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Trivia / Batman: The Animated Series

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  • All-Star Cast: The Japanese dub cast includes many of Japan's most prolific voice actors: Tessho Genda (Batman), Megumi Hayashibara (Batgirl), Akio Ōtsuka (Two-Face), Masashi Ebara (Clayface) and the late Rokuro Naya (Scarecrow), among others.
  • Breakthrough Hit: The show served as one that put Alan Burnett, Paul Dini, and Bruce Timm on the map.
  • Cast the Runner-Up:
    • Kevin Conroy initially auditioned for the role of Detective Harvey Bullock. Conroy believed that voicing the titular character would be boring and read for the part only at the behest of the crew.
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    • Tim Curry had originally been cast as the Joker, but he had to drop out because one of the higher-ups didn't like his performance, so he was replaced by Mark Hamill. Curry eventually guest starred in "Be a Clown" as a Robot Clown and in the Batman Beyond episode "Final Cut" as Mutro Botha.
    • Mark Hamill himself subverts this. He originally wanted to audition for one of the main villains, with the Joker being his top pick, but Tim Curry had already been cast in the role. He was also considered for Mr. Freeze, but that role went to Michael Ansara, so Hamill instead voiced Ferris Boyle in Freeze's debut episode "Heart of Ice". After Curry dropped out, Hamill auditioned and was cast, though initially, he had to redub at least "Christmas With The Joker" because animation had already begun.
    • John Glover auditioned for the role of the Joker as well before the casting of Hamill. Glover would eventually go on to voice the The Riddler in the series.
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    • Diane Pershing almost didn't get the part of Poison Ivy. According to Bruce Timm, singer Melissa Manchester was originally cast in the role, but things weren't working out in her performance, and so Pershing, who had been cast in a minor role, replaced her.
  • Creator Backlash: Despite the series acclaim and legacy, there were several episodes that were either promising misfires, or outright duds, and were regarded as such by the shows team. They gave their thoughts on several of these episodes in an issue of Animato Magazine;
    • "I've Got Batman In My Basement," which named the relevant trope, is regarded by the production team as one of the worst episodes in the series.
      "I think that if we hadn't gotten Alan Burnett to come over, we would have had a lot more shows like this one," noted director Frank Paur of the producer who stepped in to take control of the show's script process first season. Paur also disliked arming Batman with a screwdriver, but had his hands full wrestling with an as yet unsatisfying storyboard crew. "I had to get rid of most of these boards and start from scratch," he said. "It was very time-consuming. Our schedule was so tight, that small things got by." Noted producer Bruce Timm, "I can't even watch that show. It's the epitome of what we don't want to do with Batman. Strangely enough kids like it. The script came in and it was terrible. Normally, I tell the director to do what he can to make it interesting, and nobody could figure out a way to make it interesting. The storyboard artists didn't care, and it shows."
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    • While the episode was based on a good story from the comics and having decent animation, "The Cape and Cowl Conspiracy" was considered a misfire, namely for its lackluster gimmick villain, and Batman having no real motive to play mind games with him.
      "I tried to kill this show, but they didn't let me," said director Frank Paur. "We had a lot of storyboard artists who wanted to rebel on this one. The best metaphor is kicking a dead horse. It arrived dead and no matter how hard you kick it, it ain't going to give you a ride."
    • "The Underdwellers" was likewise considered a dud, namely for censorship problems, bad story elements and very Off-Model animation.
      "It was my first episode as director, and there are still things in it that I cringe at," said director Frank Paur. "Usually when we get an episode, we get to use a lot of discretion and change things. I wish I had been able to spend more time on that script. Another problem at the time, was that we had storyboard people who made things difficult. I found myself going back two or three times to fix scenes. They didn't quite understand we were shooting for a higher standard. So there was always a constant drain on my time. That whole opening sequence of the kids playing chicken with the train should have been cut. That was what we had to contend with at the beginning of the season. We had these little public service announcements worked into the scripts, a concept we nixed real quick." "It's Junio's weakest episode," said producer Bruce Timm. "We almost didn't use them after that. It was the first one that came back that really looked totally unlike our show. It was very Japanese. But I'm glad we did use them again, they've done great work. BS&P took a lot out of this show. Originally, the kids were to be victimized by the Sewer-King, but he was not allowed to be mean or tortorous to any of them. The impact is watered down. If we were doing it today, we probably would have decided not to do the show."
    • "Lock-Up" was also considered a failure, due to its awful script, blatant plot holes and bloopers (Batman changing into his costume out in the open, not letting us figure out how he escaped), and slow, aimless scenes.
    • "Prophecy of Doom" was already considered a very average episode, but its criticism was mainly singled out for its terrible animation by AKOM.
