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Manga / March Comes in Like a Lion
aka: Sangatsu No Lion

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March Comes in Like a Lion, also known in Japanese as 3-gatsu no Lion (Sangatsu no Lion, lit. The Lion of March), is a seinen Slice of Life/Drama manga series written and illustrated by Honey and Clover's Chica Umino. It has been serialized in Young Animal since 2007.

Rei Kiriyama is an adopted adolescent who recently started living alone, financed by his salary as a professional Shōgi player. Despite his independence, however, he's yet to mature emotionally, and his problems continue to haunt him in his daily life. His relationship with his adoptive family is strained, and he has difficulties interacting with his fellow high school students. While he's able to manage a few cordial relationships with his peers in professional shogi, as well as his homeroom teacher, Rei has a relatively isolated lifestyle in a place that's almost unfamiliar to him.

Meanwhile, his professional career has entered a slump. Burdened with the heavy expectations placed on him as the fifth to become pro in middle school, his wins and losses are fluctuating as his record and progression into the ranks begin to stagnate. While he's yet to receive any significant negative attention, those that know of him in the shogi community wonder what is happening with him as he continues to struggle in a game where he initially showed tremendous promise.

Acquainted with Rei are the three Kawamoto sisters: Akari, Hinata, and Momo. Unlike the sullen Rei, they live happily in their modest home, which they warmly welcome Rei into as if he were one of their own. Despite his reservations about becoming too close to the family, he frequently visits, interacting with them and receiving the kind of care and affection he never quite had while under his foster home.

This is the story of Rei's triumphs and failures, relationships new and old, and his growth as a person.

An ongoing Spin-Off, 3-gatsu no Lion Showa Ibun: Shakunetsu no Toki, is currently being penned by Hideaki Nishikawa.

The series has two different adaptations—a TV Anime series produced by Studio Shaft, and a live action film. The anime first aired as part of the Fall 2016 season, with a second season following in 2017. It is available for simulcast and streaming on Crunchyroll herenote  and on Daisuki. The anime is licensed in America by Aniplex USA, who produced a dub for it with Bang Zoom! Entertainment. The live action film was released in 2017.

A character sheet is under construction. Before adding a trope to the series page, check if it doesn't already exist in the character sheet.

Unmarked Spoiler Warning: This page currently spoiler tags with consideration toward the manga's progress, not the anime's. Beware of unmarked spoilers for chapters yet to be covered by the anime.

This series provides examples of:

