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Literature / The Aeneid

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"Arma virumque cano…"
(I sing of arms and of a man…)
Opening words

The Aeneid is an epic poem written by the poet Publius Vergilius Maro—more commonly known as Virgil. It's considered one of the great masterpieces of literature, and many later works are deliberately based off the style Virgil used. Of course, Virgil himself was deliberately writing in the style of Homer, his literary hero, also basing his portrayal of certain characters off of stars of The Iliad or The Odyssey.

The Aeneid is a continuation set after the end of The Trojan War, following the story of the Trojan hero Aeneas. Prophesied to found a city whose empire will cover the whole world and rule forever, he travels all over the known world (i.e. the Mediterranean) trying to reach the fated place. After suffering many tragedies and getting kicked out of most places, he realises that the gods want him to go to Italy. When he gets there, however, he still doesn't have it easy: he has to pretty much conquer the whole area before he can settle down.


The city he eventually founds is the one from which Roman founders Romulus and Remus supposedly come. The Aeneid was intended as a propaganda piece for the emperor-in-all-but-name Augustus, who had recently become the supreme power in Rome, then ravaged by civil war, by defeating Mark Antony and Cleopatra VII. Aeneas, who is pious,note  dutiful and brave was held as the Roman ideal and is obliquely compared with Augustus at several points in the poem.

Standard material for Latin students; the U.S. AP Latin exam assumes its takers know the story in its entirety.

The poem may well have made some tropes, and used others cheerfully. This guarantees that all those tropes are at least Older Than Feudalism, if built at all. The story also got a continuation of sorts in the form of Geoffrey of Monmouth's Historia Regum Britanniae which has Aeneas' descendant Brutus of Troy sail to England to found a new empire and largely focuses on a certain legendary medieval king from British folklore.


Tropes Used:

  • 0% Approval Rating: The Etruscans ally with the Trojans due to their hatred of the tyrant Mezentius, who has been protected by Turnus since fleeing from the wrath of his people.
  • Acceptable Ethnic Targets: The Trojans are this in-universe. The Italic peoples often mock them as decadent, effeminate easterners.
  • Action Girl: Camilla of the Volsci. Huntress and worshipper of Diana, she's one of the few female war leaders and warriors in The Aeneid. Even Dido got her kingdom through guile and smarts rather than martial prowess.note 
  • Adaptational Villainy:
    • In The Odyssey, Aeolus is in charge of a thriving kingdom and tries to help Odysseus. Here, he is bribed by Juno into loosing the winds on Aeneas's ships. Helen is also treated less sympathetically than she is in The Iliad, betraying Deiphobus to the Greeks.
    • Most of the Greeks in general are portrayed unsympathetically. Odysseus, for example, is a slimy Manipulative Bastard compared to the Guile Hero Only Sane Man in Homer's epics.
    • This also applies to the Gods that were on the Greeks' side. Hera's grudge against Aeneas is incredibly petty and excessively destructive. Athena doesn't make an appearance but sends snakes to kill off Laocoön simply for figuring out the trap and warning the Trojans.
  • Aerith and Bob: Amongst the exotic-sounding Greek and Latin names, it may come as a surprise for some to also find names still used today like Anna and Camilla. Though, at least in Anna's case it's a subversion, as the commonplace name Anna we use today is of Jewish origins and not etymologically connected to the one in the Aeneid.
  • Affectionate Nickname:
    • Aeneas is known as "pius Aeneas", often translated as "pious", but it's one of the most complex words in Latin: other meanings include "steadfast", "dutiful", "kind" and "good".
    • Aeneas is one of many many characters referred to with epithets. Juno is Saturnia, Dido is infelix Dido or miserrima Dido (referring to her destiny and doomed love), etc. Virgil is homaging Homer, who also refers to various heroes and gods with epithets.
  • Afterlife Tour: The Trope Codifier. Aeneas, while still alive, makes a journey through the underworld under the guidance of a likewise still-living Sybil. His purpose is to speak with his deceased father, which he does, but the Sybil also shows him around the underworld in general.
  • Altar Diplomacy: The importance of Aeneas marrying Lavinia is mostly about the Trojans becoming united with the Latins to form the Roman nation.
  • Anachronism Stew:
    • In The Iliad and The Odyssey, Homer described battles fought with bronze-tipped spears. In The Aeneid, Virgil describes those same battles as having been fought with steel-tipped spears. Steel-making was unknown in Homer's time.
