Fate/Grand Order: Other Characters / Characters

Non-Servant NPCs encountered throughout the various Singularities and Lostbelts.

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Observer on Timeless Temple Characters

Singularity 1: Orleans

Pierre Cauchon

Bishop of Beauvais

The bishop who tortured and arranged for Jeanne d'Arc to be executed by burning. Appears in the first cutscene of Orleans to be killed by Jeanne Alter.

Ain't Too Proud to Beg: Begs Jeanne Alter to not kill him. She responds that asking something of a witch like her is heresy, and burns him to death anyway.
Asshole Victim: Even if Jeanne would be willing to save (if not necessarily forgive) him, anyone who knows her, the player included, isn't going to shed tears for this guy.
Fate Worse than Death: During Christmas, Jeanne Alter gathers several instances of his ghost and... forces them to play Monopoly.
Non-Standard Character Design: Very detailed for an NPC who has otherwise negligible screen time. It wouldn't be until Salem that such care would be put into a secondary non-Servant cast member (Lavinia).
Pay Evil unto Evil: Though Jeanne Alter at least kills him fairly quickly, while Jeanne was likely in agony for longer.
Tears of Fear: Not that they help, as neither Jeanne Alter nor Gilles have any sympathy for him.
Ungrateful Bastard: In Jeanne's second Interlude, Mephistopheles creates an illusion of Pierre alongside Jeanne's mother and tries to force her into a Sadistic Choice, stating the ship she and the protagonist are on can only safely take one more person and clearly expecting her to leave the bastard to die. Instead, Jeanne gives up her place to let them both go on safely. The fake Pierre still can't bring himself to thank her and just calls her a witch, which Jeanne notes she would expect nothing less and Mephistopheles states that the real Pierre would have reacted the same way.

Singularity 3: Okeanos

Bombay

A pirate who serves under Francis Drake. He, along with the rest of Drake's crew, were trapped in the endless oceans of the Okeanos Singularity.

Badass Normal: He's a completely normal pirate who goes up against the likes of Servants and even a Demon Pillar.

Singularity 6: Camelot

Rushd

Orphaned By The Lion King

An NPC in Camelot, a native of Jerusalem, and he is merely one of many victims of the Lion King's tyranny, losing his mother during the Selection.

Cheerful Child: He's very cheerful and adorable.
Disappeared Dad: Left when he was very young. It was Cursed-Arm Hassan.
Missing Mom: He was deemed unqualified for the Lion King's city but his mother Salia (who was qualified) refused to enter it without him, resulting in her death as she refused to let her child die.
Stepford Smiler: He always seems to be rather cheerful, but near the end of Camelot, he tearfully admits to Mash that he always knew his mother was killed, but didn't want to let it show.
Tagalong Kid: After fleeing the Lion King and Gawain, the party decides to take him along with them until they can find a shelter for him.

Serhan

Unfortunate Merchant

An NPC in Camelot, a merchant native to Jerusalem who travels with Tawara Touta and Xuanzang Sanzang to stay alive.

Intrepid Merchant: Say whatever else you will about him, for him to still be ready, willing and able to peddle his wares throughout the apocalyptic wasteland that is the Sixth Singularity takes some serious balls.
Jerk with a Heart of Gold: At the end of the singularity, he asks Tawara Touta to leave his infinite rice bag for him and the survivors, but Touta refuses. While Serhan is upset, he's still smiling, still grateful for all they've done for him.

Singularity 7: Babylonia

Siduri

Royal Advisory of Uruk

Voiced by: Yumi Uchiyama (Japanese), Lauren Landa (English)

Stage play actor: Yōko Kadoyama

Gilgamesh’s royal advisor and an ally in Babylonia.

Adaptational Deviation:
- The original Epic of Gilgamesh Siduri was a wise alewife(or in more common terms, a brewess) with her own ale house at the edge of the world, a minor goddess of fermentation (especially wine and beer) who tried to dissuade Gilgamesh from his quest to find the herb of immortality, yet she gave him direction to Urshanabi the ferryman anyway. In this iteration, she is now Gil's official advisor, and, while there are no implications that point to her being a goddess, is close to both him and Enkidu.
- That said, in the "Food of Uruk" story of Chaldea-Ace magazine, she walks the protagonist and Mash through the process of making beer after the alewives all fall ill due to Ereshkigal's curse.
Back from the Dead: During the Babylonia Singularity, she was turned into a Laḫmu and performs a Heroic Sacrifice to save Kingu, mistakenly believing they were Enkidu. Ibaraki-Douji's Interlude, set after said Singularity and taking place during its reconstruction, reveals that Siduri had also been revived as Uruk itself is being restored. Her character sprite is shaded out, though it's clear it's her. The reason why she is alive is because while the World tries to make all of the deaths that happened in Singularities happen in normal history through alternate means, there is no good way to justify the massacre done by the Laḫmu so all of the deaths caused by them are retconned to have never happened.
Beleaguered Assistant: Comments from her and Gilgamesh imply she was very much this to Gil in the past.
The Bus Came Back: After not having been seen in three years since the Babylonia singularity, she makes a return during Battle in New York 2019 as the event's shopkeeper.
Call-Back: In Episode 3 of the anime, Siduri confusedly copies Ishtar's "white flag" gesture by waving her hand. In Episode 15, Fujimaru and Ishtar realize that the strangely passive Lahmu is actually Siduri when she does the exact gesture with one of her Armed Legs.
Childhood Friends: As far as Gilgamesh would consider someone besides Enkidu his friend, at least. The special ending sequence to episode 16 of the Babylonia anime shows that Siduri has been at his side since they were kids.
Face–Monster Turn: Tiamat’s mud twists her into a Lahmu, though she retains enough of her mind to avoid attacking the heroes and even goes out in a Heroic Sacrifice.
Fighting from the Inside: Despite becoming a Lahmu, she retained enough of her humanity to refuse to fight the heroes, even trying to surrender despite the heroes not being able to understand her. She later saves Kingu from the other Lahmu at the cost of her own life because she thinks he's Enkidu and what's left of her mind still cherishes one of Uruk's heroes.
Heroic Sacrifice: She's captured while protecting citizens of Uruk from the Lahmu and ends up being transformed into a Lahmu herself. Later, she pulls another one to save Enkidu, killing the Lahmu trying to finish him off at the cost of her own life.
Hypercompetent Sidekick: She's working for the post-Epic Gilgamesh, who is leagues more sensible and professional than the Archer version. She couldn't be expected to stand beside him, serve as his voice of reason, and even direct the running of the kingdom otherwise.
Ms. Exposition: In the "Food of Uruk" manga story, she provides all the exposition regarding the beer-making process and the history of Uruk's cuisine.
Office Lady: Her outfit for Battle in New York 2019 is appropriately updated for modern day and evokes this image.
Only Sane Man: Stands out as one of the only rational members of the Singularity, constantly reminding her king of what would happen should he do things impulsively.
No Name Given: For unknown reasons, she is not referred to her name in Battle in New York 2019 event and when the protagonist has an option to call her name, it is oddly censored.
Say My Name: In the anime when she's turned into a Lahmu, her translated Black Speech makes it clear she's trying to say "Fujimaru" as she waves at him.
Two Guys and a Girl: It is kind of hard to see considering Fate's treatment of Enkidu, but the imagery painting in the ending of episode 16 of the anime depicts her, Gilgamesh, and Enkidu this way, adding more Tear Jerker points of the episode.
Undying Loyalty: Like all of Uruk, she's unquestionably loyal to Gilgamesh.
What the Hell, Hero?: When Gilgamesh left on his journey to find the herb of immortality, Uruk fell into disrepair without him around to run things. Eventually, the entire population got fed up with his absence and left for neighboring cities. When Gilgamesh finally returned, only Siduri was left, and that's only because she wanted a chance to yell at him for leaving first.
Why Isn't It Attacking?: Siduri is one of the first Lahmus fought by the protagonists, but unlike all others, she is completely unreactive the entire fight. Mash realizes something is off about it. The anime does away with the ambiguity of the situation entirely and Fujimaru and Ishtar realize it's Siduri.

Epic of Remnant Characters

Pseudo-Singularity I: Shinjuku

Cavall II

https://static.tvtropes.org/pmwiki/pub/images/cavall2.png

Loyal White Dog of Shinjuku

A white dog within Shinjuku that is found and named by Altria Alter.

Chekhov's Gunman: His white, fluffy, wolf-like appearance proves essential as a distraction for Lobo, who halts in his tracks because he mistakes Cavall II for one of his pups, giving Chaldea the opportunity to trap him and deprive him of his mobility.
Evil-Detecting Dog: Far more alert to various characters' moralities than the humans as he can pretty much see through any deception Bael and Moriarty create.
From Stray to Pet: He's a stray dog who ends up following Altria around and stays around even as she tells him to go away. Despite her insistence that he's not her pet, she pampers him like one and he follows her every command. She's also outraged when Chaldea decides to use him as bait to trap Hessian Lobo. At the singularity's end, she wishes Cavall II finds someone worthy of his loyalty as he whines his goodbyes.
Legacy Character: The name is taken from the first Cavall, her favorite hunting dog Altria owned in legend.
Pet the Dog: Altria Alter's affection for him shows her warmer aside amidst her snide remarks and no-nonsense attitude.
Team Pet: Serves as this for the protagonists during their time in Shinjuku.

Pseudo-Singularity II: Agartha

Agartha Resistance

A resistance movement formed from the men who've fallen into Agartha and either escaped from or evaded the dystopian Lady Lands down there. They were founded and are led by the Rider of the Resistance, and seek to liberate their fellow men from the various surrounding nations and overthrow the matriarchs who rule them.

The Dog Bites Back: Once Rider of the Resistance betrays everyone for his own schemes, working with Megalos to kill everyone who resists and turn Agartha into a slave country, one of the Resistance members, who using Columbus's own words about never giving up, disarms him at a critical moment, allowing Young Fergus to kill him.
Hidden Elf Village: They survive because their enemies can't find their home base of Shangri-La.
Hit-and-Run Tactics: Because they are thoroughly out matched in terms of armament, numbers, and ferocity by their enemies, the Resistance hews to very-realistic guerrilla tactics to survive.
La Résistance: Of course. Amongst the four factions vying for power in Agartha, they're the only ones who have benevolent intentions and are also the smallest and least powerful.
The Shangri-La: Their base is the original, accessible only through a narrow, almost-invisible cavern through the mountains, leading to an idyllic valley paradise where they're mostly safe from outside assault and can live off the delicious peaches that grow there in profusion. It might actually have been for Helena, who was rayshifted there, but got seemingly killed off by Rider of the Resistance/Columbus.
Tag Along Kid: At least one member of the Resistance is a young kid who idolizes Rider. He disappears partway through, either slain by the Amazons or taken a slave.

Pseudo-Parallel World: Shimousa

Shinmen Musashi

A different version of the legendary Japanese swordsman Miyamoto Musashi from the dimension-hopping lady that Chaldea is familiar with. Appears in Epic of Remnant's Pseudo-Singularity III: Seven Duels of Swordmasters Shimousa as a living person, and... he's seen better days to say the least.

Bait-and-Switch: For anyone familiar with Makai Tensho, Musashi there was one of the reincarnated villains who is in this exact same position. He's at the end of his life and regretting not being able to give his all. In the novel, this is how the head villain recruits him; with the promise of a healthier body to compare his swordsmanship with the best. This does not happen in Shimousa. His role is taken by Kojiro.
Contemplate Our Navels: Musashi spends his narration looking back on a life of bloodshed and violence, where he has lost many friends, and is now in terrible pain.
The Disease That Shall Not Be Named: Justified. It's feudal Japan, they didn't really have a good way to detect cancer at the time. All he knows is that even breathing hurts like hell.
Go Out with a Smile: He passes away content, after Kojiro, fresh from the final battle of the chapter, tells him that yes, he did see Miyamoto Musashi and the Niten-Ichi-Ryuu reach the pinnacle of swordsmanship.
Heroic Self-Deprecation: He spends Shimousa going over his life and is shockingly humble and honest about himself. While he isn't humble about his fame or his swordsmanship, he can admit his skill isn't all that revolutionary and all he did was spend his life murdering people so much that he got used to such a horrible act and despite his skill he could never be a general. He even admits that he very much deserves dying in a cave alone after all the lives he took.
How the Mighty Have Fallen: He's a realistic depiction of Japan's most famous swordsman... at the end of his life: a feeble, decrepit old man wasting away from terminal lung cancer. He can't even laugh out loud, let alone swing a sword, and when Kojiro finally finds him all he can give is a heartfelt apology that they won't have their promised showdown.
Red Herring: He seems like he's definitely got something to do with the screwy events of Shimousa, especially with how he's almost-deliberately written to come across as unsympathetic, after several previous adventures in the Epic of Remnant story arc where old men were villains, and with his oft-repeated wish for the world to become a living hell. He's actually almost totally uninvolved, and his final impact is largely positive.
Signing Off Catchphrase: The narration checks in with him, decrepit and miserable, at the start of each Chapter/Canto of Shimousa, and he ends each of his segments the same way.
Gods... Buddha...
At this point, I'll even take an oni, or a demon.
Please, give me more time, so that I may encounter my destiny. It will surely lose sight of me down in the bowels of hell.
If that is impossible, then...
...Ahh, if only this world were itself a living hell.
The Unseen: All of his scenes are told in first-person narration, meaning we never actually see him. Given the poor shape he's in, that might be for the best. It's averted in the manga adaptation, where he looks exactly as bad as you'd expect, complete with coughing up blood.
Warts and All: Musashi was the brave adventurer and Master Swordsman stories about him claim... and he was also, by his own admission and the analysis of Houzouin Inshun who knew him in life, a cold, brutal man who killed so many people he stopped bothering to count, and never helped anyone for free.

Onui and Tasuke

https://static.tvtropes.org/pmwiki/pub/images/onui_tasuke.png

Onui, with Tasuke on her back

A sister and brother pair the protagonist meets in Shimousa.

Baby Language: Tasuke talks like this, being just an infant.
Break the Cutie: Downplayed. As the situation in Shimousa progresses and degrades, the children become jaded and numb to pain, death, and horrifying monsters, despite the heroes' best efforts. However, they still maintain their optimism and hope that everything will turn out alright.
Children Are Innocent: The adults try to preserve their innocence as best they can, shielding their eyes from watching the bloody battles and slaughter and trying to avoid talking about serious things when they're in earshot.
The Cutie: They're a sweet little girl and her adorable baby brother who the heroic characters go to great pains to shield from the bloodshed and horror that Shimosa Province is descending into.
Empathy Pet: While Tasuke is Onui's baby brother instead of her pet, he still falls into this trope since he often mirrors her expressions.
Heartwarming Orphan: Despite their ordeal, Onui hasn't yet fallen into despair or cynicism, and she stirs the friendly and protective instincts of many of the more good-aligned characters.
Morality Pet: Concern for their well-being helps make many characters who had morally-ambiguous sides in life, such as Kotaro Fuuma, or during the story, like Kato Danzo, behave in an upright fashion. They also serve as this to the Rider of Kālasūtra Hell, who, even in her insane and degraded state, cannot bear to kill children or see them harmed. She not only protects them from her hungry teammate, the Berserker of Samghata, but sings them lullabies and cuts them loose before her duel with Musashi.
Orphan's Ordeal: Muramasa explains their parents were slain by the monsters and Seven Swordsmasters running around, so he took them under his wing and looks after them to the point they call him "grandpa."
Promotion to Parent: Even though she's now under Muramasa's care, Onui still takes it upon herself to look after Tasuke after their parents' deaths, carrying him everywhere on her back and making sure to feed and change him.
Rules of Orphan Economics: Downplayed, but Onui and Tasuke still have to deal with rough economic circumstances after the death of their family. Ultimately, Muramasa leaves them all the fortune he'd saved up from months of top-quality blacksmith work, so that they can have a future, and Otama looks after them until they've grown up enough to take advantage of it.
Tagalong Kid: At the start of the pseudo-Singularity, the protagonist and Musashi befriend the pair. A lot of the group's decisions early on is protecting these two before they can get the kids safely to their grandfather, Muramasa. Later, they accompany the pair into the town so their grandfather can arrange to have the corpses Lancer of Purgatorio left behind cleaned up without their noticing.

Psuedo-Singularity IV: Salem

Lavinia Whateley

https://static.tvtropes.org/pmwiki/pub/images/lavinia.png

The Child of Dunwich Horrors

A creepy, most probably not-entirely-human girl. She appears in Salem.

Adaptational Attractiveness: Lavinia from The Dunwich Horror was 35 at the start of the story, died twelve years later, and was consistently described as ugly and notably deformed. In F/GO, however, Lavinia is now a young girl of comparable age to Abigail (which would make her a pre-teen) and, while she retains the ghostly white skin and hair, her eyes are notably strange even beyond the albinism, she has a (variable-length) horn on her head and her smile is rendered as crooked even when she's genuinely happy, she's ultimately still pretty cute, especially since her very sympathetic portrayal in the story ultimately makes the strange parts of her appearance more like charm points than anything.
Ambiguously Human: It's not clear whether she's human, as she's unnaturally pale and has a horn growing out of her head. The result is somewhat inhuman-looking, if perhaps still Ugly Cute. It may be an indication that her heritage includes Lovecraftian monsters, even if said heritage never actually existed. Also, she has supernatural physical abilities but given that she's a creation of Räum, it's hard to say if she naturally has those.
Beware the Quiet Ones: Hopkins learns this the hard way. He assumes that a couple of soldiers will be enough to subdue a quiet, scared little waif like Lavinia, but Lavinia kills him in seconds armed with nothing more than a silver ritual knife. And all because he was dumb enough to kill her family and threaten Abigail.
Blood Is the New Black: She ends up drenched in the stuff once she butchers Hopkins and doesn't even bother trying to clean it off for the rest of the scene, only bothering to clean up a bit for her chat with Mash and Robin and subsequent appearance in the final trial - a good twelve to twenty-four hours later.
Clap Your Hands If You Believe: Lavinia is actually a completely fictional existence; there was never a person by that name in the "real world", and she only exists because Räum made her manifest.
Composite Character: In practice, she's more like a fusion of her book self and her own son, Wilbur, with some elements of other Lovecraft occultists like Joseph Curwen. In the book, Lavinia learned some scraps of knowledge from her father and seems to have had a bit of a hand in her infamous adventure in extradimensional whoohoo, but once Wilbur began growing, was very lost when it came to the advanced sorcery the elder Whateley was teaching her son, and was eventually killed for being useless; F/GO Lavinia, meanwhile, is much more plugged in to the family secrets and practices, knows what their ostensible goals are and can perform ceremonies and commit acts that would've been Wilbur's domain in the book. She also explains that the great Whateley "magecraft" relates to alchemy in the service of contacting and summoning Outer Beings, which wasn't identified as such in Dunwich, but the alchemy of Curwen in Dexter Ward uses almost all the same resource books as the Whateleys do both in print and in game (most notably the Necronomicon) and was powered by Yog-Sothoth. It's also clearly meant to be contrasted against existing Nasuverse alchemists like those of the Atlas Institute (who are certainly dangerous but would largely balk at something as foolhardy as trying to contact Yog-Sothoth) or Chaldea's own Paracelsus.
Creepy Shadowed Undereyes: The girl looks like she hasn't slept in days.
Died in Your Arms Tonight: There's no specific cut-in art for it, but the narration and posing of the sprites heavily suggest that Abigail was cradling Lavinia as she passed away after the Outer God was chased out of Abby.
Friendship Denial: Earlier in the story of Salem, Abigail is not her friend. No. Don't suggest it. Even when Lavinia is going out of her way to arrange a way for Abigail to escape Salem, it's definitely not because Abigail is her friend. Definitely. It's revealed to be a little more complicated later on, because Lavinia has some suspicion that she's there for the purpose of being Abigail's "friend" in the story of Salem, probably replacing Betty Parris or Ann Putnam, and she's genuinely torn on how she really feels about it all. Fortunately, she ultimately comes to Abby's aid during the final witch trial — less fortunately, her suspicions about her "role" were correct.
Friendship Trinket:
- Abigail gave Lavinia one of her teddy bears, Migo. Lavinia also suggested the name originally (because, well, you know). Lavinia doesn't really show it off, though, and tells Abby at one point that she discarded it. It becomes clear by the end that she's kept it close and cherished it, however.
  - She actually holds Migo◊ in her full-profile art, but her portrait for the VN sections of Salem is cropped in such a way as to avoid showing this.
- Furthermore, the one ribbon in Lavinia's hair looks suspiciously like one of Abigail's black ribbons.
Horned Humanoid: Has a single thin black horn protruding out of her forehead and bangs. It visibly grows in length whenever she's upset.
Last Request: She wishes she could see the whales from atop the Commons with Abby one last time... just before passing away in the courthouse.
Luminescent Blush: A hilarious and adorable one - in the rare moments she does so, her "blush" makes it look instead like the shadow from her hair instead extends most of the way down her face. It actually suggests she may be low-level blushing most of the time.
Mystical White Hair: She's technically an albino, but her connections to the Cosmic Horror Story of the Cthulhu Mythos mean her hair is a mark of more than just a genetic condition.
Only Friend: Abigail is the only friend she has in Salem, and she in turn is the only friend Abigail seems to have aside from Tituba. This turns out to be on purpose, because Abigail desired a friend who was lost and lonely and she could help, and Räum roped in the Whateleys so that Lavinia could serve as such, despite them being from several centuries after the witch trials, from a different part of Massachusets, and strictly speaking, fictional.
Red Eyes, Take Warning: Justified due to being an albino, but it adds to her creepiness factor.
Sacrificial Lion: Invoked by Räum. Lavinia is a purely fictional character In-Universe created solely to be Abigail's Only Friend so that Lavinia's death will push Abigail over the edge. Lavinia herself has some suspicion of this and tries to push Abigail away for her own safety, but helps Abigail in the final Witch Trial anyway... where Räum in his death throes fatally wounds her and sets Abigail off.
Textile Work Is Feminine: In her profile, it's mentioned that one of her hobbies is sewing.
These Are Things Man Was Not Meant to Know: She's a bit of a student of these, naturally. She is specifically knowledgeable about a certain Outer God named Yog-Sothoth. She taught Abigail the ritual that finally cemented Abby's status as a "witch".
This Is Unforgivable!: Swears vengeance on Hopkins for hanging her family. She makes good on it when he comes for her and threatens Abigail.
Tsundere: A much quieter, more reserved take on the idea, but still ultimately there - she'll deny she's friends with Abigail and doesn't want to get friendly with the Chaldea crew, but ultimately does open up to the latter and in her heart she cares for the former. She's even ultimately glad that the Outer God didn't possess Abby in the end - despite the fact that it was the closest the Whateleys have ever gotten to fulfilling their mission.
Tulpa: It's revealed in Abby's interlude that Abigail's thoughts and longing to see Lavinia again has manifested a dream construct who knows she is not the real Lavinia but keeps watch over Abigail anyway because of their friendship.
You Killed My Father: While repeatedly stabbing Hopkins, she explicitly shouts about how he killed her grandfather and her family.

Randolph Carter

https://static.tvtropes.org/pmwiki/pub/images/gentleman_who_travels_through_time_and_space.png

The Gentleman Who Travels Through Time and Space

An NPC in Salem and close friend of Abigail William's parents who took her in after her parents died. He also gives shelter to the protagonists after finding out they're friends with Abigail.

Demonic Possession: While in a deep sleep to chase after the God of the Abyss, one of the surviving Demon Pillars, Räum, took possession of his body throughout Salem as Randolph Carter. After Räum's defeat, the Gentleman finally reclaims his body. According to him, he tends to get easily possessed. Something similar happened to Lovecraft's Carter in Through the Gates of the Silver Key.
Dimensional Traveler: After getting his body back, he introduces himself as Chandraputra but then corrects himself and says he is the "Cosmic-travelling Gentleman" and departs with Abigail for parts unknown. Nezha reveals that the FGO universe isn't his home universe either. Hokusai doesn't think he's human at all, but some kind of sentient force. And in Abigail's interlude, she and he are apparently hanging out in a massive library on another planet, that could fit all the information on Earth onto a single wall.
Have We Met Yet?: We don't meet him during Hokusai's event; but his soul talks to Hokusai at the end and comments how while the events of Salem are the future for him; they're the past for Chaldea.
Honorary Uncle: Abigail calls him "uncle," even though they aren't truly related. This carries over even to the Gentleman, who takes care of and raises her after leaving Earth, and promises to help her keep in touch with her humanity, so that she will grow into a powerful ally of humankind rather than merging into the dark force that gives her power.
Kindhearted Cat Lover: The Gentleman does, however Räum is associated with birds and thus loathes them. It's a red flag that the player hasn't been interacting with the real person. Like his appearance, this trait was inherited from his namesake as Lovecraft famously loved cats of all kinds.
Last-Name Basis: It's hard to remember his first name since the narration box and the characters refer to him by his last name 90% of the time.
Nice Guy: Carter tries his best to be a good uncle to Abigail, too bad Räum is just putting up an act to manipulate her. Thankfully the real Gentlemen is genuinely kind, offering to take Abigail with him despite just meeting her.
No Historical Figures Were Harmed: Fitting for his namesake, he looks awfully similar to H. P. Lovecraft.
Non-Standard Character Design: He has a far more realistic appearance compared to other characters in the game. A certain seiyuu had even noticed Carter's uncanny resemblance to him and jokingly made a picture of Carter his twitter banner for a while.
Pointy Ears: The Salem manga draws him with pointy ears, giving clear indication that he might not be purely human.
Red Eyes, Take Warning: Reading the Necromonicon to Abigail while she's asleep is bad enough, but his eyes are red and literally framed in shadow while doing so.
Speaks Fluent Animal: The real Gentleman does, having a conversation with a random cat in the last parts of the Salem chapter and agreeing to take it and its family with him when he leaves the pseudo-singularity.

Matthew Hopkins

https://static.tvtropes.org/pmwiki/pub/images/hopkins_resize.png

Witchfinder General

An English witch-hunter who, alongside his associates, easily increased the number of witch trials during his career. He sentenced 300 people to be hanged for witchcraft, making him one of the most famous executioners in history.

He appeared as an NPC in Salem.