  • 2D Visuals, 3D Effects: The anime has so far used it for minor, inconsequential things, but its easy to spot when its on-screen, like with the rotating fan in Episode 2.
  • Adults Are Useless: Hina's middle school homeroom teacher during her character arc is the one adult character who embodies this trope. She's unable, or perhaps unwilling, to take the initiative and stop the bullying that's been going on in Hina's class, despite being aware that it has been going and being spoken about it directly.
  • Animal Jingoism: As a one panel gag in Chapter 48, the manga alludes to the snake and mongoose rivalry as a visual metaphor for the kind of heated arguments Rei and Nikaidou get into, with Rei being the snake and Nikaidou being the mongoose.
  • Arc Words: "I don't want to lose."
  • Artificial Riverbank: The riverbank in Kyoto is the setting of the last scene of Volume 6, once again invoking the motif of rivers and its related symbolism toward healing/calming those near them, as Rei comforts a crying Hina when they meet along the bank.
  • Art Shift: Nikaidou's look of focus and determination when he's about to go up against Kiriyama, his long-time rival.
  • Attack! Attack! Attack!: This is how Rei describes Issa Matsumoto's shogi playing style.
  • Backstory: Rei's backstory, which is explained in a multi-chapter story arc and small vignettes and flashbacks spread throughout, is an integral part of the plot, as it is the reason for many of his negative traits at the onset of the story proper. He is frequently plagued by thoughts of it, and it constantly comes back to haunt him, usually in the form of Kyoko and her visits.
  • Big Eater: Akari's three cats, most likely due to being spoiled with all the food she gives them, eat a lot of food. Ravenously.
  • Big "WHAT?!": Hina and Momo's reaction to learning that Rei is a pro shogi player is a loud, resounding, "EEEHHHH!?" after they finally process their new discovery.
  • Bland-Name Product: "Mecdnald" (sic) and the "Giga Mec."
  • Blush Sticker: These show up most frequently with Takahashi and Nikaidou.
  • Breaking the Fourth Wall: Smith, poking fun of Nikaidou's "aura" before his match with Rei, jokingly comments that the story they're in is about to turn into a different kind of manga.
  • Brooding Boy, Gentle Girl: Rei, with his generally morose disposition, and Hina, with her cheerfulness and the way she interacts with Rei, form this kind of pair.
  • The Cameo: Several characters from Umino's previous work, Honey and Clover, appear in Volume 14 as participants in the work team shogi tournament Rei's school's faculty are also in.
  • Can't Live with Them, Can't Live Without Them: Due to his past, Rei's persistent in living independently. He's also reluctant to get close to the Kawamoto family, despite their willingness to welcome him into their home, and will sometimes abstain from visiting when he has the choice. However, when he returns to his apartment after staying in their house and living with them for several days due to sickness, he's become much more aware of how empty and quiet his own place is, showing that he's not quite comfortable with being by himself as he initially thought.
  • Cathartic Scream: Rei belts one out amidst an empty street after his post-game encounter with Yasui, venting out the frustration he gained from Yasui during and after the match.
  • Cheshire Cat Grin: This is practically the default expression of a character introduced in Chapter 102, the Kawamoto siblings' father. The look of the smile by itself isn't all that strange, but given what information the story has told of him beforehand, the way the panels present him, and how certain characters react to his presence, the overly friendly-vibe he gives off with said smile - especially during the two times he tries to hold Momo - comes off as incredibly suspicious and unnerving.
  • Chiaroscuro: Umino enjoys using this to emphasis Kyoko whenever she's being particularly malicious to Rei. This is also done with just about any scene in the series fueled by negative emotions.
  • Coincidental Broadcast: In the wake of his 3rd-dan promotion, Rei sees a documentary that he parallels with his own life. Seeing that broadcast convinces him to quickly get his own place the moment he becomes a professional, leading to his current living situation in the present. The broadcast in question was about cuckoos and brood parasitism. Rei sees himself as the cuckoo hatchling that pushed the other eggs, Kouda's real children, out of the "nest" to receive the full attention and care of the parent that's not truly his.
  • Comical Angry Face: Nikaidou's video-taped lecture to Rei induces one from the latter in Chapter 14, a noticeable change, even to others in-universe, from his usual calm or melancholic expressions.
  • Coming of Age Story: The plot of the manga is one for Rei, as many of the story arcs build upon his Character Development with the events that transpire and the life lessons he learns from them.
  • Commonality Connection: Rei have been meeting Kawamoto family for a while, but he finds himself truly sympathizing with Hina over how it feels to be made friendless when bullies turns their eyes on Hina.