    • Escaping from the destruction of Troy, Aeneas lands at Carthage, even though Carthage was founded some four centuries after The Trojan War.
    • There are multiple references to Aeneas taking the "penates"—statues of the gods to be kept in households—with him when he leaves Troy. Romans had these, but Greeks actually did not.
    • The text references a type of ship called a bireme multiple times, which did not exist at the time of the story.
  • Angel Unaware:
    • Aeneas meets his mother Venus when he lands near Carthage, but she is disguised as a huntress. She shows him the way to Carthage. (Aeneas does realize she's a divine being, he just can't tell which one.)
    • The queen of the gods sends the goddess Iris to disguise herself as an old maid and inspire the Trojan women to set Aeneas' fleet on fire. Unfortunately, some of the women see through her disguise and only some of Aeneas's fleet is torched.
    • Alecto, a minister of the Fates and one of three Furies, disguises her infernal visage with the appearance of an old priestess so she can convince Turnus to declare war with some lies about divine visions. When Turnus tells her to Stay in the Kitchen, she throws away the disguise and uses the threat of torture to get Turnus to do as she desires.
  • Ascended Extra: Aeneas was a minor character in The Iliad and in most accounts of the Trojan War prior to Virgil's interpretation (however, it was implied that he was important for, at the time, unknown reasons).
  • Aw, Look! They Really Do Love Each Other: Venus begs Vulcan to make her son Aeneas some armor, reminding him that she never asked anything of him during the Trojan War. Vulcan’s response? “Why seek so far your argument? Why should your faith in me, O queen divine, grow less? Had such been your desire, even Troy I might have helped with arms; not mighty Jove nor fate forbidding her proud walls to stand; and ten more years to Priam’s life have given. And now, if you prepare a war—your will so fixed—whatever lies within my art, of labor or of skill, in molten gold and silver, or in steel, through fire, and breath of winds, I promise you.”
  • Badass Boast: Allecto has a great one in Book 7, when she appears to Turnus as an old woman and tries to persuade him to fight the Trojans. He sneers at her and basically tells her to leave fighting to the men. So she unveils her true form, scaring the crap out of him, and says respice ad haec: adsum dirarum ab sede sororum, / bella manu letumque gero, or in English:
    Look on me! I come from the home of the Dread Sisters
    And in my hand I carry war and death.
  • Battle Couple: Nisus and Euryalus are the homosexual kind. They are tied at the hip. They start a night raid against the Latins together. It doesn’t end well.
  • Because Destiny Says So:
    • Largely deconstructed. Aeneas's destiny goes against his desires for love, stability, and comfort, but his devotion to the gods prevents him from doing anything but suffering as the gods command. His lover kills herself, half his men abandon him, a friend's son dies, and he's nearly poisoned to death all so the decrees of the Fates can be fulfilled.
    • Doesn't matter whether Lavinia really wants to marry Turnus (implied at one point) or how long they've been promised, it's decided the minute he arrives that she's gonna marry Aeneas, who never shows any interest in her. Which means Turnus is doomed to die, just for being her former fiancé. And that's that.
  • Big Bad: Juno. While she never directly confronts Aeneas, she does spark the most amount of conflict for him in her efforts to prolong his suffering, even manipulating Turnus to start a war.
  • Bishōnen: Euryalus is described as “pulchrior”, or more beautiful, than any of Aeneas’s other men.
  • Blood from the Mouth: It's easy to tell Dares would be dead if he didn't concede the boxing match because of the flood of purple blood coming from his mouth and nose.
  • Blood-Splattered Warrior: Implied Trope; Alecto appears in Book VII covered in Gorgon poison at Juno's summon. As established in the Argonautica, the Gorgon's poison is its blood, meaning Alecto is drenched in acidic blood just before she goes to bring war to Italy. John Dryden's translation of the text makes this explicit.
  • Brainwashed and Crazy: One of the Furies sends an invisible, insensible snake to circle around the queen of the Latins and inject her with a venom of rage and madness. From then on, the queen loses her rational faculties and fears as she kidnaps the princess bound to marry Aeneas and takes her into the forest to prevent the marriage in time for war to commence.
