Immortal Immaturity

"There's no point in being grown up if you can't be childish sometimes."
The Doctor, Doctor Who

The tendency of immortals in fantasy and science fiction to not act significantly older than they look — even if they're Really 700 Years Old.

Fair enough when you're talking about an alien species or fantasy race with a very long lifespan. Ancient vampires who behave like teenagers — or even like ordinary adults — may present more of a strain on credibility, relative to the seriousness of the genre in which they appear.

Often justified in the sense that an immortal wouldn't have to deal with many of the psychological aspects of growing older. Their bodies don't break down with age, so they don't have to come to terms with decreased mobility or mental capacity. They won't die of natural causes, so they don't have to contemplate the inevitability of death, or the possibility of an eternal reward (or punishment) and all the moral responsibility that might carry. They don't have to worry about their legacy or leaving anything unfinished, because there really is always tomorrow. They don't take on the responsibilities of parenthood, because the species survives without the need for each member of the population to produce and care for its replacements. Because of all this, these characters never need to "grow up" in the sense that a mortal does. It could also be down to the creators themselves simply having no idea how the psychology of a centuries-old being ought to be.

A darker take of this would be where the immaturity is a facade, and the character does indeed have inner angsts and turmoils that most mortals actually wouldn't be able to relate to. For example, being immortal but having mortal friends would mean watching them age and eventually perish while you remain unchanged, and while you wouldn't have to wonder about what awaits you in the afterlife, the question of what will happen to you when the world ends and there are no more people remains. Thus, inner angst is generated over stuff that mortals don't have to worry about, but is kept hidden except for special circumstances when the immortal character gets the spotlight, when such issues are thrown into light for for Hidden Depths or Character Development.

There is an argument to be made that absent changes to the body, the rate of 'change' to the mind slows even in real life; that is, the changes between birth and age 10 are vastly bigger than the changes from 10 to 20, which in turn are much larger than the difference between 20 and 40 or even 20 and 60. This argument would have it that absent the bodily changes of old age, the changes from 50 to 500 might not be so extensive as one would otherwise expect. It's also probable that a being with a longer lifespan could take a proportionately longer time to reach emotional maturity. A 100- or even 1000-year old immortal alien might be the equivalent of a human ten-year-old, while for immortal children who find Not Growing Up Sucks (or rocks) it may well be that having their clock stopped at a certain age also froze their cognitive development. They may get smarter, but not wiser.

Another part of this trope is that very often the apparent ages of immortals correspond to their status, so that the leaders are in their 30s with teenaged followers, even when their apparent age should have no relationship to their true age.

Might sometimes be a result of Crazy Sane.

Compare the Great Gazoo, an immature Reality Warper (who thinks it really is a toy). Also compare Little Miss Almighty.

If The Mind Is a Plaything of the Body, then this trope may result as a consequence. See Emotional Maturity Is Physical Maturity for the broader concept of physical age being more important than actual age as regards emotions.