Adaptational Attractiveness: Hopkins in the Salem manga is drawn in much less realistic style to fit with the manga's artstyle, with the main difference being that his beard is trimmed to be way shorter, giving a clearer look at his face.
Asshole Victim: After everything he does during the events of Salem no one would blame you for being happy when Lavinia butchers the son of a bitch for threatening Abigail.
The Atoner: Sanson privately wonders if the reason why Hopkins is so intent on hunting down "witches" and "the devil" is because on some level he feels guilt for his past (as it's implied some of his earliest accusations and sentencings of witchcraft were grounded in less-than-righteous reasoning and more with the accused's wealth or possessions) and ended up Becoming the Mask. Räum confirms it during Abigail's "trial" that Hopkin's spirit was attracted to Salem specifically because of his lingering guilt and regret and the private belief he might be able to atone.
Alternate History: Sanson points out that Hopkins historically died in 1647, almost half a century before the time period the Salem pseudo-singularity presumably takes place in. Once again, thank Räum for that.
Ambiguous Situation: Whether he is a Servant or not. Sanson starts to question it, but Hopkins cuts him off and it's never resolved.
Burn the Witch!: He's rather obsessed with this, as in real life (though technically he goes for hanging here). He even specifically requests a play that ends with a literal witch burning because he wants to send a message.
Hanging Judge: Oh yes. Once he arrives in Salem, anyone he finds remotely suspicious will find themselves with a rope around their necks very quickly.
I Need a Freaking Drink: Once the ghouls start coming out in force, even Hopkins can't fully bury his doubts behind his bravado and face of righteousness and takes some time to indulge in rum in his study.
Jerkass: The minute he's off the boat, he establishes himself to be a holier-than-thou authoritarian who constantly talks down to the protagonists.
Karmic Death: He hangs Lavinia's family on suspicion of being witches and threatens Abigail right in front of her. This earns him a swift and brutal death at her hands.
Last-Name Basis: He's always referred to as Hopkins.
Manipulative Bastard: Tricks Chaldea into putting on a play for the villagers so he can execute Tituba behind their backs without them realizing until it's too late.
Properly Paranoid: Subverted. He does have a legitimate reason to be a bit paranoid about the situation and the heroes, but his Jerkass approach to handling the events going on is to sentence those he gets annoyed with rather then trying to actually research what is going on, and he ends up going after people that were completely innocent based off his growing paranoia rather then listening to the more reasonable opinions of some of his peers. The only person he ends up having a justified concern over is Abigail, and thats only because of his actions pushing her into desperation.
Red Herring: Just about all the Servants feel something is off with him, and Sanson suspects he might even be a Servant during his private meeting with him. By that point, the party begins suspecting he may even be related to the Demon God Pillar in the story. While he is not a nice guy, he is ultimately just a bit character compared to the real threat.
Sanity Slippage: While he wasn't exactly a nice guy in the first place, as the situation in Salem deteriorates, so does Hopkins' sanity. By the time he bites it, he's already been drinking and the constables note he hasn't been sleeping either.
Underestimating Badassery: He meets his end attempting to subdue Abigail with only himself and two guards. Lavinia then promptly comes out of nowhere and slits his throat with Abigail's silver knife.
Unwitting Pawn: Like all of Salem, he's just there to further Räum's plans, which he never finds out about before he's killed.
Younger Than They Look: Historically speaking, Hopkins died at the age of 27. You'd never know that looking at his portrait, which makes him look at least twice as old. The manga adaptation's Adaptational Attractiveness actually makes him look more like his age.

Cosmos in the Lostbelt Characters

General

David Bluebook (Unmarked Ordeal Call Spoilers)

One of the final remaining humans on Earth after the Foreign God's invasion.

Apocalyptic Log: His journal provides a look at the now-bleached Earth and the slow, inevitable death of whatever survivors are left. He also notes in later entries that his food and fuel supply are nearly depleted, so he doesn't have long regardless.
Badass Biker: He's making his way across the world with nothing but his supplies and a solar-powered motorcycle.
Curiosity Is a Crapshoot: His investigation into the Foreign God's invasion leads him to get shot by someone trying to keep the truth a secret.
Death Activated Super Power: His ability to be the Last Master of Humanity only becomes apparent after he dies, turning him into a being capable of summoning Servants numbering in the thousands at the same time.
Greater-Scope Villain: Though he’s dead by the time Chaldea reaches him, he ends up being the true cause of the Traum Singularity as an act of revenge against Proper Human History.
Last of His Kind: He’s implicitly the last human from CHALDEAS, turing him into the last Master of humanity and letting him posthumously create the Traum Singularity. This does lead into some questions involving who exactly shot him if he was the last human there.
Many Spirits Inside of One: It's hinted in Traum that he absorbed the wills of all the dead humans in CHALDEAS. When Xu Fu uses her Tao arts to divine the Masters of the rebelling Servants, she somehow gets a different result for each Servant even though they all were summoned by the same person.
Meaningful Name: Bluebook is most likely a reference to Project Blue Book, a US operation carried out in the 1950s to analyze UFOs and the theoretical existence of aliens. Very fitting for the man investigating the alien invasion of Earth, specifically traveling through America to verify the full story.
Mirror Character: He ends up being this to the protagonist as the Last Master of the Humanity of CHALDEAS being an ordinary human being thrust the power to command hundreds of servants but while the protagonist does his best to fix his world, David can only lash out against the world due to the injustice done against his people.
Mistaken Identity: Due to Chaldea being completely oblivious to his story they assume that his corpse was actually Subject E and completely ignore the tree roots that were experimented on.
Muggle: He doesn't have any awareness that magic exists or of the Earth being incinerated two years ago by Goetia. The closest he comes to understanding the Lostbelt crisis is noting that the skies above the Lostbelts are "different" from what he remembers the night sky over those places look and that it might mean some forces of humanity are fighting back.
Photographic Memory: He has hyperthymesia, something that is called both a gift and a curse. He left the city when he was younger because he hated being able to remember everything.
"Rashomon"-Style: The more Bluebook elaborates on the invasion, the more discrepancies emerge between what he says and what Chaldea encounters. The reason for these is because Bluebook is a human within CHALDEAS that takes place in 2117.
- According to Bluebook, there was a 12 hour period between the loss of all communication with satellites and the Trees starting their attack on humanity. Chaldea is attacked at 16:30 when their satellite communications are cut off, and shortly after witness the Trees falling to Earth which has yet to be bleached.
- Bluebook states that the satellite blackout was caused by the Trees' branches cutting off Earth from outer space which bleached the planet, and after the 12 period the Trees spent the next three months systematically hunting down humans one by one. Wodime notes that the Trees could be planted on Earth only after the planet was bleached and humanity eliminated, and that runs counter to what Chaldea saw as noted above.
- The Area 51 scientists' notes Bluebook found state that Subject E landed on Earth in 2016... except that humanity can't remember that year because of the Human Order Incineration Incidient. Furthermore, Moriarty states that Subject E landed 100 years ago and has been experimented on ever since, an irreconcilable difference.
- Bluebook calls the operating room Subject E lies in retro contrary to his impression of Area 51 being a high tech base, yet Moriarty and Sion state all the equipment in the room was state-of-the-art by modern standards.
- When Bluebook arrives at Subject E's operating room, he notices the tree roots on the table only. Chaldea on the other hand ignores the roots in favor of the much bigger humanoid corpse on the ground.
Schizo Tech: Has a "solar generator" that powers his motorcycle. It's one of the hints that his world takes place in the future.
Shoot the Shaggy Dog: He finally arrives at the end of his investigation at Area 51 to examine Subject E's corpse and possibly find out something about the Foreign God's invasion, only to get shot by an unknown figure waiting for him just as he lays eyes on the corpse.
Spanner in the Works: His posthumous creation of the Traum Singularity completely derails CHALDEAS’s plan to dispose of Chaldea using Holmes as a sleeper agent as the events that transpired during it allow Holmes to figure it out on his own and sacrifice himself before he rejoined CHALDEAS’s side. To make things worse it also lead to Chaldea knowing about the existence of Subject E.
The Unseen: Has not actually made any appearance on-screen, as all of his segments are narrated and seen from his perspective. We also never see him due to being Killed Off for Real by an unknown figure. By the time Chaldea arrives in Area 51, his corpse has decomposed to look like a circulatory system in the shape of a human.
Walking Spoiler: Bluebooks’s story is next to impossible to delve into without either going into the massive hints of the stories’s biggest mysteries or bringing up his sudden death by an unknown gunman. He is also very likely the human Subject E who created the Traum Singularity after finding out why the humanity of CHALDEAS died.
Woobie, Destroyer of Worlds: While he ultimately ends up being the cause of the Traum Singularity as an act of revenge against Proper Human History, he only did so because the humanity inside CHALDEAS was exterminated because of Marisbury's plans.
World's Strongest Man: The strongest Master ever seen in the entire franchise and likely will never be surpassed. By becoming the last Master of his humanity and absorbing the wills and Command Spells of all the other dead Masters slaughtered by CHALDEAS, he became an anomaly capable of summoning thousands of Servants and sustaining them by himself.

Subject E (Unmarked Lostbelt 7 Spoilers)

https://static.tvtropes.org/pmwiki/pub/images/subjecte.jpg

An alien lifeform that crash-landed on Earth in 2016 and was retrieved in secrecy by the US government, who tasked the researchers and doctors with saving its life and possibly opening up communication with it. Its arrival heralded the Foreign God's invasion.

Alien Autopsy: Moriarty performed his own analysis of Subject E, but due to his lack of equipment could not conclude anything more than it was something alien to Earth and that it called the Foreign God to Earth. He led Chaldea to the corpse in hopes that they will shed more light on the mystery. Sion's preliminary analysis determined it's something never before seen on Earth, but she had to stop for the time being in order to focus on dismantling the final Lostbelt.
Bizarre Alien Biology: It was incomprehensible for the scientists who studied it, with only its appearance being defined as the shape of a tree root. Its cells were made up of elements not found on Earth, and its organs were likewise completely alien to go with its bizarre shape. While Bluebook does not get the chance to examine it more closely before his death, the truth of these claims turns out to be accurate in the very last scene of Traum, where Ruler Moriarty leads Kadoc, Mash, and the Protagonist to the room where it lays. What they find is a tree-branch-like thing the size of a twig on the operating table, and what looks to be the circulatory system of a person lying on the ground. What makes it even more bizarre is the implications of its origin as Olga Marie meaning that being thrown into CHALDEAS somehow morphed her into a tree-like being that was incomprehensible to everyone around her.
Cold-Blooded Torture: The tree almost died in the crash landing, but was kept alive by the scientists of Area 51. Though they were initially ordered to save its life by any means necessary and possibly open up a way to communicate with it, they eventually began to perform brutal experiments upon it for study. Some of the experiments included exposing it to extreme temperatures, cutting it apart, and piercing its organs. According to Moriarity this went on for 100 years.
Collective Identity: There are two Subject Es: the first is the tree roots that Bluebook was trying to investigate, and the second is the humanoid corpse that Chaldea finds. So far, only the protagonist has noticed the two are actually separate beings when they note Sion's analysis of the human as the last survivor is different from Moriarty's analysis of the tree suffering from torturous experimentation for 100 years.
Distress Signal: The only thing the tree could do as it suffered the cruelty of the scientists studying it was send out signals to its kind for help. The scientists allowed this to continue in hopes that another sample would arrive, so they could harvest the alien elements and advance technological developments. Come Lostbelt No. 7, it's implied that what they perceived as signals were actually U-Olga Marie screaming at them that she was a human, not alien.
Human All Along: By the Ordeal Call Prologue Sion's final analysis determines that the humanoid Subject E is the last human from CHALDEAS that's very likely David Bluebook. The reason why it was classified as an alien being before is because it comes from the Foreign World. Lostbelt 7 hints that the tree Subject E was Olga Marie after being thrown into CHALDEAS.
Posthumous Character: It's long dead by the present day, with its corpse still on the operating table in Area 51, yet it's implicitly connected to the Foreign God's invasion. Sion states in Heian-kyō that the bleaching of the Earth (this being a requirement for the Trees to be able to root onto the Earth) began at Area 51 which is curiously untouched, further deepening the connection. How dead the tree actually is, is put in question after some curious comments by U-Olga Marie in Lostbelt No. 7.
Red Herring: Its main narrative purpose is to reinforce the idea that the Lostbelt situation is due to an Alien Invasion called by the tree's Distress Signal. It ultimately has nothing to do with the bleaching of the Earth and if it truly is Olga Marie then then it only served to complicate things from CHALDEAS’s end.
Walking Spoiler: It's the key to the mystery behind the Foreign God's invasion. It's so vital that multiple people are guarding the corpse from any not affiliated with the Foreign God. Bluebook was killed before he could examine it, and when Chaldea arrives the Foreign Priestess destroys the entire Singularity, corpse included, so they can't learn the truth.

Lostbelt 1: Anastasia

Patxi

Heretical Yaga

A 20-year old Yaga and hunter who serves as Chaldea's guide for "Lostbelt No.1: Permafrost Empire, Anastasia".

The Anti-Nihilist: After learning about Proper Human History, he comes to the conclusion that even though he and the Yagas led such miserable lives, his world had nothing but strength and misery and was pruned out of existence for that, there was a purpose for their existence. For a world to lose, there must also exist another world that won, a world where people can be happy and prosper, a world called Proper Human History. Patxi encourages the protagonist to fight on even it it means deleting his timeline again, as it's what gives the happiness of Proper Human History its meaning.
Assist Character: He provides backup with his rifle in gameplay by occasionally sniping enemies, though since Servants are way beyond his repertoire, he does minimal damage to them.
Cast from Calories: As a side-effect of being fused with a beast, Yaga like Patxi burn through 10x the calories of a bog-standard human - in exchange, they're physically strong enough to heft Demonic Beasts with ease.
Culture Clash: Patxi is very confused by Proper Human History when he learns about it from the protagonist, wondering why people would spend so much time in school, and being shocked at the average age needed to be considered an adult. It's from this talk that Patxi decides that Proper Human History should survive instead of his world.
Despair Event Horizon: He's already teetering on the brink when Chaldea first meets him, but he finally passes it after he learns his mother was killed for his perceived betrayal, and then he's taken by Kotomine to see Ivan the Terrible's true form, concluding that the Yagas could never hope to overthrow the tyrant and giving up the location of the rebel base. He gets over it once he learns about Proper Human History from the protagonist.
Deuteragonist: A good portion of the story in the first Lostbelt is from his point of view, acting as an additional Audience Surrogate, as he is not initally part of the rebel army and was living on the frontier of Russia for his entire life.
Go Out with a Smile: Just before he collapses, he smiles for what may be the first time in his life, musing that seeing the protagonist cry did not make him feel happy after all.
Green-Eyed Monster: Paxti eventually realizes he follows the protagonist and Mash because he's jealous and angry that the protagonist can be happy when life is so grueling for the Yaga. He wants to see them fall to complete despair and sticks around to see the protagonist be crushed emotionally like they are. Obviously, he changes his tune by the end, after learning from the protagonist what Proper Human History is like and decides that it deserves to survive and not his world.
Hourglass Plot: At the beginning of the Lostbelt, the protagonist is the one driven to do the impossible while the cynical Patxi only wants to do the bare minimum to survive but keeps getting dragged along for the ride. At the end, it's Patxi who brings the protagonist out of their funk and pushes them to keep fighting on.
Irony: After being captured and forced to see Ivan's form, Patxi crosses the Despair Event Horizon and when he reunites with Chaldea, he rejoins them so the protagonist will see how futile it will be in the end. By the end of the story, Patxi, thanks to hearing about how great Proper Human History is, sacrifices himself to save the protagonist after they were almost on the verge of a Despair Event Horizon, because his hope they can win was ignited.
Love Is a Weakness: He is unusually attached to his mother despite her senility and the fact that he would be better off without her, due to the way society is structured in this altered Russia, he himself doesn't know why he's willing to go so far to protect her.
Memorial Photo: After completing the Lostbelt and excising it from Earth, the Craft Essence given to the player for story completion features him in it, serving as the only proof that he and the Yaga ever existed.
Mr. Exposition: As a native of Kadoc's Lostbelt, he gets Chaldea up to date on the situation there.
My Species Doth Protest Too Much: Siding with the protagonists in restoring the proper timeline—at the cost of his people's (and even his own) existence—understandably places him here.
The Nose Knows: As expected from a Wolf Man, he has a better sense of smell than the old human race.
Perpetual Frowner: Almost all of his portraits have him scowling, frowning, or at best setting his mouth in a neutral line. He himself mentions he's never had much of anything to be worth smiling about. Which is what makes his earnest smile as he dies all the more noticeable.
Rousing Speech: He gives one with his dying breath to the protagonist after they've realized what destroying the Lostbelt means and entered a massive Heroic BSoD as a result. He states even if they must stain their hands with blood, they have to fight to restore Proper Human History, as a world where humans can thrive and be happy is worth fighting for over a world as miserable as his. It works, and the protagonist gathers their resolve to keep fighting.
Sacrificial Lion: Despite being a major ally, he ends up dying to protect the protagonist and encourages them to keep fighting for Proper Human History, telling them that it doesn't matter if he gets erased or not when the Lostbelt is gone because now he knows there's a better world out there.
Social Darwinist: Inverted, Patxi is unique among the Yaga in that he doesn’t consider only the strong to have the right to exist, something which leads to him siding with Chaldea over the restoration of the Proper Human History.
Spell My Name With An S: It's either Patxi or Patsy. It's localized as "Patxi".
Super-Hearing: He can map out his surroundings and find out how many Demonic Beasts are in a pack from the change in acoustics of gunshots thanks to his Yaga ears. When the crew are stuck inside Minotaur's labyrinth, Billy gets an idea on how to escape it by firing down hallways and letting Patxi hear out the echoes to find the way to the entrance.
Taking the Bullet: He jumps in front of the protagonist to shield them from a barrage of gunfire.
This Is Unforgivable!: His Final Speech, which can be found on the Heretical Yaga craft essence, has him declare that he will never forgive the protagonist for revealing to him the existence of Proper Human History, a world that is objectively better than the Anastasia Lostbelt. Unusually for this trope, he then turns it into a Dare to Be Badass speech, as he wants them to restore Proper Human History precisely because his Lostbelt's only virtue is strength.
Wolf Man: He's one of the Yaga, a chimeric fusion between magical beast and man. It's noted as a side effect of fusing with animals, he needs to consume a lot more calories to sustain his body.

Lostbelt 2: Götterdämmerung

Gerda

Maiden of the Flower Garden

A young girl who the protagonists encounter in "Lostbelt No. 2: The Eternal Icy Fire Century, Götterdämmerung".

Cheerful Child: She's a very upbeat and hopeful person, something that Mash takes note of, even if she tries to hide some of it behind a mature face.
Cuteness Proximity: She quickly takes to playing with Fou and cuddling with him.
Damsel in Distress: Is threatened several times by the forces of this Lostbelt like Jötunn and valkyries, requiring the protagonists to get her out of danger.
Go Out with a Smile: Rather than falling asleep when the Lostbelt is erased, like Skadi advised her subjects to do, Gerda goes outside wondering what became of her new friends. Remembering Fou, she decides to frolic in the fields one last time, and vanishes along with her world.
Hero-Worshipper: She becomes something of one to the protagonist and Mash after they save her from a giant attack in their first meeting, believing they have to be "envoys of the gods".
Ignorance Is Bliss: She can't comprehend a world where she can grow up to be something other than a breeding stock or a giant's meal, but that doesn't mean she's upset about it. She does get apologetic when the topic comes up, and wants to understand the world where her new friends come from, but never gets the chance to.
Innocently Insensitive: When Goredolf is able to connect to Mash and the protagonist, Gerda calls Goredolf fat in shock without realizing how offensive it is.
Memorial Photo: Like Patxi before her, she features in the prize Craft Essence you get after clearing "Lostbelt No. 2: Götterdämmerung"— the only remaining reminder of her ever existing.
Promotion to Parent: As the adults in her village are taken away, Gerda finds herself thrust into the role of taking care of the various children left.
Shoot the Shaggy Dog: Chaldea wanted her to think about and desire a future beyond her predetermined 15/25 years of life despite knowing they'd have to erase her in the end. She finally started to learn that losing others can be sad just as the Lostbelt is pruned.
Spell My Name With An S: It's either Gerda, Gerta or Gelda. The localization goes with "Gerda".
The Time Traveller's Dilemma: Surtr's defeat leads to the possibility of her growing up past the age of 25 as Skadi no longer has the need to push back against his eternally burning flames. Unfortunately Chaldea has to destroy the Lostbelt in order to make way to their destination, so she ultimately is wiped out of existence.
What Is This Feeling?: The ending of the Lostbelt, as she realizes she will likely never see Chaldea again, she honestly wonders what the tightening in her chest and her crying means even though she's not at all in physical pain.

Huginn and Muninn

Divine Beasts, and the twin crows of the Allfather of the Norse Gods, Odin.

The Chooser of the One: They're Odin's personal familiars and appear throughout the Lostbelt to guide the heroes through the Scandinavian Lostbelt. The fact that they never appeared to assist Scathach-Skadi signals who they, and by extension Odin, favor, much to Skadi's lament.
Familiar: They're the personal attendants and familiars of Odin himself.
Meaningful Name: Their names mean "Thought" and "Memory" respectively.
Misplaced Wildlife: Mash first mistakes them for ordinary crows, coming to the conclusion that the Scandinavian Lostbelt is hospitable enough for normal wildlife to survive in. But this conclusion is dashed after constant encounters with giants, ice wolves, and other creatures from the Age of Gods.

Lostbelt Odin

The Lostbelt version of the Allfather, Norse god of wisdom, and demiurge of the Norse pantheon. He died long ago in Ragnarök, but not before stopping it from spreading past Scandinavia's borders.

Alternate Self: The Odin that appears in the Scandinavian Lostbelt is different from the one of Proper Human History. This distinction becomes important later on.
Always Save the Girl: Discussed in regards to him in Scáthatch-Skadi's interlude. Cú Chulainn Caster speculates that since the Proper Human History Odin is in love with Skadi, this could also be the case for Lostbelt Odin, which is why he chose to save her over everyone else.
Dies Differently in Adaptation: He was supposed to be Eaten Alive by Fenrir as decreed by fate, but Surtr killing Fenrir before the deed was done allowed Odin to live past his time. Well, for five more minutes before Odin sacrificed his life to stop Surtr-Fenrir's rampage.
Heroic Sacrifice: He and the rest of the Norse pantheon died to seal Surtr-Fenrir away and keep him from burning the rest of the planet's surface.
I Want My Beloved to Be Happy: Cú Chulainn Caster speculates that Lostbelt Odin saw Scáthatch-Skadi enjoying her time with Chaldea in the future and decided to save her from Surtr-Fenrir to make sure that future would come to pass.
Nice Job Breaking It, Hero: He was the one who fused Scáthach and Skadi in Lostbelt No. 2. Unfortunately, her means of keeping the peace is to keep humans as livestock. He seems to realize this as he aids Chaldea when they take the fight to her.
The Omniscient: Just as regular Odin could peer into the Lostbelts, so too could Lostbelt Odin see into Proper Human History.
Top God: He was to the Norse gods as Zeus and Queztalcoatl are to their pantheons. Was.

Lostbelt 3: S.I.N.

Boy

https://static.tvtropes.org/pmwiki/pub/images/sin_boy.png

An unnamed boy who the protagonists encounter in "Lostbelt No. 3: The Nation of Unified Human Intellect, S.I.N., The Crimson Beauty under the Moon," when they happen upon his village. He takes a great liking to Spartacus, greatly inspired by him.

Constantly Curious: Due to his youth, he hasn't fallen into the contentedness of his village and wanders outside the permitted boundaries to explore. He's the one to tell Chaldea where they can possibly find the location of the nest of the Krichat' harrassing the village. Spartacus encouraging this mindset is what leads him to latch onto the Heroic Spirit.
Face Death with Dignity: Because this race of humans lost the ability to fear death, he, and the rest of his world, don't really panic or mind when the time comes to be pruned. One of the few things that actually bugs him is the shock that their leader, Qin Shi Huang, appears before them to embrace the end and together at the end of the Lostbelt.
Forgotten Fallen Friend: When Aphrodite uses Mind Hack Mycenae to drive the protagonist into a Lotus-Eater Machine situation, you get visions of the various characters who had died in the beginning of the "Cosmos in the Lostbelt" saga such as Paxti, Gerda, and Asha. However, the Boy is oddly absent from the entire dream sequence, with the SIN Lostbelt representative being Red Hare instead.
No Name Given: Never reveals his name, given that he even has one to begin with.
Unwitting Instigator of Doom: Qin Shi Huang and Chaldea had a truce going on until they can analyse the functions of Shadow Border, up until he ends up revealing to Qin Liangyu that Jing Ke had been teaching poems to the villagers, which makes Qin Shi Huang declare them to be Confucian, and thus an enemy.

Chapter 3.5: Ooku

Kasuga-no-Tsubone

https://static.tvtropes.org/pmwiki/pub/images/lady_kasuga.png

Mistress of the Ooku

Real name Saito Fuku, Kasuga-no-Tsubone is one of most famous women in Japan's history, who was once the wet nurse of Tokugawa Iemitsu and who would later become the overseer of Edo Castle's women's quarters, the Ooku.

She first appeared in "Tokugawa Restoration Labyrinth: Ooku" story event where she was saved from her deathbed by Pārvatī by letting Kasuga's soul inhabit her body.