      "If that whole end sequence with the spinning worlds in the observatory had gone to Junio or any other studio, it might have come off, but it went to AKOM," said Bruce Timm. "They just weren't able to pull off that level of animation." "That broke my heart," said director Frank Paur. "I designed those planets using a circle template. How hard is it to animate circles? It was done by hand, and if we had done it now, it would have been done on computer and would have looked spectacular. When I knew the show was going to AKOM, a studio I'd had a long history with, I knew they weren't going to be able to pull it off. Admittedly, it was a tough sequence, but they should have been able to do it."
    • While not considered a "bad" episode, Bruce Timm was not satisfied with the episode "What Is Reality?", although he ironically complimented AKOM's work on it.
      "Virtual reality is too science fictiony for our show. While it may be conceivable that it will work in four or five years, Batman transforming himself into a black knight and flying around on a chessboard is unfathomable to me. Strangely enough, it's one of AKOM's better shows. They pulled off all the special effects really well."
    • "The Mechanic" was also considered dissatisfying, save for some nice action and some of AKOM's better animation.
      "This was one of those stories in development hell for a long time," said producer Bruce Timm. "We needed scripts. I think it's a stinker, but it has some of AKOM's better animation in it." Noted director Kevin Altieri, "It was the first show that AKOM laid out itself. It's not as good as their "The Last Laugh", but had far fewer retakes (almost 80% of "The Last Laugh" needed retakes.) I think they were threatened that they might lose the work, so they put their A-Team on it. It actually is a script that is similar to the '60s series, but when you do do something like this comedy, you must remember that even though the script may be goofy, you have to show that the characters are living it. When Earl drops the tires on Penguin's henchmen, he thinks Batman's dead and he's crying."
    • "Nothing to Fear", despite having some of the series' best moments and nice animation work by Dong Yang (whose only glitch was straightening the Scarecrow's crooked posture), was considered to have bad pacing, a cliche way of beating Scarecrow, and an all around mediocre script.
      "It was written by Henry Gilroy, who had never written cartoons before," said producer Bruce Timm. "He was a film editor here and always wanted to get into writing. At the time we didn't have a story editor, so we gave it a go. When he turned in his first draft, which wasn't bad, we had hired our first story editor, Sean Derek. We immediately came to loggerheads over this show. Some of the dialogue she changed wasn't changed for the better."
    • "The Forgotten" was another misfire, mainly for being a message show put forth by the original story editors.
      "I didn't want to do this show from the very beginning," said producer Bruce Timm. "Sean Derek was big on doing shows with social messages. And my big problem with message shows, is that you can't solve the world's problems in a half hour cartoon. If you raise the issue of homelessness, what can you do? It makes the episode look very exploitive, because you're just using the problem as an exotic background. You can't discuss the problem on any meaningful level in a 22-minute action cartoon. So I put in the dream sequence with Bruce in the barracks where these multitudes of people are looking to Bruce for a handout, and he doesn't have enough money for them all, and they're surrounding him and suffocating him. It's not enough for him to put a band-aid on the problem at the end, by offering the two guys a job. It just doesn't work." BS&P undercut the script's essential message, as director Boyd Kirkland explained: "There was a sequence at the beginning where Batman is wandering around the city, trying to find out why people were disappearing. It was staged with homeless people hanging around on sidewalks: families, mothers and kids. They made us take all that out of the boards. They said it was too much for kids to see that maybe a woman or a family can be out on the streets. They specifically asked that we only show men as homeless."
    • "The Cat and the Claw: Part 2" was considered a dud, namely for its many plot holes, a lame villain and downright abysmal animation by AKOM.
      "The whole end sequence was geared around the explosions, and they were some of the worst you'll ever see," said producer Bruce Timm. "We retook all of them two or three times. They were still awful, but we ran out of time and had to air them."
    • Bruce Timm really came to regret the Joker's redesign in The New Batman Adventures revamp; they liked the concept of the "grinning skeleton," but felt it was followed on too literally and robbed the Joker of his wide range of expressions. The third design made for Batman Beyond: Return of the Joker was made to fix that problem, blending the minimalist attempt of TNBA with the more classical look they had in BTAS.
    • Bruce Timm has stated that he considers "The Terrible Trio" to be not just the worst episode of Batman: The Animated Series, but the worst episode of the DC Animated Universe in general.
  • Creator-Chosen Casting: Paul Dini wrote the part of Harley Quinn for his college friend Arleen Sorkin after seeing her play a roller-skating jester in a Dream Sequence on Days of Our Lives.
  • Creator's Favorite Episode:
  • Creator's Pest: The reason The Riddler didn't appear very much is because the creators felt that he was hard to write for and made plots too complicated.
