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"Arrrrgh!!! You're listening to Blackbeard in the Morrrrning, mateys!"

This is Radio Clash from pirate satellite
Orbiting your living room
Cashing in the Bill of Rights
Cuban army surplus or refusing all third lights
This is Radio Clash on pirate satellite, yeah
The Clash, This is Radio Clash

Pirate radio is as old as government regulation of radio broadcasts. It gets its name from the fact that many early unlicensed radio stations, especially in Europe, were based on boats, such as the famous Radio Caroline off the coast of Britain in The '60s. Since then, the term has been applied to any radio station that operates without a government license. This usually annoys government regulators, licensed radio stations and radio listeners alike, as pirate radio stations operating on a close enough frequency to licensed ones can cause interference that screws with radio reception (this is basically how radio jamming works).

Pirate radio often captures people's imaginations because it symbolizes resistance to the powers that control popular music or access to information. To use the Radio Caroline example again, it shot to popularity in the swinging '60s (as did Radio Luxembourg) because British listeners were fed up with the BBC's control of what music was played on the radio,note  leading to the establishment of commercial radio in The '70s. Pirate radio is often portrayed as the Voice of the Resistance, if not against the government, then against the conformity of mainstream popular culture.

A New Media example of pirate radio occurs with internet radio stations that, while not requiring a license to broadcast, play copyrighted music without paying license fees to the record companies. Unlike pirate radio stations, so-called "studio pirates" generally (although not always) fly under the radar of the authorities and the record companies, since an internet broadcast doesn't interfere with over-the-air radio or television signals.


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    Anime & Manga 
  • A small-scale, single-program operation in the original anime of Sailor Moon happens to be another front for the Dark Kingdom's energy theft schemes.

    Comic Books 

    Fan Works 
  • This Bites!: A bit of a Late-Arrival Spoiler; with his Transponder Snail Soundbite on hand, the Self-Insert Jeremiah Cross gets his hands on a device that allows him to call every other Transponder Snail on the planet at once, which he uses to create a literal pirate radio show called the Strawhat Broadcast Station (SBS).

    Films — Live-Action 
  • Pump Up the Volume is about a teenage boy who uses a pirate radio station to take on the injustices at his high school.
  • The Boat That Rocked (known as Pirate Radio in the USnote ) is extremely loosely based on the experience of Radio Caroline (some studio props used in the movie were actually loaned from Caroline's last ship Ross Revenge).
  • In Born In Flames, two different radical feminist groups voice their concerns to the public with pirate radio stations. One group, led by an outspoken white lesbian, operates "Radio Ragazza". The other group, led by a soft-spoken African-American, operates "Phoenix Radio".
  • In The Matrix, Morpheus and his crew project avatars of themselves into the Inside a Computer System that is The Matrix in order to disrupt it. They sometimes refer to this futuristic, Cyberpunk act as "broadcasting."
  • The German movie "Piratensender Power Play" (Pirate Radio Power Play) follows a Buccaneer Broadcaster duo as they outwit their "official" competition at every turn. At the movie's end, the two protagonists are hired as official anchors - which was partly Truth in Television.
  • The film She Shall Have Music had the owner of a cruise hiring Jack Hylton and his band to do a broadcast from the ship. Note that the movie was made in 1935.
  • Occurs in The Compleat Al when Al hijacks MTV with his "Al TV" segment.

  • The last Harry Potter book has one of these for the Resistance, which is not only on a random frequency each time it broadcasts, but is also password protected.
  • In the Kate Shugak novels by Dana Stabenow, Bobby Clark runs an illegal radio station called Park Air that broadcasts on an irregular schedule and keeps changing frequencies to stay ahead of the authorities.
  • In the Year 2050: America's Religious Civil War gives us EIBLAZE, a pirate radio/TV station set up by Rush Limbaugh, Sean Hannity and Glenn Beck to resist censorship by the evil Liberal government. After all existing networks are folded into Al-Jazeera (it's that kind of book) EIBLAZE moves to Israel and runs an internet show.
  • In Broken Homes, Peter initially thinks Sky's remarks about "music" coming from the top of Skygarden is a reference to the pirate radio station that had intermittently broadcast from the council estate's tower.