Affectionate Gesture to the Head: She likes to headpat children whenever she is praising them to the point that it has become a habit, with her headpatting the Protagonist whenever she is proud of them.
All Just a Dream: After the events of Ooku are resolved and history corrects itself, Kasuga remembers everything as a fleeting dream of meeting people from hundreds of years in the future.
Almighty Mom: Well, technically wet nurse, but she still raised many children. Kasuga was this during the time she raised Iemitsu and Nobutsuna, giving the latter an earful for becoming Kama's patsy and disrespecting Chaldea, as well as reacting with shock when Nobutsuna doesn't listen to her. When she smacks and scolds a Brainwashed Goredolf for falling into decadent excess under the influence of Beast III/L, it's enough to briefly short-circuit her hold on him, summoning memories of Toole and leading him to gallantly take a swing at her before lapsing back into the delusion. And after learning that Kama/Mara used her wish to lead and guide the Tokugawa forever to tempt all past and future shoguns into giving into their worst impulses, she turns the tables by instead lecturing them into changing their ways to break the Beast's hold on the Ooku.
Broken Pedestal:
- Played for Laughs when after she admonishes Kiara for admitting she was under the impression her beloved Ooku was much more decadent, she's shocked when her savior Pārvatī admits she thought the exact same thing.
- She's also shocked to learn Kintoki, one of the Four Heavenly Kings, got westernized and asks how it even happened.
Cool Old Lady: Although reinvigorated by sharing a body with Pārvatī, Kasuga is an old lady by the time of the story. She's a doting, loving woman to those she raised and to children in general, as well as a gracious host and a boundlessly loyal vassal of the Tokugawas. She's also incredibly strong-willed when push comes to shove, and will discipline the Tokugawas even if it means her death.
Deliberate Values Dissonance: As a loyal follower of the Tokugawa Clan, she naturally has a favorable position of them and thus her perceptions of their friends and foes. She admits she could never bring herself to interact with Lady Yodo (Chacha) due to the bad blood between their families and believed it was better for all involved that they stayed distant, expresses some level of respectful fear for Nobunaga while stating that Akechi was right in his betrayal, and has less than favorable opinions of Amakusa and the whole Shimabara Rebellion. The protagonist and Mash are a bit uncomfortable considering all three of them are in Chaldea, and particularly on that last point since they fought an alternate Amakusa who had a very different opinion on the whole thing in Shimousa. That said, upon learning that the Tokugawa will one day fall, she finds herself pleased and intrigued at the idea of representative democracy.
Domain Holder: She turns herself into this by becoming a disembodied soul and allowing herself to be affected by Scheherazade's stories and Mata Hari's hypnosis. Through her unshakable connection to the Ooku, Kasuga is able to override Kama's transformation of the Ooku with her concrete image of the original, allowing the heroes to finally fight back. Kama soon realizes this and tries to sever herself from Ooku to escape this, only for Kasuga use her now complete control of Ooku to throw Kama into the path of Pārvatī, who is waiting with Trishula Shakti ready.
Get A Hold Of Yourself Man: When Tokugawa Goredolf tries to get Kasuga to act as his maidservant, she gets furious enough to slap him and lecture him on how a shogun should really act, triggering Goredolf's repressed memories of Toole's lectures and ultimately temporarily break him out of the Tokugawafication.
Heroic BSoD: She has a complete and utter meltdown when she discovers that her desire to raise and guide the Tokugawas forever attracted Kama and started the events of the plot in the first place. The knowledge that she doomed her beloved lords to such a fate completely shuts her down from anguish, and she soon begins wishing that Pārvatī hadn't saved her. She only recovers when she hears the protagonist call Kama's realm nothing but the Ooku, which makes Kasuga realize that her legacy still lives on 500 years later.
Heroic Sacrifice: In the finale of the Ooku event, she asks Pārvatī to let go of her soul. By becoming a disembodied soul, she allows herself to be influenced by Scheherazade's and Mata Hari's Noble Phantasms to become a larger-than-life figure capable of overriding Kama's restructuring of the Ooku, as Kasuga is synonymous with the Ooku as its master and caretaker. But in doing so, she knows that she'll have released her last tether to the physical plane, and that she may never be able to return to her original form. It is ultimately subverted as the final part of the epilogue shows her talking with a lady-in-waiting, showing that she did return back to her original body, even if she is only a few nights away from passing away anyway.
Hot-Blooded: While she tries to conduct herself with manners befitting that of a noble lady, Kasuga's emotions tend to run over more than not, and she's forceful and confrontational in manners pertaining to loyalty to the Tokugawas and the condition of her beloved Ooku.
Insistent Terminology: Kasuga is insistent that the Ooku is not a harem but a place where the shogun can relax and safely produce an heir away from the machinations of the court... which is exactly what a royal harem is.
Ms. Exposition: Due to being intimately familiar with Ooku, she acts as a guide to the heroes while explaining all of the intricacies of the place as well as the ways it differs from the original building.
Naginatas Are Feminine: She was trained to fight with the naginata. She even tries to take on one of the Ooku's marionettes on her own early on before she remembers she doesn't have a naginata, letting Pārvatī do all of the fighting. She expresses a desire to one day be summoned as a Lancer at the end of the event, though to date this has not happened.
Parental Substitute: She acted as a wet nurse for the children of the Tokugawa clan and its subordinates. She personally raised Tokugawa Iemitsu, the third shogun of the Tokugawa clan, as well as his closest adviser and friend, Matsudaira Nobutsuna. Kasuga also declares herself the protagonist's acting wet nurse for the time being, praising them for being virtuous and trying to shield them from Kama's temptations.
Pink Means Feminine: In contrast to Pārvatī's deep blue dress evocative of the blue skin the Hindu gods are depicted with, Kasuga's kimono is a bright pink and embroidered with sakura flower designs.
Sharing a Body: As she was about to pass on to the afterlife, the just reverse-summoned Pārvatī saved her by having her soul inhabit her body, with the two switching places depending on who is talking.
Silk Hiding Steel: She might look like just a Yamato Nadeshiko, but she is willing to get her hands dirty if she had a naginata on hand. More importantly, her position as a wet nurse is to ensure that the shogun is raised properly. This means that she will discipline him if he is doing something wrong so that he knows what is right and wrong, even if it means she will be killed for raising her hand against the shogun. Everyone is thrown off-guard when she slaps and lectures Tokugawa Goredolf since she seemed like the person least capable of going against the Tokugawa.
Something Only They Would Say: Sharing a Body with Pārvatī means that many of the people who knew Kasuga in life, such as Tajima-no-Kami or Matsudaira, don't recognize her. But her forceful personality and passion for maintaining Ooku quickly convince them that she is indeed the Kasuga-no-Tsubone they know.
Soul Jar: Kasuga is on her deathbed when Pārvatī is summoned to Ooku. Out of compassion and pity, the goddess takes the dying woman's soul into her own body, resulting in them Sharing a Body.
Undying Loyalty: She's fervently loyal to the Tokugawa clan, especially to Tokugawa Iemitsu, whom she raised as his wet nurse. She's delighted to learn that the Tokugawa shogunate lasted beyond the generation of Iemitsu's great-grandson, but Chaldea doesn't have the heart to tell her that Iemitsu's bloodline died out when Ietsugu, a child Puppet King, died of a cold at age six. Even when she learns that the Tokugawa shogunate itself will end with the fifteenth head Yoshinobu and that the entire shogunate system would be abolished with power returned to the emperor and the citizens themselves gaining more power, once she gets over her shock she accepts it gracefully and notes that's simply the way of the world for lineages to end.
Unwitting Instigator of Doom: Her Dying Wish to be with the Tokugawas and guide them in perpetuity is what sparked Kama's interest in the Ooku in the first place, kickstarting the events of the plot.
You Don't Look Like You: Due to sharing a body with Pārvatī, Nobutsuna doesn't recognize her at first, as he last saw her as an old woman on her deathbed. But her words and mannerisms soon convince him otherwise.

Lostbelt 4: Yuga Kshetra

Asha

Child of a Diminishing Family

A young girl who the protagonists encounter in "Lostbelt No. 4: Samsāra of Genesis and Terminus, Yuga Kshetra".

Break the Cutie: She loses her father and her dog over the course of the Lostbelt, and the ending Craft Essence reveals she lost so much more than that she can't even fully remember thanks to the memory wipes from the resets. While she originally overlooks the loss of her dog, her dad being erased right before her birthday-equivalent hurts her so deeply she still feels sad despite being unable to remember why.
Cheerful Child: Keeps up her sunny, kind, friendly mood even in the darker yuga cycles, where others become suspicious and combative.
Massive Numbered Siblings: By the time we meet Asha, her family only consists of her, Ajai and their dog. It's revealed in the memorial Craft Essence that she used to have seven siblings, but they all disappeared after several cycles of Yuga.
Memorial Photo: Like Patxi and Gerda before her, the Craft Essence given to the player for completing "Lostbelt No. 4: Yuga Kshetra", featuring her together with her forgotten family, the only proof of their existence.
Missing Mom: She doesn't know what happened to her mom, but Chaldea infers that she had one given her existence. It's the first hint of just how wrong society has become with the accelerated Yuga cycles. The Craft Essence featuring her reveals she's missing a lot more than her mother.
Ms. Exposition: Since she's the only townsperson curious and amazed enough by Chaldea to talk to them, she's the one who's gives them a basic rundown about the Lostbelt. This includes dropping the Wham Line about how everyone in the Lostbelt dies at the end of the Yuga cycle and are "chosen" by God Arjuna to return in the next cycle with a cheerful smile like she just told a big secret to her new foreign friends.
Spanner in the Works: She proves to be this for William Tell in his attempt to kill the heroes, as even bereft of his memories he can't bring himself to shoot her when she attacks him with a crossbow because it's a fundamental part of who he is, and thus it leaves him vulnerable to Chaldea's counterattack.

Ajai

Asha's brooding but ultimately caring father.

Brutal Honesty: Ajai isn't an unfair man, but he tells it like it is and doesn't spare the feelings of those around him.
No Good Deed Goes Unpunished: He saves Prakash from being killed a kali, but ends up injuring himself in the process. As the yuga cycle resets before he heals, he ends up erased from existence for it.
Perpetual Frowner: Almost never seen not scowling. In fairness, he's got good reason considering what he's gone through.
Sacrificial Lion: He gets enough characterization that when he's erased by one of God Arjuna's resets, it really hits home.
Secret Secret-Keeper: Based on his perpetually gloomy attitude and occasional remarks (such as angrily asking himself what good is a dog that can't run), it appears that he has figured out that Arjuna's resets are erasing the existence and even memories of their loved ones. Then again, Ajai is in a unique position to figure it out himself, because as Chaldea points out, there's no way Asha didn't have a mother at some point.

Prakash

The mayor of the town Asha lives in. He is a devoted follower of God Arjuna and doesn't suffer heretics well.

Big Fun: From the start of the second Yuga cycle, he treats the party with much more respect and kindness because the fact they survived the Yuga cycle must mean they are blessed by God Arjuna, but also because he's no longer desperately praying for his life and the earlier parts of the cycle make people in general kinder and more empathetic.
Fat Bastard: When first encountered, he treats the party with suspicion and doesn't even care that they risked their lives to defeat the Kali since they also killed some of God Arjuna's sacred beasts in the process for self-defense, going into outright Ungrateful Bastard territory. In general, he's more of a jerk as the cycle draws to a close, but it's shown that he's not alone in this regard.
Mood-Swinger: In contrast to Ajai and Asha, who keep up their personalities regardless of which part of the yuga cycle they're in, Prakash demonstrates the typical member of his society, being relentlessly hospitable, soft-hearted, and kindly in the earlier parts and suspicious, paranoid, and unfriendly in the later ones. This memorably happens overnight at one point, where he goes from welcoming all the refugees from the rebel town into the city hall to sleep to demanding they leave for being dangerous unbelievers the next morning.
Properly Paranoid: In his tentative defense, fighting back against the kali instead of praying for salvation does draw God Arjuna's attention for the worse, and sees those who do erased.
Tender Tears: He leaks them easily while apologizing for the angry things he says in the Kali Yuga during the earlier parts of the cycle, and when expressing sympathy for the refugees he welcomes into the village.

Lostbelt 5: Atlantis

Artemis Nano

Moon Goddess Terminal Unit

A terminal unit created by Lostbelt Artemis in an effort to understand why her Proper Human History version fell in love with Orion.

Dark Is Not Evil: Despite wearing all black, she remains on the protagonist side when she fall for Super Orion.
God in Human Form: After learning of Orion and her Proper Human History counterpart relationship with him, Lostbelt Artemis created her in order to watch and understand why her counterpart fell in love with such a disgusting man. It should be noted this is less impressive than it sounds, as Artemis Nano herself states she has none of her true self's power and is simply meant to observe. Initially disgusted like her main self, Nano develops feelings and aids Orion after Lostbelt Artemis betrays the promise they made with Orion in the past to ensure his neutrality.
Irony: Nano was created to better understand Orion, sharing her creator's confusion as to why her Proper Human History version fell in love with him. By the end, she falls in love with him, going so far as to betray Lostbelt Artemis and try and convince an island full of people that would be killed by a Kill Sat attack.
I Will Only Slow You Down: She tells Orion this is why she can't come with him on Chaldea's quest, as not only would her status as a terminal unit let Lostbelt Artemis instantly zero in on their location, she's a dead woman walking anyways since her true self wants to kill her for getting close to Orion.
Love Redeems: Nano, who was sent to observe Orion in the Atlantic Lostbelt develops feelings for him and tries to save the innocent villagers about to be nuked with Chaldea by Lostbelt Artemis. She and the villagers don't survive.
Meaningful Echo: Orion told her that she looks much better When She Smiles and that he prefers that. When she stays behind on Heracles Island, she tells Orion she thinks he looks better smiling in order to make him drop his sad expression.
No Sense of Personal Space: She asks to scan Orion's mind to see his memories, much to the latter's shock and annoyance.
When She Smiles: Orion notes that she looks much better when she's smiling rather than her usual Perpetual Frowner.

Lostbelt Hades

A version of Hades, the God of the Underworld, from the Atlantic Lostbelt that led the Olympians in favor of freeing humanity from their rule against Zeus ten thousand years ago in the civil war called the Olympiamachia.

Better to Die than Be Killed: It's later revealed that Hades self-destructed to prevent himself from being turned into Zeus' slave like Demeter, Aphrodite, and Poseidon.
Cain and Abel: The Abel to his brother Zeus's Cain. Especially notable as unlike Poseidon, Hades is the same class of ship as Zeus.
Dark Is Not Evil: Ruler of the Underworld, but he stuck his neck out for humanity to the point he fought and died for it.
Everyone Hates Hades: Averted, as contrary to popular modern depictions this Hades is firmly on humanity's side. Hell, he was part of the civil war of the Olympians with himself at the head of those in favor of giving humanity their freedom.
Human Resources: After he was killed, the nanomachines of his corpse were harvested to empower the Olympians' chosen, most notably being used to create Lostbelt Odysseus' new Aegis.
I Die Free: After the Coexistence Faction was defeated by Zeus, Hades chose to activate his self-destruct rather than keep fighting or give in peacefully, wanting to die as he was rather than be re-programmed by Zeus. This had the side-effect of allowing his Authority to linger on in his realm of Tartarus, preventing Zeus' Sinister Surveillance from reaching into the realm without him devoting all of his power to it, keeping it truly free of his influence compared to the rest of Olympus.
Posthumous Character: He's been dead for a long time by the time Chaldea arrives in the Lostbelt, yet it's in part thanks to his decision to free humanity from the gods that the protagonists even have a shot of victory.
Related Differently in the Adaptation: While he is one of the central figures in Greek mythology, very few ever called him a member of the Twelve Olympians since was chthonic, of the underworld. Here he is listed among the Twelve Olympians, replacing Hermes.

Lostbelt Hephaestus

https://static.tvtropes.org/pmwiki/pub/images/lbhephaestus_3.png

God of Blacksmiths

A version of Hephaestus, the God of Blacksmiths, from the Atlantic Lostbelt that sided against Zeus in the Olympiamachia. Having been greatly damaged in the war, Hephaestus is forced to hide from his brethren in the Atlantis archipelago where he meets Chaldea.

Adaptation Relationship Overhaul: Some parts of his marriage to Aphrodite are included in the Nasuverse like Aphrodite cheating on him, but their overall dynamic is the opposite of the original myths. In some versions Zeus had her married off to Hephaestus to avoid the gods squabbling over her hand, in others it was Hephaestus who asked for her hand in marriage, but she always viewed him as an Unwanted Spouse and openly cheated on him with Ares. In the Nasuverse it's Aphrodite who's the Unwanted Spouse despite loving Hephaestus even to the present day, and Proper Human History Apollo speculates that she cheated on him because he cared more about his work than her. Hephaestus does care for her deep down, but not nearly enough to peel him away from his forge and put some effort in the marriage.
Black Comedy: He shows Orion a simulation of his teddy bear form dying graphically as a joke. Orion calls him bugged in response.
Blue-and-Orange Morality: Talking to him makes quite clear that he simply doesn't see the world the same way as his guests from Proper Human History. To Chaldea and their allied Servants, the Klironomia are technological wonders that offer great potential. To Hephaestus, they symbolize his timeline's obsolescence, as they're the last true breakthrough that they ever managed to accomplish, and with several millennia having gone by since their introduction it's safe to say that they're never going to come up with anything better. As a result, he firmly believes his Lostbelt's time is up, which contributes to his indifference to the prospect of his timeline being pruned once again.
Creative Sterility: Discussed. He's capable of churning out great works such as remodeling Achilles' armor into Aegis Eclipse for Orion, and has access to the wondrous Klironomia nanomachines far beyond the what Proper Human History can accomplish in the present day. Yet he actually views the Klironomia, which means "legacy" in Ancient Greek, as symbolic of the Olympians' obsolescence; despite all the tweaks and optimizations they've done to the nanomachines themselves, they haven't managed to come up with anything similarly gamechanging in the millennia since their introduction. With nothing left for them to offer, he believes it only logical that their timeline be pruned.
Crippling Castration: He mentions that he got rid of his "mating unit" at some point and figures it was part of the reason why Aphrodite slept around since he couldn't exactly "satisfy" her anymore.
Half the Man He Used to Be: Muramasa chops him in two and takes one part back with him to Olympus. The other half left behind is whom Chaldea meets.
Humans Are Flawed: He holds this view. Most of the times humans are weak and cowardly, but sometimes they rise to the occasion as heroes despite their weakness, something the Olympians have long since forgotten.
Married to the Job: Proper Human History Apollo accuses him of this being the reason why Aphrodite cheated on him in the end. Hephaestus confirms it, and says he castrated himself just so she couldn't distract him.
My Species Doth Protest Too Much: One of the Olympians that sided with Proper Human History over his own Lostbelt because he saw potential in that timeline that did not exist in his.
Pet the Dog: While his machine logic did play something of a role, he provides honest answers to Orion's query on how to save Corday from the Zeus Klironomia killing her and even helpfully tells Chaldea where they can find the Athena Klironomia that can do the job while offering up his own Klironomia to stop its spread until they get the former, all with no hesitation and even cutting through the arguments of those who were initially calling for the pragmatic choice of letting Corday die. Pretty impressive considering he's a self-admitted logic-obsessed being who usually wouldn't be swayed by emotional moments, especially since fellow Olympian Apollo took the pragmatic route.
See You in Hell: His last words to Lostbelt Artemis before she destroys him.
Ultimate Blacksmith: It's Hephaestus, the god who forged Zeus's thunderbolts, so it's to be expected. He forges the bow, Aegis Eclipse, Orion uses to shoot down Lostbelt Artemis using Achilles's Divine Construct armor which Hephaestus also forged at Thetis' behest as base material.

Lostbelt 5 Part 2: Olympus

Sefar

The White Titan

Velber 02, better known as Sefar, was the White Titan who fell to Earth from a shooting star in 12,000 B.C.. Though she has long since been forgotten in Proper Human History, her influence on all timelines, proper and pruned alike, can be felt as she was the one who brought about the decline of the Age of Gods.

Above the Gods: Sefar slaughtered many whole pantheons and reduced their gods to Divine Spirits in Proper Human History. The only known gods who escaped that fate were the Mesoptamian pantheon who begged for mercy and was granted it in exchange for a contract, and a certain Celtic god who hightailed it to Avalon and waited until she was gone. In the Atlantic Lostbelt, it took the literal combined might of the Olympian gods to stop her and even then they only tied with her until Excalibur finished her off.
Chekhov's Gunman: She's first hinted at by Da Vinci in the Babylonia Singularity before being properly introduced in Olympus as suffering The Worf Effect to Zeus in the Atlantic Lostbelt. Then she's brought up again in the British Lostbelt as the reason why the world inside is so different from Proper Human History.
Civilization Destroyer: She was an Anti-Civilization superweapon deployed by Velber to destroy civilizations, break them down into Spiritrons, absorb them to become more powerful, then self destruct and beam all absorbed materials to Velber once all targets were destroyed. This passes onto Altera who has a habit of judging things as "good/bad civilization".
Demoted to Extra: She has a much bigger role in Fate/Extella but in this game she merely serves as a backstory villain and is obliquely hinted at before the Atlantic Lostbelt. The closest she gets to becoming a threat again is as Altera in the Septem Singularity.
The Dreaded: She's the boogeyman to many Divine Spirits and especially the Twelve Olympians thanks to slaughtering them.
Greater-Scope Villain: In the British Lostbelt as she was the one who destroyed the Earth's outer Texture thanks to the Six Faeries' laziness.
Man of Kryptonite: As an Anti-Civilization and Anti-World weapon, she had a natural advantage against gods who as the personifications of nature and concepts were part of the World.
Person of Mass Destruction: She is not only a threat to humanity and gods alike, but to the planet itself. In the British Lostbelt where there was nothing capable of stopping her, she ended up destroying every last piece of land until there was nothing left but one giant ocean.
Red Baron: The White Titan.
Robbing the Dead: She pried Ares's Sword of Mars from the nuts and bolts that were his hand after she turned his Aletheia into scrap metal.
Spell My Name With An S: In Fate/Extella's official localization her name was translated as Sephyr. The Olympus chapter reconciles this both in Japanese and English as valid names.
The Worf Effect: She was obliterated by Lostbelt Zeus who had fused with the other Olympians as proof of how strong he was compared to other gods. Except an interview with Nasu revealed he didn't actually beat her so much as he matched her blow for blow until Excalibur destroyed her, which is still no small feat considering how utterly unstoppable she was otherwise against every other god she fought.
You Are Number 6: Her actual name is Velber 02.

Adele and Macarios

Olympus Twins

A pair of twins, a teenage girl and boy that Chaldea meets inside Olympus.

Death Seeker: Their reason for helping Chaldea. They've both been alive for about 10,000 years and have grown tired of eternity, yet being unable to die, are now seeking death by helping Chaldea destroy their world.
Face Death with Dignity: What they want more than anything, to be able to face their deaths with dignity and at peace with themselves. More specifically, to be able to watch the end of their Lostbelt with Europa at their side.
Foil: To the Lostbelt Dioscuri. The Dioscuri are content to live in Olympus as it is and preserve the Lostbelt, view humans as far beneath them and enjoy slaughtering them whenever they get the chance, antagonizing Chaldea. This contrasts with how Adele and Macarios want to end the Lostbelt so they may experience something new, hate the Gods with a passion for stagnating human society, who want to preserve human life if possible and who work with Chaldea to kill the Gods. More factors include the Dioscuri's reasons for slaughtering humans are born from a petty Freudian Excuse, while the human sibling's Freudian Excuse for going against the gods is far more legitimate. They also love their respective siblings, with Castor and Macarios sharing anger and hatred against humans and gods respectively with Pollux and Adele respectively being responsible for reigning them in, but while Pollux often defends Castor's actions and lets him do as he wishes, Adele keeps Macarios from doing anything that would end up hurting him or that wouldn't be beneficial to them, a fact that Adele calls out on Pollux. Finally, the Dioscuri are blonde hair, blue eyed divine spirits. Adele and Macarios are brown hair, green eyed humans.
Freudian Excuse: Their reason for wanting to end the subjugation of the Gods, as well as kill the Dioscuri, is because they killed their parents for daring to think that humans could coexist with the Gods. It's also why they're so protective of Europa, as she's their Parental Substitute.
Good Counterpart: While the Lostbelt arc runs upon Grey-and-Gray Morality, Adele and Macarios are this trope to the Lostbelt Dioscuri, at least thematically, as two native twin siblings who want to help Chaldea bring down the Lostbelt for sympathetic reasons, while Castor and Pollux are vicious in their attempt to preserve it all while acting very unsympathetic in the process.
Half-Identical Twins: They look like genderswapped versions of each other.
I Cannot Self-Terminate: They're The Ageless and have regenerative powers that basically make them immortal. The only way for any of them to truly die is by an attack from the gods themselves.
La Résistance: They're helping the Proper Human Servants try to defeat the Olympians.
Not Growing Up Sucks: They've been teenagers for 10,000 years, something they've long grown tired of.
Nothing Left to Do but Die: This is why they want to die. It's also an example of why their Lostbelt was pruned, as humanity progressed too fast under the complete control of the gods and they've hit their limit with no more room for improvement.
Really 700 Years Old: They look like teenagers, yet at the ripe old age of over 10,000 years they're older than every Heroic Spirit from Proper Human History. Gilgamesh, the first and oldest Heroic Spirit clocks in at a mere 5,000 years in comparison.
Sole Survivor: They're the last surviving human members of the God Destroyer Alliance, the rest having been killed by the Dioscuri.
Summon Magic: They're the ones who summon Grand Lancer Quirinus into Caligula, giving Chaldea the strength needed to defeat Lostbelt Zeus.
Who Wants to Live Forever?: If Olympus remains, they will also remain indefinitely, eternally unchanging, with every tomorrow being exactly like yesterday. They've had a century to accept that destroying the Lostbelt means they'll die too, because at least it will be something different and they chose this fate for themselves.

Minerva

Wisdom Goddess Terminal Unit

Formerly a terminal unit of Athena, the Greek Goddess of Wisdom, after her Lostbelt self's death during the civil war of the Olympians the goddess downloaded what was left of her mind and Authorities into it to serve as a minor ally to Chaldea in Olympus.

Brain Uploading: In a manner of speaking, considering Athena herself was already a machine, but it wasn't like she had much of a choice after her old body was destroyed.
Duality Motif: Half of her owl body is white while the other half is black due to her casing not being fully finished, revealing some of her circuitry.
Meaningful Name: She's named after her Roman goddess counterpart, and effectively is Athena in another body.
The Owl-Knowing One: Literally, since not only are owls a symbol of Athena, but this one is robot terminal of one hosting Athena's mind.
There Is Another: It turns out that not only was the Minerva unit with Adele and Macarios not the only unit of its kind, it wasn't even the last one of them all. When Don Quixote escaped Atlantis, he took a Minerva unit with him who is still with him in Traum.

Prometheus-Hephaestus

https://static.tvtropes.org/pmwiki/pub/images/back92700.png

Forge of Wisdom

The other half of the Lostbelt Hephaestus who was taken to Olympus as Zeus thought he would still be of use to him. This side of him is merged with Prometheus, the Titan who in Proper Human History gave humanity the gods' fire.

Fling a Light into the Future: While the Lostbelt Arms of Dawn exist as fragments of Hephaestus's former self and power, the Lostbelt Prometheus speculates that the Proper Human History Arms of Dawn were made by his Proper Human History counterpart ahead of time to aid Chaldea during the original Human Order Incineration Incident as a sort of emergency contingency aid.
Fusion Dance: He is a fusion of brains of Hephaestus with the brains and workshop that Prometheus operates.
Heroic Sacrifice: Despite being irreparably affected by Douman's magecraft-based bugs in his system, he still manages to give Mash a copy of Athena's Aegis and upgrade Caenis' spear with Poseidon's strengthened Authority before succumbing.

Ares

The Crimson War God

One of the twelve Olympians and the Greek God of War. He was a god who was both feared by some humans but also revered by some others, being referred to as the crimson demiurge Mars by the Romans. He is the father of the Roman Romulus and Remus, as well as the Amazonian Hippolyta and Penthesilea. Like the other Olympians, he was defeated by the White Titan Sefar in the Proper Human History 14,000 years ago, with him getting extra humiliated when she took his sword, Sword of Mars, with her.