  • The Danza: Harley Quinn, real name Dr. Harleen Quinzel, is voiced by Arleen Sorkin, who was also creator Paul Dini's inspiration for the character.
  • Deleted Role: This article mentions that comedian Kevin Meaney recorded dialogue for a character in an episode of the show, but it got scrapped.
  • Executive Meddling: The executives required many changes to be made to the series for reasons based on both decisions of what was appropriate for a kids show and what was likely to get the biggest profit.
    • The very successful Tim Burton series of Batman films were one of the main impetuses for the creation of this series, and executive's hoped to capitalize on their success. The design for the Penguin was based on the design of the character as it appeared in the then-current and highly successful Batman Returns, which cast Danny DeVito as a physically deformed and emotionally scarred man with fingers fused into a flipper-like arrangement, as opposed to the comic counterpart, who (although only about 5' tall and sporting a prominent aquiline nose) was a still just a regular man.note  Catwoman was likewise turned into a blonde woman to match Michelle Pfeiffer's character, as opposed to her darker-haired appearance in the comics. Both characters were returned to their original comic appearance after the series was revamped into The New Batman Adventures. It's also likely why in dialogue in "Dreams in Darkness" and in a file in "Joker's Wild", the Joker is identified as "Jack Napier" (the Joker's name in Batman), though as with the changes with Penguin and Catwoman, this was retconned into an alias.
    • Several episodes were actually improved because concern over the detail on-screen in some scenes forced changes to the animation, giving them much more emotional power. Dick Grayson's parents falling from the trapeze showed his parents swinging off screen, with a frayed rope swinging back in and everyone gasping in shock. If they showed any more, it would not have been as effective. "Over the Edge" contains another instance. Apparently, when Batgirl is thrown off of City Hall to her death we were originally going to see a police car pull up and then her body would land on the hood. When this was deemed too extreme, Timm redesigned the sequence as though the viewer was in the back seat of the car when the impact occurred. This has the effect of making things far more disturbing. Similarly, "I Am the Night" originally wanted to show Robin getting shot on camera. The network made them change this, so they picked Gordon and did not actually show the shooting. They all agreed this made the scene more powerful.
    • After the first season (production wise), Fox Kids demanded Robin be featured in every episode. This necessitated a title change, with the show being rebranded The Adventures of Batman and Robin.
  • Executive Veto: One of the rules imposed on the series by Bruce Timm was that there would be no origin story episode, since he felt that Batman was already such a well established character and that the story had already been retold so many times, that making yet another origin retelling was just unnecessary.
  • Fake American:
    • Tara Strong, who voiced Batgirl in The New Batman Adventures, is Canadian by birth, although her parents are American.
    • Rupert Thorne is voiced by the late John Vernon, who was also Canadian born.
  • Fake Brit: The late Efrem Zimbalist Jr., Alfred's (second) voice actor, was American.
  • The Friend Nobody Likes: Read through the various pages, especially the recaps, and you'll find nothing but complaints about the animation studio AKOM, complaints that seem to be typical of all of their work. Why would a studio that keeps going Off-Model and doing shoddy animation keep getting work? Money, Dear Boy. You're on a budget, you give AKOM the Filler episodes (animation-wise) and the more difficult episodes to the better
  • Gay Panic: Supposedly, the creation of Harley Quinn was to still any fears that The Joker might have a bit of a crush on Batman. The fact that he completely ignores the attractive woman throwing herself at him to focus on his obsession with Batsy-poo, and Harley and Poison Ivy's implied Les Yay, actually made the situation more ambiguous.
    • Paul Dini and Bruce Timm later clarified this. Harley was originally created due to a plot which would have involved the Joker attacking a police gathering by Jumping Out of a Cake. The writers thought the network would object to the scene (given the sexual nature of the "girl jumping out of the cake" trope in real life), so they decided to give the Joker a female sidekick who could replace and impersonate the real dancer inside the cake. However, this all ended up moot as the network actually ended up okaying the original idea for the Joker to be the one to hop out.
  • Irony as She Is Cast: The Penguin squawks out a grating accompaniment of I, Pagliacci in "Birds of a Feather". His voice actor Paul Williams is actually an acclaimed singer/songwriter with notably smooth, melodious vocals (as can be heard in the Penguin's speaking voice).
  • Method Acting: An interesting example with the artists themselves. To maintain the noir atmosphere of the production, much of the art, including the animation itself, was drawn on black toned paper with white pencils rather than the more traditional method of black graphite on white paper.
  • Name's the Same:
  • No Export for You: Several of the later episodes were not released in Japan, for example only two episodes of The New Batman Adventures made it to air.