  • Conjunction Interruption: One example combines this with Rapid-Fire Interrupting. In one conversation with his homeroom teacher Hayashida, Rei continuously tries to make a rebuttal against his attempts to convince him to return to his foster home and to join a study group with a "but," only to be repeatedly interrupted by the next part of Hayashida's spiel. When it seems like he's finally about to let Rei have a word in...
    Rei: ...But-
    Hayashida: Gah, geez! All that's been coming out of your mouth is, 'but, but, but!' It'd be great if a hundred "buts" would make a door open, but to be perfectly honest, there are no doors like that!
    Rei: But-
    Hayashida: No buts!
  • Crazy Jealous Guy: Played for humor in Chapter 96. By the time Hina is enrolled in Rei's high school as a first-year, she starts getting a little attention from guys because of how cute she is. When one of them tries to get closer to Hina by offering to join the shogi club along with her and teach her, Rei basically steps in-between them like roadblock and drives the first-year boy away by beating him in a quick match, justifying it by claiming to be measuring his skill level for entry into the club. Later in the same chapter, he sees the same guy trying to have lunch with her and her new friend at the courtyard all the way from the school roof, prompting him to make a mad dash to where they are.
  • Cross-Popping Veins: Rei is the most prone to using them, oddly enough. Umino restricts their usage to the more comedic moments; she lets the characters' facial expressions and body language convey their anger during dramatic scenes.
  • Crush Blush: Hinata turns extremely red at the presence or even mere mention of Takahashi.
  • Cry into Chest: This occurs in the closing pages of Volume 6, between Rei and Hina after he finds her near the river by herself during her school trip in Kyoto.
  • Cue the Rain: A description of a stray lightning bolt and violent rain leads the chapter where Kyoko is first introduced in present time, signaling the negative effect she has on Rei's life.
  • Curb-Stomp Battle: The match between Rei and Shimada counts as one, as the latter almost immediately guides the former to his loss in the game before he even realized it. This scenario is specifically invoked through Nikaidou's request for Shimada to "knock [Rei's] brains out."
  • Cynicism Catalyst: The deaths of his parent and sister are a large part of what sets up the foundation for Rei's negative outlook on life.
  • A Day in the Limelight: One of the chapters is centered on and narrated by Smith, who muses over the preceding chapter's events revolving around Rei and later goes up against an antagonistic character Rei's set as his mark in a shogi tournament match.
  • Death Is a Sad Thing: Near the end of the Obon Festival, Hina, after making up an excuse to leave the house, runs off to an isolated area in the neighborhood to cry by herself, save for Rei who follows her and chooses to stay by her side as she cries.
  • Death of a Child: Rei’s younger sister died in a car accident along with their parents.
  • Deceased Parents Are the Best:
    • Many of Rei's happiest memories come from his biological parents during his early childhood. While Kouda himself is not bad, he's guilty of a bad case of Parental Obliviousness.
    • The Kawamoto sisters speak very fondly of their mother; Akari and Hina have strong memories of how well of a caretaker she was. Their father, on the other hand, is a mystery. Rei notices that they always speak of their mother and never of their father, leading Rei to theorize that something happened between the sisters and their father that doesn't exactly place him in a positive light. It's later revealed that their father is not only still alive, but he's not a nice person.
  • Delayed Reaction: Takahashi brings a tape of Rei's losing MHK Cup match to the Kawamoto residence, not knowing that Rei has kept the fact that he's a professional shogi player a secret from Hina and Momo. When they see Rei on the television screen, it takes them several moments until they realize what the implications are of Rei being on broadcasted television.
  • Didn't See That Coming: Shimada serves as an "Unknown Known" for Rei. The latter was so mentally focused on engaging Gotou in the Shishi Ou Cup finals that he didn't even take the time to perceive the former as a threat to that goal and did little research on him. Rei only realizes his folly after suffering a humiliating defeat from the more experienced player.
  • Don't Try This at Home: Used for a minor, one-panel joke in Chapter 38. As Hina and Momo are watching a squirrel-related cartoon show, one of the Kawamotos' ever-hungry cats claims that they could go for some squirrel (before adding that they could instead eat just about anything, as per their usual M.O.). A note outside the margins of the panel tell the readers "Don't eat squirrels."
  • Dramatic Wind: The original manga had a few panels of this here and there, but Shaft's anime adaptation loves doing it quite a bit when a scene potentially calls for it... even when it's Rei standing indoors with a closed off balcony.