    Live-Action TV 
  • In an episode of Malcolm in the Middle, it is learned that Hal used to run a pirate radio station when he was in college. He finds his old radio equipment and decides to restart his station. He ends up getting shut down by the FCC.
  • Radio Free Roscoe, about four teenagers who set up a pirate station in order to provide an alternative to their high school's radio station.
  • On The Rocks was an obscure British kids' show from the 70s about a pirate TV station operating from a remote lighthouse.
  • Inspired by the pirates broadcasting to Britain in the 60s, the Thunderbirds episode "Ricochet" features a pirate station operating from a small satellite - which naturally gets into trouble. (Why the owners didn't think to use an unmanned satellite is never explained.) The guy's on-air shtick is so incredibly irritating that the Tracey brothers are clearly giving serious thought to leaving him to die. It's also inspired by Radio Caroline.
  • Rock N America was an 80s Music Video show starring Rick Ducommun as a TV pirate.
  • The Goodies start a pirate radio station in "Radio Goodies". Inspired, Graeme starts a pirate post office, then goes Drunk with Power and tries to start a pirate nation by dragging England out of its own five-mile limit. It is highly amusing.
  • Boy Meets World had an episode where Cory and Shawn form their own pirate radio station after Mr. Feeny kicks them off the school's station for turning their show from a dull Q&A session into the much more inappropriate "Lunchtime Lust." They only get to enjoy their success for a few minutes before Shawn accidentally gives away their location on air and Feeny busts them.
  • The premise of Feral TV.
  • Space Pirates was about a pirate radio station based on a space ship.
  • One episode of The Young Ones featured a pirate radio station - run by a genuine 17th century pirate.
  • In the "Muppet TV" segments of The Jim Henson Hour, the Muppets' broadcasts were sometimes disrupted by Gorilla Television (a play on guerrilla television) who hated commercial media such as the Muppets.
  • The Danger Man episode "Radio Jolly Roger" featured a pirate radio station that was secretly sending messages to the Dirty Communists from its base on an abandoned World War II anti-aircraft fort in the Thames Estuary. This strange-looking structure was quite genuine, and was in fact being used by a station called Radio 390, which gets a mention in the credits. Some exterior scenes were filmed on and around the real fort, including a shot of Patrick McGoohan being winched up into the fort. Other "exterior" scenes were shot in the studio using photographic backdrops and convincing replicas of sections of the fort.
  • The main focus of the Heartbeat episode "Sitting Off The Dock Of The Bay" is about a pirate radio ship that is suspected of being used as a front for a drug-smuggling operation. One of the policemen (Nick) goes out undercover as a new DJ and uses his presenting slot to send coded messages to his colleagues on land, enabling them to catch the smugglers.
  • The British offshore pirate radio stations of The '60s were briefly lampooned by Harry Enfield in the 1994 TV special Smashie & Nicey: End of an Era in which Enfield 'retired' those two veteran DJ characters. Who, it turned out, had started out on pirate radio; specifically, Smashie was the tea-boy on "Radio Geraldine" who quickly took over the presenting duties after Nicey fell overboard as a result of Smashie accidentally spilling tea on his lap.

  • The Who's album The Who Sell Out is intended to be a pirate radio broadcast, complete with fake commercials (but real Radio London jingles).
  • "On the Air" by Peter Gabriel is the song of a character called Mozo broadcasting from a junkyard.
  • The remix album of Cowboy Bebop's soundtrack was "broadcast" by Radio Free Mars, a pirate station operated from a satellite of the red planet.
  • The My Chemical Romance concept album Danger Days: The True Lives of the Fabulous Killjoys features a DJ called Doctor Death Defying (played by MSI guitarist Steve, Righ?) who transmits pirated radio broadcasts about the Killjoy's deeds.
  • The Runrug song "Hearthammer", about growing up in The '60s, refers to "Lying under the covers, radio on/Settle down with Caroline as she sailed all summer long".
  • "Mexican Radio" by Wall of Voodoo is a tribute to the powerful AM radio stations located near the U.S.-Mexico border known as "border blasters".
  • "What a World" by Benny Hill, recorded in 1965 at the height of the British pirate radio boom, contains the lyrics:
    Now Annie's a shorthand typist
    Working for The BBC .
    Her brother Jack is in prison
    Doing three years for forgery.
    Her sister Josie's in Holloway,
    In Dartmoor is her Uncle Jim,
    And her dad runs a pirate radio ship,
  • "Radio" by Rammstein is about growing up in East Germany and covertly listening to western radio stations to get around the government's censorship.
  • "Weird Al" Yankovic would take over MTV on occasion in the 80s and 90s (as "Al TV") by using a pirate satellite transmitter (later installments dropped this gimmick). When he took over MuchMusic, he would instead sabotage or injure one of their VJs instead.

