic, or outright criminal administration; its Pointy Haired Bosses; and its soul-numbing office environment. They call it the numbing, and Professional Slacker Wally is its endpoint. Dilbert himself has managed to escape this fate (except when Rule of Funny says otherwise) by learning to game the system to his own advantage.
- In Doonesbury, this is what's happened to Walden's President King. Frustrated with the (ultimately successful) attempts of students to segregate themselves in the early 1990s, he's since become completely indifferent to his job, allowing Walden to languish into a low-tier party school where students don't even make a pretense of planning for their futures. At one memorable commencement address, he even stated this outright to the students, asking who would ditch his degree right now if he could become a writer for Family Guy. All of the students promptly raised their hands, except for one who was scared of the killer bees that live in California.
- Marla of Retail has long since learned to roll with the punches from her customers and her higher-ups. Even after being promoted to store manager, she still maintains a thick level of snark, even going so far as to openly berate customers who annoy her, and make fun of her boss to his face. She also happens to be the only person capable of keeping her store running, so her Vetinari Job Security does her attitude no favors.
- Winston Payne in Dirty Sympathy, he has a pretty good idea what's going on. But knows that with the personalities he deals with, he shouldn't even bother.
- After trying and failing to get Bakugou to become a better person for over a decade and being nearly bullied to suicide for it, Izuku finally gave up in The Vigilante Boss And His Failed Retirement Plan. Izuku realizes that Bakugou is going to refuse to change and they're both toxic influences on each other. When Izuku and Bakugou reunite at Yuuei, Izuku maintains his distance and refuses to react to Bakugou's baiting. While Izuku still cares for Bakugou on some level, Izuku stopped caring about helping him
- Maleficent: Diaval tells Maleficent that he doesn't even care anymore when she again threatens to turn him into some ugly animal. Subverted in that he does not actually give up on trying to make her see reason.
- This happens to several soldiers by the end of Platoon.
- The Shawshank Redemption: During his first two onscreen parole hearings, Red assures the workers that he has definitely been rehabilitated by his time in prison. His parole is rejected both times. The third hearing following Andy's escape from Shawshank, Red has been so beaten down by his 40 years in prison that he admits to the parole hearers that he thinks that the entire concept of rehabilitation is a sham, and while he does genuinely regret the crime he commited to earn his sentence, he's now too old to care whether they release him or not. Ironically, this admission convinces them to grant him parole.
Red: So you go on and stamp your forms, sonny, and stop wasting my time. Because to tell you the truth, I don't give a shit.
- Gone with the Wind: Rhett Butler, having had enough of Scarlett O'Hara's pursuit of love, decides to leave Atlanta for parts unknown, to which this famous exchange occurs:
Scarlett: Rhett, if you go, where shall I go? What shall I do?
Rhett: Frankly, my dear, I don't give a damn.
- Feeding Frenzy: Carl's primary characterization is his total apathy. When he asks Jesse what his "big dark secret is," Jesse seems like he's actually about to come out with it, but Carl says, "Actually, I don't care," and walks away. Even when Carl is helping the protagonists fight the monster invasion, he's frequently seen shirking his duties so he can dance with pretty ladies or drink a beer.
- Isaac Asimov's "Flies": Polen has become so jaded by his ability to see subconscious emotions that he tends to isolate himself from other people and withdraw from contact with living creatures.
- A Christmas Carol: While most people think of Scrooge as a guy who hates Christmas, he has a greater problem with his fellow man. Scrooge has become old, bitter, and miserly as a result of past tragedies, the worst of which happened around Christmas. As a result, Scrooge no longer cares about the poor and those worse off than him. But as everybody knows, he eventually learns differently.
- Luke Skywalker and the Shadows of Mindor: After the villain tries to break Luke Skywalker with an involved And I Must Scream session (very much Played for Drama), Luke becomes nihilistic, depressive, incapable of believing all those high ideals he'd had... but he goes and consciously acts exactly like he would have before this happened, in hopes of Becoming the Mask.
- Warrior Cats: Bluestar does this in the later part of the first series, convinced that her Clan is full of traitors and that StarClan is at war with her Clan.
- Doctor Who: The Doctor stops caring about the universe and retires after the Ponds' death until Clara snaps him out of it.
- Phil Miller in The Last Man on Earth is reduced to this at the start of the series, thinking he is the eponymous individual. Then some other survivors start turning up, and he acquires a whole new set of problems.
- In Crazy Ex-Girlfriend, Greg can't go to Emory business school, because he has to take care of his sick dad, so he decides to go to extension school instead. However, he slacks off and when he gets a bad grade, he claims it's because of this trope and he simply doesn't care anymore. He could, but he doesn't. He is then promptly called out on this.
- Supergirl (2015): J'onn J'onzz, a shapeshifter, gets called in to pretend to be a sick Kara when Lena comes to visit while the real Kara is off being Supergirl. He puts zero effort into it, referring to James, one of Kara's closest friends, as "Mr. Olsen," making no attempt to follow Kara's cheerful mannerisms, or really even pay attention to what Lena is saying. Lena doesn't notice anything is wrong.
J'onn: [with Kara's face, but his own voice] The indignity...
- Undertale: Sans found out the whole world can reset at any time, which has basically driven him to become incredibly lazy and not really care what's going on. That is unless you do the Genocide Run in which case you become such an evil threat he can't possibly not care any longer and decides to give you a bad time... by laying the most brutally hard boss fight on you the entire game has to offer.
- Can happen in Dwarf Fortress. If a dorf suffers enough trauma, they'll get "doesn't really care about anything anymore" permanently added to their profile. And they really don't — unpleasant events will be far less bothersome, and good events will be far less enjoyable. A common Video Game Cruelty Potential in older versions (when dorfs were much more prone to Ax Craziness from bad thoughts) was to do this deliberately.