  • Ear Worm: Episodes 7, 8 and 9 all feature a song where a group of animated cats teach the basics of shogi...a sentence that does makes sense, as it ties in to Nikaidou's book that he gave to Hina and Momo. Once you hear this song, you will not be able to get it out of your head.
    Nyannyannyānya de nyā shōgi
  • Eating Lunch Alone: When Hayashida doesn't join with him, Rei eats alone on the stairwell to the roof or the roof itself, since he's yet to forge any bonds with his classmates.
  • Empty Fridge, Empty Life: Rei's home. The parallel could extend to his house as well, as he barely has it furnished, despite having an income as a professional shogi player.
  • Enter Stage Window: This occurs in one of Rei's recollections of his childhood spent in the Kouda household; Kyoko, has at least once, snuck into Rei's room this way to snuggle with him in his futon, presumably while in an emotionally fragile state.
  • Eye Pop: Rei's eyes pop out of his glasses when he sees that the introductory shogi guide that Nikaidou brought along to Hina's first shogi lesson was written by Nikaidou himself.
  • Festival Episode: The central focus of the Obon Festival arc is how the Kawamoto sisters are coping with the death of their mother.
  • Flashback Cut: A one-panel cut occurs as Rei is trying to alleviate Momo's negative image of Kyoko. As he's talking about how siblings fight all the time but eventually get along anyway, he recalls one of the very few instances where Kyoko is genuinely nice to Rei, providing him an umbrella during a rainy day.
  • Flashback Echo: One instance uses a Type 1. While Rei is treating Momo's arm for some bruises she received from falling down, he recalls the sight of the injuries and internal bleeding of the arm of his deceased sister's corpse and begins crying in response.
  • Foil: Two characters serve as Rei's foils. Nikaidou is his foil in terms of philosphy and ideals, while Hina is his foil in terms of emotional disposition. Their personalities emphasize the traits that Rei himself lacks.
  • Food Porn: As with Honey and Clover, Umino gives loving detail to much of the food displayed in the manga, particularly Akari's homemade meals.
  • Freudian Excuse Is No Excuse: When questioned over why she bullied both Chiho and Hina, Takagi first tries to blame her acting out in reponse to her strict upbringer. The new homeroom teacher completely rebukes this being a reasonable justification.
  • Gag Haircut: Hinata gets one of these in Chapter 89 while trying to invoke an Important Haircut, though it is only made as such through her exaggerated disapproval of her haircut and the comical way its presented as a result. Though once she stops caring about it in chapters afterward, it is no longer presented nearly as bad.
  • Gibberish of Love: This happens to Hinata a couple of times when it comes to meeting Takahashi.
  • Gratuitous French: The insert song that plays in the first episode of the anime while Rei is heading to the Sendagaya Shogi Hall for his match against his adoptive father is completely in French. Why Shaft chose a French song to play while the protagonist is walking through one of Tokyo's wards is not entirely clear.
  • Goal in Life: The series plays with this concept. In his back-story, Rei pushed himself hard in order to become a professional shogi player as early as possible. He succeeded by the time of the actual start of the story, and because of this, most believe he's already had his goal in life set and achieved since he was young. However, flashback chapters reveal ulterior motives in forcing himself to make such a significant lifestyle decision, and there are a few claims in both the narrative and dialogue that he does not even like the game itself as much as he probably should, despite his skills and scenes suggesting otherwise. His ambiguous feelings for the very game he's trying to build a livelihood on is one of the main focuses, leaving to question whether or not Rei has unconsciously developed, or will develop, a liking and sincere life goal in the game on his own terms despite his rather dubious initial intentions.
  • Held Gaze: Of the animosity-filled variety between Hina and Kyoko after the former gives Rei an entire boxed lunch to counteract the latter's verbal lashing at him. It isn't very effective and doesn't last long, however, mostly because of the stark difference between the two. Kyoko has at least a foot over Hina and is more physically mature, while Hina is a mere middle schooler in comparison. Hina's painfully aware of this and falters in her attempted intimidation out of nervousness.
  • Heroic BSoD:
    • Downplayed in one instance. After recalling the sight of his sister's corpse from Momo's injuries, Rei enters a state of depression for a couple of days and regresses back into keeping his distance from people, even from the Kawamoto family.
    • And the played for humor much later. After the founding of Rei's high school shogi club, Hayashida asks Rei whether or not he actually likes playing shogi. Twenty seconds pass and Rei's unable to move or vocalize a response, and as a visual gag, he's shown having Mac's SBBOD.
  • Imagine Spot: In a grim example of this trope, Rei imagines himself beating his adoptive father to death while Rei's paralleling beating his father in a professional shogi match to a news story of a man murdering his father with blunt force. Yikes.