  • In The Space Gypsy Adventures, Rekki G's father is said to have once been a DJ at one of these, broadcasting from a ship orbiting the planet Zenophon.

    Video Games 

    Western Animation 
  • The Simpsons's episode "Wild Barts Can't Be Broken" has Bart, Lisa and Milhouse setting up a pirate radio station, using it to spread gossip about Springfield's adults while speaking in the Queen's English.
  • An entire episode of Sealab 2021 was centered entirely on Captain Murphy's efforts to launch a pirate radio station out of Sealab, leading to the FCC eventually destroying Sealab.
  • An episode of King of the Hill has Dale set up his own pirate radio station, where he spouts out the various conspiracy theories he believes in to the neighbourhood. After a few days of non-stop broadcasting, he gives up after his only sponsor (read: his own business) pull their ads off, so he sells his station to Mexican interests (read: his Mexican friend Octavio).
  • Grojband: Grojband set up a pirate radio station in "On the Air and Out to Sea" and end up getting shanghaied on to an actual pirate ship.
  • On The Fairly OddParents!, Timmy wishes for a radio station with a magical voice-changing microphone, broadcast out of his treehouse. As "Double-T in the Morning," he encourages the parents of Dimmesdale to spend time with their kids at the beach, and disses Vicky.
    The Double-T in the Morning show is brought to you by "Vicky Stinks"! Remember, Vicky stinks!
    • When the FCC comes to close the station, it is because an "inappropriate" word was broadcast, not because the station did not have a license.
  • Danny Phantom episode "Pirate Radio" has a literal version as a group of Ghost Pirates teamed up with Ember to hypnotize all the adults in town to make them slaves of their galley.
  • In one episode of Pelswick, after his favorite station is yanked, the titular friend decides to start a pirate radio show with his friends. Unfortunately, it's not long before the FEDs are on their tails.
  • In an episode of Jem, a villain tries to ruin a college station's special event by overpowering their signal. To avoid the FCC, he broadcasts out of a cargo plane.