He made his first physical appearance in Olympus Lostbelt.

Adaptational Heroism: Ares has a history of being portrayed in the Classical Mythology as an unlikable Hate Sink, the personification of what is undesirable in war, while Athena is usually favored. The Nasuverse version had him as one of the Gods that sided with mankind and the bonds of the protagonist with the Roman Servants (and most likely also Leonidas of Sparta, the one area in ancient Greece that viewed him more favorably) bring out his more honorable Mars side, while still generally violent.
Antagonistic Offspring: To Lostbelt Zeus, given that he sided with Chaldea during Olympus.
Berserk Button: Ares hates Altera more than anyone else due to her either being the remnant of Sefar or Sefar itself, depending on which version of her you are talking about. The true nature of Teardrop Photon Ray is Altera establishing a link between her and Ares, with him responding by trying to smite her down with Photon Ray, his light of authority, which she tries to redirect to hit her target.
BFS: Discounting the fact that he is a mecha, the sword he wields is almost as long, if not longer, than he is tall.
Big Damn Heroes: When Zeus destroyed Golden Huge Bear, Kintoki took the opportunity to use it as a way to chain-summon Proper Human History's Ares as the mecha was created by studying Lostbelt Ares' core. He responded to the call, having been drawn to the protagonists' bonds with the Roman Servants.
Continuity Nod: One notable battle damage Ares has is a scar over his left eye, similar to what Leonidas has on his helmet, possibly indicating that Leonidas has the scar there to emulate Ares' appearance.
Humongous Mecha: Like the rest of the Olympians, he is actually a giant robot. He is the most humanoid of the ones we have seen, resembling a giant crimson Knight in Shining Armor.
Imported Alien Phlebotinum: It is heavily implied that the mechanical body that drifted into Japan and that would become Kintoki's Golden Huge Bear was Ares' Aletheia body that was lost in Leucusmachia, considering how similar they look with even the narrator pointing out how it appearing to stop Aphrodite made Olympians think about him.
Parent-Child Team: Battles Zeus alongside one of his progeny, Quirinus-Romulus.
Red Is Violent: His body is predominately red, and he's a War God.
Robbing the Dead: The unfortunate victim of this, courtesy of Sefar.
War God: One of the most well-known in mythology and in the Nasuverse possibly the Trope Codifier for all other pantheons' given he is one of the 12 Conceptual Pillars.
The Worf Effect: Once Zeus is down for the count, Chaos appears and Ares is immediately vaporized without leaving a single trace when he tries to protect Chaldea crew from Chaos' attack, though not without telling Chaldea exactly what they're up against.

Orphan Boy (Walking Spoiler)

https://static.tvtropes.org/pmwiki/pub/images/oprhan_kid.png

Pino

An orphan child who appears in Kirschtaria Wodime's flashback who saved him after he was attacked by an assassin and took care of him while he was recovering to the best of his ability. It was his kindness that ultimately changed Kirschtaria into the man he is today.

All There in the Script: Nasu confirmed in a blog post that he attached the name "Pino" to him during the writing, but it never shows up in the game.
Amulet of Concentrated Awesome: He somehow got his hands on a pendant that is actually a really ancient Mystic Code created by witches that hides the wearer's presence, leaving them unnoticed by everyone.
Creepy Child: He is really unkempt, can only speak in broken sentences while laughing half of the time he speaks and has some rather creep facial expressions. Doesn't stop him from helping a complete stranger out.
Good Samaritan: A classical example: the orphan sticks his neck out for a complete stranger, even dying in the process, out of nothing more than true, motiveless compassion for someone else in trouble.
Never Given a Name: When Wodime asks for his name, he only gives out a confused look to him, shocking him with the idea that someone from a modern city doesn't know what a name is. According to Nasu's blog, his name is Pino.
Posthumous Character: He, unfortunately, died after he started gathering food without his pendant in order to keep Wodime concealed, causing people to beat him for stealing food and thus leading him to die from his injuries plus malnutrition.
Restored My Faith in Humanity: Seeing a lowly Street Urchin willingly starve himself to death to save Wodime, a perfect stranger, is what broke Kirschtaria out of the coldhearted magus mindset and led him to believe in the inherent goodness of humanity.
Small Role, Big Impact: He only appears in Kirschtaria's flashback but his actions basically formed who Wodime is today.
Street Urchin: Wodime speculates that he has been living in the storehouse all alone, only going out to stock up on bread and nothing else.
Walking Spoiler: His entire existence is crucial to Wodime's true character and motivations, and its hard to say anything about him without spoiling them.

Chapter 5.5: Heian-kyō

Abe-no-Seimei

The greatest onmyōji of the Heian period, and perhaps even human history, who battled a multitude of evil spirits and dastardly imperial conspirators. His mystical power was only equalled by his political shrewdness, both of which inspired wonder and bitterness in those that beheld them. He makes an offscreen, voiced cameo in a handful of scenes during the "Heian-kyō" Lostbelt/Singularity...three years after his supposed death.

Arch-Enemy: To Tamamo, most famously, and Ashiya Douman, most frequently.
The Archmage: Reputed to be the greatest onmyōji of his time, if not of all time, to the point Douman went so far as to subsume the power of Divine Spirits and an awakened Tree of Emptiness just to feel confident in his chances of victory.
Back from the Dead: Was revived by an ally after Douman's schemes resulted in his death.
Big Brother Is Watching: A benevolent example in that Seimei through his Bounded Field around Heian-kyo knows everything going on within the city, whether it's the street, the back alley, or even the palace. He does brush aside the comparison to Lostbelt Zeus' own observation skills, admitting he's not quite on that level.
Cool Old Guy: In his late 80s and still up to his usual antics.
Court Mage: Serves as this in Heian-kyō.
Deus Exit Machina: His absence from court lets Douman serve as the substitute Court Mage and convince the Imperial Court to host the Tenran Holy Grail War, kickstarting the events of the Heian-kyō chapter. Had Seimei never left, Douman would have been rendered powerless and unable to make a move without drawing attention.
Expy: From what the cast learns about him through his various letters, legends surrounding him, and other characters accounts of him, he very much calls to mind the characteristics of a previously introduced Caster, Merlin, all the way down to being a half-human Smug Super. This was deliberate on the writers part, as Abe-no-Seimei is historically regarded as Japan’s equivalent of Merlin.
The Gadfly: Murasaki reveals the only technique she truly mastered under Seimei while alive was the Taizan Commentary Fest, and it wasn't so much taught to her as she just picked it up naturally via osmosis of being in his presence.
The Genie Knows Jack Nicholson: He has some form of Clairvoyance that he uses to make some anachronistic jokes and references, like bemoaning his "stock falling" in Heian-kyō.
The Ghost: Even though he has been relevant to multiple characters' stories ever since Fate/EXTRA, it was always in mention without appearing himself. And even when he decided to finally appear, he does it without a portrait and spending most of his time away from everyone else, communicating through letters in the air.
Good Counterpart: To Ashiya Douman, being an incredibly powerful onmyōji who uses his powers for the sake of good.
Half-Human Hybrid: He’s believed to be a superhuman born to a Kitsune, with his unusually youthful appearance despite his old age and long-life being attributed to this.
Humanoid Abomination: His allies and his enemies found him to be rather off-putting.
Insufferable Genius: Sure, Douman, you might have eaten gods, travelled across time and space, and attacked his acquaintances to draw him out and challenge him, but that doesn't mean he's obligated to view you as worth his time.
The Mentor: Like Merlin, he also had some students under his belt. In the Fate universe, Murasaki Shikibu was one of his disciples in onmyodo magecraft, hence why she is summoned as a Caster. However, she mentions she wasn't very skilled at it (in fact, she only truly learned one technique, and that was more from osomosis of hanging around Seimei than actually meaning to master it) and it takes being summoned as a Caster for her abilities to get a decent boost.
Older Than They Look: According to Kintoki, he looks young despite being an old man.
Put on a Bus: He's having an adventure outside of where Douman is scheming, but he's confident the Chaldea can beat his old foe.
The Rival: To Ashiya Douman, though it borders on Unknown Rival since Seimei doesn't seem to view Douman as enough of a threat to warrant his direct intervention (or knows that acting as if that's the case would be an even worse blow to Douman's ego), which only drives Douman even further up the wall.
Seers: He’s heavily implied to be Clairvoyant, as he drops a line about Mystic Eyes that give one the ability to see further than the future. Nursery Rhyme muses on if he’s a time-traveler as his floating letters were seen by the group as similar to texting, something that wouldn’t exist until thousands of years into the future. His Bounded Field covering the city also allowed him to observe what was going on during the story chapter. Douman's Valentine Craft Essence text implies he's still watching over the protagonist after they've returned to Chaldea and making sure Douman isn't up to any of his bad habits.
Smug Super: He’s boastful of his abilities, not unlike the Caster he’s historically compared to.
Wizards Live Longer: Kintoki states that Seimei cannot age or even die, as evidenced by the fact that he is still active when he should be dead by history book's accounts. At the very least he might have been one to expose Tamamo-no-Mae as the beast she is, over 100 years after his supposed death. This extended lifespan is attributed to his being a Half-Human Hybrid.

Lostbelt 6: Avalon le Fae

The Nameless Faerie

https://static.tvtropes.org/pmwiki/pub/images/namelessfaerie.png

Voiced by: Honoka Inoue (Dramalogue)

A Wind Clan faerie living in the Penal Colony of Cornwall encountered by Altria Caster and the protagonist. She's seen better days ever since she lost her name.

All the Other Reindeer: The other faeries in Cornwall hurl abuse at her and ignore her otherwise due to her lacking a name. She doesn't even have a house as she's forced to sleep in the forest outside the village. The only reason she isn't treated worse is because they recognize she's due to become a Mors any day now, which makes them take enough pity on her to cut her more slack and accept her screw-ups with relatively few grumblings.
Ambiguous Situation: Right before she dies she reveals that she saved the protagonist from the other faeries just so she could eat them herself, before transforming into a Mors. Was she a pretending to be a nice person like most faeries in the Lostbelt? Was that transformation causing her to act out? Or was she trying to scare them off before she transformed? Notably, she seemed to be asking herself that very same question given her memory issues. Sadly, the decay overtakes her before we can find out.
And Then John Was a Zombie: She shows what happens when a faerie in the Lostbelt loses their name and with it their purpose; they decay into a Mors.
Commonality Connection: As the memories of Avalon show, her situation was the same Altria Caster found herself in for most of her life, being abused and ignored because her kindness was exploited. Such it is that Altria gives her her name as a way to keep her from becoming a Mors. This small act of kindness ultimately allows her to give Altria the hope she needed to finally help the Protagonist one last time.
Dying Declaration of Hate: Before she can fully transform into a mors, she spends her final moments ranting and yelling about the abuse she's endured, and how angry she is that she only met someone who treated her with kindness when it was too late.
I Have Many Names: Ironically for a faerie whose entire deal is she lost her name, she has multiple epithets throughout the story. She starts out as Nameless Faerie, she receives the name of "Altria" from Caster, is referred to as simply "Faerie Girl" after being given the name, and her true name is eventually revealed to be Hope.
Meaningful Name: Her purpose is linked to her name, as she was intended to bring hope to people. She eventually fulfills this purpose one final time when Altria sees her name and recalls her in the Abyss.
Mercy Kill: Oberon puts her to rest with his rapier, stating that he felt it wouldn't be right to have the protagonist and Altria Caster do it.
Nice Girl: Despite all the abuse thrown her way, she tries her best to be helpful to everyone. Up until she learns the protagonist is a tasty human who can stop her from decaying into a Mors.
No Good Deed Goes Unpunished: She worked tirelessly to bring faeries hope and make them happy but they took it for granted, so no one actually appreciated what she did nor remembered her, causing her to despair and eventually forget her name and purpose. She wouldn't be the first faerie to suffer such a fate. As Baobahn Sith can attest to, kindness to faeries will only get you used, abused and discarded. Baobahn Sith was lucky enough to be found by Morgan, who had a means of preventing the Mors transformation; Hope wasn't as blessed, and her decay sets the tone for the Lostbelt.
No Name Given: She lost her name a long time ago. Altria Caster's Glam Sight allows her to learn what it was: Hope.
Rule of Symbolism: The faerie whose purpose is to to spread hope to everyone is discarded by her fellow faeries, transformed into a Mors and killed off in the beginning to show that the Lostbelt and its inhabitants have no real hope of surviving in the story.
Scatterbrained Senior: As a faerie in the Lostbelt who doesn't have a name or purpose anymore, she's close to the end of her life by decaying into a Mors and her mental faculties have already gone down the drain as she has trouble remembering things.
To Serve Man: Attempts to eat the protagonist as a desperate bid to stop her Mors transformation... or so she claims.
Why Isn't It Attacking?: After transforming into a Mors she should have completely lost her mind, yet after a brief beatdown from Tristian and Altria Caster she noticeably stops attacking and both sides come an uneasy stalemate. Oberon steps in with the surprise Mercy Kill before anything can come of it, however.

Rob, Wag, Winkie

A trio of unscrupulous goblins that Mash runs into. They are Changelings, or outsiders who drifted into the Lostbelt. Despite their profession, they're not truly bad at heart.

Heroic Sacrifice: Rob and Wag grow to genuinely care for Mash, and sacrifice their lives by closing the gates of Sheffield with them on the same side as Morgan's army so that she and the citizens of Sheffield have enough time to escape after the battle goes south.
Human Traffickers: They're scratching a living as outcasts in Faerie Britain by peddling slaves. Mash is their latest victim, with the potential to fetch a pretty penny between her beauty and strength.
Religious and Mythological Theme Naming: In fitting with the theme of Faeries and Medieval European Fantasy for the Sixth Lostbelt, the trio are named after three household spirits from Northern Britain: Robin Roundcap, Wag-at-the-Wa' and Wee Willie Winkie.
Rewarded as a Traitor Deserves: Winkie sells information about Boggart amassing army to Morgan's forces in exchange for money. Unfortunately for him, he tried to sell that information while Beryl was in earshot, who notices the faerie tried to avoid saying anything about Mash the "Child of Prophecy" despite being there to sell info implying he knows more than he lets on, it leads to the Crypter deciding to torture and kill him offscreen for it.
Unwitting Instigator of Doom: Rob and Wag are so impressed by Mash's strength when she saves them from some Black Dog faeries that they come to believe she's the Child of Prophecy. The title sticks, and soon enough Morgan's entire army comes chasing after Mash in an attempt to capture her, and Mash is nearly subsumed in her new role as the Britain's savior, which would mean never recovering her memories if her attachment to her new identity is stronger than her old self.

Blanca

The Princess of the Autumn Forest

Hailing from the Autumn Forest, Blanca is Oberon's trusty companion, advisor, and friend. In his Robin Goodfellow form, he can ride upon her and traverse the length and width of Faerie Britain at remarkable speeds.

A Day in the Limelight: Her backstory and character are further illustrated in Oberon's Bond 10 Craft Essence.
Horse of a Different Color: When small, Oberon rides her around from place-to-place and sometimes even into battle.
Love at First Sight: Was completely lovestruck by Oberon when he emerged from his chrysalis.
The Quiet One: Unlike the other faeries of the Autumn Forest, she's rather taciturn, and tends to only speak with Oberon if at all.
Secret-Keeper: Knew of her friend's true nature almost immediately but kept silent about it out of respect for his goals.
Senseless Sacrifice: Absorbs all of Cernunnos' curses aimed at Oberon as they fly towards the Storm Border. Not only does he fail to notice this heroic act until she dies from it, but it transpires that he's completely immune to curses.
Super-Speed: Downplayed, but she flies around Britain on several occasions to gather information about what's going on in the various cities for the protagonists in a timely manner, traveling to-and-fro in days when it would take others weeks to traverse the same distances.

Mike

https://static.tvtropes.org/pmwiki/pub/images/1651515234429.png

Pub Owner Faerie

An Earth Clan faerie infatuated with Da Vinci who runs a tavern in Salisbury, in so much as a faerie can when their clientele don't need taverns to eat, drink, or sleep in.

Accidental Misnaming: He mispronounces Da Vinci's name as "Dubhinchi", which she finds mildly annoying.
Aerith and Bob: Most names in the British Lostbelt either have a mythological basis to it or are fantastic. Then there's Mike here.
Insistent Terminology: He never stops mispronouncing Da Vinci's name as "Dubhinchi". Additionally, the game consistently refers to him by "Pub Owner Faerie" even though he has a name.
I Want My Beloved to Be Happy: The reason he manages to overcome his impulse to imprison and/or murder Da Vinci before she leaves Faerie Britain is that he understands that Da Vinci wouldn't be herself if she wasn't as free as she was despite her short life, so instead he does his best to send her off with a smile in his face.
Love Redeems: Downplayed. While he still dies like all the other faeries at the end of Lostbelt No. 6, he is one of the few that actually doesn't succumb to the Mors curse in the chaos of the Calamities and instead pushes it back as he overcomes his brief impulse to kill Da Vinci and sees her off in good terms. Since Salisbury is also still standing by the time Oberon Vortigern is defeated, this also means he was likely able to pass on peacefully.
The Pirates Who Don't Do Anything: Because faeries are typically The Needless, his inn mostly stands as another reminder of the fae's morbid fascination with human culture. He didn't even know that all the bedrooms on the second floor were supposed to be for guests, and he's never so much as tried to cook with his kitchen equipment until Da Vinci introduced the concept to him.
Yandere: Barely subverted. During the chaos of his Lostbelt's final days, he genuinely considers stabbing Da Vinci to death so she won't leave him to rejoin Chaldea, but unlike many of his fellow fae, resists such a selfish and violent impulse

Ector

Ector the Immortal

^{Click here to see him in his prime}

An Earth Clan faerie who shares the same name as the surrogate paternal figure of Altria in Proper Human history, and a former companion of Aesc the Savior. His prime as a warrior long behind him, he lives his days as a humble blacksmith in Tintagel.

Assassination Attempt: This trope is inflicted on him, when the cowardly and blood thirsty Tintagel Fae force poor Altria Caster to try and kill Ector in his sleep. Luckily for him, he was awake and even more heartening, Altria Caster did not go through with the act in the first place, despite risking punishment for herself. This causes Ector to condemn the Fae, not her, even going so far as to rescue her from captivity.
Black Knight: In his adventuring days. This ends up saving his life afterwards, as most of the faeries have not seen Ector without his armor, so he was able to live his life in peace after Aesc's knights were disbanded and slaughtered by the ungrateful Fae.
The Blacksmith: He was considered one of the finest blacksmiths and artisans in all of Faerie Britain, and he received commissions from even the furthest cities who heard of his reputation. He forged the silver armor Tam Lin Gawain wears and taught Altria Caster all she knows about the smithy.
Boomerang Bigot: Justified. As one of the few, decent faeries who is not a selfish asshole, Ector hates his own race with a passion. Given that he was forced to watch his friends be poisoned and killed the day of Uther's coronation and that he had to go into hiding as a result, as well as witnessing from afar Aesc's downfall into the tyrannical queen, Morgan, it's no wonder he became so jaded. Years later, when he saves Altria Caster's life from captivity and sees the Tintagel Fae killing each other, he stops her from trying to save them, citing that after all the abuse they heaped on her, they're simply not worth the effort.
Died Standing Up: Ector dies from his wounds but does not collapse to the ground, preferring to give Altria Caster his final words of encouragement, as well as go out a proud knight.
Ear Ache: He had his ears crushed a long time ago, so he has hearing problems in the present day.
Go Out with a Smile: Dies giving this to Altria Caster in an attempt to calm her down and comfort her.
Heroic Sacrifice: Ector risks and ultimately, gives, his life to save Altria Caster from the Tintagel Fae and the arriving Executioners of the Fang Clan, dying of wounds inflicted by them in the rescue attempt.
Jerk with a Heart of Gold: He's grumpy and abrasive, with justifiable reasons as to why he distrusts his own race, but he ends up teaching Altria Caster some pointers in blacksmithing and soon comes to like caring for her.
The Magnificent: "The Immortal", which he tragically fails to live up to.
Our Dwarves Are All the Same: Ector is a dwarf with short stature and amazing facial hair, who fulfills both the knightly dwarf role in his youth and the blacksmith role in his olden days.
Parental Substitute: To Altria Caster, being the only faerie in Tintagel to treat her decently.
Religious and Mythological Theme Naming: "Ector" in Arthurian Legend was a knight who was the foster father to King Arthur and father to Kay. This Ector was both a knight and a foster parent to Altria Caster, though the Proper Human History Ector was probably not a dwarf.
"The Reason You Suck" Speech: While springing Altria Caster from jail, he mentions this out loud regarding the Tintagel Fae and their "solution" to solving the problem of preserving their food and water supplies for the village: murder each other and burn their houses to the ground. He notes how absolutely dumb and selfish this is.
...I can't believe it. I knew they said they would have to cut down on the number of mouths to feed for winter... but killing each otherover it? that's not just stupid, it's downright pitiful...
You Are Better Than You Think You Are: As Altria Caster begs him not to die and leave her all alone, he gives her a final pep talk to send her on her way, noting that she reminds him of Aesc the Savior:
...Right. You Faeries of Paradise really are a pain, aren't you? ...The village is done for. the executioners are here. Hold your head high. Grip your staff tight. Now is the time to begin your journey, Altria. Remember, no matter what anyone says, even if you don't believe it yourself, you ARE the Child of Prophecy. You could have killed me that night, but you didn't. That's who you really are. No matter how much Britain rejects you, or how much the faeries shun you... ...or even how much weaker you are than them. You're still a better choice for savior than anyone else. I don't think you ever realized this yourself, but you're just not capable of getting angry for your own sake. And besides...you're the spitting image of her: A stubborn sore loser who keeps getting back up no matter how many times she fell. That's why I know you'll see your chosen path through to the end.

Redra Bit

An eccentric faerie horse given by Aurora to Chaldea for their means of transport across Faerie Britain. Any appearance and behavior that may remind people of a certain other horseman with a similar name are totally coincidental.

The Atoner: Since he was spying on Altria and Chaldea, he's indirectly responsible for Aurora sending her troops and Mélusine to kill everyone in Londinium before they had a chance to intervene. While he initially despaired over this, he ultimately goes against Aurora's orders after Cnoc Na Riabh is poisoned and gives his life to get everyone back to the Shadow Border as Faerie Britain collapses around him.
Beneath the Mask: Despite his first impression as Plucky Comic Relief, he's quite well versed about the ins and outs of faerie society, has some actual tact unlike his Red Hare counterpart, was spying on Altria for Aurora without anyone noticing, and Gareth's death greatly hurts him to the point where he's uncharacteristically silent.
Bunny-Ears Lawyer: He's noted to be very good at his job but also is seen as something of a weirdo for actually volunteering to be a carriage horse who wants to pull vehicles around for other people.
Civilized Animal: One of the most animal-like Fang Clan faeries seen in the Lostbelt as he has the duty of serving other people as transport and frequently follows his instincts to seek food like carrots even as he acts like a normal person when in towns. His greatest lament is that he actually wishes he didn't have to be so civilized in such a corrupt society and simply run free as a wild horse across Britain.
Do Not Go Gentle: Despaired from Gareth's death, Aurora's machinations, and what Faerie Britain is truly like, Redra gives his all in one final push to do good by running nonstop for one day and a half to save the people of Chaldea he has come to know even as his legs and muscles scream in agony all the way to the coast, knowing he will die from the journey.
The Driver: He mainly exists as a way to transport the characters around Faerie Britain in a timely yet logical manner, unlike the time when Chaldea walked across the much bigger America Singularity at light speed.
I Die Free: After delivering Chaldea to the Shadow Border, he spends his final moments running free across Faerie Britain, having no more duties or ties to Aurora as the world crumbled around him.
It Has Been an Honor: His parting words to the protagonists is to let them know that he was honored to have been part of their journey.
Killed Offscreen: He dies off-screen with all other Faerie Britain inhabitants in the Third Act of the story as the land is destroyed by the Calamities. Nasu later wrote a short scene taking place from his perspective on his blog, revealing that after delivering Chaldea safely to the British coast, Redra spent his last moments running free through the woodlands that he so loved.
Loyal Animal Companion: Though initially reluctant to go beyond Salisbury, Redra quickly warms up to the protagonist and decides to take them all over Faerie Britain, culminating in him deciding to cut ties with Aurora and help the protagonist until his dying breath.
My Greatest Second Chance: After being indirectly responsible for the massacre of Londinium. He delivers the entire team to safety from Salisbury to the coast of Cornwall non-stop, defying Aurora's orders in the full knowledge that his body won't be able to stand the strain.
Trademark Favorite Food: Carrots, which Altria Caster uses as a Comically Small Bribe to convince him to go to Gloucester.
You All Look Familiar: He recycles all of Red Hare's art and gameplay in-game. However, to denote that this is not the same character, Redra cannot use Red Hare's Noble Phantasm in gameplay. The 7th anniversary Craft Essence released for Red Hare requiring Avalon le Fae clear for players to obtain, which shows him dressed up in western getup, is the closest that exists as something that could be considered a depiction of what Redra actually looks like.

Murian

https://static.tvtropes.org/pmwiki/pub/images/muryan_full.png

Wing Clan Head

One of the six faerie clan heads, leading the Wing Clan, and Lady of Gloucester. However, she is also the only member of the Wing Clan as the entire clan was wiped out 1200 years ago by the Fang Clan, leaving her as the sole survivor. She currently runs the auction house in Gloucester.