  • Important Haircut: Hinata attempts to invoke this after Takahashi leaves town, but it doesn't turn out as well as she had hoped.
  • In Medias Res: The story begins when Rei is already living on his own and has already met the Kawamoto family. Every few chapters, the story alternates between the present and several flashbacks showing how he met the Kawamotos and how he got to where he is today.
  • iPhony: By Chapter 102, Rei has swapped out that flip-phone he's had since Chapter 1 with a modern phone. The brand logo on it is Apple's, sans the bite.
  • Improbable Infant Survival: Tragically averted with Rei’s biological little sister.
  • Jerk with a Heart of Jerk: The resolution to the "Hina Bullying arc" ultimately concludes with the bullies finally getting exposed after the new homeroom teacher holds a serious investigation. While the bullying does come to an end, the lead bully isn't actually remourseful for her actions. Though now because she's under close scrutiny from the faculty, she can't continue harrassing any of her classmates.
  • Just Friends: What Hayashida essentially thinks Rei will be with Hina, much to the teacher's dismay, if Rei continues to play the "guardian" role for her.
  • Kids Are Cruel: Rei states that he was always the one kid to get bullied during a flashback in his childhood.
  • Kyu and Dan Ranks: Since part of this series does revolve around professional shogi, dan ranks of the players are dropped every now and then to give the readers a faint idea of their skill.
  • Lame Pun Reaction:
    • Hayashida utters a bad Japanese pun to Rei involving pork cutlets (katsu) and winning (also katsu) during their lunch as a way of encouraging Rei for his recent string of losses. Rei feels a chill (a Japanese visual cue for a pun that's found terrible) when he's told to "katsu" his battles while being given a pork cutlet.
    • Rei's almost driven insane by Takeshi Tsuji's onslaught of terrible, context-less puns during their shogi match.
  • Last Disrespects: Rather than attend his parents and sister's funeral just to mourn for them and comfort him, Rei's aunts and uncles are arguing over who takes over his grandfather's hospital in his father's place, with one aunt in particular expressing half-hearted sympathy and "promising" Rei that she will send him to a "nice" institution. Meanwhile, the rest of the family is gossiping about them. All this is punctuated when Kouda, a friend of his father's, glances toward his family and implicitly notes how none of them are paying attention and giving real comfort to Rei, before taking the initiative to take Rei in as his ward and student.
  • Like Brother and Sister: The protagonist Rio with the Kawamoto sisters.
  • Ma'am Shock: Hinata calls Akari's more practical approach in making a bento "too plain" and "something that an old lady would make." Of course, Akari takes it as an indirect implication that she is one herself, and the two sisters get into a minor spat over it.
  • Mundane Made Awesome: The first episode of the second season, where cake-eating and tea-drinking is made into a grandiose affair. Averted in the manga, where Souya and his opponent's mid-game snack is portrayed more-or-less normally (though Hayashida and the science club still get overly excited about it).
  • No Communities Were Harmed: Rokugatsu is clearly based on Tsukishima, an island smack-dab in the middle of Tokyo. The fact that it keeps being referred to as a just another town by a river doesn't really mesh with Umiko's insistence on drawing the Tokyo skyline, or by making many Tokyo landmarks only a short train ride away.
  • Obsessed with Food: Akari's cats, who are always staring longingly at food or otherwise begging for it when the cast isn't eating.
  • Oddly Visible Eyebrows: This is only noticeable with light-haired people, like Smith. Eventually, the same effect is also done with Rei's eyes whenever they're covered by the frames of his glasses; the covering sections of the frames will be omitted from the art to leave his eyes visible.
  • Oh, Crap!: Rei becomes shocked and nearly has a breakdown the moment he realizes that his underestimation of Shimada's skills during their first official shogi match together lead him to an unwinnable situation very early on before he even fully realized it.
  • Old Retainer: Hanaoka, Nikaidou's butler, who has been taking care of Nikaidou since he was a child.
  • O.O.C. Is Serious Business: The normally meek Rei eventually becomes irritated over Nikaidou's taped lecture over his MHK Cup loss and is vocal about it as he shouts back at the screen. Someji and Momo's reactions play it off like a joke as they look in amazement and surprise over Rei actually getting angry. However, Hina, in a slightly more serious moment, is happy to see a side of Rei that she never gets to see.
    Hina: It's great!
    Rei: *thinking she's talking about the commentary* Eh!? Just how is it great!?
    Hina: It's the first time I've seen Rei-chan speak with such a loud voice.
  • Opaque Lenses: Rei's glasses tend to have these a lot, though they do clear up when his eyes need to be seen.