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    Anime and Manga 
  • Chibiusa, a.k.a. Sailor Chibi-Moon, from Sailor Moon looks and behaves like a five-year old. According to the manga, she's about 900. She still seems to find primary school to be challenging.
    • This only applies to the manga, she's a regular girl on the original anime adaptation.
  • The Wolkenritter from Lyrical Nanoha. Vita looks like a child, and acts like a child — though it could be fairly said that she's just immature, which is a problem that doesn't automatically go away with age. Her rather sucky role in life up to that point, and during the second season, probably also contributed to her lack of control via lots of emotional pain. Still, it's awfully coincidental that the most child-like Knight in appearance would be the most childish in behavior, given that they're all supposed to be the same age.
  • Chizuru of Kanokon. On the one hand, she is a fox spirit, with all the instincts that entails, but on the other, she's four hundred years old, so you'd think she'd know that trying to rape a shota is bad manners. Her mom is a little better but still has entirely too much fun with said shota herself.
  • The Twelve Kingdoms: There are immortal characters who are over a hundred years old, but still act and consider themselves as teenagers.
  • Evangeline of Mahou Sensei Negima! likes to act refined (difficult when she has to look up at the person), but sometimes lapses into childish whimpering (usually when she trips and falls). Whenever she starts to avert this and act her age, Chachamaru usually tells her "please don't start pretending you're old". She lampshades this on at least one occasion, laughing ruefully about how her pre-pubescent form influences her self-perception and personality.
    • It's implied that Albireo "Colonel Sanders" Imma is much older than he appears. He spends a good chunk of his post-Tournament Arc appearance making fun of Evangeline. Especially her middle name.
  • In Dragon Ball:
  • Ranma ˝
    • Hinako Ninomiya is somewhere in her mid-to-late twenties; however, thanks to Happosai, her body ages incredibly slowly, so she currently looks like a ten year-old girl. She can only grow up to reflect her true age by absorbing the Battle Aura of highly-combative people around her, and even then, only temporarily. How she acts depends entirely on how she looks — she could be watching Doraemon, reading Shojo or gushing over the giant panda in the living room as a child one second, only to suck out Ranma's ki and try to hook up with Akane's father as a grown, mature woman the next.
    • Happosai's general outlook on life can be summarized roughly as "five year old child with the hormones of a stereotypical boy just hitting puberty".
  • In Mermaid's Scar, a subversion occurs when an immortal who has lived for 800 years as an 8 year-old boy only acts as a child to keep up appearances; his mind is anything but childish.
  • Some of the Soul Reapers from Bleach, particularly Rukia and Renji, alternate between acting like the teenagers they appear to be and the Really 700 Years Old warriors they actually are.
    • Yachiru usually acts as the seven year old she appears to be, and only rarely shows her maturity.
  • Lety from The Record of a Fallen Vampire is Really Fifty-Six Years Old but looks and acts like child (well, a child with incredible sniper skills). Her excuse: if she acted her real age it would appear "unnatural" and she'd have a harder time hiding among humans.
  • Every nation-tan in Axis Powers Hetalia. Most of the characters have a "human age" of around early teens to late twenties, but being anthromorphizations of nations they are all hundreds or thousands of years old. They usually act more like their human ages (and sometimes even younger). Taken to the extreme with the bubbly and youthful China, listed with a Human age of 4000 and immortal.
  • Inuyasha is not about fifteen? Closer to 250 in fact. Although 50 of those years were spent pinned to a tree in a state of suspended animation.
  • In Pokémon, Mew is a Physical God and one of the oldest beings in existence, but still behaves like a young child.
  • In Fullmetal Alchemist, Greed has a habit of referring to older humans in a disrespectful way ("old fart", "pops", and the like), which fits this persona/appearance as a punk in his early twenties. However, it's kind of odd when he's closer to three hundred years old.
  • Kyo Kara Maoh!'s Wolfram von Bielfield is eighty-four, and he behaves like a particularly bratty and childish fifteen.
    • Cheri, Anassina, Stoffel, and to a certain extent Gunter and even Hube show symptoms of this. Gwendal on the other hand seems to have been an old man by sixty.
  • The main devils of The World God Only Knows. Elsie's about 300 and behaves like a ditzy 12 year old. Her classmate Haqua is a little better - but only a little, being about as emotionally mature as a human teen. It's a reliable source of humor in the scenes focusing on them.
  • Mina Tepes from Dance in the Vampire Bund seems to suffer from this intermittently. It is never made clear how much is an intentional put on, how much is her relaxing when not obliged to put up a strong front, and how much is neither; but there are times it is hard to remember that she is older than fifteen... and other times when it is hard to mistake her (despite her height and figure) for anything younger than fifty.
  • Holo from Spice and Wolf looks and usually acts like a girl in her teens despite being a harvest god hundreds of years old.
  • Firo tries to avert this in later volumes of Baccano!, as getting mistaken for a fifteen-year-old is just as annoying at ninety as it is at nineteen. He is spectacularly bad at it, however - he still talks to his wife of twenty years like a boy asking out his first crush.
  • Koumoto Akane from My Monster Secret is a devil and thousands of years old, yet looks and acts like a young teenager and a spoiled brat to the constant despair of her human great-great-granddaughter.
  • Gate:
    • Tuka Luna Marceau is a 165 year old elf, but she looks and acts like a teenager. By the standards of her race, she was a teenager.
    • Rory Mercury is 961 years old, but usually acts like a Fille Fatale 13 year old. However, she is perfectly capable of acting mature if she has to, like in an epic scene where she scolded a person who was disrespecting and criticizing soldiers.
  • Tet from No Game No Life looks and behaves like a child, despite being the Physical God of Games.

    Comic Books 
  • Somewhat back and forth in Fables. Most of the characters act like the thirty-somethings they are physically, except for Pinocchio, who, much to his annoyance, is still pre-pubescent. (Though for some reason the artist is fond of drawing him with a rather strong jaw.)
  • One of the subplots in the latter part of Preacher is the general immaturity of the vampire Cassidy, and its destructive impact on not just himself but the people he comes into contact with.
  • Topher, the vampire foe of the Runaways, is an aversion. He hasn't aged past being a teenager in 100 years. Hasn't stopped him from making a killing on the stock markets in the 1920s and losing it all in the Dot Com bubble.
  • All of the Endless in The Sandman display this to a greater or lesser extent: Delirium is eternally childlike, and even dignified Dream has his moments of angsting like a lovelorn teenager. On the other hand, Death looks and talks like a teenage Perky Goth, but she is also one of the most mature and philosophical characters in the series and clearly knows the weight of her age and responsibility. Later issues imply that Death matured to become the quasi-teenage Perky Goth we all know and love: in her "youth," billions and billions of years ago, she was cold and cruel.
  • In The Superhero Squad Show comic, Eternity is revealed to be an avid collector of entities.
  • In Tom Strong, Tesla Strong, despite really being seventy-five years old, looks, acts, and is treated like a teenager.