Alas, Poor Villain: Despite being a jerk who wanted to backstab Chaldea after Morgan was killed and whose reckless act of vengeance contributed to Faerie Britain's own demise, she spends her final moments acknowledging how fruitless and self-destructive her actions were all along and that she is partially responsible for Faerie Britain's destruction before asking her friend Koyanskaya to protect her homeland on her behalf.
Best Served Cold: Murian's clan was wiped out by the Fang clan in the past. She spent 1000 years modifying her territory of Gloucester to essentially give herself Reality Warper abilities within that space and toy with the remaining Fang clan members to her heart's content.
Big Bad Wannabe: After Morgan's death, she admits to Koyanskaya that she intends to backstab Chaldea since she views them as outside enemies to Faerie Britain and thus wants to convince to Cnoc na Riabh to ally with her in destroying them after she's coronated. That goes nowhere fast as not only does Cnoc na Riabh get killed by Aurora's backstabbing, Oberon Vortigern shows up to kill her personally with Koyanskaya getting back from the disaster of the coronation only to find Murian almost dead.
Bookworm: An avid collector and reader of history records such as those on Aesc the Savior until Morgan had the records torched and Murian took up lordship of Gloucester. She kept many of the most ancient texts safe, however, and continued to study them.
Commonality Connection: Her friendship with Koyanskaya is build upon the fact that the two of them are the last or only individual of their species who use their superior knowledge and intellect to build a city or a corporation. The one difference the two had is that Murian didn't choose to curse the society she was born in as her dying wish, but to protect the world she lived in.
Death Equals Redemption: She's fatally stabbed by Oberon Vortigern, and in her dying moments, requests that Koyanskaya help Chaldea against Cernunnos. Given that Koyanskaya genuinely came to like Murian, she readily agrees.
Early-Bird Cameo: She's this visually for the as-of-this-writing unreleased Kazuradrop. The Avalon le Fae Synopsis art book reveals that, by Nasu's request, her design actually uses a modified version of the former's First Ascension artwork as a 'sneak peek'.
Empty Eyes: Sports them for a short while after wiping out the Fang Clan in vengeance gave her none of the satisfaction she hoped to get, she loses them the moment she makes herself believe that her aforementioned revenge never happened at all.
Foreshadowing: Murian teaches the player that just because someone looks like another character and has some traits that are similar to them, it doesn't mean that they are that specific character, with her similarities to Kazuradrop being nothing more than a reference to her development. This becomes important when Chaldea runs afoul of Cnoc na Riabh, a counterpart of Medb, who is intimidating but much more reasonable. This becomes doubly inmportant in regards to Oberon, who is not actually Oberon but is actually Vortigern, and Murian's friend Koyanskaya, who despite appearances and behaviors is in fact not part of the Tamamo Nine.
Home Field Advantage: Murian as a descendant of one of the first Six Faeries can generate a powerful Fae Domain that strips everyone who enters of the strength they gained after birth, save for herself. This ability has made Gloucester an invincible fortress where she reigns supreme for the past 1200 years. Not that it helps her against a sneak attack.
It's All My Fault: In her final moments, she accepts full responsibility for her role in Faerie Britain's eventual destruction and asks Koyanskaya to defend Faerie Britain in her stead, which in turn means helping Chaldea in their mission.
Let's You and Him Fight: Her plan as she explains to Koyanskaya is that she'll help Chaldea just enough for them to kill one of the Tam Lin. Once this happens, Faerie Camelot's balance of power will shift, leading to Cnoc na Riabh of the North to invade and attack Morgan. She plans on standing on top of whatever happens after that. Ironically, she's on the other end of this trope as Oberon Vortigern counted on her hatred of the Fang Clan to wipe them out right before the Great Calamity starts, thus becoming one of the reasons why Faerie Britain ends up being destroyed.
Morality Pet: She's one of the few people whom Koyanskaya genuinely likes, which proves to be crucial in the fight against Cernunnos, as Koyanskaya honors Murian's dying last request to help Chaldea.
Red Herring: Her appearance and introduction in Act 1 seems to suggest that she is Kazuradrop, fused with Kazuradrop like the Tam Lin or is related to Kazuradrop at all. As it turns out, this is only partially true. While she looks exactly like her and is one of the components of Kazuradrop, that's where the relations end.
Kinoko Nasu in Bamboo Broom Diary: Did you think she's Kazuradrop? Too bad, she's a 100% local faerie!
Religious and Mythological Theme Naming: In fitting with the theme of Faeries and Medieval European Fantasy for the Sixth Lostbelt, Murian is named after the Cornish word for "ant". Ants were believed by the Cornish to be the souls of ancient heathens, too good for Hell but unable to reach Heaven, and slowly shrank over time to the size of an ant. Her revenge against the Fang Clan includes shrinking them down to the size of insects so she can literally crush them with her own hands.
Revenge Before Reason: She has all the reason for trying to get revenge on the Fang Clan for driving the Wing Clan to extinction, but her spending 1000 years to devise a plan to give the entirety of the Fang Clan a Fate Worse than Death means that most of the Fang Clan members probably don't even remember why she wants her revenge. What really drives it over reason is that Fang Clan members are the faeries' main defense against the Mors, meaning that she is effectively dooming the other faeries for her revenge plan, something that even Koyanskaya finds insane.
Sanity Slippage: Her quest to find glee in revenge after her actual deed brought her none of the enjoyment she expected drives her mad as she forgets she destroyed the Fang Clan in a second, futile attempt to get revenge on them. She snaps out of this after Oberon Vortigern spells out how her revenge only helped him in his plans to destroy Faerie Britain.
Sole Survivor: Murian is the last known member of the Winged Clan. Slightly subverted as in the Lostbelt, Habetrot actually gets mentioned as being a member of the Wing Clan, although Murian still qualifies due to surviving the massacre at the hands of the Fang Clan.
Suspiciously Similar Substitute: She is extremely similar to Kazuradrop. Not only does she look like a "Faerieland Kazuradrop" and drawn by Wada Arco, but her introduction is accompanied by a small snippet of "BB Channel" and she mainly interacts with a version of Tamamo. Her "chess board" she traps the Fang Clan in is also very similar to Kazuradrop's Bug Space where she traps Hakuno in.
Unwitting Pawn: To Oberon Vortigern, who used her to destroy the Fang Clan, the only faeries who could fight back against the Mors and cull their numbers enough to prevent the Great Calamity from starting. To add insult to injury, he's the one responsible for setting the Fang Clan on the Wing Clan.
Vengeance Feels Empty: After turning the entire Fang Clan into pawns she can play and torture with, she slowly starts to realize that she isn't getting the enjoyment she was so much hoping to get. In fact, she finds that committing such evil feels repulsive to her, and cries in rage about how they could find fun in doing the same to her Wing Clan as she keeps killing them until they are all dead.
You Have Outlived Your Usefulness: Oberon Vortigern congratulates Murian for wiping out the Fang Clan like he wanted her to do by stabbing her with his claws, albeit he does apologize to her for being the instigator for the Wing Clan massacre.

Coral

Wind Clan Head Assistant

Aurora's second-in-command at Salisbury. She relays the commands of the Wind Clan Head to her subjects and is responsible for much of the day-to-day operations of the city.

Everyone Has Standards: At first she's merely horrified at Aurora's seemingly blasé attitude to managing Salisbury as things keep getting worse around Faerie Britain, then she goes utterly appalled after Aurora orders her to use her very loyal human force to deal with the Mors spawning within her city alone, knowing full well that they are going to be wiped out in the process but not caring at all since humans are just disposable pawns in her eyes.
Fantastic Racism: She looks down humans, viewing the idea that they could ever be seen as equals to faeries laughable and viewing the human members of the Round Table Army as "not knowing their place". Some of it is pragmatic, however, as she has to take into account Salisbury's neutrality and the fact they would never survive an attack from Camelot if they openly declared support for the Round Table Army. Da Vinci later opines that Coral actually does care about humans, but prefers to express herself in blunt wording to prevent other faeries from seeing this.
Hyper-Competent Sidekick: She's this to Aurora. While Aurora can be taken by her flights of fancy or whims, Coral is often left to keep things in line or administrate where she falters. It's even mentioned that even as Aurora keeps up morale and loyalty, it's Coral who directs things. Unfortunately for Coral, she realizes all too late all her hyper-competency means nothing before a ruler who has no interest in heeding her words.
Killed Offscreen: Her last appearance was questioning Aurora's orders and trying to tell her what they need to do to help people. Aurora simply reminds her what happened to Halobaromia when he did the same. This seems to temporarily shut Coral down, but in the next interlude involving Aurora when Melusine comes in, Aurora tells her not to step on the mess on the rug, as that has Coral's transmogrified remains after she was turned to a caterpillar and squished.
Only Sane Man: She finds the devotion of the Salisbury human guards to Aurora to be insane, especially when they cheer on decisions that sound good on paper but make little sense from a wider perspective. She also finds herself realizing she's also this to Aurora all too late as everything's falling apart around them.
Tsundere: Da Vinci claims that despite Coral's harsh words towards humans, it's her way of saying that they should be careful.

Boggart

Lord of Sheffield

The Lord of Sheffield. He was once a mighty warrior who had the potential to become the head of the Fang clan, but has since fallen on hard times. He lost the bid to become the leader to Woodwose, his lordship over the city of Norwich was stolen by Spriggan, and he and his followers were exiled to Sheffield. He now harbors fantasies of becoming king, and has raised the flag of rebellion against Morgan in hopes of overthrowing her.

And Now You Must Marry Me: He tries to bed an amnesiac Mash during their wedding night, who reflexively shoves him out of the window. He never tries pulling this again out of fear of her strength, but decides to keep her around anyways because the "Child of Prophecy" serves as symbol for his soldiers to rally around.
The Chains of Commanding: Boggart is a cunning and calculating leader with rock-solid strategies and policies, but he falls short when it comes to empathizing with others. His biggest mistake is failing to comprehend just how threatened Morgan felt by the Child of Prophecy; Boggart's not expecting her to do much to him with Cnoc na Riabh threatening an invasion, when in reality Morgan just considers Cnoc na Riabh a nuisance and throws Camelot's entire military at Sheffield to capture the Child.
Chick Magnet: He had more 61 wives before he married Mash, and one of the reason he had so many was because he was a very charming and charismatic talker.
Corrupted Character Copy: His and Mash's subplot evokes the classic Beauty and the Beast fairy tale with a angry and temperamental noble gradually having his edges worn away by a bright and kind young woman of humble origins. Boggart's design and mode of dress even resembles those of the Disney rendition of the character. Unfortunately, the ruinous nature of the Black Barrel and the cruel indifference of Faerie Britain lays the Lord of Sheffield low before he can see his arc to completion.
Dare to Be Badass: He gave such a speech to Tam Lin Gawain before she earned her title, and it was the inspiration that led her to take up the sword and eventually catch Morgan's eye in the first place.
"If you don't want to be called a dog, you need only stop fighting with tooth and claw."
Formal Full Array of Cutlery: Woodwose's decided challenge to Boggart over who should become head of the Fang Clan was a contest in fine etiquette of all things as Woodwose saw Boggart as too crude and unrefined to ever have a chance of winning. Boggart actually studied well in all things on fine manners and had the advantage until the very last minute when he screwed up the final placement of his forks after dinner. Woodwose promptly mocked him for being an oaf better off eating with just his hands.
The Good King: Boggart is the lord of Sheffield, and despite him speaking like a big jerk, his actions and regime speak the opposite. He rebuild the ghost town into a prosperous city that welcomes outcasts or anyone who has nowhere to go. He doesn't needlessly punish his subjects, faeries and humans coexist as equals, humans aren't treated as disposable resources, but instead they require extra protection, and his people love and respect him. Even when Boggart makes some grievous mistakes during the battle against the queen's army, he makes up for it by leading his people to escape safely, having already prepared emergency measures for them to retreat.
I Just Want to Be Loved: According to Winky after explaining Boggart's views on romance after all his terrible luck, Boggart still wants love, but he just doesn't trust it anymore.
Jerk with a Heart of Gold: He's got a hot-temper and he often says hurtful things to others or even death threats, including to his 62nd wife, but his actions and regime make it clear that he's a good faerie who cares for others. And while it looks like he wants to be king solely for power, his intentions are rooted to helping his hometown Norwich.
The Lost Lenore: A platonic and non-romantic example, but he effectively serves as one for Mash during "Lostbelt No. 6: Fae Round Table Domain, Avalon le Fae", as she ends up becoming a widow after Boggart's death. She proceeds to continue her journey as the "Knight of Sheffield" in order to carry her dead husband's legacy.
Oh, Crap!: He has a big one when he sees that not only have Morgan's forces arrived on his doorstep way ahead of schedule meaning he won't receive reinforcements from Cnoc na Riabh in time, but her entire army including all three Tam Lin are present because Morgan wants to capture Mash, who is being hailed as the "Child of Prophecy".
One-Man Army: Boggart may have lost his standing amongst the Fang Clan, but he's still every bit a powerful warrior and by his own reckoning he's an equal to Woodwoose. One of the knights of Morgan's army claims he can easily defeat a thousand faeries on his own.
Rebel Leader: One of three in Faerie Britain, and has allied with another leader named Cnoc na Riabh in the north.
Red Baron: He's known as "Boggart the Braggart" and "Boggart the Loveless", the former for his pride in his strength and the latter for his terrible luck with faerie romance.
Super-Toughness: He gets shoved out of a window several stories up by Mash, but is uninjured. In fact, he's more scared of how strong she is than the fall itself. During the disastrous battle for Sheffield, he survives firing the Black Barrel Replica several times when one shot would drain an ordinary faerie to death and getting the crap beaten out of him by Tam Lin Tristan and Beryl, and holds on long enough to give evacuation orders to his forces. He does succumb afterwards by a combination of wounds taken during that battle and the Barrel Replica fatally poisoning him.
The Power of Hate: As Habetrot reveals, part of his nature as a faerie is that he becomes stronger when he's hating and hated by someone. Which means someone like Mash, even in (or perhaps enhanced by) her amnesiac state, is essentially his weakness that he can't bring himself to be too harsh against.
Tragic Dream: As he dies, he realizes that he never really wanted to become king. All he wanted was to return to his hometown of Norwich.
Unequal Pairing: What his marriages with human women usually come down to, as humans are seen as slaves at best by the majority of faeries, and even invoked by himself since if every faerie he ever married ended up hating his guts and betraying him, he figured that at least said slaves would never betray him.
With Great Power Comes Great Insanity: He temporarily loses his mind when he uses the Black Barrel Replica in a desperate attempt to fend of Morgan's army, and sees just how powerful it really is. He's so enthralled by its power that he doesn't even notice that it used the lives of his soldiers as fuel, and is killing him as well by draining his energy and poisoning him thanks to its Anti-Magic nature.

Ainsel

Head of the Mirror Clan faeries who are gifted with foresight, and the one who made the prophecy about the Child of Salvation 16 years ago. She and the rest of her clan disappeared 6 years ago under mysterious circumstances.

Blessed with Suck: As shown by their successor Lostbelt Gareth, Ainsel had the unique ability to see multiple futures which gave her the opportunity to nudge events that the rest of the Mirror Clan didn't have. This caused her no end of grief as sometimes there were terrible outcomes she couldn't ward against no matter how hard she tried.
Chekhov M.I.A.: What exactly happened to her and the Mirror clan faeries is one of the mysteries of the British Lostbelt. They were all massacred by Mélusine on Aurora's orders.
Irony: Ainsel was the one who sent baby Altria Caster away, making her indirectly responsible for Altria's horrible life. In her next life as Lostbelt Gareth, she becomes Altria's #1 fangirl.
Reincarnation: She was Lostbelt Gareth's previous incarnation.
Religious and Mythological Theme Naming: In fitting with the theme of Faeries and Medieval European Fantasy for the Sixth Lostbelt, Ainsel's name is taken from the fairy tale, "My Own Self".
Seers: Like the rest of the Mirror clan, she could see into the future. Ainsel's prophecies in particular boasted a 100% accuracy rate.
Shoot the Dog: The very same year Ainsel made her prophecy, she came across a boat carrying the baby Altria Caster who had been sent from Avalon. Unlike the Rain clan who took in Morgan and raised her with love, Ainsel immediately sent the baby right back out to sea. The boat eventually drifted to Tintagel, and the faeries there raised Altria like livestock. However, it was later revealed in the Lostbelt no. 6 "Reminiscence" booklet that Ainsel foresaw the Mirror Clan's destruction and knew Aurora would arrange for their clan to be destroyed, so she opted for the route that would allow for Altria's survival.
Small Role, Big Impact: She's disappeared by the time Chaldea enters the British Lostbelt, but her prophecy is used as a roadmap to overthrow Morgan.
Token Good Teammate: The only major Clan head without at least one atrocity to her name, and the only Clan that's never listed as being party to genocide. Unfortunately, it couldn't last, and she and her Clan are Posthumous Characters
Unwitting Instigator of Doom: Oberon Vortigern was at a loss on how to defeat Morgan since she was near invincible. The prophecy she made was essentially Faerie Britain's death sentence, since it guided him on what he needed to do to take her down and start the Great Calamity.
You Can't Fight Fate: She foresaw the moment when her clan would be slaughtered by Mélusine. Unlike the rest of them who accepted their imminent deaths, she fretted about how to save her subjects and died with regrets that she couldn't do so.

The Rain Clan Faeries "Lostbelt No. 6: Avalon le Fae" Spoilers!)

One of the original Faerie Clans descended from the Six Faeries of the Beginning. After the war with the original northern faeries, they settled on the northern half of Faerie Britain. They've all long ago been wiped out, but their actions would change the Lostbelt forever.

Death by Origin Story: No Rain Clan faerie exists in the present-day because they were wiped out in a great purge by an alliance of other clans for harboring the Avalon le Fae. This eventand the foreknowledge that she would have joined them if not for PHH Morgan's knowledge from the future forms a big part of Aesc the Savior's motivations going forward.
Empathic Environment: Even after their deaths, the territory of Orkney is constantly surrounded by cold and snow that's referred to as "the Tears of the Rain Clan". As Habetrot says, it's the song of grief and admonition to the other clans and an apology to the faerie of paradise. Unsurprisingly, the place has served as Aesc's home to rest and recover with the Ice Coffin.
Good Parents: To Aesc the Savior, as they viewed her coming as the Avalon le Fae to be the sign of Britain's salvation. They fully supported her apparent mission and raised her with love in hopes of giving her fond memories and knowledge to aid her.
Heroic Sacrifice: When Orkney was invaded by the other clans in hopes of killing the Avalon Le Fae, the Rain Clan refused to give up Aesc. They withstood being slaughtered and Orkney being set ablaze. It goes up to the point that the Queen of the Rain Clan's daughter, who was also Aesc's foster sister, had offered herself up in Aesc's place and said she was the actual Avalon le Fae. All of this, coupled with PHH Morgan sending her memories and magecraft knowledge back to her, had allowed Aesc to survive.
The Purge: They're the sufferers of this trope. A combination of the Wind, Earth, Fang and Wing Clans had destroyed them in Fae Era 4000.
Small Role, Big Impact: They took Aesc the Savior in as one of their own, raised her with warmth and kindness and with no ulterior motives, only wishing to give her what she needed in her cause. This act of compassion was one of Aesc's sole motivators that coupled with the knowledge and memories of PHH Morgan is what led her to try and unite Faerie Britain into a peaceful country as the Rain Clan dreamed of, and that also indirectly lead to her withstanding all of her failures and ultimately turning into Queen Morgan.
Token Good Teammate: Compared to the rest of the clans, the Rain Clan were a pacifistic, peace loving community who moved to the far north to avoid conflict with the other clans. They also raised the first Avalon Le Fae, Aesc, as one of their own with love and care. Aesc's own profile goes as far to say that they had no ulterior motives in their kindness, wishing only to give her fond memories and knowledge to aid her journey. Considering how the the rest of the fae usually lie and are incredibly selfish, this is saying something. They were annihilated for their sympathy by a combination of the other Clans, with the Mirror Clan maintaining neutrality.
Too Good for This Sinful Earth: A clan of kind, pacifistic fae who never harmed anyone and raised the Avalon le Fae with love and compassion for no selfish or ulterior motives, and only sought to give her fond memories and aid for her journey ahead. They end up being violently massacred and wiped out to the last by an alliance of the rest of the clans save for the Mirror, purely for harboring and showing sympathy towards the Avalon le Fae.
Unwitting Instigator of Doom: Tragically, their kindness and love for Aesc ironically ends up being the cause of most of her misery throughout her life, as it's what causes her to continually persist in her attempts to save Fairy Britian and try to remake into a better place, instead of going through with her mission as the Avalon le Fae. By extension, it makes them indirectly responsible for the near-destruction of the entire planet, as Aesc's breakdown and turning into Morgan would result in the Lostbelt becoming a Lostworld, which in turn would give the Calamities an avenue to escape the Lostbelt and ravage the rest of the world.
Weather Manipulation: Their theorized power was the ability to do this. Their old territory, Orkney, also had it raining most of the year when the Rain Clan was alive, and after their deaths it's filled with constant snow that represents their last apologies to Aesc and admonition to all the other clans.

Grímr the Sage ("Lostbelt No. 6: Avalon le Fae" Spoilers!)

Odin

One of Aesc the Savior's companions, and her Magecraft teacher. In truth, he is not a faerie from the British Lostbelt but a god from Proper Human History; Odin the Allfather, Norse god of wisdom, and demiurge of the Norse pantheon. Having foreseen both the Incineration of Humanity and then the Human Order Revision, Odin took steps to guide Chaldea through the Singularities and Lostbelts.

All Love Is Unrequited: He had the hots for Skadi but she was already married to someone else.
The Archmage: He is the one who brought/discovered the 18 Primordial Runes, and all characters that possess them (save regular Scáthach) have a direct connection to him. Notably, the Primordial Rune skill does not have a rank, not even EX (which is what is usually given to skills impossible to rank).
Familiar: As per myth, he has his crows Huginn and Muninn, and his wolves Freki and Geri. Huginn and Muninn watch over the protagonists during the second Lostbelt, while Freki and Geri were apparently given to Cú Chulainn Caster.
The Ghost: He never shows up in person, only talked about by other characters.
God in Human Form: He's operated as a Pseudo-Servant twice. The first time was possessing a local faerie from the British Lostbelt to help Aesc, the second time with Cú Chulainn as his host.
Good Is Not Soft: Confided to Cú that after ringing the Six Bells, and so long as the body remains intact, Altria Caster doesn't need to be alive to forge Excalibur to the Sacred Selection, tacitly implying that his agent can kill her if she gets cold feet about sacrificing herself like Morgan did.
Greater-Scope Paragon: He gave Cú Chulainn his Authority in Singularity F, changing his class from Lancer to Caster. Without him, Chaldea may well have perished in Singularity F, allowing Goetia to win. He also let himself be summoned into the British Lostbelt under his pseudonym Grímr, allowing Cú Chulainn to be summoned into a Lostbelt that would otherwise reject Servants of Proper Human History and help Chaldea as long as he operated under the name along with keeping his memories of Singularity F.
Let No Crisis Go to Waste: In Proper Human History, his response to Velber attacking all the other pantheons was to harvest Velber 02's corpse to create the Valkyries once everything was said and done.
Magical Eye: Caster Cú Chulainn describes his eye as "multidimensional", and it's what allowed him to foresee the plot of Grand Order.
The Man Behind the Man: A rare benevolent example, as Odin acted through Cú Chulainn Caster to help Chaldea without ever showing himself.
Meaningful Name: Grímr is one of Odin's many, many names. In a chapter filled with Cryptic Background References, the name Grímr sticks out like a sore thumb in a world where no gods and no Scandinavia exist.
Mission from God: Odin ordered Cú Chulainn to make sure that Altria Caster completes the Avalon le Fae's mission this time, even if he has to break her legs and drag her to Avalon kicking and screaming.
The Omniscient: Unconfirmed, but what we know of him so far shows that he has the best Clairvoyance in the setting. He can see through past, present, and future, can see what happens in the Lostbelts and the Singularities, and can exert his influence on all. Not even Goetia could see beyond 2018 of Proper Human History, and that was with Solomon's Clairvoyance.
Pals with Jesus: Lostbelt Morgan and Habetrot were friends with him.
Signature Move: In a roundabout way; with the exception of Scáthach, most of the servants directly connected to him have the skill "Primordial Rune".
Super-Empowering: One of his abilities, most clearly seen with Cú Chulainn Caster, who can now use Runes in ways he was never taught, and even use one of Odin's Noble Phantasms.
Walking Spoiler: Odin having helped Chaldea all along through Caster Cú Chulainn is one of the chapter's big twists.

Wryneck

A Fang Clan faerie and a travel companion of Aesc the Savior. Wryneck inherited the power of Waste Heat from one of the A-Rays. After dying to the King of the Mors 1000 years ago, his successor Woodwose was born.

All There in the Manual: Most of what the audience knows about Wryneck comes from Nasu's blog. He was originally supposed to appear in game but was cut to bring down the sheer length of the chapter, which still ended up overly long.
The Chains of Commanding: Despite being one of Aesc's closest allies, his status as the Fang Clan Head meant he was unable to fight directly at her side as much as he would have liked and thus forcing him to work behind the scenes to help her.
Cock Fight: He viewed Lostbelt Uther as a rival for Aesc's affections. This hatred ran so deep that he initially refused to attend Uther's coronation and only convinced himself to go the dawn of that fateful day.
The Friends Who Never Hang: During the Fragment sections of the story, it's impossible to tell whether he's present or not in Aesc's group since the characters never talked to him. They only mentioned him, but in a way that the player gets the impression that he was always present, but off-screen. Those this is justified as his status as a Clan Head meant he couldn't be with them as much as he liked. Still Mash definitely had some sort of interaction with him in order to mistake Woodwose's Spirit Origin being copied by Beryl as Wryneck's. This is a result of being cut to help shorten the chapter, earlier drafts had him interacting directly.
The Ghost: Despite being one of Aesc's travel companions, he's never shown on-screen, nor do the characters directly speak to him.
Love at First Punch: He fell in love with Aesc after she defeated him in battle, though he claims he just respects her strength. Ector isn't fooled.
My Greatest Failure: He never forgave himself for missing Uther's coronation, as he might have been able to prevent the massacre and Aesc being branded a witch. Even though he tried to rationalize afterwards that a local faerie of Britain could never have truly saved Aesc, his choice to skip the coronation haunted him for the rest of his life.
Posthumous Character: He has long passed away in the present time, and his successor, Woodwose, is already over 1000 years old.
Reincarnation: Wryneck was reborn as Woodwose, the current chief of the Fang Clan. Mash mistakes Woodwose's Spirit Origin for Wryneck.
True Companions: He's considered one of Aesc's most trusted companions, alongside Tam Lin Totorot, Tam Lin Galahad, Lostbelt Uther, and the Black Knight. While they all eventually departed from Aesc after she decided to become the High Queen as Morgan, Wryneck continued to defend the land that Aesc loved so much, even fighting a doomed battle against the King of the Mors in her name. After his death, he spiritually continues to serve her loyally as his successor Woodwose.
You Are Too Late: By the time Wryneck convinced himself to get over his jealousy of Uther and go to the coronation at Londinium, the massacre was already over and he could do nothing to mitigate the fallout, especially Aesc being branded a witch.

Lostbelt Uther

One of Aesc the Savior's companions, who shares the same name as King Arthur's father Uther Pendragon. He was the human leader of the Round Table who was meant to end the warring between the faerie clans and usher in an era of peace and unity as their king, but passed away before he could do so. He also harbored feelings for the Savior.