  • Orbital Shot: Episode 10 of the anime makes good use of this when Rei let's out a Cathartic Scream in an empty park.
  • Orphan's Ordeal: Rei's dealt with a lot since his family's death. At their funeral, most of his remaining blood relatives were none too concerned about him, with one even promising to send him to a "nice" orphanage. His foster care was built upon a lie on how much he liked shogi, and even when he was taken in, there was friction between him and the real children in the family as he surpassed them in shogi and fell into the most favor with their father. These problems never really went away until he pushed himself forward into the professional shogi circuit and left home early to live on his own.
  • Parental Abandonment: Both of Rei's biological parents died in his childhood, and in a cruel twist, he doesn’t even get Promoted to Parent, as his little sister died alongside their parents. The images of their covered and bruised bodies made a lasting impression on his mind.
  • Parental Favoritism: Rei's adoptive father, Kouda, leads a very shogi-centered life that extends even to his home. As such, his children's skill in shogi more-or-less determines the kind of attention he gives them. When Rei was taken in after his biological family's deaths, surpassing both of his adoptive siblings lead to him becoming the favorite, which in turn lead to them being forced to give up on shogi and his relationship with them becoming strained. Whether or not Kouda's aware of the emotional damage he's done to his children is left to be seen.
  • Parody Names: Momo compares Nikaidou to a in-universe fictional character named Bodoro.
  • Practically Different Generations: The Kawamoto sisters all have significant age gaps between them; Akari is in her early 20s, Hina is in middle school (though she later graduates to high school), and Momo is in kindergarten and the youngest by far.
  • Put on a Bus: Not long after the bullying arc concludes, Takahashi is set on achieving his goals of getting into the Koshien, and soon leaves town to attend a far away high school that has larger chances of getting him in.
  • Pungeon Master: Takeshi Tsujii, Rei's first opponent in the Shishi Ou Cup, is guilty of uttering really lame puns under his breath for no apparent reason.
  • Rapid-Fire Interrupting: See the example for Conjunction Interruption.
  • Real-Place Background: The story takes place in Tsukishima, Tokyo. The author points out the places of reference in the omake, and the commercials for the manga were filmed at many of the actual locations, as seen here.
  • "The Reason You Suck" Speech: Nikaidou, in his zealous and infuriated commentary of Rei's MHK Cup match, attempts to tell Rei exactly why he's been doing poorly in shogi at the time.
  • Red Oni, Blue Oni: Nikaidou's passion, enthusiasm, and strong determination make him the Red Oni, while Rei's calm intellectualism and introversion make him the Blue Oni.
  • Running Gag: Akari's cats always react wildly to the sight, and sometimes even mention, of food.
  • Say It with Hearts: Hina and her friend briefly speak this way, while fangirling over Takahashi during his first appearance. Variants occasionally appear with stars or flowers to signify joy or happiness.
  • Seemingly Profound Fool: Nikaidou, Matsumoto, and Yokomizo spy on Shimada and Gotou from some bushes afar, thinking that they are emitting a sort of sophisticated, intelligent aura that's expected of A-Class players as they get ready for their next game against each other. However, a few panels before show that their conversation is far from profound, and they're really just slugging childish insults at each other, with Shimada being accused of looking old and Gotou being accused of narcissism.
  • Sibling Rivalry: Due to the nature of the Kouda household as one dedicated to shogi, Rei is locked into one with his two foster siblings Ayumu and Kyoko in his backstory.
  • Sibling Yin-Yang: Kyoko is aggressive and extrovertive while her brother Ayumu is quiet and introvertive.
  • Sick Episode: In the wake of the New Year, Rei catches the common cold, leading to the Kawamoto sister's bringing him into their home for a couple of days to take care of him.
  • Shrines and Temples: Chapter 3 features Matsumoto praying at a Shinto shrine for victory in his match against Rei. Loudly.
  • Shrine to the Fallen: In Chapter 1, Hina offers some of the curry she and her sisters made to the shrine of their deceased mother and grandmother.
  • Slice of Life: When the story is not focused on the shogi matches specifically, it focuses on how becoming a professional has shaped Rei's daily life, as well as the time he spends with the Kawamoto family.
  • Sore Loser:
    • Matsunaga throws his captured pieces on the shogi board when Rei beats him.
    • Yasui drinks and gambles the rest of the night away whenever he loses a match.
  • Spit Take:
    • Rei reacts with a spit take when the first thing he sees is Nikaidou in Takahashi's taping of Rei's MHK Cup match.
    • And again, he reacts with this when Hina confronts him regarding the identity of the woman she saw arguing with him by the river (Kyoko).
  • Sprouting Ears: Kyoko sprouts cat ears to show her excitement, usually when around Gotou.