  • In The Hitchhiker's Guide to the Galaxy, Wowbagger the Infinitely Prolonged has made it his mission to insult every being in the universe, personally, in alphabetical order. Which only began after the awesomeness of being immortal finally wore off and the eternal boredom set in.
  • Lampshaded in Ken MacLeod's novel Newton's Wake: A rejuvenated woman says people like her just get a bit "cannier", and passes the rest of it off as fatigue poisons and neural decay.
  • Peter Pan is all about this, his skills with a blade on par with those of Captain Hook notwithstanding. Justified in his case, since his overwhelming desire to be immature is why he became immortal in the first place.
  • In Dragonlance, Paladine, the god of good, when in his avatar form is rather a comic figure. Some of that might be Obfuscating Stupidity but it is implied that some of it is also his real character.
    • Paladine's more Eccentric Mentor than anything. He may act eccentric and amusing, but even as Fizban he's always on top of what's going on.
  • In Harry Turtledove's Tales of the Fox series, the gods are Spoiled Brats because, being nearly all-powerful, no one can discipline them. The only exception is the All-Seeing Ikos, and even he can be manipulated by his pride.
  • The gods of David Eddings' The Elenium are prone to some rather immature emotionalism. It's explicitly explained by the world-weary Sparhawk as almost stemming from their immortal nature; having never needing to fear death or be chastised they don't develop maturity as well in some aspects of their personality. Curiously, the least immature Styric deity in Sparhawk's world seems to be Aphrael, the Child Goddess. One of her brothers, Setras, appears more concerned with sunrise artwork than with humans and has to have every plan explained to him in words of one bit that words are made out of.
  • The gods of Dweia from Eddings's The Redemption of Althalus are also prone to immature emotionalism, though to a lesser extent, and with the same reason given.
  • Edward and his siblings from Twilight. With the exception of some very adult takes on death and sex, they all act like the teenagers they look like. It's explained in the books that this is a result of becoming a vampire; the ex-human is frozen in time both physically and mentally. Doesn't explain why Bella thinks that Edward is oh-so-mature though.
    • A more frightening take on this is the immortal children: a child who becomes a vampire will never be able to gain the self-control of an adult vampire, and will instinctively slaughter everything instead. Combine that with super-vampire strength, speed, etc. and the supernatural ability to make anyone who lays eyes on them fall obsessively in love and fight to the death to protect them, and it's no wonder it's illegal to bite children.
  • Discworld:
    • Lampshaded with the "teenaged" vampires in Carpe Jugulum, who are three hundred years old, and wish their parents would treat them as such... but don't act it.
    • Also, Granny Weatherwax to the Queen of Elves in Lords and Ladies:
      "You call yourself some kind of goddess and you know nothing, madam, nothing. What don't die can't live. What don't live can't change. What don't change can't learn. The smallest creature that dies in the grass knows more than you. You're right. I'm older. You've lived longer than me but I'm older'n you. And better than you. And, madam, that ain't hard."
    • Discworld's gods tend to be rather lacking in maturity as well as brains. (Thinking is what worshipers are for.) Small gods, who haven't attracted any followers, are even moreso: a pinch of ego and some willpower.
  • Sam and Hailey from Only Revolutions, who are "allways [sic] sixteen".
  • Avoided at first with Eli, a vampire who's been twelve for a long time in Let the Right One In. She doesn't act or think like a child, but begins to (possibly subconsciously) do so when she starts hanging around with the main character.
  • In The Legends of Ethshar novels, eternal youth spells freeze someone at that point in their maturity, and immortal wizards who revert themselves back to youth note that a younger body makes them act differently (especially as regards the libido.) One immortal who's been 15 for 200 years is eventually dumped by her 16-year-old beau as being too young (emotionally speaking) for him.
    • It's specifically noted that her emotional immaturity results from her miscasting the eternal youth spell: essentially, she's cursed to never grow up. Other eternally young wizards behave more like an old person in a young body.
  • Nearly every freaking god in Everworld is basically a five year old in terms of maturity and level of trust. This is a combination of naivete, an inability to change, and a lack of survival instinct. Some of the few exceptions include Loki, Huitzilopochtli, Athena, and Ka Anor, the God Eater.
  • The fey in Wicked Lovely. They are immortal, or at least Really 700 Years Old, but they very rarely act or look anything more than early-twenties. Probably the best example is Keenan, who is a 900 hundred year old teenager in pretty much all respects.
  • Honor Harrington occasionally addresses the implications of slowing the aging process and how much of your personality is influenced by hormone levels based on your age. Puberty and its associated mood swings has years added on to it.
  • In The Chronicles of Amber, most of the Amberite Princes initially think and act like charmless Royal Brats, but as the series goes on and conflicts force them to work together, develop into The Wise Prince.
  • The Dresden Files has the Winter Lady Maeve. She is easily hundreds. She has a body that can attract most anyone she wants. She is also one to throw temper tantrums when things don't go her way. In Cold Days it is implied this is not just because of Maeve's age but the Mantle of the Winter Lady which she gave into years ago. Should another woman take it from her and give into the power, in ten to twenty years she wouldn't be that different from Maeve.
  • The original Dracula, a vampire hundreds of years old, is a bit complicated in this respect. As explained by Professor Van Helsing: "Well, in him the brain powers survived the physical death. Though it would seem that memory was not all complete. In some faculties of mind he has been, and is, only a child. But he is growing, and some things that were childish at the first are now of man's stature. He is experimenting, and doing it well."
  • In Julie Kagawa's The Iron Daughter, Meghan observes that the Unseelie Court acts like the teenagers at her school.
  • In The Picture of Dorian Gray Dorian's painting ages for him and takes the cosmetic consequences of his sins, which allows him to commit hideous crimes without consequences to him.
  • Virtually every immortal from the Iron Druid Chronicles are narrow-minded, short-sighted, vindictive jerks prone to throwing tantrums or taking petty revenge for an slight real or imaginary. Its kind of expected from the gods given how they are portrayed in the series. Yet, mortals who became immortal are almost always the same including the main character. There are a few exceptions such as Jesus.