Arranged Marriage: He was set to marry Queen Mab of the northern faeries as part of becoming king of Faerie Britain. Totorot implies he wasn't very happy with the arrangement since he loved Aesc instead.
Died in Your Arms Tonight: He passed away in Aesc's arms after being fatally poisoned on his own coronation, a scenario that would repeat itself with Cnoc na Riabh and Altria Caster 2400 years later.
The Friends Who Never Hang: During the Fragment sections of the story, it's impossible to tell whether he's present or not in Aesc's group since the characters never talked to him.
The Ghost: Despite being one of Aesc's travel companion's, he's never shown on-screen, nor did the characters directly speak to him. It's even more prominent in his case compared to Wryneck, since he had such a huge impact on Aesc's own character.
The Lost Lenore: While the nature of Aesc's affection for him is ambiguous, the two were undoubtedly very close, and his death serves as the final trigger that pushes her into becoming Morgan.
Posthumous Character: He died 2400 years ago during Aesc's final pilgrimage, but the circumstances behind his death would change Faerie Britain's future forever.
Strong Family Resemblance: He is heavily implied to look just like male Arthur, his son in Proper Human History.

The Six Faeries of the Beginning ("Lostbelt No. 6: Avalon le Fae" Spoilers!)

https://static.tvtropes.org/pmwiki/pub/images/six_fairies.PNG

Great Fathers and Mothers of the Six Fairy Clans

Six A-Ray class faeries from Avalon who were tasked with forging the Holy Sword Excalibur. In Proper Human History, they put their heads down and got to work but in the British Lostbelt they decided to slack off on it, leading to Sefar destroying the outer Texture and all life without anyone capable of stopping her. They emerged from Avalon at the beginning of the Faerie Calendar in the British Lostbelt and found a world with no land and life. As punishment for their sloth, Avalon itself banned them from ever returning. Stranded in an unending ocean, these Phantasmals pined for a new land to call their own. It was a wish that ultimately came true... For a price.

Ambiguously Related: With information about faeries and how some of them can drink blood like Baobhan Sith, the Arc Number of six with the Six Faeries, and how Excalibur relates to the True Ancestors thanks to Altria's appearance in Melty Blood: Type Lumina, it opens up questions if the Six Faeries in the Proper Human History have some relation with The Dark Six of the Twenty-Seven Dead Apostle Ancestors.
The Atoner: An Avalon le Fae ringing one of the Six Bells means getting that particular faerie to acknowledge their sins and give their blessings to the Avalon le Fae to correct them, which is why all Six Bells must be rung before Excalibur can finally be forged in the Lostbelt.
David Versus Goliath: Six faeries against one god. As Merlin notes, even faeries as powerful as them wouldn't be able to bring down a god so easily, so they resorted to skullduggery to kill Cernunnos.
The Exile: They were tasked by Avalon to make Excalibur, but they were lazy and put it off. As Avalon is a place that "only those without sin may pass", and because the Six Faeries disobeyed their orders from Avalon and caused the destruction of practically all life on the surface by their actions, the Six were now considered 'sinners' and barred from ever returning home. This left them with the desire for a new home, which they would make out of Cernunnos, who had been sent out to punish them, separate to the exile.
Entitled Bastard: They caused the end of the world because they were too lazy to forge the one weapon capable of fending off the threat. Yet they have the absolute nerve to demand new land from their savior, Cernunnos. When they couldn't get what they wanted, they resorted to extreme methods: murdering the god for his very body and started creating new land from his corpse.
Evil All Along: They aren't the innocent victims who were exploited by a ruthless god as their stories present. In fact, they betrayed him by poisoning his wine and then using his body as the foundation of the new Isle of Britain. As for Cernunnos's human priestess, they carved her up while making sure to keep her alive so they have the means to artificially create humans as livestock.
Evil Is Petty: In two ways.
- What finally caused the Six Faeries to kill Cernunnos and defile the priestess? Sheer annoyance at their lectures for the state of the world after Sefar's rampage. Which is absolutely their fault.
The Fair Folk: The original Fae of Lostbelt 6, who have demonstrated all the things you would expect from beings with such volatile natures. All the horror you see them commit in the other tropes is just another walk in the park for them.
Fantastic Racism: A flashback from their perspective makes it clear they saw the Last Priestess as a screeching animal to be butchered and put to use for their own purposes rather than a fellow thinking, feeling being.
Forced Transformation: They eventually turned into bells after they died. They would not be allowed to rest in death until their sins were corrected and should the bell be destroyed, it would reappear from the corpse of the corresponding clan head.
For Want Of A Nail: Would you believe that these beings are supposed to forge the Holy Blade Excalibur?! Because they decided to slack off instead of producing the weapon in their Lostbelt timeline, Sefar was undefeatable and was able to scour the Earth of all life and land mass.
Founder of the Kingdom: The first six faeries, who established Faerie Britain and founded the six clans system of the present day^note.
Hate Sink: All the pain and misery that the Sixth Lostbelt brings is only possible thanks to these six assholes repeatedly making the most selfish choices possible rather than simply owning up to their mistakes.
It's All About Me: Their mindset essentially boils down to: "Yeah, yeah, it's our fault the old world was swept away. Who cares about that? Give us new land. Now. NOW. NOW!!!"
Jerk with a Heart of Jerk: They pretended to accept Cernunnos as their god and gave him wine as part of their plan to make new land. Cernunnos was so overjoyed at the thought of the Six finally repenting for their sins that he ignored the warnings of his priestess and drank the wine, only to discover it was poisoned.
Karma Houdini Warranty: Oh sure, they got away with murdering Cernunnos and his priestess to create their desired lands and have human livestock as well as making themselves out as the heroes, but in the centuries and millennia to follow they got a front-row seat of watching their descendants succumb to the curses their sins left behind while the land they worked so hard to build sent Calamities continuously to exterminate said descendants, and ultimately, they too would lose their purposes and decay away. And the final kicker? Their existences didn't properly reincarnate or fade, but ended up becoming the very six bells the Avalon le Fae would have to ring to put rest to their sins.
Last of Its Kind: The last six faeries in the world who survived Sefar's successful rampage across the Earth. Though this isn't necessarily that they were the only faeries left alive as much as it is that Avalon, the land where only those without sin may pass, barred them from entering it for being the root cause of Sefar's success.
Lazy Bum: Played for Drama as they were so lazy to forge Excalibur that it caused Sefar to destroy the world in their timeline since they didn't finish it in time.
Never My Fault: While they knew what happened to their world, they are incapable of accepting that all of it is their fault. In fact, they blame Cernunnos and his priestess for not forcing them to forge Excalibur and the priestess' constant nagging for them to repent for their sins cause them to turn on him.
Poison Is Evil: Their use of poisoned wine to kill Cernunnos highlights how heinous their betrayal was since it took advantage of his kind and trusting nature.
Powerful and Helpless: Each one of them was on par with a True Ancestor or high-grade Elemental. This was of no actual help as they were bobbing up and down in the ocean After the End.
Sins of the Father: Murian realizes that the land of Faerie Britain makes no distinction between the Six Faeries who actually betrayed Cernunnos, and their descendants. As far as it's concerned, any and all descendants share the same culpability and must be exterminated even if the Six Faeries have long since died.
Slept Through the Apocalypse: They were safe from Sefar's rampage in the Reverse Side of the World, so they were extremely confused when they emerged and saw the world they were familiar with had been replaced by absolute nothingness. No land, no fishes or birds, nothing but an endless ocean stretching to the horizon. At least, until a certain god who had also survived emerged from the ocean and approached them.
Super-Empowering: Ringing the Six Bells increases the number of Faerie Patterns an Avalon le Fae has and more importantly, bestows the Mystic of Holy Sword Creation upon them so she can forge Excalibur in their place. Morgan never makes use of Holy Sword Creation due to it conflicting with her desire of protecting Faerie Britain but it does become Altria Caster's third skill in gameplay after completing Lostbelt No. 6.
Ultimate Blacksmith: They possessed the Mystic of Holy Sword Creation which they were supposed to use to forge Excalibur.
Unwitting Instigator of Doom: The Six Faeries were given the task to forge a weapon for the World, but in the Lostbelt timeline they were too lazy to get on working on it and decided to sleep on it. In the Proper Human History timeline the weapon they created was the Excalibur, meaning that Sefar being able to destroy the world without interruption falls purely on the Six Faeries being too lazy to create a weapon to counter it.
Walking Spoiler: They are responsible for everything going bad in the British Lostbelt. Sefar's victory, Cernunnos' murder, the land of Faerie Britain sending the Calamities to destroy its inhabitants; it all goes back to their sins.
Written by the Winners: The stories of how Faerie Britain paint Cernunnos as a Jerkass God who exploited the six faeries. In reality, he was nothing but friendly to the faeries, and was unjustly betrayed by them.

Priestess of the Beast God ("Lostbelt No. 6: Avalon le Fae" Spoilers!)

The last surviving human after Sefar's rampage. She was rescued by the Celtic god Cernunnos, and pledged to serve him out of gratitude. Thanks to the treachery of the Six Faeries, her service was short-lived and she met a Fate Worse than Death.

And I Must Scream: The Six Faeries cursed her with immortality, then ripped her apart so they could use her to make more humans. It's only when the Lostbelt goes through Cosmos Denial 14,000 years later that she's finally put out of her misery.
The Cassandra: She was suspicious when the Six Faeries suddenly changed their tunes after continously refusing to accept responsibility for their actions, and counseled Cernunnos to be more wary when they offered him a cup of wine as part of their "atonement." She was ignored, the wine was actually poisoned, and their fates were sealed.
Clone Degeneration: All humans in the British Lostbelt are clones of her. The faeries have set up People Farms where they can endlessly create more humans with genetic variations rivalling that of humanity in the proper history. However, none of them can live past 30 since that was her age when she was torn apart, nor can they sexually reproduce. None of the human clones can escape the Lostworld too, since she came from the era of the Faerie Calendar before Morgan used the Tree of Emptiness to rewrite the Lostbelt. In essence, she and her clones are all living simulations in a real world and cannot leave its borders lest they get pruned out of existence.
David Versus Goliath: One ordinary human against six faeries. Needless to say, she didn't last very long once Cernunnos was no longer around to protect her.
Fate Worse than Death: She's forced to watch her beloved god, Cernunnos, die due to the Six Faeries treachery. She's then dragged away, kicking and screaming, as the faeries then proceed to curse her with immortality and rip her apart into pieces to create human clones. It's left to the reader's imagination on how she was split apart, what parts of her exist now, whether or not she's in constant agony and whether or not she has awareness of her surroundings. At no point during the story do the Protagonist and his/her party meet the Priestess or any of her remains, leaving her final location ultimately unknown.
Last of Her Kind: The last true human in the world. The methods of how humanity was "born" again after her is vile and perverse.
Properly Paranoid: Nowhere near as naïve and trusting as her god when it comes to unrepentant faeries. Too bad Cernunnos was the one in charge.
The Prophecy: She made one last prophecy before she was torn apart, the same one seen upon entering the Lostbelt that was recorded as the mural Insect of the Abyss. In the prophecy, she proclaims that the faeries will wage a great war every 2000 years (each one themed after a different season), build their new Britain with the corpses, and then it will all collapse under the weight of their sins after one tiny insect's bite causes it tip over. Unlike the prophecy about Altria Caster overthrowing Morgan, this one does come true as Oberon reveals himself to be the titular Insect of the Abyss and causes the Collapse Event.
"Faeries who loved freedom. Faeries who protected that love. In return, children who lost their world. Perish time and time again, your Britain will still flourish. The wonders of spring, the quarrels of summer, the joys of autumn, the bloodshed of winter. Untold death piles up, forever and ever. However, never forget. No matter how strong your castle, the foundations remain the same. The newer the world grows, the older its roots become, until at last without anyone realizing, from the bite of a small insect, shall it collapse."
Walking Spoiler: She cannot be mentioned without explaining just how the British Lostbelt diverged from the proper history.

Tunguska Sanctuary

https://static.tvtropes.org/pmwiki/pub/images/pb_0.jpg

Lapine Butler

One of Koyanskaya's Familiars, a humanoid rabbit unique among her animals in being the only one capable of human thought and intelligence and serves as the secretary of NFF Services head office within her Reality Marble.

Affably Evil: Even though he works for Koyanskaya, he remains polite to the protagonist and their party as they come to confront Koyanskaya.
Fun with Acronyms: Considering that Koyanskaya looks up to Hugh Hefner, PB could be short for Playboy.
Non-Action Guy: By his own admittance, he has no combat capability.

Wandering Sea Mage ("Tunguska Sanctuary" Spoilers!)

Fabro Rowan

https://static.tvtropes.org/pmwiki/pub/images/fabro.png

One of the few mages accepted into the reclusive Wandering Sea branch of the Mage's Association. In another parallel timeline where the Human Order was weaker, he left the Wandering Sea and became the Tenth Dead Apostle Ancestor Nrvnqsr Chaos.

Adaptational Modesty: The original Nrvnqsr Chaos only wore a trench coat, with the rest of his body being pure darkness in a rough shape of a well-built man. Due to the different age audience between Tsukihime and Fate/Grand Order, Fabro wears a sci-fi outfit to cover his entire body.
Alternate Self: This is Fabro Rowan who is still in the Wandering Sea and hasn't become Nrvnqsr Chaos. He is officially just a magus, albeit his body is close to unaging.
Fish out of Temporal Water: He was born in the Common Era after the Age of Gods ended, but by becoming a member of the Wandering Sea he was allowed to travel to the past and stay in the private Singularity where their true headquarters resides.
"Leave Your Quest" Test: He offers Sion a once-in-a-lifetime chance to leave Chaldea's battle against the Foreign God behind and join the Wandering Sea as a true member. Sion declines in favor of seeing the battle to its end.

Lostbelt 7: Nahui Mictlan

Tepeu

Death Eyed Deino

An outcast Deino who provides shelter and guidance for members of Chaldea stranded in the first layer of Nahui Mictlan. He ends up joining Chaldea and aiding them throughout the events of the Seventh Lostbelt, becoming a major ally.

Beyond the Impossible: With his Mystic Eyes of Death Perception and the fact that Beni-Emma Alter was able to force a concept of death on ORT, the Deino actually manages to kill ORT, by himself. In game, this is the equivalent of shaving off one of ORT's health bars. It manages to survive due to it being, well, ORT but still, give credit where credit is due...
Beware the Nice Ones: Tepeu is one of the sweetest characters in the franchise, able to make friends with just about anyone. He's also able to kill you near instantly thanks to his Mystic Eyes of Death Perception, as ORT found out.
Character Tics: Tepeu shrugs and smiles sheepishly whenever he turns out to have been wrong/put on the spot about something.
Constantly Curious: He constantly implores Chaldea to provide him with new knowledge and asks questions about things being introduced to Mictlan, which extends to even asking about Trees of Emptiness during the operation to stop ORT.
Dare to Be Badass: Tepeu manages to convince Kukulkan to abandon her fears and doubts and follow his final wish: aid Chaldea in destroying ORT.
Ditzy Genius: He is incredibly knowledgeable and easily adapts to the ideas of Proper Human History after being introduced to them by Chaldea but completely fails to realize that leaving a city to pursue other goals may have reflected badly on perception of his character by others.
Do Not Go Gentle: Joins his fellow Deinos in fighting ORT, actually managing to kill the alien once, before he is torn to pieces by the invader. Even then, Tepeu manages to cling on to life long enough to encourage Kukulkan to fight on Chaldea's behalf before finally passing away.
Expy: Of Tohno Shiki. No, really. He has the Mystic Eyes of Death Perception, which he safeguards against with his glasses. He has a deep emotional connection with the Deinos equivalent of Arcueid and Ixquic's inability to leave Metztitlan parallels Arcueid's eventual return to Millennium Castle Brunestud to slumber, with Tepeu having a similar emotional reaction of frustration at his inability to do anything. He asks for a knife, but doesn't get one, before jumping off to help his brethren fight ORT and it's heavily implied that Beni-Enma imposing the concept of death allowed him to attack the lines of death that appeared on ORT and take out one bar for the player, complete with sound effects borrowed straight from Melty Blood Type Lumina.
Ludicrous Gibs: What unfortunately ends up happening to poor Tepeu as he is torn apart by ORT while the brave Deino charges it and manages to kill it once. By the time ORT is through with him, Tepeu loses nearly all of his limbs and even has one of his lungs torn out. The readers do not see a sprite photo of Tepeu's wounds, leaving it up to the reader's imagination...
My Greatest Failure: Before Chaldea shows up in the Lostbelt, Tepeu had been spending many years researching for a way to save Ixquic from her observatory prison. He is unable to find one and in despair, secludes himself away from his fellow Deinos.
My Species Doth Protest Too Much: While he generally got along with most of his people, he felt an innate dissatisfaction with their way of life and left in order to find a means of obtaining new knowledge to see if that would work to fill that hole he felt.
Nice Guy: Unfailingly kind as he provides help to Mash and Habetrot, and later the protagonist, U-Olga Marie, and Nemo Marine with no questions needed. Even after learning from the Chaldean about the conflict between Lostbelts and PHH, he has no qualms about the destruction of his native timeline because he can sympathize with Chaldea's struggle. He serves as a sharp contrast with the rest of the Death World that Daybit and Tezcatlipoca cultivated in the time since the Lostbelt popped into existence.
Offscreen Moment of Awesome: He uses his Mystic Eyes of Death Perception to take one of ORT's health bars. He lost one of his lungs in the process, but it's very impressive since he did it with a sub-machine gun.
Older Than They Look: The protagonists assume he's in the age range of a middle aged man when they see him act fatherly to Nemo Marine but U-Olga Marie reveals that in human years, he's roughly 90 years old to everyone's shock. His actual age is about 1,000 years old but but Deinos stop aging between reaching maturity and the end of their lifespans.
Raptor Attack: Mostly subverted. He has a decent amount of feathers, with his underside being naked like on an ostrich, although his wing feathers should be located on his second finger rather than ending at the wrist. His dromaeosaurid sickle-claw is oddly placed on the first toe rather than the second. Unusually for fictional dromaeosaurids, he's also a gentle soul for the most part.
Smart People Wear Glasses: His glasses signify his knowledge and willingness to accept different ideas. He didn't actually have this impression of his glasses until Chaldea told him as they were ignorant that he needs them for supernatural reasons.
Star-Crossed Lovers: The relationship between him and Ixquic, as he wishes to take her out of her observatory so they can be together forever but it's sadly not meant to be as she is unable to leave and survive outside her prison AND she perishes due to ORT's rampage.
The Spock: He prioritizes logic and the collective's success above all else. Both Nemo Marine and U-Olga Marie reprimand this mindset for different reasons, the former disappointed that he doesn't want to at least have some fun and the latter for offending Marine in such a blasé tone of voice with no self-awareness of how the other would take it.
Tragic Keepsake: At the end of the Seventh Lostbelt, when everything has been pruned, the Protagonists presents Captain Nemo with a "xoqqer" ball made as an apology to one of Nemo's marines, Marine No. 4. This causes Nemo to actually collapse slightly in despair before getting a hold of himself, before promising to never forget the brave, friendly and loyal Deino.

Vucub

The Last Pterosaur Deino

The thoroughly unpleasant head priest of the Deinos, and right-hand pterosaur of the Dinosaur King.

Ambition Is Evil: He dislikes Kukulkan and the Dinosaur King, then he comes to see himself as the only fitting candidate for leading the Deinos and angrily mistreats any priest who suggests otherwise. He sells out Chichen Itza and the Dinosaur King to the Ocelomeh in exchange for giving him a shot to become the new king. It doesn't work out because the remaining Deinos who outnumber him refuse to accept his rule and imprison him.
Artistic License – Paleontology: Downplayed. He's a fairly-accurate Pteranodon, but he has an extra finger (pterosaurs have three first fingers rather than four) and seemingly lacks pycnofibres (although that could be due to the art style).
Easily Forgiven: Due to how insanely chill the Deinos are, they aren't really that upset that Vucub sold them out to the Ocelomeh and got scores of them killed. Some of them even feel bad they didn't notice how upset he was.
Fantastic Racism: He considers himself above other Deinos literally because he's a pterosaur and thus is closer to the heavens than them. He's not fond of humans either, and looks down on Chaldea and the Dinosaur King just for their species.
Heel–Face Turn: Depsite having sold out to the enemy, he finds the Ocelomeh's final stand against ORT so moving that he carries the sun back to Chichen Itza to keep it from ORT. Once there, he and the Dinosaur King inspire the rest of the Deinos to go out in a final bout against ORT. According to the Dinosaur King, Vucub spent his last moments humming a tune as he carried his king into battle.
Hypocrite: He's a war hawk (or war pterosaur?) who advocates on exterminating the Ocelomeh which doesn't sound too bad at first since they are currently committing genocide on the Deinos, and criticizes Kukulkan for not doing anything about them. Then he goes and meets with their leader Izcalli so they can plan on how to hand over Chichen Itza to them.
Jerkass: He's a nasty, racist piece of work. And that's before we learn he's cutting deals with the enemy under the table.
Last of His Kind: He is the last known pterosaur Deinos though Malla's influence ensures his kind won't go extinct.
Smug Snake: He believes strongly in Deinos superiority and his own status as special, but is easily caught on the wrong foot when the Deinos don't accept his claim that it was all done in the name of extending the sun's life, chaining him to be locked up in prison.

Wak Chan

The Deino Who Loves the God From Another World

A cheerful, strong Deinos from the city of Chichen Itza who Chaldea enlists for help after first meeting him in less than fortunate circumstances. He ends up with an unrequited crush on U-Olga Marie.

Abhorrent Admirer: He falls in love with U-Olga Marie after being fried by her lightning, which he cites as a selling point alongside her horns. The fact she's humanoid and he's not doesn't deter him at all.
Amazon Chaser: He's attracted to U-Olga Marie's strength and believes they can have many strong babies together, which makes her the worthiest candidate of his love in the Lostbelt.
Boisterous Bruiser: Loud and cheerful, he's willing to fight and give his all for people he likes. This unfortunately gives Goredolf the impression that all Deinos are like Wak Chan, which he finds the thought of terrifying after seeing him casually smash things left and right with his tail.
Dumb Muscle: He's strong but admits he's not one for thinking.
Dynamic Entry: He bursts through a wall in Tepeu's house from sheer excitement at getting to go on a date with U-Olga Marie.
Heroic Sacrifice: He saves U-Olga Marie from getting absorbed by ORT at the price of his own life, as he's lethally irradiated in the process of freeing her from its tendril cage.
Smarter Than You Look: He initially appears to be a mindless brute who will do what the high priest says and just smash Chaldea. That is, until Vucub tells Wak Chan to eat them, which prompts the latter to start talking to complain that driving himself insane just for this is really, really stupid and he actually hates his job.
Terrifying Tyrannosaur: Subverted. While he intially appears to be a terrifying Deino he's actually a kind and gentle soul who wants to retire from fighting. Even when U-Olga Marie cruelly rejects him he recognizes that she's just lashing out from some emotional trauma and laments he didn't take the time to comfort her.
The Worf Effect: He frees U-Olga Marie from ORT's cage but is lethally irradiated in the process. ORT itself hasn't even shown up at that point, and the party's strongest fighter is down for the count. Things get worse from there.
World's Strongest Man: He is the strongest fighter of a species that is already on par with a Servant. Even when U-Olga Marie and Mash gang up on him they can't actually hurt him.

Ixquic

Archetype: Meta-Earth

The Elemental who serves as the planet's soul incarnate, Archetype: Earth. She resides at the seventh layer of Nahui Mictlan. Although she never outright says it, she's in love with the Deino, Tepeu and vice versa. She's also best friends with the South American Lostbelt King, Kukulkan.

Ethereal White Dress: She mimics Arcueid's many white clothes by being the only Deinos with a white palette, which distinguishes her as unique compared to everyone else.
Expy: The Arcueid to Tepeu's Shiki, serving as the Lostbelt equivalent to the True Ancestor Princess in a world where the planet never had a chance to create them.
Face Death with Dignity: She accepted that she would die in her observatory a long time ago, whether it be from Mictlan's sun exploding or ORT's rampage. Her only reaction to ORT's impending arrival is that it'll be quite a "spectacle". And when the latter ends up occurring, she is true to her word, comforting Kukulkan and sending her away as Ixquic calmly waits for her death.
Our Fairies Are Different: She isn't actually a Deino, just an Elemental that looks like one. Archetypes are usually made in the image of the current Prime Ones.
Immortal Immaturity: Ixquic is 6 million years old, yet she considers herself only 1 year old in spirit because her mind remains as is from the moment they were born. This results in quite some bickering between her and Tepeu.
Meaningful Name: Her name derives from the daughter of one of the lords of Xibalba and the mother of the Maya Hero Twins. It means Blood Moon or Blood Maiden, a fitting name as she is the Lostbelt's equivalent of Arcueid.
Past-Life Memories: As the Archetype she has access to the memories of Gaia itself even for events that happened before she was born.
Star-Crossed Lovers: The relationship between her and Tepeu; despite both parties accepting that she will be unable to leave her observatory, deep down she really WANTS to be with Tepeu. Tragically, she ends up dying when ORT is rampaging through the Lostbelt, with Tepeu unable to save her.

Malla

Also known as the Divine Filaments in Proper Human History, it is the micro-organisms that became the Mesoamerican gods. It arrived in the meteor that killed the dinosaurs 66 million years ago, but an earlier and gentler arrival in the South American Lostbelt led to it becoming the dominant force inside it.