    Real Life 
  • The Ur-Example for offshore pirates was the yacht Ceto, which was acquired by the British Daily Mail newspaper in 1928 in order to broadcast advertising, prohibited by the BBC. However the transmitting equipment of the time was unable to provide a decent signal at sea, so the only way they could be heard was using loudspeakers.
  • The Ur-Example for American pirate radio was WUMS ("We're Unknown Mysterious Station") in the tiny town of Proctorville, Ohio. It operated sporadically from 1925 to 1970. Its operator, David Thomas, was by all accounts a Cloudcuckoolander of the highest order, but he managed to elude the FCC for decades. He was even put on trial twice for operating the station, but was acquitted both times by successfully nitpicking legal technicalities in the charges.
    • There have been three major attempts at offshore pirate broadcasting in the United States, all of which lasted only a matter of days. RXKR, based on a ship anchored off the coast of Los Angeles, broadcast for a few weeks in 1933, with the Loophole Abuse excuse that they were actually licensed in Panama rather than the US. In 1973, right-wing preacher Carl McIntire bought an old World War II minesweeper and started a station called Radio Free America off the coast of New Jersey, which only lasted a week or so before a fire on the ship and FCC enforcement shut it down. RNI (Radio Newyork [sic] International) tried it in 1987 and 1988 in a fully-outfitted fishing vessel anchored off Long Island. The FCC rejected their claim that they weren't subject to federal jurisdiction because they were technically in international waters, and enlisted the Coast Guard to raid the ship and arrest the staffers.
  • A land-based variation of this is the "border blaster", with high-powered transmitters carrying signals at a far greater distance than most radio stations. Border blasting stations in Amsterdam were used to blast anti-fascist content that was slowly becoming illegal into Germany, and could reach almost the entire country.
    • The border blaster phenomenon in North America involves stations in Mexico located near the US border that take advantage of looser broadcasting restrictions and lower costs in Mexico to broadcast over very large swaths of the southwestern US. This is often to the great irritation of American stations, whose signals frequently get overwhelmed. The "X stations" (after the Mexican broadcast callsign prefix) began in the 1930s and specialized in English language programming, including preachers, hucksters and music that was often overlooked by American stations, like Rock & Roll and R&B. Radio legend Wolfman Jack first gained wide notice with a show on 250,000-watt XERF in the Rio Grande Valley, before moving on to XERB in Tijuana. FM border blasters were banned by mutual consent in 1972 (Mexican stations must broadcast at the same wattage as American stations). AM blasters are still around, but largely broadcast in Spanish these days.
    • An African example is LM Radio, based in Mozambique but aimed at neighboring South Africa, starting in 1933. As with Radio Luxembourg mentioned below, LM purveyed pop music that was ignored by the South African state broadcasters and became a must-hear for young South Africans. The station closed in 1975 when a Marxist group seized control of Mozambique. The station's staff moved to South Africa where they began the government-sanctioned music channel Radio 5 (now 5FM).
  • Before World War II, many cross-border commercial stations operated in small European countries, generally aimed at Britain, where The BBC enjoyed a monopoly on radio and listening to unauthorised radio broadcasts was illegal. Radio Luxembourg became the most popular of these (it was run by that country's government). During the war, some of them, including Luxembourg, were taken over and used to broadcast Nazi propaganda; after the war, Luxy was the only one that resumed commercial operations. In The '50s, Luxembourg broadcast lots of Game Shows, most of which defected to television as soon as ITV went on the air, leaving Luxembourg as solely a music station. The BBC developed a rivalry with Radio Luxembourg for much of The '50s and The '60s, especially in the arena of pop music. In fact, many BBC DJs also broadcast on Luxembourg — clearly, contracts were more lenient in those days. In 1989, a partnership between Luxembourg and RTE resulted in Atlantic 252, which broadcast to the British Isles from Ireland until 2002.
    • Luxembourg wasn't fussy about who or what it broadcast as long as they paid up (in other words, the radio equivalent of the Swiss Bank Account). Prior to the pop shows starting in the early evenings, 208 was the home of an American televangelist (British broadcasting law refused any sort of airtime for these people in Britain). Despite hating pop and rock music as being a tainted and ungodly thing of Satan, Garner Ted Armstrong and his church had no choice but to rent airspace from the Satan-worshippers in Luxembourg to get their message into Britain.
      • In fact, in The '60s, Armstrong's show was broadcast daily by almost all of the ship-based pirates off Britain as well. In 1965, DJ Kenny Everett was fired from Radio London after Armstrong heard him lampooning the show.
    • Luxy also cheerfully advertised businesses banned from advertising in Britain, or in extreme cases banned altogether, such as get-rich-quick-through-beating-the-bookies scams based in Keynsham. It still advertised cigarettes long after all TV advertising for cigarettes had been banned in Britain in 1965.