    Live Action TV 
  • Doctor Who:
    • The Doctor, who stole a (admittedly outdated) hyper-advanced time machine and left the most advanced civilization in the universe so that he could go sightseeing, and in general shuns any sort of responsibility. Special mention goes to Four, who provides the page quote and ran around munching on candy, and Eleven, who is obsessed with looking cool and gleefully proclaims that he's a madman with a box. Even One got in on the act, starting out acting like a spoiled teenager. And despite being one of the more mature-looking of the Doctors, the Twelfth Doctor eventually took on the persona of an aging rocker.
    • The Master is frequently portrayed as a Psychopathic Manchild, especially the Anthony Ainley and John Simm incarnations, to help cement him as the Doctor's Evil Counterpart. In the 2007 series, the Master successfully takes over the world, and alternates between burning down whole countries and blasting the Scissor Sisters while mocking his captives.
  • Older vampires on Buffy the Vampire Slayer and Angel tend to project "moderately clever adult who's been around the block a few times" more than "old man". Angel's interest in looking cool is occasionally lampshaded as age-inappropriate, despite the series stressing his maturity relative to the teens and 20-somethings he hangs out with. This exchange between Buffy and Angel stands out:
    Angel: "You know, I started it. The whole "having a soul". Before it was all the cool new thing."
    Buffy: "Oh, my God. Are you twelve?"
    • Anya was also something of an interesting case. Her behavior was explainable at first due to her life as a demon that had no relationship with humans. When it was eventually revealed that she was a human at one point in time, however, the explanation was retconned simply by demonstrating that she was always just plain weird. Spending eleven hundred years as a demon also contributed.
    • Spike, a vampire over a hundred and forty years old, mopes like a teenager when Drusilla breaks up with him. He gets some motherly advice from Joyce Summers, a human woman a fraction of his age. (The fraction in this case being 'less than a third but more than a quarter'.) Unlike his polar opposite, Angel, his flashbacks to the past usually involve a bonfire, mod clothing, or a disco.
      Angel: Wait a minute.... I wasn't in Italy in the fifties!
      Spike: Oh, right. Guess you weren't. (beat) Really missed out.
    • Put Angel and Spike in the same room, and they start going at it like a pair of teenagers. Wesley, a human man much younger than either of them, once expressed shock that they could spend 40 minutes intensely arguing about whether or not cavemen could defeat astronauts in a fight.
    • Buffy's original college roommate, Kathy. She acts like a typical college freshman, but it turns out she's a demon and thousands of years old. (She's also in big trouble from her guardian.)
      Kathy: (whines) I'm 3000 years old! When are you going to stop treating me like I'm 900?!
  • The teenage vampire on Moonlight in the episode "Arrested Development". He was 200 years old and acted like an angsty teenager. It was blamed on permanent hormones, but the writers seem to have forgotten that 200 years ago, someone his age could get married and would be treated as, and act as, an adult member of society.
  • In Hercules: The Legendary Journeys and Xena: Warrior Princess, the gods are pretty much just 30-year-olds (or even 12-year-olds that look 30) with big egos. Surprisingly accurate to the original mythologies, in which most of the pantheons were Jerkass Gods.
  • Trelane, in the Star Trek: The Original Series "The Squire Of Gothos", is an extremely powerful near-god and hundreds if not thousands of years old, but acted like a child...and by the standards of his race, he was—his parents showed up at the end to drag their whining kid home.
    • Q from the Star Trek: The Next Generation started off this way: looks to be 30, huge ego, power to match. He intentionally introduced the Federation to the Borg and put "Humanity on trial" just to make things interesting and test to see that Humanity had what it takes to be allowed to even exist. This childish behavior went on for a few seasons before the other members of the Q continuum punished him for the above mentioned reasons by taking away his powers and temporarily leaving him as a mortal. This lead to some Character Development in Star Trek: Voyager. He still liked to show up unexpectedly and sometimes pull off the occasional harmless prank, but there were bigger problems going on in the Q continuum that forces him to be more mature. (A popular fan theory is that Q is Trelane's older brother.)
    • Jadzia Dax, though not technically immortal, has several lifetimes of experience. Yet you wouldn't know it if they hadn't told you about it. It doesn't help that the Dax symbiote's host from before Jadzia was a Dirty Old Man, and that the lifetime of experiences of previous hosts directly affects the personality of it's current host, with the previous host being the most influential.
  • Rebekah from The Vampire Diaries is a 1000 year old vampire who's interested in cheerleading, boys, and the prom. Curiously, her brothers (except for Kol) actually do act their age, leading to some fans to ponder whether a double standard is at work.
  • Few of the vampires in True Blood show signs of having lived for centuries and through previous ages of history. Many of them are surprisingly immature. This is particularly played for laughs with the Queen of Louisiana, who spends most of her time forcing her minions to play children's board games with her. Bill, one of the younger vampires, is one of the few who actually displays antiquated speech and mannerisms.
  • An episode of Being Human features Adam, who was turned into a vampire as a teenager and fed blood by his parents until they died when he's technically in his mid-40s. He behaves VERY much like a bratty teenager, largely because his parents kept treating him like a child his whole life. When he's forced to grow up a bit after their deaths, he does manage to mature pretty quickly.
  • Mason and Daisy on Dead Like Me both died in their twenties decades ago. Daisy is still insecure and moody most of the time, and Mason is still seriously immature even for someone in his twenties. Roxy, who hasn't been dead as long, acts significantly more mature, and George, who died as a teenager and is still roughly a teenager by the end of the series, does enough growing up that she often seems to be above Mason and Daisy's juvenile behavior.
  • Subverted in Highlander. While some Immortals act childish at times and some of them look quite young, they would not survive for long if they weren't willing to kill or be killed.
    • One Immortal kid uses other peoples' expectation that he is innocent and nonthreatening to get them to lower their guard.