  • Break-Up Bonfire: After Aeneas abandons her, Dido orders to build a pyre to burn Aeneas's clothes and weapons, an image of Aeneas, and also the bed on which she slept with him, claiming this ritual will heal her of her lovesickness. But when the pyre is ready, she stabs herself with Aeneas's sword on it, and the Breakup Bonfire becomes her funeral pyre.
  • Breather Episode: Anchises's funeral games.
  • Caught in the Rain: Aeneas and Dido are out hunting and take shelter from the rain in the same cave. The rain was part of Juno's successful plan to hook them up.
  • Cock Fight: Aeneas and Turnus are fighting for Lavinia’s hand, but their fight is more about the position as son-in-law to Latinus than Lavinia herself. In fact, no consideration is shown for Lavinia’s feelings at all.
  • Continuation: In the 15th century, an Italian poet named Maffeo Vegio wrote a continuation for it, which was widely printed in later editions.
  • Curb-Stomp Battle: Pyrrhus vs. Priam. Priam's a broken old man having suffered the death of his numerous children and the downfall of his family and kingdom. His son being killed galvanizes him to fight, but his spear bounces off Pyrrhus's shield and he's dragged to an altar and slaughtered.
  • David Versus Goliath: Inverted Trope in Book V; the boxing match between Entellus and Dares pits a giant, veteran warrior against a cocky, younger fighter who has to rely on his speed and his wits to defeat the terrifying champion. Problem is, Dares is portrayed as an arrogant antagonist in this account and loses to the Goliath-like Entellus, who only takes the challenge to teach a lesson in humility.
  • Deadly Dodging: Dares replies on his youthful limbs to slip past the giant, but aged fists of Entellus. Eventually, his evasion pays off when it causes Entellus to miss a heavy stroke and fall to the ground. Unfortunately, it doesn't help Dares get past Entellus's Rapid-Fire Fisticuffs.
  • Dead Person Conversation: In Book II, Hector warns Aeneas to get out of Troy, and after Aeneas escapes, Creusa's ghost tells him not to wait for her.
  • Death by Sex: Aeneas and Dido both suffer consequences from their affair: Aeneas gets a slap on the wrist from the gods, and Dido stabs herself in a botched suicide and burns to death on her funeral pyre, having lost all the respect of her people, other leaders and herself.
  • Deity of Human Origin: Juturna, Turnus’s sister, happens to be a goddess of springs and streams; “this honor Jove had given to her, for violated maidenhood.” Surprisingly, Juno is fond of her.
  • Department of Redundancy Department: The metrical restrictions of Latin epic, as well as a hefty bit of Vergil's personal style, make for awkward (if not downright humorous) translations. Aeneas's entrance into the "cavernous cavern" is just one of dozens of examples. Vergil also seems fond of his characters "pressing footsteps" rather than just walking.
  • Destructive Saviour: Venus's idea of 'saving' her son often causes everyone a great deal of grief, including Aeneas himself.
  • Disposable Woman: Creusa, Aeneas's first wife, who dies during the razing of Troy.
  • Disproportionate Retribution: Juno is still pissed about not being chosen as the fairest by the long-dead Paris. Her hatred for the Trojans is the direct cause of the war that fills the second half of the epic.
    • Seems even more fitting seeing as 1) some of her reasons are even more stupid, like the fact that Ganymede was chosen as "cup-bearer" to the gods instead of her daughter and he happened to be a Trojan and 2) in the end, she ends up going along with the creation of Italy and Rome anyway, making all of her resistance pointless.
      • Juno doesn't hate Ganymede just because he's Trojan (and therefore ultimately responsible for the destruction of her beloved city Carthage), but because he was her rival for Jupiter's affections.
  • Divine Intervention: Juno and Venus intervene throughout. Juturna intervenes in an attempt to save Turnus by steering him away from Aeneas. Turnus’s prayer to Faunus is implied to have had an effect on Aeneas’s sword being stuck in the consecrated wild olive tree that the Trojans cut down.
  • Divine Parentage: Aeneas is the son of Venus. King Latinus’s father is Faunus. Both of these divine lineages go back to Saturn. Aeneas is descended from Saturn through Jupiter and Venus; Latinus is descended from Saturn through Picus and Faunus. Messapus, a warrior on the Rutulian side, is mentioned to be Neptune’s son almost every time he’s mentioned.
  • Doomed Hometown: Aeneas's odyssey is set off by the Greeks' destruction of Troy.
  • Downer Ending: Somewhat; while Aeneas is victorious and peace is ensured, the epic ends on the death of Turnus.
