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''A scary Tale of Faerefolkis and Evildoers, of Lovers and Erotic Passion, of Horror and Belief. Written only for Adults by James Herbert."
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A 2001 novel by James Herbert. Not to be confused with the 2007 film written and directed by John Carney.

Following a stroke, twenty-seven-year old carpenter Thom Kindred continues his recovery with a return to his childhood home of Little Bracken, cottage guesthouse to Castle Bracken, a sixteenth century mansion in the Shropshire countryside. His childhood friend Hugo Bleeth, heir to Castle Bracken, has arranged Thom's attendance by Nell Quick, self-professed healer and nurse to Sir Russell Bleeth, the dying lord of the manor. Her oddly sly, lascivious demeanour somehow makes Thom uneasy. A plate then apparently throws itself to the floor, scaring her off. After encounters in the forest with tiny glowing winged figures and a sensuous young woman who seems not quite of this world, Thom fears his stroke may have somehow induced hallucination. When some kind of hideous fiend attacks him in his bed, a tiny, strangely wizened, size-shifting man comes to the rescue, and introduces himself as Rigwit, a brownie. Jennet, the undine girl from the woods, then introduces Thom to the world of the faerefolkis...

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  • Alchemic Elementals: Undines are "water sylphs".
  • Amazing Technicolor Population: Several undines have complexions tinged with blue or green.
  • Ambiguously Bi: Nell, and possibly Katy.
  • Ambiguously Brown: A non-human example in Rigwit, whose skin tone somewhat resembles that of someone Chinese.
  • And I Must Scream: Wayward faerefolkis who do irreversible harm are confined to the Punishment Tree, where, in bodies of wood, they squirm in silent torment until dropping off as pieces of bark.
  • And the Adventure Continues: Thom plans to use his inheritance to turn Castle Bracken into a specialist children's hospital, around which the faerefolkis will gradually further reveal themselves to humanity.
  • Another Dimension: The faerefolkis exist on a higher dimension, between vibrations generally beyond human senses, hence Rigwit's initial size-shifting in accordance with Thom's adjusting perception.
  • Beauty = Goodness: Down Played and justified, a faery's spiritual demeanour and intentions effect human senses' interpretation. Rigwit has "an eccentric charm...bewitchingly intriguing," Jennet looks like a "fantastically beautiful" nubile young woman. The nasty ones are "cloaked in the nature of what they are...Some of them adopt their own version of the human shape, but because they're weak and nasty, they become ugly, distorted, parodies of earthly creatures."
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    • Averted with Nell.
  • Benevolent Precursors: The faerefolkis somewhat resemble this, being inter-dimensional beings whose nurture of nature enables Earth to support life.
  • Big Fun: Portly Hugo is jolly, generous and in league with Nell, although seems to retain some genuine affection for his old friend Thom.
  • Bigger on the Inside: A jar left at the cottage door by Nell, which contains a seemingly infinite amount of spiders, seems to be this.
  • Big Good: The faerefolkis are guided by the "magics," an apparent Call-Back to forces mentioned in The Magic Cottage.
  • Black Magic: Used by Nell, to, among other things, try to acquire the Bleeth inheritance.
  • Brainy Brunette: Nell, with her knowledge of traditional remedies, nursing, and witchcraft.
  • The Cavalry: A fleet of smaller faeries at times come to the rescue.
  • Country Mouse: Following initial unease, Thom is very glad to be back in his childhood home.
  • Crop Circles: Were made first by "ufoses," then by pixies, and then, to Jennet's amusement, humans.
  • Creator Cameo: Of a sort; a storytelling elf goes intermittently by the names Trebreh and Samej.
  • Dark Is Not Evil: "Bones" Hartgrove, Sir Russell's foreboding valet, who used to scare Thom, knows, like his forebears, the secret of the faerefolkis, encouraged Sir Russell to accept Jonathan's union with an undine, and defends the unspoiled estate from Nell and Hugo's plans.
  • Did Not Get the Girl: Averted. While Jennet must spend seven years in "the Waiting Place" as payment for magically influencing events to save Thom from Nell's magically induced stroke, she will return in human form to preside with Thom over the children's hospice.
  • Energy Beings: Multicoloured sparks of light, "part of the hidden life-force of all that exists," briefly heal Thom of his stroke-induced weariness.
  • Evil Plan: Nell aims to magically acquire the Bleeth inheritance, and eliminate Thom, whom she anticipates to be a future threat.
  • Face Your Fears: As explained by Rigwit, Thom's only way of getting rid of the spiders is to throw their jar from the cottage.
  • The Fair Folk: Many such beings, some kind, some unkind.
  • Fairy Sexy: Jennet and her fellow undines, as well as the smaller faeries.
  • Familiar: A magpie.
  • Fanservice: Some sensual descriptions of Nell, Katy and Jennet, and Thom sometimes goes shirtless.
  • Fat Bastard: Averted with a benevolent brownie, who has a paunch.
  • Friend to All Children: The faerefolkis sometimes appear to infants and the very old, "because we like them, and they're no danger to us."
    • When visiting Katy in hospital, Thom passes a children's ward, and is moved to plan to use his inheritance to transform Castle Bracken into a specialist hospice.