Alternate Self: As a whole it serves as this to Quetzalcoatl, Tezcatlipoca, and other Mesoamerican gods. This contrast becomes more prominent when it's revealed that the Ocelomeh were local primates uplifted by Tezcatlipoca. The Malla sides with one species while the Divine Filaments chooses another.
The Atoner: Daybit speculates it loves the Deinos so much because it's aware that it killed the dinosaurs in Proper Human History and wants to make up for it in this timeline.
Biomanipulation: It guides and nuture life itself, and can even control the energy flowing within the planet itself. It is this ability to uplift local lifeforms that gave birth to the Mesoamerican gods in Proper Human History, while the Deinos were born from Malla augmenting the dinosaurs.
Botanical Abomination: More fungal than botanical but it somewhat resembles fungi on a massive scale. In the Lostbelt it was able to grow so large that its filaments tied Pangaea together and kept it from splitting apart, and hollow out an massive underground paradise for the Deinos.
Graceful Loser: With the Deinos gone, and Nahui Mictlan in ruins, Malla blesses Kukulkan's choice to save Chaldea by ending what's left in order to put down ORT for good. According to Kukulkan, its last words for Chaldea are to wish them good luck, and that it's rooting for them.
Head-in-the-Sand Management: Malla has no intention of doing anything about ORT's awakening or the Ocelomeh slaughtering the Deinos. Frankly, there's not really much it can meaningfully do anymore; the artificial sun made from ORT's heart is about to reach its limit and explode in a few days so it's all about to end anyway, Mictlan's biosphere sucks up all the planet's energy so the surface remains an unlivable hellscape with no hope of recovery, and Malla itself is more or less on its last legs, having spent most of its life force on Mictlan's first sun. Its decisions have backed it into a corner with no escape, and it's painfully aware of that. Thus, it only wants to have the underground paradise of Mictlan go for as long as possible before it dies together with its beloved Deinos when the sun blows up. What really drives it into this trope's territory is that it can still give Kukulkan orders even if it has no way of enforcing it yet it refuses to do so, frustrating her because she wants to help but is forbidden from interfering without given leave to do so. In fact, the one time it actually gives an order is when Chaldea sets out to prevent ORT's revival, and in response Malla orders Kukulkan to kill them. Thankfully, Kukulkan is too good natured to follow such an order and decides she's going to do what she wants.
Helicopter Parents: Malla means well for the Deinos as atonement for killing them in Proper Human History, but it goes way overboard and spoils them rotten without letting them face challenges and grow like humanity. It made them super lifeforms who can do anything while making sure their environment is as comfortable as possible, but that same process also coddled the Deinos so much that they take everything for granted, and any Deinos that pushes themselves is seen as mentally ill by the species.
Meaningful Name: Malla is Spanish for mesh, or something made with many woven filaments.
Parental Favoritism: Malla cares for the Deinos alone, and other species are not given its protection. The humans of the Ka'an Kingdom had to solve the ORT problem by themselves, while the Ocelomeh were left to fend for themselves in the harsh jungles before Tezcatlipoca uplifted them.
Sentient Cosmic Force: It has effectively replaced the Counter Force within the Lostbelt.

Ordeal Call Characters

Chapter I: Paper Moon

Alter Ego AI Masters

https://static.tvtropes.org/pmwiki/pub/images/alter_ego_masters.png

Participants of the System Grail War

Masters generated by the world within Paper Moon using data by Chaldea. They are Lainur Gusion, Cerejeira Elron, Sakura Matou, Zolgen Makiri, Ayus, and the Protagonist.

Alternate Self: All of them are AI copies of existing characters, though as Alter Egos, their personalities end up being very different from their originals.
Fun with Acronyms: With the first mention of "AI Masters", you're expected to think it's just because they're Artificial Intelligence generated in the virtual world of the Paper Moon. The truth is, "AI" actually stands for their Alter Ego designation, and most of them have a different one. For instance, Ayus is "Alterego Isolated", Lainur is "Alterego Import", and so on.

Lainur Gusion

Alter Ego Import

An Alter Ego AI modeled after the Lainur Gusion personality of Lev Lainur Flauros. He is the Master of Rider Gao Changgong, a version of the Prince of Lan Ling who believes he does not deserve to be a ruler.

Combined Energy Attack: His signature trick is to use his Servant's Noble Phantasm to motivate entire squads of Rani Type-T at once, generating enough Raniment energy to fuel massive spells in an instant. After he is killed and Zolgen People Puppets up Rider, he uses the same trick to cause the Ranis to overload and explode, to everyone's horror.
He Knows Too Much: Lainur is less interested in the Holy Grail War than he is in unravelling the nature of the virtual world he's currently in. Durga kills him the second he figures it out.
Fling a Light into the Future: Once he begins figuring out the true nature of the virtual world, he begins to suspect he won't live long enough to find out the truth, so he leaves behind a hidden reservoir of energy for the other Masters to use. This proves instrumental in allowing Kama to defeat Kali.

Cerejeira Elron (Paper Moon)

https://static.tvtropes.org/pmwiki/pub/images/cerejeira_casual.jpg

An Alter Ego AI modeled after Chaldea Security Organization's record keeper. She is the Master of Lancer, Bhima. For their tropes see their entry in Fate/Grand Order - Chaldea Security Organization.

The Eeyore: Due to her unexplained, massive feelings of guilt that just won't go away, she's pretty much constantly depressed, or even convinced that she doesn't deserve to be happy at all.

Ayus

Alter Ego Isolated

A R.A.N.I series AI modeled after and based on Duryodhana's beloved little sister, Duhsala, from his Spirit Origin's memories of her. She also serves as his Master.

All for Nothing: All she wants is a family that can live a peaceful and fulfilling life. She would never get it with the Holy Grail though, because the lynchpin of Rani XII's whole plan is to create a perpetual chain of Holy Grail Wars — not only is peace in such a world impossible, but even if Ayus won the war, her memories and directives would be overridden to ensure she'd start the next war. This is without even getting into that her world is a Singularity that needs to be erased, which she also learns. Her brother being with her all along is the only thing that stops the poor doctor from diving into the Despair Event Horizon at terminal velocity.
All-Loving Hero: Being the head of the Repair section of the Paper Moon (essentially the head doctor), she's by far the most altruistic of the Masters. Others even call her a bit foolish for being that openly willing to help those who are supposed to be her enemies.
Connected All Along: Her identity is actually a very late reveal, including for her and Duryodhana. For most of the chapter, people just assume they're Like Brother and Sister without realizing they actually are.
It Was with You All Along: Her wish, her longing for her family, was granted from the start. It just takes a long time for her to realize it.

Sakura Matou (Paper Moon)

https://static.tvtropes.org/pmwiki/pub/images/sakura_paper_moon.jpg

Alter Ego Imitate

An Alter Ego AI modeled after Sakura Matou. She is the Master of Saber, Medusa.

Mythology Gag: This is not the first AI Sakura we have seen nor is this the first time Sakura has summoned Medusa, albeit in a different class.

Chapter II:Id

Haydée

https://static.tvtropes.org/pmwiki/pub/images/haydee_9.png

Monte Cristo's Princess

Illustrated by : Usagi Routo

A fallen Greek princess who was sold into slavery before being taken in by the Count of Monte Cristo. He threw away his desire for revenge for her. She appears in the Drama CD, Strange Tales of Heroic Spirit Lore ~King of the Cavern, Edmond Dantès~ and made her game debut in the Irreversible Waste Hole, Id, during its final chapters revealing her to have been a part of the Count of Monte Cristo's Spirit Origin and encourages the Protagonist to save him.

Adaptation Species Change: In the original book, she is very much human. In the Nasuverse, she's a faerie that is part of the treasure of Monte Cristo.
Invisible to Normals: In the Drama CD, only Dantès can perceive and talk to her due to owning the treasure of Monte Cristo. Thanks to their connection with Dantès, the protagonist is able to see her once they are expelled from the singularity.
It Was with You All Along: Haydée was always a part of the Count of Monte Cristo's Spirit Origin but he is oblivious due to his Avenger Class preventing him from detecting her.
Seers: In the Drama CD, the Count speculates that "her eyes has the ability to foretell fate".

Event Characters

Boar Piglets

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Citizens of an Evolving Civilization

A tribe of cute little boars met and ultimately befriended by Chaldea during the first half of the summer event. Their descendants, who have inexplicably built a complex civilization that has fallen into dried-out ruins, are met during the second part of the event, and have gained the ability to talk.

The Cameo: The trio "appear" very briefly in one of the plays in Salem.
Mistaken for Thief: In the first part of the event, it looks like the cute little piglets are eating up Chaldea's crops while they're stranded on the island. Later, it turns out that they've been mistaken for the enormous demonic boars that're polluting and defiling the island into a wasteland, and Chaldea takes them all in.
Non-Action Guy: The piglets are small, cute, and weak, and are helpless before the demon boars that roam and defile the island. Even their descendants' advanced civilization is unable to defend against their resurgent assault, presumably because they're just too peaceable to create advanced weapons.
Our Founder: The piglets' descendants revere the memory of the Chaldean servants who taught their ancestors about love and justice.
- Except for Tamamo who funnily enough ends up becoming their analogue for the Devil due to her tendency for wanting to eat the original boar piglets.
Taking the Bullet: The piglets form a living bulwark to save Chaldea's escape raft from a demon boar attack, which sends them flying but doesn't kill any of them.
Talking Animal: In the second half of the event, the piglets' descendants have developed the ability to talk, thanks to various meddling on the part of Chaldea's servants.
Verbal Tic: One of the three piglets in the second half goes "Ayup."

Amazones.com

https://static.tvtropes.org/pmwiki/pub/images/ceo_fgo.png

The CEO

A delivery service found in the Servant Universe, run by the Servantverse version of the Berserker of El Dorado, Amazones CEO. It becomes the main focal point of the "Amazones.com ~CEO Crisis 2020~" event.

Berserk Button: As different as Amazones CEO appears to be to her normal self, she still has a deep-rooted hatred for Achilles and being called beautiful where others are not sure if she has it better or worse than regular Penthesilea. We don't learn why she hates Achilles so much, but apparently her just thinking about the incident between the two would cause her mind to Amazonite.
Blood Knight: Less apparent than Penthesilea, as she insists on acting as a Consummate Professional when delivering and only resorting to violence if the customer acts that way to her first, but the CEO makes mention of wanting to "deliver an order" to customers like Chaldea's own "wise king who slew dragons and giants alike" (Sigurd), "martial artist who practices ancient martial arts" (Li Shuwen), and "master swordsman who wields two blades at once" (Musashi) and getting very excited over it.
Bunny-Ears Lawyer: CEO's work ethics combine harsh Amazon leadership with an Honest Corporate Executive mindset. She treats her employees like they were Amazons and her delivery politics veer into Unstoppable Mailman territory, but her standards as a company head are honest and flexible if needed, making Amazones.com the galaxy's greatest delivery company.
Corrupt Corporate Executive:
- The Amazones CEO has basically turned all her subjects into slaves with which to make their joint Amazones.com business run more efficiently. Played for Laughs, in that her Amazons don't seem terribly broken up about it. They are, however, reluctant to return back to work after Penthesilea subjected them to Training from Hell, as they would prefer just to work out rather than work without any benefit, resulting with CEO promising them actual worker benefits to get them come back.
- Her event takes things a step further, with her mentioning that she often has to battle to the death with other CEOs trying to step in on her turf, and that she expects her workers to ignore galactic travel regulations, flash their company badges if they get pulled over, and pledges to personally attack any space cops who try to apprehend them anyway.
Duel Boss: Serves as one with her GO counterpart in the "Amazones.com ~CEO Crisis 2020~" event.
Expy: Take a guess.
Frontline General: Amusingly parodied. Just as her counterpart leads armies from the front, so too does their wealthy CEO personally deliver her company's products.
Honest Corporate Executive: While she has some... interesting relationships with law enforcement and employee relations, the CEO works just as physically hard as all her employees and has a state-of-the-art wellness center installed in her warehouse and available to everyone working for her to help her workforce destress between shifts. She also has very strict views regarding proper sales and delivery methods, and refuses to make use of Mister Chen's temp agency when she determines it to be abusive and predatory. Also, some of her more questionable and violent actions take place in the context of being a character from the Servant Universe, where over-the-top violence is common and actual injury and death are rare.
Intrepid Merchant: The Amazones CEO has organized Amazones.com to specifically deliver goods into Singularities. Mash finds it concerning, believing that itself would create a Singularity.
Milking the Giant Cow: Her sprite is constantly doing this whenever she isn't going berserk. When asked, she speculates it represents "Venture Capitalism Seizing Unseen Opportunity".
Oblivious to Their Own Description: At one point, she complains about Mister Chen wearing glasses just to look smart, when she herself has Purely Aesthetic Glasses on her face.
Pun: Of course the Amazon queen has started up a delivery company.
Purely Aesthetic Glasses: She wears these, along with a tie to look more professional. She tends to rip both off in a rage whenever her Madness Enhancement kicks up though.
Sophisticated as Hell: She'll mix business jargon with blunt language at the drop of a hat.
Amazones CEO: We have a term at Amazones.com for customers who refuse to abide by common courtesy, make unreasonable and illogical demands, and-slash-or resort to violence. We call them "pricks." And the ones who are orders of magnitude worse than normal pricks are called... Monster pricks!
Twinkle in the Eye: She gives a very self-satisfied advertisement of Amazones' services (including the CEO personally cleaning up unused Amazones cardboard boxes in Osakabehime's room) that let them even deliver to customers in Singularities, ending with a visible sparkle in her eye. Mash is not impressed by the possibility that more Singularities could be created.
We Sell Everything: From food deliveries and otaku goods to guides how to build a mecha and parts to build your own underground facility, Amazones.com will deliver just about anything you need. The one thing they don't sell are anything illegal, though items that exist in gray territory are acceptable as long as they're not being used for evil.

Dumuzid

God of Shepherds and Resurrection

^{Human Form}

Voiced by: Shinichirou Kamio (Japanese), Daman Mills (English, anime)

Consort of the goddess Innana (who would later evolve into Ishtar) in legend and God of Shepherds, he first appeared as an ally during "Merry Christmas in the Netherworld" to help Altera resolve the crisis gripping Chaldea. He makes his return in Lostbelt no. 7, Nahui Mictlan, in his new human form to assist against the altered Ereshkigal, Ninkigal.

Animal Motifs: The sheep for its association with his godly domain. He appears as a sheep and gave Altera's Santa version the sheep she uses.
Bad Liar: He "fools" Altera into becoming Attila the Sun(ta) in the "Merry Christmas in the Underworld" event with a series of transparent deceptions that succeed only because poor Altera is just that gullible.
Big Damn Heroes: At the climax of "Merry Christmas in the Underworld", he interferes to prevent Nergal's malice from attacking Attila the Sun(ta) and letting her give Ereshkigal her lost memories.
Bishōnen Line: His appearance in the main story reveals that underneath the sheep wool is a very naked conventionally Pretty Boy. He sticks to this form with the exception of the gag that pulling the wool over himself instantly puts him back into sheep mode. The protagonist is so unsure about his identity that only when he turns around and reveals the sheep faceplate on his wool cloak is how they realize this is in fact Dumuzid.
The Bus Came Back: He made his second appearance in Battle of New York 2019 almost two years after his original debut. And about two years after that he returns again in Fate/Grand Carnival.
Cloudcuckoolander: He marches to the beat of his own drum and often inserts strange analogies that are barely tangential to the situation at hand.
Deity of Human Origin: Gilgamesh explains that Dumuzid was originally a king of Uruk who married Ishtar and became a god due to his greed and desire for fame.
Everyone Has Standards: Even the generally petty and small-minded gods of Mesopotamia were united in their disgust for Dumuzid's callousness and greed after Ishtar died in the backstory reenactment.
Gold and White Are Divine: Dumuzid's sheep form has a luxurious, radiant coat of golden wool, which far outshines most of the other sheep seen in the game.
Gratuitous English: In the original Japanese, he peppers much of his dialogue with at least one English phrase.
Heroic Sacrifice: He uses his divine power to safeguard Chaldea from ORT's lethal radiation, taking the brunt of it himself and perishes.
In-Series Nickname: Calls himself DoomZ, or Doomzy. No one else does, except poor naive Altera, who likes sheep.
Lack of Empathy: In the reenactment during the "Merry Christmas in the Underworld" event, not only does he not mourn when he learns his wife, Ishtar, is dead, he holds a huge holiday celebration every day, since his greedy heart is fixated on the idea of seizing all her wealth and power for himself and justifying him not caring about Ishtar's death by the fact that some other god will most likely take her position. And when his sister selflessly volunteers to stay in the underworld in his place for half the year, waiting on Ereshkigal hand and foot, he couldn't be more callous and cheerful about getting out from under the consequences of his actions, barely sparing her a quick thanks. Oddly enough, it's all played positively. Because he doesn't empathize with other people, he also doesn't hold a grudge when other people do things that hurt him, so despite his wonky morals he ends up helping the protagonists more often than not.
Odd Job Gods: A few of the Authorities he controlled include snakes and gazelles since he tried to escape the gallû spirits by transforming into those creatures. He's more than happy to give them to Ereshkigal when she asks for him to give her half of his Authorities.
Self-Proclaimed Love Interest: He spends a lot of "Merry Christmas in the Underworld" hitting on Attila the Sun(ta). In Battle of New York 2019, he refers to Altera Santa as his new beloved and thinks that they're pretty much married.
DoomZ: "Hello. I'm DoomZ, the sparkling sheep. Raffle boxes are good civilization. My new beloved, Altera Sun-ta, also said the same thing. Now that she has clung to me for so long, we’re pretty much married now, I kid you not."
Spanner in the Works: The plots and plans of the villain of "Merry Christmas in the Underworld" are almost completely undone by Dumuzid gathering up Ereshkigal's discarded memories, reinforcing them with his power, and getting Attila the Sun(ta) to deliver them as a present to her. As a fellow divinity humiliated by Ereshkigal in the seat of her power and forced to leave half his power to appease her, Nergal chose to disregard him as part of his plans and manipulations, and the result was his defeat.
Speak Ill of the Dead: After Ishtar was killed and resurrected from her descent into Kur, Dumuzid celebrated the date of her death and attempted to take all her possessions and throne which the other gods found in very poor taste. Ereshkigal was so disgusted by Dumuzid's actions that she accepted him as Ishtar's substitute to spend half the year in Kur.
Sure, Let's Go with That: Altera not only accepts everything he says but she even makes it more nonsensical. He goes along with it, but comments that it makes him feel bad taking advantage of someone so naive.
Sweet Sheep: Parodied. Altera takes him at his word because he's cute and fluffy and her culture reveres sheep, but while he ultimately means well, he's also a manipulative jerk who did some pretty shady and crappy things in the past.
Vocal Dissonance: A blank-eyed sheep with an incredibly smooth baritone.
Voluntary Shapeshifting: He can transform into snakes, gazelles, and, apparently, sheep. It was this aspect of his power, rather than his ability to grow crops, that he left to satisfy poor Ereshkigal's commands, once again leaving her with useless Authorities that couldn't help her improve her home (and not even having the decency to give her the sheep which was her favorite animal of the bunch, though Dumuzid claims that snakes and gazelles are more compatible with her).
Walking Shirtless Scene: He has no upper wear besides part of his wool cloak in his human form to sell the gag he was secretly naked under the sheep guise the whole time.

Suspects of the Kogetsukan Murder Case

https://static.tvtropes.org/pmwiki/pub/images/info_fw4hd.png

Suspects as written by Mash

While in a dream, the protagonist meets two rival crime families, called the Goldie and Violet Families respectively, named after their hair color. They meet up in a trading firm called Marble Company, seeking to form an alliance through marriage. A murder, however, soon causes both families, and the trading firm, to be suspected of murder. From the protagonist's point of view, they all take the form of Servants.

The Goldie Family is made up of;

Aaron (Father, Head of Family, Dorothy's Husband)
Dorothy (Mother, Aaron's Wife)
Morris (Son, Laurie's Brother)
Laurie (Daughter, Morris' Sister)

The Violet Family is made up of;

Adamska (Father, Head of Family)
Eva (Mother, Adamska's Wife)
Juliet (First Daughter, Cain's Sister)
Harriet (Second Daughter, Cain's Sister)
Cain (First Son)

Marble Company is made up of;

Ann (Second Seat)
"Wǔ" (Fifth Seat)
Chris (Probationer)

While the neutral party is made up of;

Sheringham (Detective)
Hawthorne (Doctor, Family Doctor of Violet Family)
Rikka Fujimar (Juliet's Friend, Main Character)

Affably Evil: You can make a case of this for the adults as while they're pleasant to talk to, they're still in charge of huge crime families or people willing to work for crime families like Dr. Hawthorne and the Marble Company.
Always Identical Twins: Subverted. Juliet and Eva are twins but while Juliet looks like Stheno, Eva looks like Raikou. At least, they do to the Protagonist.
Ambiguously Bi: Juliet. When discussing her, Eva makes a point of saying she doesn't care about the gender of her potential partners, and Juliet is implied to be in love with the player regardless of their gender. There's also the fact that, in the novel adaptation of the event, Rikka is a crossdressing girl. Eva then makes a pass at the player after saying this.
Arranged Marriage: The two families meeting is to set up one to stop the two families from fighting. At first the plan is to engage Juliet and Morris. The various murders change exactly who will get married till it's Cain and Laurie.
Better to Die than Be Killed: After Harriet is revealed to be the killer, she commits suicide rather than be punished by the crime families, stating she deserves this for what she's done.
Big Brother Instinct: After Morris and Chris have been murdered, Cain drops his act and threatens the protagonist with a knife. Holmes himself arrives to save them which forces Cain to reveal he was planning on scaring the protagonist off as he thought they were murdering his big sister's fiances so they could be with her. He admits he didn't mind Morris getting killed, but Chris was never anything but polite and kind and Cain never wanted to see him die.
Body Surf: The Protagonist is doing this with Rikka Fujimar in a manner similar to Quantum Leap.
Bumbling Dad: Adamska by his own admission states he's not suited to be the leader of the Violet Family but he was determined to succeed as he fell for his future wife at first sight. His family likes to playfully needle him over it.
The Chains of Commanding: Both Aaron and Adamska fully understand the responsibility that comes with being the heads of their families thus will make decisions they personally aren't happy with but are needed for their respective families to survive.
"Could Have Avoided This!" Plot: Harriet admits that had she just told her father from the start twenty years ago that Aaron was the father of Juliet and Eva rather than lie or even if she just came clean to the people here in the present, instead of fearing the mere potential of a war, it's likely none of what occurred during the event would have happened.
Couple Theme Naming: Adamska and Eva, along with their son Cain. Turns out to be Red Herring, however, as Harriet is actually Adamska's wife, and Eva their daughter.
Dirty Coward: Dr. Hawthorne admits he feels this way after Harriet's suicide, stating that he suspected her and her motive from near the start but kept quiet because he was afraid she'd hate him for it and regretting that his silence may have cost the lives of three different people, including the woman he loved.
Dude Looks Like a Lady: Morris appears this way due to having Mordred's appearance. This gets the protagonist into an altercation with him when they apparently get...hands-on in determining if he could be a suspect in who stole Dorothy's necklace.
Even Evil Has Standards: Aaron is originally glad that Morris might be alive even if he murdered Chris, his newly revealed half-brother, promising the best lawyer possible. However, when it is suggested Morris murdered and mutilated another corpse to create an alibi for apparently going missing by Adamska when they apparently find his corpse, Aaron immediately gets angry and states his son would never do such a thing, nor would he have time or the resources even if the alternative means his son is without a doubt dead. He's downright disgusted when Wǔ suggested that Morris did that to Sheringham's corpse when they find that Sheringham's body is missing.
Faking the Dead: After Morris goes missing, it's suggested that he's instead hiding after Chris is murdered. Sheringham, actually Holmes, was the one pretending to be dead.
Foreshadowing: There is plenty of hints that Eva is actually Juliet's sister rather than Harriet and that Eva and Juliet are Aaron's children.
- Dr. Hawthorne states it's interesting when twins have different personalities after Juliet, Eva and Harriet discuss if Juliet is going to take a bath. It wouldn't make sense if Hawthorne was talking about Harriet and Juliet as Harriet only suggested Juliet take a bath. In comparison Juliet and Eva had a disagreement with Juliet saying she doesn't need a bath because she isn't dirty while Eva saying Juliet shouldn't stop taking care of her appearance.
- When the protagonist and Hawthorne overhear a conversation between Morris and Juliet where the former expresses that he's more interested in her younger sister due to her attitude and looks. This would be rather odd if applied to Harriet (who looks nigh-identical to Juliet and mocked Morris some time earlier) but makes much more sense when applied to Eva (who noticeably has a much more mature appearance and was flirting with Morris in that same earlier cutscene).
- When the planned engagement is changed to Chris and Juliet after Morris goes missing, it's Harriet who confronts the protagonist and tells them about how they're Juliet's Only Friend due to her connections as a Mafia Princess and seems oddly insistent on pressing them about how they feel towards Juliet. The mature way she talks doesn't at all seem like how a younger sister would act, but would fit rather well for a mother concerned for her daughter.
- Juliet states she and her sister are fraternal twins and she doesn't really see the resemblance. This wouldn't make sense if Harriet is her sister as they look identical but fits with Eva since she looks nothing like Juliet.
- When the protagonist asks Eva a question about if she saw anything unusual the night of Chris' death and caps it off with "Ms. Violet", Eva expresses that's a "strange question" and states "Mother" turned in early last night.
- Adamska states his wife was against Juliet and Morris' arranged marriage which hints at Harriet's goal.
- Aaron asks if he's met Juliet before as he's bedded so many women in his past, he forgotten a lot of them, this hints at his and Harriet's one night stand that resulted in Juliet and Eva's birth.
Feuding Families: The Violets and Goldies are rival crime families who have fought for years for control over a certain city. While the heads have decided to bury their feud by marrying their families together due to a new enemy attacking both of them, they both know a good portion of their members wouldn't agree thus they are going on this trip in secret. It's this reason that Juliet goes through with the marriage despite hints that she's in love with the person the protagonist is possessing. This is also the reason Harriet admits why she didn't reveal to her own father she was pregnant due to Aaron, believing it would have sparked a war.
Friendless Background: It's stated that Juliet doesn't any other friends besides the person the protagonist is possessing due to her family's reputation.
Greater-Scope Villain: The mysterious enemy mentioned by Dr. Hawthorne, as their attacking of both families, would lead to the alliance marriage, which forces Harriet to commit murder to prevent anyone from knowing of the Surprise Incest between the bride and groom.
Happily Married: Adamska and his wife, Harriet. It is even revealed that Adamska happily married her despite knowing she was pregnant from a tryst before they met. It's also heavily implied that this will also be the case with Cain and Laurie in the future, since they already get along well.
Heir Club for Men: The head of the Violet family is supposed to be the eldest son when he comes to age, but Cain's immaturity makes him incapable of properly leading the family which of course is his intention. This is also presumably why Adamska is the head of the family even though he married into the family.
Hero Killer: The murderer kills lead detective Sheringham, who looked like Holmes. Holmes himself isn't happy when he hears about this. Averted, as it turns out that Sheringham was Holmes all along, having faked his death to catch the murderer off-guard.
Identical Stranger:
- The entire families look like Servants the player has encountered. It's justified as it's the protagonist's mind projecting their Servants' appearance on the families. However, Holmes warns the protagonist not to rely too deeply on said appearances, as their mind is merely using the best possible choices as substitutes, citing Morris sharing Mordred's appearance simply because they have similar violent and brash demeanor, while Morris is definitely a man rather than a woman with a preference for dressing as a man as Mordred is. This causes some problem for the Chaldea's side, because the protagonist is relying too much on the similarity that the Chaldeans initially mistaken Eva (portrayed by Raikou) for the mother of Violet family and Harriet (portrayed by Euryale) as Juliet's younger sister, when it's the reverse.
- Averted with Sheringham, who actually is Holmes using a fake name. He came to the island after he realized the Protagonist's dreams of the murder mystery were visions of the future.
- Rikka Fujimar, according to the novelization of the event, looks◊ exactly like male Protagonist, except she is blonde and is a Wholesome Crossdresser. You can even see the odd similarity of their name, with the biggest difference being that one name is written in Western order, the other one in Eastern order.
Irony: Aaron used his low fertility as an excuse to sleep with various women and "spread his seeds". He still ends up fathering five children with four different women, his first wife included.
Jerkass: Morris looks like Mordred because he has a similar brash and violent demeanor, but unlike Mordred he has very few if any nicer points beneath it, always a hair-trigger away from insulting or starting a fight with someone and not afraid to launch mean-spirited remarks on a moment's notice.
Like a Son to Me:
- Due to his friendship with Harriet and years of service under the Violet family, Dr. Hawthorne sees the Violet twins like his children and thus is against Juliet and Morris' engagement due to Morris' personality.
- Ann is stated to treat Chris much like a mother would, having raised him since he was taken in by the Marble Company. That's because she is his mother, but she never revealed the truth to him because she didn't want to make the Company look weak.
Long-Lost Relative: As the murders continue, it's revealed that Chris, Juliet and Eva are Aaron's children from his many past affairs.
Love-Obstructing Parents: Juliet and Rikka Fujimar are pretty much dating, but Juliet's parents have to arrange her marriage to make peace with a rival family. Juliet brings Rikka into her engagement talk is so she can subtly convince her parents that she already has her choice. Her family all like Rikka, though her mother has a reason for that, but the family still go on with the engagement. They succeed with the Altar Diplomacy... between Cain and Laurie, while Juliet is free to be together with Rikka.
Maybe Ever After: While it's strongly implied that Juliet is in love with Rikka, it's never directly said what Rikka's feelings for her are, just they're strong.
Obfuscating Stupidity: Cain pretends to have the mentality of a child to avoid inheriting the violent crime business of his family. The first time he drops this act, he tries to scare Rikka Fujimar away as he thinks that she committed the murders. Then at the end, he drops the whole act entirely, being inspired by his mother's suicide to not run away of his responsibilies and telling his family that he will become the leader of both families to prevent such another tragedy from happening again.
Obviously Evil: Cain appears this way due to having Mephistopheles' appearance, his name being Cain doesn't help. It is subverted as he's a good kid, even the reveal that he's faking a mental disability is because he hates violence and doesn't want to take over the family business.
Perfectly Arranged Marriage: Adamska and his wife were arranged to be married but they were happily married for years. Adamska admits he knew about Harriet's pregnancy before marrying her but still fell for her when he first saw her and Harriet says Adamska was the best husband she could have asked for.
Platonic Life-Partners: Dr. Hawthorne and Juliet's mother Harriet are old friends who have spent a long time together due to Hawthorne being the Violet's family personal doctor. The doctor admits he had a crush on Harriet in his youth but was simply too scared of her family to act on it and is grateful to the family for his stable profession.
Psychic Dreams for Everyone: The Protagonists's "dreams" of this event are very real, but from Chaldea's perspective the murder mystery is happening a few days into the future. Holmes takes advantage of this to arrive at the island in person, having known ahead of time there would be a murder case.
Really Gets Around: Aaron revealing that he slept around in his youth isn't him bragging, Chris, Juliet and Eva are all revealed to be his children. Thus the only non-adult characters in this event that aren't related to him are Cain and Rikka Fujimar.
Rivals Team Up: Dr. Hawthorne states the reason for the Violet and Goldie families creating an alliance is the appearance of a new enemy attacking both families. He even states if they don't work together both families could collapse in a decade.
Shipper on Deck: Harriet and Eva ship Juliet and the person the protagonist is possessing.
Shotgun Wedding: Zigzagged as Harriet was forced by her father to get married after she gets pregnant but she isn't forced to marry Aaron because she lied and didn't tell him he's the father because she didn't want to risk the Feuding Families erupting into full-out war. She instead marries Adamska who fell in love with her the moment they meet for a matchmaking. She admits that had she come clean, she might well have married Aaron and prevented all of this.
Spare to the Throne: When Morris goes missing, while they don't write him off as dead, it still leaves the problem of the Goldies needing someone to offer to the marriage. Aaron decides to use this moment to reveal Chris is one of his sons from his running around days that he left with the Marble Company to raise, announcing his intent to name him the new heir to make the engagement with Juliet go through, and stating that the Marble Company should have no problem with that since they've allowed things to get this bad in the first place. Ann agrees despite her own personal misgivings about it, as does Chris, who considers maintaining the honor of the Company more important than any personal feelings. Sadly for Chris, this puts him in Harriet's crosshairs since he's still Juliet's half-sibling through their relation to Aaron and so she kills him.
Speed Echoes: Wǔ is apparently so fast he can easily create afterimages.
Stable Time Loop: To ensure that the events exactly happen as they were told by the Protagonist, Holmes aka Sheringham is not allowed to change the events around Kogetsukan to avoid a time paradox.
Strong Family Resemblance: Juliet looks exactly like a younger Harriet which is why a drunk Aaron thought he had met Juliet before. This is foreshadowing that Harriet looks like Euryale and not Raikou.
Surprise Incest: The reason Harriet committed the murders. She does not want anyone to know that the marriage would in fact be between half-siblings if it went through and spark a war. Indeed, she's so scared of even the knowledge that they're step-siblings at all would be enough to spark one, which is why she refuses to answer honestly when Morris and Chris ask why she's so insistent on stopping the engagement.
The Tease: Eva's quite the flirt, making a pass at Morris, Chris and even the person the protagonist is possessing. Adamska's minor embarrassment wouldn't make sense if she was his wife but would if she was only his daughter.
Theme Twin Naming: Juliet and Harriet. It's actually a Red Herring. Their names rhyme, but they aren't twins.
Undying Loyalty: Chris has openly stated that he would be happy to die if it benefited the Marble Company as they took him in and raised him. This trait gets him killed as Harriet realizes he would never break off his engagement with Juliet as it would tarnish the Marble Company's reputation.
Wholesome Crossdresser: In the novel, Rikka Fujimar is a woman cross-dressing as a man.
Well-Intentioned Extremist: Why Harriet kills Chris and Morris. She didn't want anyone to find out that the marriage would in fact be between half-siblings if it went through, unable to get over the fear that even without the engagement just the knowledge of them being half-siblings, and thus her illicit liaison with Aaron from decades ago, would spark a war.
Yellow Peril: Spoofed. Turned out Wǔ really is a Magic Chinaman but he's only there as a contractor. He points out that if he were the murderer, he wouldn't be this sloppy and could have killed everyone easily.
Younger Than They Look: Cain is meant to be a teenager (Juliet mentions he's in high school) but he looks like an adult due to looking like Mephistopheles. Eva has Raikou's appearance and not Euryale's. Eva is also Juliet/Stheno's younger sister. This actually causes some problems for everyone, and it ends up being a Red Herring.