  • The gods in many religions seem to be rather immature.
    • Sometimes this is a case of giving educational tales, using gods as examples, rather than making the gods outright immature - Hinduism is filled with stories like this for example, despite that in their canon gods are too great to even directly interact with the mortal world.
  • The ancient Greek gods are constantly interested in the affairs of mortals; they also breed with mortals. They don't seem to learn anything from experience, as far as wisdom is concerned. They are petty, cruel and constantly fighting amongst each other.
    • The train of events that led to The Trojan War began with Eris getting pissed over not being invited to a wedding. The modern day religion of Discordianism uses this tale as its jumping-off point.


    Tabletop Games 
  • Vampires in White Wolf's Vampire: The Requiem and Vampire: The Masquerade canonically tend to be "frozen" at where they were when they first became Vampires. They do become more knowledgeable and powerful, but they often keep the same prejudices and emotional maturity they had from when they were still alive. Therefore, even though a vampire may be 200 years old, he could still act like a hot-tempered 17 year old. Functionally, this trope pops up a lot due to the simple fact that a bunch of mortal players are dictating the characters' every action on the fly.
  • Subverted in the Ravenloft supplement Van Richten's Guide To Vampires, which proposes that vampires go through a psychological maturation-process which commences when they become undead, and is entirely independent of their mortal age. An octogenarian who becomes a vampire can regress to teenage-brat behavior, while a child-vampire who's (un)lived long enough can become a sober, calculating Chessmaster.
  • The 3.5 edition D&D supplement Libris Mortis has this as one of the cons of becoming a lich. While a lich has an eternity to learn, they can't change. They'll always have the same mindset and beliefs they did when they transformed.
  • For changelings in Changeling: The Dreaming this trope is essential if they want to keep their Fae side intact. Though changelings tend to age much more slowly than other humans, eventually Banality will weigh heavily on their Fae souls and they become Undone. They constantly struggle to resist the pressures of growing up to hold on to their magic and immortality for as long as they can. Changelings are basically humans who have been given an Immortal Fae soul that may have been a powerful being in of itself and is merely body-hopping to survive. The humans they inhabit tend to be quite young. So it is possible, and quite common, to have a millennium old legendary dragon-slayer, a highly respected duke of the Seelie Court, or a highly valued scholar of ancient lore sitting in a living room playing with toy trains until mommy calls him for bedtime.


  • Most versions of Bumblebee are treated like an inexperienced child, despite being older than humankind. In fairness, some versions (Especially his Transformers Animated iteration) do act like a child.
    • Hot Rod (or Rodimus, or Hot Shot) is an even bigger offender in this regard, but it's worse since he's frequently Optimus Prime's successor.