  • Fright Death Trap: Attempted magically on Sir Russell by Nell. It doesn't end well for her.
  • God: The faerefolkis "call many things God," but in their position in "the essence of everything," the presence of the "Creator Being" is apparent to them.
  • Guardian Entity: Rigwit, custodian of Little Bracken, also looks after Thom. Jennet is revealed to have reached back through time to save Thom from Nell's stroke.
  • Half-Human Hybrid: Thom was born of an undine-turned-human and a human man.
  • Heaven: A vision of the afterlife is glimpsed by Thom whilst making love with Jennet.
  • Healing Hands: Nell claims such ability. The faerefolkis have advanced mastery of cures, demonstrated by Rigwit and Jennet.
  • Hoist by Their Own Petard: Nell ultimately can't control the forces she's unleashed.
  • Horny Devil: A succubus.
  • Hot Witch: Nell.
  • House Fey: Brownies "like looking after homes, especially when the owners are away."
  • I Know What You Fear: Nell invokes phantasms to respectively terrorise Sir Russell, Hugo, Thom and, unintentionally, herself.
  • Innocent Bystander: Katy Budd, Thom's physiotherapist.
  • Interrupted Intimacy: Thom encounters Jennet masturbating with the aid of several smaller faeries. Unable to look away, he quickly feels guilty, though she doesn't seem to mind at all.
  • Just Desserts: The magpie with which Nell has sinister affinity, after forcing Katy into a road collision, is torn apart and devoured by crows.
  • Lighter and Softer: By Herbert's standards, although that's not saying much...
  • Love at First Sight: Shortly following Thom's awed first sight of Jennet, the two fall mutually in love; as with Thom's parents, the attraction is implied to be innate and inevitable.
  • Love Potion: Nell plans to use aphrodisiac roots to steal Thom's life juices. In his absence, Katy turns up...
  • Luke, I Am Your Father: Jonathan Bleeth, original heir to Castle Bracken, whilst serving in Northern Ireland, was killed by an IRA bomb before Thom was born.
  • Nature Spirit: The faerefolkis live "in the spirit of nature." Without their nurture, life on Earth couldn't survive.
  • Oh, Crap!: Nell, on the first hint the faerefolkis are looking out for Thom.
    • The succubus, just before the smaller faeries arrive.
  • Only the Pure of Heart: Debunked as a means to perceive faeries, which comes from psychic orientation.
  • Our Fairies Are Different: Folkloric conceptions of such beings are revealed to have been inspired by race memory.
  • Parental Abandonment: Thom's father, revealed to be Jonathan Bleeth, heir to Castle Bracken died before Thom was born. When Thom was ten, his mother Bethan apparently drowned herself. Having been an undine who became human, the death of Jonathan stifled the magic which kept her alive.
  • Portal Door: An ancient book, previously owned by the cottage's past acquaintances of the faerefolkis, is used by the smaller faeries as a portal.
  • Power Incontinence: Nell's overzealous conjuring summons phantasmal emaciated crones who torment her with promises of the physically corrupting effects of Black Magic; a demonic figure termed the Diabolus, and a Bolt of Divine Retribution.
  • Purple Eyes: Jennet's eyes are violet.
  • Rape as Drama: In Thom's absence, Nell uses her aphrodisiac roots on Katy.
  • Recurring Character: Rumbo, last seen as a squirrel in The Magic Cottage, is now a fox.
  • Satan: A figure called the Diabolus, "greatest demon of all," is summoned by Nell. It doesn't end well for her.
  • Scenery Porn: Some beautiful descriptions of the Shropshire countryside.
  • Sdrawkcab Name: Several faerefolkis are reverse named after earlier Herbert novels.
  • Sex Magic: Nell tries to acquire Thom's seed, which would offer profound magical influence.
    • Sexual intimacy, said to be "the strongest magic of all", enabled Thom's mother Bethan to become human.
  • Spiders Are Scary: Never more so than when literally thousands of them magically swamp your house. Thom hates the buggers.
  • Spiritual Successor: To Herbert's earlier The Magic Cottage (1986). Both explore the theme of the nurture of nature by higher forces, and nefarious attempts to exploit such forces.
  • The Swarm: A magically infinite horde of spiders.
  • Skeptic No Longer: Thom.
  • Tears of Joy: Jennet, on Thom's realisation of his preordained vocation to aid humanity's gradual reunion with the faerefolkis by founding in Castle Bracken a children's hospice to whose patients the faerefolkis will gradually apply their healing powers.
  • Huge Guy, Tiny Girl: Thom, at average height, and Jennet at five foot (if that), although this seems to be tall by undine standards.
  • True Craftsman: Thom's lifelong fascination with wood nurtured a fastidious devotion to carpentry.
  • The Vamp: Nell keeps Hugo in desirous thrall. Defied by Thom, who, while initially attracted to her, finds her advances overbearingly unnerving.
  • Your Mind Makes It Real: Nell's phantasms seem to work like this; the spiders have increasingly tangible effects before Thom throws their jar from the cottage.
  • All Webbed Up: Nell's spiders begin an attempt at this on Thom.
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