- Many of the characters in Machinarium just chill and don't do much in their crapsack world, though they do help you out if you help them. For example the robot prison inmate, who helps you in exchange for a cigarette, but then doesn't even care to escape when the cell is unlocked.
- Not displayed, but expected, by Preston Garvey in Fallout 4. If the player character chooses to help him and his charges escape a raider siege, Preston offers them money even though none was requested. If the PC responds that they "didn't do it for the money," he's shocked and apologetic, explaining that since the Minutemen had dwindled, he'd gotten used to everyone he met only being in it for themselves.
- In Mass Effect, the warlike krogan race suffer from this collectively. They used to have a very high birthrate, which was necessary on their home planet because of frequent death at the hands of predators, and later each other. The Council races discovered and uplifted them, using the Krogan to defeat their Rachni enemies, but once they'd been removed from the conditions which limited their numbers the Krogan grew too strong and attempted to conquer everything. The Salarians responded by creating the genophage, a bioweapon that would alter the DNA of every Krogan and drastically reduce their birthrate by causing most pregnancies to result in stillbirth. The Turians, taking a different view than the Salarians who only wanted it as a deterrent, unleashed it on the Krogan. The Salarians had carefully calculated the effect to stop the explosive multiplying of the Krogan while still allowing enough births for the species to survive. However, the continuance of the krogan's natural proclivity for violence despite them no longer having the birthrate to compensate has frustrated most efforts to keep their population from declining. As a result, many krogan are fatalistic about their impending extinction, and thus, only live for violence and short-sighted, selfish goals.
- Your krogan squadmate from the first game, Wrex, suffered from his own version of this. In the past, he tried to get the krogan to focus on breeding for a short time, only to be betrayed by his father. Jaded by the realization that the krogan would rather die fighting than work to save their species, he turned his back on his species and, like many other krogan, became a mercenary serving no one but himself. If he survives the events of the game, he'll change his mind.
- The Adventure Zone: Balance: Taako, over the course of The Stolen Century, stops caring as a result of seeing The Hunger engulf or at least nearly destroy every world they land on.
Taako: Everyone I've ever met, aside from the six of you, were just dust. Just talking dust. Okay? So I started worrying a lot more about me because what was the fucking point.
Taako : I appreciate what youre trying to do. And Im on board for whatever the plan is. But understand this: I have nothing, and I dont give a shit. The world is ending, and I. Don't. Care.
- He has another, even darker moment of this during Story and Song, when his memories are restored and he realizes he's lost Lup and been betrayed by Lucretia.
- In Sinfest, Fuschia's in love. It does not encourage her to do well in the soul-buying business.
- The Simpsons has a couple of examples:
- "In Marge We Trust" reveals that Reverend Lovejoy started out as an eager young minister willing to help his parishioners, but was worn down by Ned Flanders' ceaseless inquiries. "Finally, I just stopped caring. Luckily, by then, it was The '80s and no one noticed."
- "The Seemingly Never-Ending Story" revealed that Mrs. Krabappel was a dedicated teacher until she met Bart.
- In "Lisa's Sax", Bart was really enthusiastic about school until he met a kindergarten teacher who was openly hostile towards him. After that, Bart stopped caring about trying to be good in school.
- Invader Zim: A problem the writers had with Dib near the end of the show's run was that he wasn't responding to any of the abuses he's suffer, thus ruining the central conflict of the premise. This is most evident in "Zim Eats Waffles" wherein after having been humiliated in front of his teammates at the Swollen Eyeball and having his room destroyed by robots, Dib screams only briefly, then simply mumbles "whatever...", and goes to bed.
- In one Robot Chicken sketch, a spurned member of G.I. Joe decides to join Cobra after being mocked and stuck with the codename "Fumbles". Then Cobra Commander gives him a bad one as well (though at least he wasn't being malicious about it), which the man is resigned to.
Cobra Commander: My those are some fancy trousers. I shall call you Trouser Snake!
Calvin/Fumbles/Trouser Snake: Heh. I don't even care anymore.
- After getting his scythe stolen over and over again throughout the series, Grim in The Grim Adventures of Billy & Mandy actually says this verbatim when Sperg steals Grim's scythe in the episode "The Super Secret Snake Club vs. P.E." (Played for Laughs, of course.)
Sperg: Gimme that! [steals Grim's scythe]
Grim: I stopped caring like five episodes ago.
- This is the basis of Nietszche's "last man", an individual who is disillusioned with life and the world, and is content with mediocrity, taking no risks and and seeking only comfort and security.
- When the Visigoth king Alaric I sacked Rome for the third time in August 410, the citizenry of the severely weakened and demoralized city offered no real resistance. (Historians disagree on whether the famous opening of the Salarian Gate by Roman slaves, to let in Alaric's army, was the city's ultimate expression of this trope, or whether it was a plot in which Visigoth soldiers infiltrated Rome by going undercover as slaves.)
- This is how the Three Kingdoms effectively ended.
- The state of Shu had been in decline for some time due to rampant corruption within the court and the general Jiang Wei's repeated and futile attacks on the much larger state of Wei. When Wei launched a full scale invasion in 263, the soldiers on the frontlines did their duty, but when a crack Wei force managed to make their way to the capital city of Chengdu (after defeating a desperate last stand by what few defenders were available), the city surrendered without much of a fight.
- The fate of the third kingdom Wu was even more pathetic, as the people and the soldiers had become so disillusioned by all the political turmoil followed by the tyrannical rule of their emperor Sun Hao that when Wu was invaded, most soldiers simply threw down their arms and surrendered without a fight, and the common people helpfully pointed out the quickest routes to use for advancing large groups of soldiers.