  • Dressing as the Enemy: A band of Trojans disguise themselves in Greek armour; however, the other Trojans are fooled as well, and the Greeks eventually see through the disguise.
  • Dying Curse: Immediately before Queen Dido of Carthage commits suicide because Aeneas left her, she prays to the gods that Aeneas's mission may fail, and that the Carthaginians may forever be enemies to the descendants of Aeneas's Trojans and may one day avenge her. While part of the curse comes true, it ultimately fails: Aeneas succeeds despite many obstacles, and although Carthage came close to defeating Rome in the Second Punic War, in the end, Rome turned out victorious.
  • Fan Sequel: To The Iliad. Actual Greek traditions held that:
    • Aeneas left Troy after an omen of impending doom—the death of Laocoön and his sons—and returned to Mt. Ida.
    • Or he did survive the sack of Troy, making a Last Stand until the Greeks let him leave intact.
    • Aeneas ruled over a rebuilt Troy after The Trojan War, as the Iliad hints that the kingship would pass from Priam's line to him.
  • Fatal Flaw: Love of spoils.
    • Euryalus was unable to escape the Rutulian patrol because he was weighed down by the spoils he stole from their camp. The Rutulian patrol only spotted Euryalus and Nisus because of the richly adorned helmet of Messapus, which Euryalus took and put on, which gleamed in the moonlight and revealed their presence.
    • Turnus stole Pallas’s sword belt. When Aeneas has Turnus at his mercy, he is nearly convinced by Turnus to spare him. Then the sight of this sword belt reminds Aeneas of the killing of his friend Pallas, bringing up feelings of rage that drive Aeneas to kill Turnus.
  • Flashback: Books II and III are Aeneas telling the story of the fall of Troy to Dido.
  • Foreshadowing: In Book IV we are repeatedly told that Dido is "burning" with love for Aeneas. At the end of the book, this becomes rather unpleasantly literal.
    • Their whole badly-ended affair is this for the [1].
  • Forging Scene: Venus gets Vulcan to forge armor for Aeneas.
    • This article gives details on the comparisons between the shields.
  • Give My Regards in the Next World: A rather villainous version.
    Priam: How dare you make me witness my own son's death! You're no son of Achilles—he had respect for those begging for mercy!
    Neoptolemusnote : You'll get to see my father yourself! Be sure to tell him how wicked his son is. Now die.
  • God Save Us from the Queen!: While her husband is a good if not a very proactive king, Queen Amata of Latium sides with Turnus against Aeneas. Then there's Juno, who also causes some trouble for Aeneas.
    • Dido goes a bit love-crazy after Aeneas arrives, and it gets worse after he dumps her. By that point, virtually all her subjects are against her.
  • Golden Age: The story of Saturn, a deity in exile who fled to Latium and brought about a golden age in brought up several times. This serves to further the implications that Aeneas, another exile that fled to Italy, will bring about a new golden age from Rome.
  • Gray-and-Gray Morality: Aeneas is a courageous, pious, and dutiful leader, but he also commits morally questionable acts such as abandoning Dido without warning and slaying an unarmed Turnus at the end of the poem. The Trojans' enemies are likewise portrayed sympathetically despite being antagonists.
  • Half-Human Hybrid: Aeneas is the son of Venus.
  • Hat of Power: Turnus has a helmet crested with a metal chimera that breathes real fire.
  • Heaven's Devils: The infernal Furies are sent away from their work in the Underworld by Juno, goddess of the heavens. She uses them to start a war between Aeneas and Turnus to delay Aeneas's fated victory, an unnatural plan that earns Juno Jupiter's reprimand. And even Jupiter himself turns to one of the Furies to get Juturna out of the battlefield so Aeneas can kill Turnus.
  • How We Got Here: Books II and III are an extended flashback to the events of The Trojan War and the long period of wandering that followed it, leading up to the Trojans arrival in Carthage at the beginning of Book I.
  • Intangibility: As they reunite in Elysium, Aeneas tries to hug the soul of his father, only to touch his hands to his own chest three times. Turns out that while the souls of Elysium look solid, living people cannot touch them.
  • Intro Dump: Book VII ends with a series of paragraphs listing the background and army of more than a dozen heroes who have answered Turnus' call to wage war on Aeneas.