    Video Games 
  • Xenogears features several characters who are quasi-immortal. Some have lived for hundreds of years, a few for as many as ten thousand. Emperor Cain and the Gazel Ministry act as one might imagine. The former is a world-weary, very old man who has kept his moral compass intact due to guilt over a sin committed long ago, the latter being very anxious to transcend to a higher level of existence and possessing of no moral compass whatsoever. Then, there is Miang, who has lived as long, but in a different manner: she possesses a new body when her current one dies. When we meet her, she has the body of a beautiful young woman and appears to act like one, being flirtatious and sexually-active. Yet, it's difficult to tell how genuine this is, because her entire existence is devoted to executing the mother of all plans, and everything she does serves this end.
  • Many Touhou characters, though it might be side-effect of how most characters are immature and most are Really 700 Years Old, with predictably frequent overlap.
    • The Scarlet sisters are the most obvious example, as they gained immortality by forgoing maturity, with Word of God stating that "creatures of [Remilia's] kind forfeit their growth and maturity in exchange for eternal life. In other words, she can live forever because she never grows up." Thus, they have the appearance and mentality of ten-year-old children. Remilia at least has the experience to act mature and can get serious if required, but Flandre doesn't even have that, what with spending 500 years in their mansion's basement.
    • Kaguya Houraisan kept up a centuries-long war with Mokou where they killed each other daily (for Mokou it was one part revenge, two parts something to pass the time), and treats her servants like playthings for her amusement. How Eirin (an actually mature immortal) puts up with her is anyone's guess.
    • Yukari Yakumo is at least as old as Gensoukyou but spends most of her time sleeping, and when she's awake she messes with people and gets her shikigami to do the heavy work for her.
    • All fairies are excellent examples of this trope, which is justified due to The Fog of Ages. Cirno is probably the most notable among them and one of the biggest ditzes in the franchise, if only because she is one of the very few fairies who are notable characters rather than mooks (the only other examples are the Three Mischievous Fairies and Clownpiece).
    • Subverted with Suwako Moriya. Despite having the appearance and mannerisms of a little girl, there are a lot of indications that her childish behaviour is largely an act and that she's a good deal more intelligent than she lets on. She is, after all, a goddess who has existed since ancient times.
    • This is Tenshi Hinanawi's problem. Most Celestials achieve their status through diligence and careful introspection in their lives, as well as the ability to fight back against Shinigami; her clan was quickly whisked up to the heavens by a kami for good work maintaining geologic keystones.
    Tenshi: Every day is singing, singing, drinking, dancing, and singing again, over and over... I was bored out of my mind! So I came down to the surface and watched you playing with all kinds of different youkai... Seeing that made me think, "I want to play disaster resolution too." So I caused one. A disaster, I mean.
    Tenshi: I don't want to go on living the boring life of a celestial forever.
  • MOTHER 3 has Porky. He will stay that way forever due to both time warping too many times and for trapping himself in the Absolutely Safe Capsule at the end of the game.
  • The angels and demons in the Disgaea series are all over a thousand years old, but since time flows differently in their dimensions, they age 100 times slower then normal and act exactly as old as they look.
  • Xiaomu of Endless Frontier and Namco × Capcom. She may be a 700+ year old sage fox, but she can be immature about certain things, enough to be even spanked for them.
  • Prishe from Final Fantasy XI is a Hot-Blooded Tsundere. Granted, she's only in her 30s chronologically, but she doesn't act 30.
  • All of the four goddesses of Neptunia exhibit this trope, one way or another.
  • Joshua from The World Ends with You. Fantastic godlike powers, but he spends his days loitering around Shibuya trolling Neku. It's assumed that he was a troll in life, and immortality hasn't caused him to grow out of it, despite his job's responsibilities. Hanekoma might count as well, though his age is never given.
  • In Fire Emblem Awakening, Tiki is the much revered and millennia old Voice of the Divine Dragon, who normally acts wise and aloof, but her profile explicitely mentions that she also has a more childish side. Say'ri experiences this firsthand when Tiki first Blows A Raspberry at her and then tries to stuff her mouth with an apple in their B support.
    • From the same game, Nowi is a Manakete just like Tiki and is more than thousand years old, but has the looks and mindset of a young girl. Supports reveal that this is at least partly a case of Obfuscating Stupidity, however.
  • Viridi from Kid Icarus: Uprising. She's the Goddess of Nature, and thus probably as old as the Earth itself, but she has the appearance and personality of a bratty eight-year-old girl.

    Visual Novels 
  • Fate/stay night: Saber is, we are told, not actually fifteen; after receiving her sword and becoming King Arthur, she didn't age over the next ten years, and she's really in her twenties. Not only does nobody mention how strange it is for her to have a romance with the seventeen year old main character, but she's as naive emotionally as a real seventeen year old, which is Hand Waved by claiming that as the king she had no personal life.
  • Arcueid Brunestud, of the visual novel Tsukihime, is also much like the previous entries. She's an ancient True Ancestor, but she was bred to be a weapon and not a person by her own race, and so they kept her asleep all the time except when she was sent to kill someone... so her demeanour on the outside world is not unlike that of a curious and confident child, marveling at everything new she comes across and being generally naive and emotionally outspoken. She really isn't any older emotionally than she acts.
    • Ciel from Tsukihime has a similar situation to Saber's going on, but in that case it's actually lampshaded in Kagetsu Tohya.
  • Rika from Higurashi: When They Cry, despite being Really 700 Years Old, her outward behavior and speech patterns are still those of an adorable, cheerful girl. As it turns out though, this is only an act so as not to alarm everyone who's oblivious to Hinamizawa's dark secret. Mentally, she's a rather serious adult. That said, she hasn't grown nearly as old mentally as she thinks she has.
    • Played straight with Hanyuu, a.k.a Oyashiro-sama, who's even older, but is really quite shy and easily flustered. She can be quite serious and mature though; the manga tends to make her overly mature, and the anime tends to make her too immature.
  • This trope is played with in several ways with the witches from Umineko: When They Cry:
    • Beatrice is perfectly capable of being the dignified and elegant witch that she claims to be, but is often very childish and mischievious. This is because she's not actually a thousand years old like she claims. She's actually 19 years old.
    • Lambdadelta is supposedly a great witch herself, but usually comes across as something of a ditz who's obsessed with fellow witch Bernkastel. Another subversion, since her childish behaviour is really just an act.
    • Bernkastel appears to avert this, being rather cold and emotionless, though this is also subverted since she's not as emotionless as she seems, and as her displeasure at losing shows more as time goes on, she actually seems to show more immaturity.
  • Drakengard is an unusual example in that the immortal started out immature- Seere is a six-year-old who gave up his time to be in a pact with a golem, meaning he'll be a six-year-old forever.