  • Radio Caroline, described in the opening section, debuted in 1964, partly attempting to replicate the success of Radio Veronica (as mentioned below), and partly to challenge Radio Luxembourg's monopoly on non-BBC pop radio aimed at a British audience. DJs included Tony Blackburn, Johnnie Walker, Simon Dee and Dave Lee Travis, who would all end up at Radio One (Blackburn, in fact, was the first DJ to broadcast on Radio One when that station was launched in 1967 as a direct response to the popularity of the offshore pirate stations). Caroline's original run ended in 1968, with less-publicized comebacks from 1972–80 and 1983–90. In the '90s, it began broadcasting legally from a land-based studio via satellite and later the internet. As of 2016, it's hoping to get a DAB digital radio license. They're also doing some rather limited over-the-air broadcasting, having managed to acquire an AM license for absolute peanuts because it's considered largely obsolete in the UK and nobody else was interested.
  • A detail that gets lost sixty years on is that the pirate radio stations were also pirates to each other, quite often in the literal sense of the word. There was precious little co-operation and fellow feeling between the various stations, which tended to be owned by people already operating on the edges of legality, who weren't fussy about the fine details of methods used to hobble the competition. Right at the start, dirty tricks were used to seize the identified prime sites to anchor their ships, so as to control the most influential and lucrative market - London and the South-East. note  Much cunning and guile was spent in persuading more naïve newcomers that the north of England and Scotland would be good places to broadcast to - just to thin out possible competition for London, the most desired real estate.
    • Also many others from the 1950s to the 1980s, notably Radio Mercur (broadcasting to Denmark and part of Sweden), Radio Nord (broadcasting to Stockholm area in Sweden, Turku area in Finland and Åland archipelago), Radio Veronica (Netherlands), Radio London (Britain), Radio North Sea International (Netherlands and Britain), and Laser 558 (Britain and Northern Europe). And let's not forget Radio Hauraki (New Zealand), which was actually granted a licence by the New Zealand Government after three and a half years as a pirate (from a wooden ship, no less), during which time it ran aground twice and tragically lost a DJ overboard.
      • North Sea International had one of the more colourful histories. In its early days it was jammed by a British Government that was paranoid about possible interference in an upcoming election. They also ended up nearly being the victims of piracy on one occasion when a nightclub owner who had some business dealings with the owners turned up with a boatload of heavies claiming that he'd bought the ship. The crew prepared to repel boarders with Molotov Cocktails while presenter "Spangles Muldoon" (you could get away with a name like that in The '60s) kept up an acerbic running commentary until the Dutch Navy sent a frigate to intercede. Finally, a boat-owner working for a rival radio station set fire to the ship, causing the late-night DJ to put out a frantic distress call over the main antenna. (The plan had been to simply cut the ship's anchor chain so it would drift inshore and be impounded for illegal broadcasting, but the boatman came up with a "better" idea.)
      • In the '60s, some stations also took over old World War II anti-aircraft forts off the British coast, a couple of which were big enough to support large antennas.
      • Radio & TV Noordzee was probably the only successful offshore TV pirate. Operating from a customized offshore exploration platform off the Dutch coast in 1964, it broadcast English-language series on film with burned-in Dutch subtitles, as well as a top 40 radio station. Both operations were closed by a government raid after only four months. Some of those responsible set up a new company and acquired a licence to broadcast legitimately.
      • Radio London is notable because it was founded by Americans who heard about Radio Caroline and the dearth of commercial radio in Britain, and started a new station modeled on American Top 40 radio of The '60s, complete with high energy DJs, jingles and wall-to-wall advertising. The unique sound made it a particular favorite among the British rock elite of the era. The Beatles allowed Radio London to debut Sgt. Pepper's Lonely Hearts Club Band with a world exclusive a few weeks before its release, and as mentioned above, The Who Sell Out was an extended tribute to the station, complete with the actual jingles.
  • Gustav Siegfried Eins could well qualify.
  • Sometimes, legitimate radio stations will call themselves "pirate radio" in order to emphasize that they're "edgier" than the competition. An example is WSOU in northern New Jersey, which goes by "Seton Hall's Pirate Radio" but is actually just a normal College Radio station (albeit a very large and popular one). Since the school's athletic nickname is the Pirates, the station name is actually Double-Meaning Title.
  • During the Cold War, people in Estonia (which was under Soviet rule) could easily pick up radio waves from Finland. Since Finland allowed commercial TV broadcasting, Soviet officials tried to prevent Estonians from watching capitalistic TV with interference and intimidation.
    • Much the same happened in East Germany, only the East Germans couldn't block ARD and ZDF without causing a major diplomatic incident note , and so much of East Germany, if they chose to risk the wrath of The Stasi, could watch and listen to uninterrupted West German radio and TV. Deutscher Fernsehfunk (the East German broadcaster) knew this, and so tried to ram a show, Der Schwarze Kanal, down the throats of the East German public, playing it as a lead-in or lead-out to more popular fare such as movies. The show tried to "contextualize" the ARD and ZDF news that the viewers had possibly already seen by adding a Communist spin to the pieces. The only places this couldn't happen due to West German broadcasts not reaching that far were the extreme northeast and southeast of the country, leading to them being nicknamed "the valley of the clueless" by the rest of East Germany and ZDF-ARD being said to stand for "Zentrales Deutsches Fernsehen Außer Rügen und Dresden" ("Central German TV except Rügen and Dresden").