  • Ironic Echo: Aeneas refers to himself as "pious (roughly "righteous") Aeneas" during his remorse following the death of Lausus.
  • Ironic Nickname: Virgil uses the Homeric technique of applying epithets to his characters, but unlike Homer, he sometimes uses them ironically: e.g. in Book 4, immediately after Dido has just given Aeneas her epic denunciation of his faithlessness, Virgil describes "pius Aeneas" as going back to his ships. Sarah Ruden in her translation renders "pius" as "right-thinking", to underline how poorly Aeneas has defended himself. note 
  • It's Personal: Aeneas would have been perfectly content to show his rival, Turnus, mercy and let him live... if he hadn't killed his friend a few books ago. Mezentius and Aeneas's conflict also turns personal after the death of the former's son.
  • Jerkass Has a Point: Juno calls Venus out for her hypocrisy when Venus, who had already intervened in the Trojan War and in favor of Aeneas during his exploits, for complaining that gods were intervening in battle and supporting mortals.
  • Judgement of the Dead:
    • King Minos is seen judging the newly dead in between the ghosts of infants and the suicides as Aeneas enters the realm of Pluto.
    • Apollo's priestess explains that those damned to the Fields of Punishments are first interviewed by Rhadamanthus, who they are compelled to tell their every crime.
  • Lady Macbeth: Queen Amata actively encourages the war between the Latins and Trojans. She encourages Turnus to fight for Lavinia’s hand, and she does all she can to discourage her husband, King Latinus, from simply giving Lavinia to Aeneas.
  • Last of His Kind: Aeneas and the other Trojans are part of a handful of survivors of their city-state after it was exterminated by the Greeks. The Aeneid definitely contributed to the idea of the surviving Trojans being the founders of other countries—for example, several medieval works had them as the founders of Britain. Especially pronounced as, to make Juno feel better about losing this particular godly squabble, Jupiter says that the Trojans will not pass on their culture but fully assimilate with the Latins instead.
  • Like Father, Like Son: Averted, Priam explicitly condemns Pyrrhus as not being like Achilles. Specifically, Achilles held some measure of honor and compassion by returning Hector's body. Pyrrhus just killed Polites in front of Priam.
  • Love at First Sight: Dido for Aeneas, justified in that Cupid, Aeneas's half-brother, personally causes it.
    • Aeneas and Pallas seem to have become friends at first sight. I mean seriously, a Roaring Rampage of Revenge for a guy you've known for a week or two?
  • Love Hurts: For both Dido and Aeneas. After Aeneas tells his story to the Carthaginians, Dido falls in love with him. At one point, however, Mercury visits Aeneas in a dream and orders him to leave Carthage. Aeneas reluctantly does so out of duty, but Dido finds out and is outraged and heartbroken about it. She eventually kills herself as a result.
  • Lover and Beloved: Nisus and Euryalus at first embody this dynamic that was characteristic of homosexuality in Ancient Greece, with Nisus as the older loving mentor and Euryalus as the younger beloved follower. However, their relationship shifts to one of more equal footing as they embrace more Roman values.
  • Mama Bear: Venus goes to great lengths to make sure Aeneas's destiny happens on schedule. Not only does Aeneas resent it, she really does more damage than good.
  • Medal of Dishonor: Salius gets tripped during a foot-race and gets a pity reward from the king, prompting another loser to demand a pity reward for being the first runner to fall over. The king obliges and gives the loser a nice shield.
  • Mission from God: The prophecy that Aeneas will found Rome. He finds other nice places to settle three times, and every time the gods say, "Nope, you gotta keep going."
  • My Girl Is Not a Slut: Aeneas' people may be just as annoyed about him knocking boots with Dido as hers are, but she's the one who pays for it.
  • Nay-Theist:
    • Mezentius is one of the first known examples. His whole shtick is, essentially, "screw you Jupiter!"
    • Iarbas, an African king spurned by Dido, rhetorically asks Jupiter to his face whether or not he's powerful enough to be worth worshipping.
  • No Ending: The poem ends the second Aeneas kills Turnus, with no resolution to whether Aeneas marries Lavinia or how the Latins and Trojans settle into peace. It is debated to this day whether Virgil had other intentions and died before he could complete/change the ending, or whether he intended the Downer Ending. The latter is more plausible if you subscribe to the pessimistic reading.
  • One-Hit Kill: Entellus demonstrates what would have happened had Dares continued their boxing match by crushing a bull's skull with a single punch.