Suspects from the Old Spider Spins Webs of Memory Case

Three mages, each hoping to bid for the perfect catalyst to summon Siegfried in an upcoming Holy Grail War, have each allied with three local crime bosses in a city, and have agreed to a truce leading up to the auction. However, before the bidding begins, the catalyst is stolen, and the protagonist and Moriarty have to determine the culprit to avert a costly gang war. As with the Kogetsukan murder case, the cast are represented by Servants but do not perfectly match their mirrors.

Charm Person: Lanling's magecraft is mentioned to involve mental hypnotism and he was planning to try to use this to seize the catalyst even if he lost the bidding.
Dark Horse Victory: The true culprit is actually the host, Sieg, who was not only secretly a mage but an heir to the legacy of Siegfried who was disgusted at the idea that the hero he idolized would sully himself competing in something as brutal and dangerous as a Grail War for shady Masters.
Noble Demon: The protagonist outright says that none of the suspects are good people, but that they all have their own ideas of proper conduct they hold themselves to. Indeed, at the end, the three crime bosses bury the hatchet, ominously plotting to purge their organizations of troublemakers that might object to the merger, and all three mages renew their pledge to win the Grail War, even at cost of the others' lives.
Old Soldier: Diarmuid's getting on in years and thinking about retiring, but he doesn't want the city to go up like a powder keg if he leaves a power vacuum.
Slobs vs. Snobs: Threaded through the conflict between all three crime bosses. Diarmuid's gang is the oldest and most well-established in the city, and has carefully cultivated a reputation as Neighborhood-Friendly Gangsters. The Assassin of Shinjuku's gang are ruffians who resent that people still treat them as johnny-come-lately outsiders even though they've had a presence in the city for twenty years. And Izo's gang are not only smaller and weaker than the other two, holding on almost entirely due to the strategic importance of their territory on the city docks, but other characters repeatedly dismiss them as brutes and say that Izo has to do all the thinking for them.
Villain with Good Publicity: While Diarmuid's gang is no less brutal than his rivals', he worked hard to cultivate a strong reputation for honor and fair dealings that actually served him well; the city still treats his people as more respectable than the Assassin of Shinjuku's even though their gang has been around for a long, long time too.

Servant Universe

In one alternate world, humanity found a way to evolve by replacing their flesh and blood with Spirit Origins and thus became a space-faring race. While zany and somewhat of a Space Opera parody, they are advanced, and most characters met are given the suffix "Space" to separate them from their GO counterparts. Is first mentioned in the first Saber Wars event, before being explored in full during the Saber Wars II event.

Bizarro Universe: Many of the Servants there have different personalities and classes from their legends from the Proper Human history.
Cerebus Retcon: In the first Saber Wars event, Mysterious Heroine X said that it is filled with Servants in space. In the sequel, it's revealed why; humanity discarded their physical bodies for those of the Spirit Origins, allowing them to evolve. What's more, this act of evolution also caused the goddess of their world, Astaroth Origin, to attack the Servant Universe for abandoning the Ancient Universe; their original home.
Denser and Wackier: The Servant Universe is by and large a much sillier place than most of the other places visited in the game.
Everyone Is a Super: Practically every person living in the Servantverse is a Servant without any humans left to become a Master for them. Even most of the regular thrash mobs are listed as being Servants!
May the Farce Be with You: The Saber Wars events in general are parodies of the Star Wars franchise.
Planet of Copyhats: Beyond having Single-Biome Planet, some of the planets in Servantverse are dedicated to a single type of Servant. Mysterious Ranmaru X comes from Planet Ranmaru where everyone is a Ranmaru, and she comments that there is even an entire civilization of Nagayoshis out there
Real After All: The whole idea of Servant Universe seemed like "Mysterious Heroine X" making things up for Back Alley Satsuki - Chapter Heroine Sanctuary so that Altria can have a reason to go around and kill the other Sabers. But as Mysterious Heroine X Alter's Trial Quest shows, the Servant Universe is quite real and as wacky as Heroine X has been describing it.
Single-Biome Planet: According to X Alter in "Prosperous Chocolate Gardens Of Valentine", there are entire planets made of chocolate that are mined for the sugary resource in the Servant Universe.
Space "X": They add "Space" to practically everything.
Space Opera: Is a parody of it, however, that doesn't mean that there are still dangers and perils, ridiculous though it may seem.

Professor Tokiomi

Voiced by: Show Hayami

"Professor"

A professor in Servant Universe. He studied the Origin Universe until he came across one half of the core from the goddess from the said universe. He is featured in "Saber Wars II".

Adventure Archaeologist: He traveled the Servant Universe exploring ruins to learn about the Origin Universe.
Alternate Self: He is basically the Servant Universe's Tohsaka Tokiomi.
Alternate Universe Reed Richards Is Awesome: He's a much more likable and capable character compared to the one that most people are familiar with.
Becoming the Mask: He originally took up archaeology as a cover, but he grew genuinely enthralled with it. More significantly, he chose the raise the evil half of Space Ishtar as his daughter initially to teach her the virtues of love and happiness, but genuinely came to view himself as her father.
Dead Man Writing: The "goddess scriptures" obtained after defeating wanted criminals are Betamax files about his research, containing all his secrets on the nature of Space Ishtar.
Deceased Parents Are the Best: He raised Space Ishtar, the literal evil half of Astoreth Origin, so well with love that when he died, she isn't consumed by the thoughts of any wrongdoing but simply trying to live a life that she knows he would approve of.
He Knows Too Much: His knowledge about the Ancient Universe led to his death. Or more accurately, that he neglected to hand over Space Ishtar to Space Shinkageryu despite them funding his research, which Munenori took exception to.
Jerk with a Heart of Gold: By "Ishtarin's" own words, he was a meritocrat with very high standards for both himself and others and could come off as a hard-ass, but deep down he was also a big softie who valued "peace over profits".
Muggle Foster Parents: Other than being a space archeologist, he is just a muggle compared to his adopted daughter, a literal half-goddess.
Mythology Gag: He's not the first alternate Tokiomi to be an important scientist NPC in a sci-fi setting.
Posthumous Character: He has been dead for around 10 years by the time of the event. However, the Talkie computer appears to be some kind of remnant as it frequently imitates Tokiomi's talking mannerisms.
Token Human: Explicitly identified as one of only seven Masters native to the Servant Universe. Since Saber Wars II also states that Servants can't be Masters, that makes him this.
Uncertain Doom: The Tokiomi who manages the Mission List at first seems like at worst a Continuity Cameo of the Proper Human History Tokiomi or at best a Posthumous Character cameo of the Professor as he uses "Be Elegant" Craft Essence artwork for his portrait. But one of his post-event dialogues has him asking not to tell "her" (AKA Ishtarin) that he's alive as they'll surely reunite with one another some day. This implies that he either survived Munenori's attack and is now laying low, or he did indeed die and now exists as a Servant.

Nameless Tortoise

https://static.tvtropes.org/pmwiki/pub/images/namelessturtle.png

Himiko's little brother

The little brother of Queen Himiko of Yamataikoku, who was transformed into a nameless tortoise. He appeared in"GUDAGUDA Yamataikoku" as a supporting character.

The Atoner: He sacrificed his own name and human form because he felt it was the only way he could make up for revealing Himiko's power and depriving her of a normal life.
Foil: To Nobukatsu. Both of them are little brothers who devoted their lives to their older sisters, working behind the scenes to ensure that their sisters could fulfill their roles to the best of their ability. However, while Nobukatsu planned a coup with the intent of committing Suicide by Cop and removing himself as an obstacle to Nobunaga's path of success, Himiko's little brother worked himself to the bone until his death for his sister to perform as best as she could as queen of Yamataikoku.
Heroic Sacrifice: He entrusts his Spirit Origin to Nobukatsu after Taking the Bullet meant for him.
Mature Younger Sibling: He's definitely more mature than his sister, who's more of The Ditz under the queenly facade she puts up.
Taking the Bullet: He takes a blow from Serizawa Kamo meant for Nobukatsu so Nobukatsu wouldn't throw his life away for his sister.

Akiba Nero (Unmarked Spoilers from Event: Akihabara Explosion!)

https://static.tvtropes.org/pmwiki/pub/images/portrait_servant_090_1.png

^{Her true form}

An Alternate Self of Nero Claudius (Bride) who had appeared in Akihabara Singularity as a popular idol singer. She appeared in Event: Akihabara Explosion as a supporting character.

Initially believed to be a statue of Nero in her bridal outfit brought to life by the King of Figures, her true identity was revealed to be the Proper Human History version of Aphrodite, one of the Twelve Olympians and the Goddess of Love and Beauty, who was summoned under special circumstances.

Adaptational Nice Guy:
- Her Lostbelt counterpart notwithstanding, the mythological Aphrodite was a classic case of a volatile, easily jealous goddess that doesn't give much attention to humans, often causing them misery on her own whim and especially when they somehow pissed her off by belittling her status as the Goddess of Beauty. The Proper Human History Aphrodite actually likes humanity and much more kindhearted too.
- During a conversation between her Lostbelt self and Peperoncino in regards of the Trojan War, while the Lostbelt self claims that she really doesn't care about the results of the war (much like normal portrayals of Aphrodite about the event), Pepe surmises that in the Proper Human History, Aphrodite was horrified at the results of the war caused by her winning the favor of Paris (not unlike another nicer portrayal of Aphrodite in another media).
Alternate Self: Subverted. At first, it seemed to everyone that she was an Alternate Self to Nero Claudius (and of course, her Bride Nero form). However, this is only a disguise assumed by the Proper Human History version of Aphrodite, whose Lostbelt counterpart is an Alternate Self instead.
Badass Adorable: For being a (seemingly) Alternate Self to Nero, she is this. This was retained after her true identity as Aphrodite was revealed, showing that our Goddess of Love and Beauty is much more likable and cheerful than her much more callous Lostbelt counterpart.
Becoming the Mask: Downplayed. She was so fixated with portraying the role of Idol Nero, that she even kept the tone (at first) when her disguise shattered. Still, it took a long time for her to realize what had just happened.
Deadpan Snarker: Had traces of this as her reaction after Artemis pointed out her disguise was breaking down before she could realize it.
Good Counterpart: To Lostbelt Aphrodite, obviously. Unlike her Lostbelt counterpart who is a Jerkass God, the Proper Human History version of Aphrodite is much more bubbly and kindhearted in personality. She likes humanity as well, possibly as a result of lacking Lostbelt Zeus' brainwashing casted upon her Lostbelt counterpart.
Good Smoking, Evil Smoking: At first, it seemed that Aphrodite lacked the smoking habit her Lostbelt version had, but it became a subversion after she lit up a cigarette for herself before her departure. There is no explanation of her smoking habit's origin as of yet.
Jerk with a Heart of Gold: Before she departed, Aphrodite wished Artemis well, though she also mocked Artemis for having a perverted boyfriend like Orion, much to Artemis' fury.
Mood Whiplash: Had one during her identity being revealed. She was still happily appreciating everyone's support in her fan club not long after her disguise shattered... and seconds after that, she realized her cover was blown as her smile went frozen. Finally, she was terrified at it and screamed in embarrassment.
Split Personality: Her Divinity is split between two different aspects. The first aspect is Urania, the chaste and lofty Muse of astronomy that represents her as a "love goddess". The second aspect is Pandemos, the lusty and sensual goddess of the earth that represents her as the "goddess of death".
Walking Spoiler: She only revealed her true identity as Aphrodite by the end of the event, albeit only to Artemis alone and purely by accident.

Shusha (Unmarked Spoilers from Event: Champion Tea Ceremony Battle)

https://static.tvtropes.org/pmwiki/pub/images/shusha.png

Firstborn of the Toyotomi

Adorably Precocious Child
Momma's Boy: He seemed to have a good relationship with his mother, Chacha, as his name alone is enough to turn Chacha into an Avenger.
Walking Spoiler: His true Identity as Toyotomi Tsurumatsu is hard to talk about since it's a big reveal.
Unwitting Instigator of Doom: The boy is a big tragic case of one in Real Life. His birth was supposed to be his father Toyotomi Hideyoshi's guarantee for a smooth succession. However, his early death within 2 years forced a) the appointment of Hideyoshi's adult nephew Hidetsugu as Regent (and possible successor), complicated by b) Hideyori's birth, which led to the execution of Hidetsugu and everyone remotely associated with him.

Ritsuka Fujimaru (Grail League)

https://static.tvtropes.org/pmwiki/pub/images/img_0534_87.jpg

Remnant of a Pruned Timeline, Here For Some Baseball

Voiced by: Akira Sekine

Fan Nicknamed Rokka Fujimaru for differentiation purposes, she is a version of the Master of Chaldea who's encountered during the events of Fate/Grail League. She serves as the commentator during the baseball matches.

Affectionate Nickname: She refers to a number of her Servants with nicknames, implying her strong connections with her Servants before her loss.
Alternate Self: She's this to the Master of Chaldea; due to her artstyle it's easy to think of her as this to the Nameless Master/Riyo Gudako more specifically.
Fading Away: At the end of the event app along with the other baseball Servants and the Crypters.
Meaningful Name: Her name is derived by removing the base of 立 from the canon Ritsuka's name to get 六, symbolizing her status as someone doomed to wander time and space forever after her loss in one of the Lostbelts (heavily implied to be Nahui Mictlān judging by the lack of command seals) caused her version of PHH to be pruned. This kanji unique to her name also means "six", further implying she couldn't make the 7th.
Ret-Gone: From a timeline that was pruned.
Spell My Name With An S: 六香 is most likely meant to be read as "Ritsuka" to reflect her status as the protagonist's Alternate Self, but the most common reading for this name in real life is "Mutsuka", with "Muika", "Rokka", "Rikka" and many others also being viable readings. Because she only appears for 1 day and there is no official English spelling for her, we may never know.

Nero's Old Master (Unmarked Spoilers from Event: Lilim Harlot)

Hakuno Kishinami

The victor of the Moon Cell Holy Grail War and the original Master of Nero Claudius.

Big Good: Within terms of the event, they're the ones pulling the strings the entire time, and had been watching over events. They explain that while they were never Draco's Master, she was still an Echo of Nero, and thus felt obligated to help her.
Continuity Nod: They're still wearing their white outfit from Fate/Extella when the Protagonist meets them. Although they later switch it out for their iconic school outfit when they meet with Draco at the very end of the event.
Doppelgänger Gets Same Sentiment: The reason they chose to help Draco is because, though she's not the same Nero they were the Master of, the fact she's still a Nero even if only an "Echo" was enough to prompt them to save her from her fate.
Face Framed in Shadow: Their face is constantly obscured in shadow for all appearances.
Foreshadowing: In both arcade and mobile; First Hassan asks Draco if she "still sees the star." To which she replied that yes, even in her filth; she still looks to it. It was her memories via Nero of Hakuno.
The Ghost: Aside from appearances in Craft Essences, they had been only vaguely mentioned by Servants such as Tamamo and BB prior to finally appearing in the flesh in Lilim Harlot.
My Name Is ???: Their name is simply listed as "? ? ?" during the entire exchange with the Protagonist. When they attempt to ask for Hakuno's name, the latter claims it's Francis Xavier only to backpedal upon realizing the Protagonist might actually be gullible enough to believe that due to the sheer amount of Servants with unique circumstances they've met.
Previous Player-Character Cameo: They were the protagonist of Fate/EXTRA prior to making an appearance in this game.
Purely Aesthetic Gender: The player is given the choice of setting their gender in an unskippable choice before they appear with no script differences made by this choice besides Hakuno's appearance. This is despite conversations with BB previously establishing their gender matched that of the player.
Spanner in the Works: Although it was initially assumed to be the work of the Demon Beast Incarnadines, they reveal that they are the one who arranged for the Protagonist to be contracted to Draco in an effort to save her.
Virtual Ghost: As in the source game proper. They make it abundantly clear to the Protagonist that they're not actually human but don't divulge any further than that regarding their true nature.

Interlude Characters

Miss London

A shadowy yet seemingly benevolent entity that appears to help the player and Amakusa Shirou in Jack the Ripper's second Interlude, "Dancing Träumerei".

Anthropomorphic Personification: Of the Victorian Era City of London, or at least its (good) "conscience" ...or so she claims.
Connected All Along: Her dialogue at the end of the interlude strongly hints that she's actually, at least in part, Reika Rikudou, mentioning that she may have been a former Master of Jack's who took the bullet for her.
Dark Is Not Evil: While her sprite has an obscured face and she is surrounded by dark, purplish miasma, both traits usually applying to antagonists such as vengeful ghosts and Shadow Servants, she is by all accounts helpful, kind and considerate, especially towards Jack, even fully knowing what she is.

Iseult of the White Hands

The unloved wife of Sir Tristan who shared the same name as his beloved. She appears in a flashback of his death in Tristan's interlude, "It begins with loss", where she helped in Tristan's death, by lying of the colors of the sail the other Iseult was on, he fell to despair and succumbed to the poison.

One-Steve Limit: She shares the same name as Tristan's beloved, which was the reason he married her.
Replacement Goldfish: Because Tristan couldn't be with the other Iseult, he settled for someone with the same name.
Sympathetic Murderer: Even though her lies led to his death, Tristan can't bring himself to hate her. He freely admits he married her for the worst reasons, didn't even try to make their relationship work when it quite possibly could have, and generally treated her quite shabbily; in his own mind he deserves his fate.
Woman Scorned: Despite being married to her, Tristan's constant pining for the other Iseult and neglect of her caused her to lie to him.

Characters / Fate/Grand Order: Other Characters

Observer on Timeless Temple Characters

Singularity 1: Orleans

Singularity 3: Okeanos

Singularity 6: Camelot

Singularity 7: Babylonia

Epic of Remnant Characters

Pseudo-Singularity I: Shinjuku

Pseudo-Singularity II: Agartha

Pseudo-Parallel World: Shimousa

Psuedo-Singularity IV: Salem

Cosmos in the Lostbelt Characters

General

Lostbelt 1: Anastasia

Lostbelt 2: Götterdämmerung

Lostbelt 3: S.I.N.

Chapter 3.5: Ooku

Lostbelt 4: Yuga Kshetra

Lostbelt 5: Atlantis

Lostbelt 5 Part 2: Olympus

Chapter 5.5: Heian-kyō

Lostbelt 6: Avalon le Fae

Odin

Tunguska Sanctuary

Fabro Rowan

Lostbelt 7: Nahui Mictlan

Ordeal Call Characters

Chapter I: Paper Moon

Chapter II:Id

Event Characters

Hakuno Kishinami

Interlude Characters

Previous

Index

Next

Characters / Fate/Grand Order: Other Characters

Edit Locked

Observer on Timeless Temple Characters

Singularity 1: Orleans

Singularity 3: Okeanos

Singularity 6: Camelot

Singularity 7: Babylonia

Epic of Remnant Characters

Pseudo-Singularity I: Shinjuku

Pseudo-Singularity II: Agartha

Pseudo-Parallel World: Shimousa

Psuedo-Singularity IV: Salem

Cosmos in the Lostbelt Characters

General

Lostbelt 1: Anastasia

Lostbelt 2: Götterdämmerung

Lostbelt 3: S.I.N.

Chapter 3.5: Ooku

Lostbelt 4: Yuga Kshetra

Lostbelt 5: Atlantis

Lostbelt 5 Part 2: Olympus

Chapter 5.5: Heian-kyō

Lostbelt 6: Avalon le Fae

Odin

Tunguska Sanctuary

Fabro Rowan

Lostbelt 7: Nahui Mictlan

Ordeal Call Characters

Chapter I: Paper Moon

Chapter II:Id

Event Characters

Hakuno Kishinami

Interlude Characters

Previous

Index

Next