  • Stock Shoujo Bullying Tactics: A story arc prominently featuring this kind of bullying starts in Volume 5 in order emulate a situation similar to real life incidents that Japan has become somewhat infamous for. Hina becomes the new target for these at her middle school after her friend Chiho is driven out because of them. Of the ones that appear, there's the stealing of shoes, graffiti on desks and chalkboard, and class ostracization.
  • Sugary Malice: Kyoko's retellings of the lives of Rei's upcoming opponents are laced with this undertone. When taken out of context, her dialogue sounds like she's concerned for the people she's talking about, but she's actually just telling Rei these stories for her own selfish reasons.
  • Switching P.O.V.: While there are several moments in the story where focus moves away from Rei in order to listen in on conversations between other characters, Hina and Hayashida both hold the special distinction of momentarily taking over the role of narrator at least once, particularly when their thoughts are focused on Rei's life.
  • Talking Animal: Akari's cats are given lines of "dialogue" that tell the reader what they're asking of their owners and what they are thinking- usually them asking or thinking about what's for dinner. However, they're not actually talking to the humans so much as the words provided serve to more clearly indicate what they're thinking.
  • Thinker Pose: Rei takes this pose while watching over Hina and Momo at a swimming pool. Taking note of the pose, Smith and his other shogi colleagues correctly deduce that Rei's "engagement" to Hina is pretty much only in his head at that point.
  • Through His Stomach: So far, Hina's attempts to get closer to Takahashi involve winning him over with meals that she cooked. Her first attempt ends in failure due to her shyness hindering her ability to give it after his game...which is probably for the best. The second attempt, with the advice from Akari, is a curry rice meal topped with kaarage and onsen egg. She fares much better.
  • Throwing the Fight: Kyoko has twice attempted to have Rei throw his professional matches in order to tarnish his professional career. He defies both attempts.
  • Tracking Device: When Akari makes an innocent inquiry on how Hanaoka was able to locate the Kawamoto residence during Nikaidou's first visit there, the butler lets slip that he has Nikaidou under his GPS before badly covering the statement up.
  • Underestimating Badassery: One character underestimates the abilities of one of his opponents in the Shishi Ou Cup, leading to his downfall. Specifically, it's Rei, who wrote Shimada off as just another opponent in his fervor to go up against Gotou. He realizes his faux pas mid-game when he's been backed into a disadvantage and becomes embarrassed over it. Soon after Rei's loss, it is revealed to the readers he's frequently been the contender in title matches.
  • Unmoving Plaid: The manga is guilty of this on occasion, usually through the girls' clothes. This is much more noticeable in the anime adaptation, of course, with the sisters in motion.
  • Visible Silence: Rei is the most frequent violator of this due to his personality.
  • Visit by Divorced Dad: The next larger story arc after Hina's bullying arc concludes. The father in question, of course, is the Kawamoto sisters', whose circumstances up to that point have only once been vaguely alluded to and hinted at.
  • Vomit Discretion Shot: Rei barely throws up his alcohol off panel during his flashback of his first meeting with Akari and her family.
  • Weird Moon: An extremely thin and concave crescent moon unlikely to be seen in real life serves as Gotou's backdrop in one of Rei's flashbacks of being beaten up by him in the street.
  • Weird Sun: The sun in Chapter 5 has visible heatwaves used to emphasis how hot the summer day was in Rei's flashback with Nikaido.
  • Will They or Won't They?: Rei and Hina. He gradually falls in love with her over the space of a few years, and even declares his desire to marry her in front of her deadbeat dad. So far though, even though she can openly say she "loves" him, it doesn't look like anything but familial love. She's so Oblivious to Love she even writes off his proposal as an act to thwart her father's scheme.
  • Wingding Eyes:
    • When Momo meets Nikaidou for the first time while mistaking him for one of her beloved cartoon characters, Bodoro, her irises are filled with flower symbols as she's introducing herself, reflecting her excitement.
    • Hina has the same look when she spots an advertisment for the MecShake.
  • Year X: In Nikaidou's New Years card, the year is revealed to be 20XX, indicating that the story takes place within this century. However, calendars seen in the background of the anime indicate that it takes place in 2007 and 2008.
  • You Are Better Than You Think You Are: At the end of his first year in high school, Rei is at a point where he feels as if he's accomplished nothing. Mr. Hayashida quickly counters with exactly why that's not the case.

Alternative Title(s): Sangatsu No Lion, March Comes In Like A Lion



SPOILER! Rei does this when he finds out that Hina is planning to go to his high school.

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