    Web Comics 
  • The undead warlock Richard from Looking for Group borders on Man Child at times.
  • El Goonish Shive takes the effort to make it a Justified Trope as the immortals erase their own memories to avoid the complete boredom involved in knowing everything.
    • Played straight with Chaos, the immortal who refused to "die" (the erasing memories thing) with the attention span of a gnat who manifests as a Creepy Child. The immortal who explained the whole thing mentioned that they get "more powerful and less sane" as time passes.
  • The angels Rumisiel, Cassiel, and Vashiel from Misfile range from 437 years old to possibly several thousand years old and yet still act like teenagers. Vashiel is somewhat more believable, just deeply honest (to the level that it's physically impossible for him to lie) and highly clueless about stuff he hasn't paid much attention to in his long history of smiting.
  • Both used and subverted in Sluggy Freelance. The magician Kesandru has grown more mature over the centuries. However, he also still seems to think that pulling a rabbit out of his hat should be enough to frighten people into submission.
  • Misa from Errant Story is about 1,500 years old yet frequently acts like she's 15. She has been doted on her entire life though.
    Misa: "Being the youngest of a race that lives forever means being eternally treated as the baby."
  • The Order of the Stick:
    • Xykon is not particularly mature for an immortal lich with more than a century of life behind him. Start Of Darkness reveals that he was never very mature to begin with, even as an eighty-year old man. He even lampshades how, even at his advanced age, his "life's wisdom" boils down to little more than "sure, being a badass villain is a barrel of laughs, but what's the point if you can't even enjoy the little things in life" (which to him is mostly watching people die gruesomely and drinking coffeenote ). That said, Xykon can be surprisingly clever and patient if he wants to.
    • Redcloak is another example, played in a different way. His aging processes have been retarded by the magical cloak he wears, and he's eventually called out on this by his (normally aging) younger brother: He's spent most of his time following the Dark One's directives (and later, Xykon's) and hasn't used any of that time to actually live a life; and because he never ages, he hasn't been forced to move on from the tragedy of their past the way Right-Eye had to.
  • Mab and most of the other Fae from Dan and Mab's Furry Adventures , sort of. Essentially everything they do is a matter of "It Amused Me," but they operate and think in an entirely different way from anyone else, and evidence suggests that they can also be mature if that's what amuses them at the time. Additionally, since they're immortal and have a flexible view of time, this behavior might be a way to avoid going totally insane. There is also a somewhat sinister slant to their apparent immaturity, especially given their general view of things as being a game of sorts, and that fact that despite near-omnipotence they will still allow their friends to die in preventable ways.
    • This behavior also appears in some of the mortal-but-extremely-long-lived characters. Abel and Kria don't always act like they are in their 400's. Dan and Regina have some excuse though since they actually are in their 20's.
      • Incubi and succubi in general are creatures of emotion, and apparently have a harder time controlling their own in turn, though the clan leaders are more than capable of being serious - perhaps because they are millenia old. Demons have no such excuses, however.
  • From Homestuck:
    • Even though some of the pre-scratch ancestors have existed for so long time has lost all meaning for them, they all still act just like awkward, silly, hormonal teenagers. This may be because they're dead and thus removed from the mechanisms that cause change in life. Sanity Slippage, or at least Took a Level in Jerkass, is also implied for most.
    • Her Imperious Condescension is a galactic conqueror who is over a thousand years old, yet the few times she speaks, she uses either ghetto speak or pink sparkly text.
    • Lord English himself qualifies. While his actual age is really hard to quantify, he has certainly been around for a very long time. However, due to certain actions he took in his youth, his emotional development was stunted pre-adolescence. According to the author, he's the same psychopathic little tool he was in his youth, just much stronger now, and he will never, ever grow out of it. He hasn't even matured physically either — his "adult" appearance is implied to be the result of his soul merging with others, including the muscular Arquisprite. Hinted at by the fact that true adult Cherubs have wings while Lord English does not.
  • Nebula: It's especially prominent with Earth and Uranus, but none of the main characters display the maturity you'd expect from eons-old Anthropomorphic Personifications.