  • One-Steve Limit: Pallas is the name of Evander’s son and also another name for Minerva (Athena).
  • Our Giants Are Bigger: The nine-acres tall Tityus, a child of Jove and the Earth, appears in the Fields of Punishments. His many entrails serve as an eternal feast for an infernal vulture.
  • Patriotic Fervor: One of the whole points of the work!
    • "Remember, Roman, these will be the arts for you, to rule peoples by command, to impose the custom of peace, to spare the conquered, and to wear down the proud with war." (6.851-3)
    • As mentioned above, though, it can be read as a satire against that same Patriotic Fervor.
  • Perspective Flip: While the Iliad and the Odyssey told the story from the Greeks' point of view, this work tells it from that of the surviving Trojans.
  • Pre-Mortem One-Liner:
    • Pyrrhus to King Priam.
    • Aeneas to Turnus: "This wound will come from Pallas: Pallas makes this offering, and from your criminal blood exacts his due!". All the more famous because it sparks a What the Hell, Hero? moment, and dishes out an abrupt, rather Downer Ending.
  • Pretty Boy: Young men such as Ascanius, Pallas, Euryalus, and Lausus often have their almost feminine beauty described at length (since it was highly valued in Rome). Turnus' good looks are apparently enough to inspire other men to fight and die for him.
  • Propaganda Piece: The poem was more or less state propaganda promoted by Augustus to link the emerging and brand-new The Roman Empire with antique origins. It aimed to provide an alternative founding narrative to the Roman tradition that their city was founded by Romulus. (The Romans did not create the myth of Aeneas founding Lavinium—speculated to have come from the Etruscans or the Greek colonists on Italy—but the story of Romulus was a Roman creation.) The Julio-Claudian family of which Augustus was a descendant claimed descent from the Trojans and the Goddess Venus, both origins linked Augustus and Caesar to Aeneas, thereby creating a continuity of the ruling family with their ancestors, and insisting that the foundations of Rome were imperial rather than republican. Aeneas likewise embodies virtues more amenable to Augustan Roman: piety, family honor, stoicism, differing from the more capricious and earthy nature of the Homeric attitude.
    Jupiter: His ego nec metas rerum nec tempora pono;
    Imperium sine fine dedi.
    ["For these I set no limits, world or time,
    But make the gift of empire without end"].
    Lines 278–279 (tr. Robert Fitzgerald)
  • Prophecy Twist: The Harpy Celaeno's prophecy that they will get so hungry that they'll eat their tables... which they do when they eat a meal served on big pieces of flatbread. Young Ascanius making direct reference to the pun only makes it better.
  • Rapid-Fire Fisticuffs: After falling on his face, Entellus ends his fight with Dares by attacking him so fast he can't even breathe. The succession of blows is compared to a storm, a tempest, and hail before Aeneas stops the fight and declares Entellus victorious while blood floods out of Dares's mouth.
  • "The Reason You Suck" Speech: Dido gives Aeneas an epic one in Book IV, after finding out that he's planning to leave Carthage and hadn't told her. In reply, he waffles rather ineffectually. So she gives him another one.
  • The Rival: Turnus, Aeneas's rival for the land of Latium. He's even called a "second Achilles".
  • Seers: King Tolumnius, one of Turnus' allies, is renowned for his ability to divine the future from the movement of birds. Turnus mentions this ability to bolster his army's confidence, but Tolumnius's divination allows the goddess Juno to trick the Turnus' army into thinking fate is on their side, prolonging the war.
  • Senseless Sacrifice: Nisus tries to save Euryalus by pleading with the Latins to kill him instead, but the Latins kill them both.
  • Sexy Walk: How Aeneas recognizes Venus in her disguise at the beginning of the book. ("And by her stride she showed herself a goddess.")
  • Shout-Out:
    • The first words, "I sing of arms and a man," are meant by Vergil as a callback to The Iliad and The Odyssey respectively, to connect his epic with the works of Homer. Specifically, The Iliad begins by proclaiming itself to be about the rage (mania) of Achilles, a great warrior, in the war between the Greeks and the Trojans, while The Odyssey begins by proclaiming itself to be about a man, Odysseus. Virgil starts by saying that his own poem is going to be about both.
  • Soap Opera Rapid Aging Syndrome: Ascanius goes from a small child in the first book to being able to go hunting at Carthage and then fighting and killing in the Latin wars.