      One of the reasons suggested for the Soviet Union adopting the French SECAM colour TV standard instead of the PAL standard used in the rest of Europe (including West Germany) was to discourage such "defection by television", but it didn't really work as the basic monochrome standard was identical in both parts of Germany (so the PAL broadcasts could still be seen on a SECAM set, only without the colour) and those who really wanted colour could just get a converter or modify their sets; East German TV manufacturers even made dual standard TV sets later on.
  • In the Midwest during the late '70s and early '80s, it was Bruce Quinn's Jolly Roger Radio. They played the pirate trope to the hilt. Avast, matey, here be some Pentangle and Steeleye Span fer ye! They also had a number of promos joking about how they knew they were going to get busted. They did. Quinn later owned WKLU Indianapolis and sold it for something like six million dollars. With his wife Mitzi, he now owns and operates WHUM, a noncommercial freeform station in Columbus, Indiana.
  • Since the late 1970s, there's been a vast underground movement of unlicensed broadcasting on shortwave radio frequencies in the US and Canada. Programming tends to be heavy on classic rock songs and homemade comedy skits (with lots of toilet and drug humor), but there have been a wide array of stations over the decades. Because shortwave listening isn't very widespread, the audience is limited to radio hobbyists and other pirate operators, resulting in a huge chunk of inside jokes, particularly about certain people in the community. FCC enforcement has waxed and waned over the years, especially after their threats of heavy fines and jail time ran into legal roadblocks.
  • Unbelievably enough, Radio Vaticana (Vatican City official radio station) does it:
    • During World War II, it broadcast anti-Nazi propaganda, even giving to the world advance warning of the Nazis' rounding up Poles and Jews and forcing them into ghettos.
    • More recently, Radio Vaticana's non-Italian language broadcasts, transmitted from incredibly powerful repeaters, overrode normal broadcasts on Italian radios on the same frequency and even invaded door phones too close to the repeaters, leading to multiple lawsuits and Anonymous shutting down their website.
  • CFR AM & FM in Watkins Glen, New York, which only lasted a week but had one of the largest audiences ever for a pirate station. A bunch of pirate operators from Hartford, Connecticut decided to set up a station in a trailer at the Summer Jam rock festival in 1973, posing as a Canadian radio station (the station's call letters began with C like a legitimate Canadian station's would, but the letters stood for "Concert Free Radio"). As the crowd to see The Grateful Dead, The Allman Brothers Band and The Band swelled to 600,000 people, the station suddenly became an important source of traffic and public safety announcements, and the festival's organizers and the state police both embraced the station and helped them out. They even managed to broadcast part of the concert over the air.
  • Because television broadcasting requires more expensive equipment, pirate TV examples are much rarer and generally fall under Do Not Adjust Your Set. However, a true pirate station called Lucky Seven famously aired on an April weekend in 1978 on Channel 7 (otherwise an empty channel) in Syracuse, New York. Programming was mostly movies, some mainstream (including Rocky and One Flew Over the Cuckoo's Nest), some pornographic (like Behind the Green Door and Deep Throat), and episodes of Star Trek: The Original Series and The Twilight Zone (1959). There were interstitials with an onscreen announcer wearing a gas mask, condemning the FCC. It also had professional quality bumpers, with jingles and animation depicting a hand rolling a seven with two dice. The perpetrators have never been caught, but it's widely suspected that it was a group of students at Syracuse University who hijacked equipment from the school's broadcasting department.
  • Since satellite TV became a thing, Iran has had a massive pirate TV culture. Inside the borders, television is strictly state-run, and considering the state is a fascist Muslim dictatorship that uses everything it can as propaganda that isn't really a recipe for good entertainment or information. Outside Iran, however, anyone with enough money can start a channel and put on whatever kind of show they want, and considering how many Iranians have been forced into exile by the Islamic Republic that is a LOT of channels. Some international news networks have Persian-language channels that broadcast through satellites that are situated over the country, with BBC Persian and VOA Farsi being considered some of the most important news outlets for Iranians. Some channels are funded by the UN, as part of the efforts to counter the state's misinformation. Some are just right-wing propaganda tunnels run by angry rich old guys in California, some just play pirated dubbed (or poorly subtitled) films in-between commercials, some are full-on teleshopping channels, some play music videos all day every day (which is how the underground music industry has been able to survive and thrive), some like the GEM TV family air Turkish TV shows and some like Manoto TV try to cover every kind of program from documentaries to news and political discussions to dubbed (and licensed) BBC series. Of course, the satellite dishes and receivers have to be smuggled into the country, and are illegal to own, there's often police raids into apartment buildings where all the equipment is confiscated (luckily it's not illegal enough to warrant an arrest on the spot) and the signals are often radio-jammed so strongly that the waves are always causing major health problems for the people of big cities like Tehran.
    • To put in perspective just how serious the Islamic Republic takes this, the Revolutionary Guard outright assassinated the CEO of GEM TV in Istanbul for the heinous crime of airing soap operas for the Iranian people.