    Western Animation 
  • Futurama parodied this trope in the episode "Where No Fan Has Gone Before": it turns out that Melllvar the "immortal" energy being is only 34.
    • Played for laughs in the opposite direction though - when Melllvar's mother drags him off to dinner and Fry makes a Star-Trekky comment about how they thought he was a mighty, god-like being, but he was only a child (see Trelane, above). Then his mother says, "Child? He's thirty-four," playing up the Basement-Dweller trope.
  • Gargoyles
    • Demona is this all the way. Macbeth doesn't suffer from the same problem, despite having received their immortality in the same way, likely because even when Demona was an old woman she was still an immature punk, while Macbeth was fairly mature as a young man.
    • The Children of Oberon frequently do act like children: immature, god-like, arrogant children. As Greg Weisman said, they have "Great power. Little or no responsibility", in addition to being immortal, and apparently never needing to worry about disease or even feed themselves. They get to spend their whole lives playing games and fighting each other. They aren't necessarily evil, but even the best of them don't actually grasp concepts like mortality.
      • Ironically, the series implies many of them were once worse. Oberon leveled a thousand and one year exile to force them to grow up. It worked on a few of them.
  • In Foster's Home for Imaginary Friends, the imaginary friends don't age, either mentally or physically. Since they were made to be childhood companions, they're almost all intrinsically child-like. One who act more mature, like Will and especially Herriman, just happen to have been born that way instead.
  • Takua, one of the oldest beings in BIONICLE, likes to put light crystals on his head and run around pretending to be a bunny rabbit.
  • Adventure Time has both Marceline and the Ice King, who despite their centuries haven't progressed past the maturity of the average teenager, though fortunately Marceline has had some Character Development to move away from her perpetual It Amused Me state. For Marceline this seems to be a by-product of all the crap that's been dumped on her over her life, while for Ice King this is definitely a result of the Artifact of Doom that destroyed his mind—he was much more mature before he became immortal.
  • Discord from My Little Pony: Friendship Is Magic is far older than even the millennia-old (and far more mature) Princess Celestia, but as the spirit of chaos is only concerned with spreading his concept of fun and excitement. He's also an omnipotent Reality Warper with a passion for psychological torture. Not a good combination. He finally grows up a bit after 1) forming a friendship with Fluttershy and 2) getting a taste of his own medicine after Tirek betrays him. Princess Luna, despite being able to measure her age in millennia like her sister, is a lot less mature. Even after she is freed from being Nightmare Moon, she still has a Hair-Trigger Temper, is prone to mood swings, remains fairly needy and craving of affection, and seems to get along better with colts and fillies. On the other hoof, she takes to her responsibilities with pride and dedication.
  • On Young Justice, Klarion is a Humanoid Abomination who is "ageless" yet looks like he might be twelve. He can cause worldwide supernatural chaos in-between bizarre puns, pouting at other supervillains and getting into arguments with his cat, Teekl. Averted by the show's other immortals, Vandal Savage and Ra's al-Ghul, who are both evil but generally more mature.
  • Justice League's version of Wonder Woman often acts like a young girl (especially when dealing with her mother, Hippolyta), despite physically being a twentysomething woman and actually being several thousand years old. Possibly justified since she spent most of her life on Themyscira under her mother's rule, cut off from the outside world.
  • Gems in Steven Universe are born fully grown then never age, and most of them are thousands of years old. Their level of maturity varies a lot, with some acting very childish, usually looking pretty child-like as well:
    • Amethyst is over 5000 years old, yet looks and acts a lot like a teenager. A few decades earlier, she looked and acted more like an 8-year-old. Turns out other Amethysts, despite being physically larger, act just as rowdy as she does.
    • Peridot is an unspecified among younger than Amethyst, but likely still centuries old. She parrots Steven's Eyelid Pull Taunt, is fond of name calling, and finds slapping other people/gems amusing. When she loses her limb enhancers, it's revealed that she's only about Steven's height, and acts progressively more childlike, even mimicing laser sounds ("Take that, Cluster!) just like a kid.
    • Rubies are a caste of disposable grunts, designed for a focus on raw strength over intelligence. Consequently, they're all very lacking in emotional intelligence—even Eyeball, who's more serious than the other Rubies, is impulsive and short-sighted to a dangerous degree. This, along with their short-stature (indicative of their low rank), basically makes them Homeworld's army of immortal munchkin brats.
    • Lampshaded in the episode "The New Crystal Gems". Lapis, Peridot and Connie pretend to be the Crystal Gems to do their job while the regular team is in space. When Peridot and Lapis cause damage while fighting over who gets to be Garnet, Connie tries to give one of Steven's speeches, but falls flat on her face. Lapis and Peridot begin to fight and throw insults back and forth, until Connie snaps.
      Connie: WILL YOU TWO CAN IT?!
      Lapis: That's not a very Steven thing to say.
      Connie: I don't CARE! So maybe, I'm NOT Steven! Maybe he's really great at helping people work out these arguments! Maybe he's really patient and caring, even though it must be hard for him having to be the adult for a bunch of SUPERPOWERED CHILDREN!
      Lapis: We're both thousands of years older than you...
      Connie: THEN ACT LIKE IT!
  • Bill Cipher of Gravity Falls has lived for trillions of years, but half the time acts like this creepy clown or sadistic comedian. The way he describes his plan to invade our dimension sounds more like a guy who's planning to hit the town with his buds than universal domination. According to Word of God, "Bill is a character who's been around for countless billions of eons, but he hasn't grown up in that time." This helps highlight the show's Coming-of-Age Story, especially as the last few episodes juggle Bill's invasion with the twins trying to define themselves as they reach teenage-hood.