  • Stay in the Kitchen: Turnus dismisses the advice of his elderly maid because women are better suited to stay in the temple and let men handle the affairs of war. Unfortunately for him, his maid reveals herself to be a Fury of the Underworld and threatens him into taking her womanly counsel.
  • Sword over Head: Subverted. Aeneas almost decides to spare Turnus when he has him cornered at swordpoint until he remembers how Turnus killed his friend.
  • Temporary Love Interest: Dido. Her love keeps Aeneas in Carthage and away from his destiny and so the gods send a messenger to remind him to continue his journey.
  • To Hell and Back: Book VI. In a homage to The Odyssey, Aeneas enters the underworld to talk to the ghost of his father.
  • Tragic Intangibility: Virgil uses this device twice, closely copying the example from The Odyssey.
    • Book II: Aeneas ignores his wife's commands to stop grieving her and he tries to hug her three times, passing through all three times as she fades into shadow.
    • Book VI: As they reunite in Elysium, Aeneas tries to hug the soul of his father, only to touch his hands to his own chest three times. Turns out that while the souls of Elysium look solid, living people cannot touch them.
  • Transflormation: Aeneas finds the kingdom of Polydorus abandoned and overrun by a forest. The Trojans have no idea where all the people could have gone until one of them breaks off a tree branch and the voice of Polydorus screeches out a warning about this cursed land. Aeneas leaves the tree-man and doesn't come back.
  • Trojan Horse: Book II contains the beginning of the fall of Troy and shows the horse from the view of the Trojans.
  • Unwanted Rescue: Juno separates Turnus from the battle and his troops by luring him to a ship with a phantom of Aeneas. Turnus is extremely upset about this because he will be seen as a coward who fled battle and abandoned his men. He tries to jump off the ship to get back to the battle three times, but Juno restrains him. Turnus even considers falling on his sword.
  • We Will Meet Again: Dido's Last Words are that hers and Aeneas' people will meet again in war—Virgil's fictional cause of the Punic Wars.
  • What the Hell, Hero?: Aeneas does a few things to provoke this reaction, among them abandoning Dido without warning and slaying the helpless Turnus at the end of the poem. While the ancient Romans would have viewed these actions somewhat differently than modern readers do, the discrepancy is not so great that Aeneas' less heroic moments wouldn't have caused them some pause.
    • Some have argued that this was deliberate; since Aeneas was supposed to be a stand-in for Augustus, many believe that Virgil worked in a Take That! or two out of resentment for having his farm confiscated to give to soldiers.
    • Priam also calls out Pyrrhus, sadly to no effect:
    Priam: You pretend that Achilles was your father, but this is not how Achilles treated his enemy Priam.
  • Who Wants to Live Forever?: Juturna wishes she were mortal when she realizes that she can’t accompany her brother Turnus’s shade to the afterlife.
  • Woman Scorned: Dido really goes off the deep end, even though Aeneas obviously didn't want to leave, and wouldn't have if the gods (mostly Juno) told him to move on. (For bonus points, much of the imagery Vergil uses is the same imagery commonly used for Medea.)
    • "Could I not have torn apart his snatched-away body, and scattered it on the waves? Could I not have murdered his companions and Ascanius himself, and served them on the father's table to be feasted upon?"
    • Additionally, Juno's whole reason for being miffed at the Trojans (and therefore Aeneas) is that Paris didn't pick her.
  • Wouldn't Hit a Girl: Some historians believe that the reason Camilla isn't killed by Aeneas was so that Virgil could avoid having his hero kill a woman. Even a badass Action Girl kind of woman.
  • You Can't Fight Fate: Juno knows that there is nothing that she could do to avert Aeneas's fate (she hooks him up with Dido to distract him, supports the Rutuli, tries to kill him multiple times). All that she could do is make the journey miserable for him.
  • You Can't Go Home Again: Troy has been razed by Greek soldiers; the premise of the poem is Aeneas trying to found a new one.
    • Well, for a while Aeneas certainly does try to make a new Troy and actually meets someone else who successfully does so however the point of the story is really more him realizing that it is not his place to reproduce Troy but instead to lay the groundwork for Rome.
  • You Have Waited Long Enough: Dido's sister Anna says this when Dido believes that having an affair with Aeneas would be betraying her deceased husband.

Alternative Title(s): Aeneid