  • The Other Darrin:
    • Alfred was voiced by Clive Revill in the first three episodes (in production order) "On Leather Wings", "Christmas With the Joker" and "Never Fear". From "The Last Laugh" onward, he was voiced by Efrem Zimbalist Jr. when Revill left to fulfill a theater commitment.
    • A number of villains also were recast for The New Batman Adventures series including Scarecrow, Baby Doll, and Killer Croc. Penguin and Bane were recast in the Batman: Mystery of the Batwoman film.
    • Excluding Batman Beyond, Batgirl went through three actors during the course of the series — Melissa Gilbert in the original episodes, Mary Kay Bergman for Sub-Zero, and Tara Strong (with whom Bergman was close friends) for the revamped episodes in The New Batman Adventures.
    • Renee Montoya was voiced by Ingrid Oliu during the first season, and Liane Schirmer for the rest of the series, as well as her appearances in Sub-Zero and The New Batman Adventures.
    • The transition from B: TAS to TNBA also saw Lucius Fox goes from Brock Peters to Mel Winkler.
    • Janet Van Dorn was voiced by Lynette Mettey in "Shadow of the Bat". In "Trial", she's voiced by Stephanie Zimbalist, the daughter of Efrem Zimbalist Jr, who voices Alfred.
  • The Other Marty: Tim Curry was originally cast as the Joker, but he was replaced by Mark Hamill because Curry got bronchitis.
  • Out of Holiday Episode: The Christmas Episode "Christmas with the Joker" originally aired on November 13, 1992—weeks before the Christmas season even started.
  • Out of Order: "The Cat and the Claw" two-parter is actually the 15th/16th episode in production order, but it was broadcasted as the series premiere. This is why it's the first episode on HBO Max.
  • Playing Against Type:
    • At the time, Mark Hamill playing the Joker was this, but it worked so well that he now plays villains more or less full time.
    • A big-time case for the Joker's Swedish voice actor, Per Sandborgh, who is best known for his somewhat goofy and friendly voice leading to him voicing mostly affable and nice characters. This was also the first time he voiced such a major character, mostly having done side roles up to this point.
  • Promoted Fanboy: Mark Hamill was cast as his favorite character. By sheer enthusiasm. Bonus points for becoming one of the most famous portrayals of said character, if not the standard by which all other portrayals are measured by.
  • Relationship Voice Actor:
  • Recast as a Regular: George Dzundza made his debut voicing the one-shot characters G. Carl Francis and Thomas Jackson, the two employees at Gotham City's Office of Copyrights that Joker tried to bump off in “The Laughing Fish”, before being cast as the recurring antagonist (s) Arnold Wesker/The Ventriloquist and Scarface. Humorously, Francis’s timid voice and personality, and to an extent, his design, are very similar to Wesker’s, while Jackson’s voice sounds similar to Scarface’s.
  • Role Reprise: In the French dub, Alfred and the Penguin were voiced by Jacques Ciron and Philippe Peythieu respectively, reprising their roles from the Batman Film Series. Also, in the French dub of The New Batman Adventures, Claire Guyot portrayed Batgirl, reprising her role from Batman & Robin.
  • Serendipity Writes the Plot: Initially, Nora Fries was supposed to be dead from the start, due to Boyle shutting down the cryogenic tube keeping her alive. Executive Meddling vetoed actually establishing that. This spurred Mr. Fries' later arc desperately trying to find a cure for Nora on finding out she was alive and Grant Walker had maintained her body in a cryogenic tube to encourage Fries to replicate the suit for him, going to extremes such as kidnapping the Commissioner's daughter but also forcing Batman to abandon him when retreating with Nora's body. The arc still ends in tragedy, that Nora is cured but she is led to believe Victor is dead and remarries. Victor's body decays in the meantime, causing him to jet-rocket over the Moral Event Horizon. He at least gets closure in Batman Beyond where he spends his last moments apologizing to the new Batman and saying, "You're the only one who cared" before saving his life from a collapsing building.
  • Star-Making Role:
    • As far as voice overs go, playing the Joker made BTAS the show that put Mark Hamill on the map.
    • It also gave Tara Strong her first major leading role.
  • Surprisingly Lenient Censor: In the original script for the episode "Harley and Ivy", the Joker said to Harley and Ivy, "haven't you been busy little beavers"; Fox actually let this through, but the team chickened out at the last second and changed the word to "bees."
  • Talking to Himself: Kevin Conroy usually voices Thomas Wayne in flashbacks, and Thomas and Bruce Wayne talked to each other in "Perchance to Dream". His Bruce Wayne and Batman personas also conversed with each other in the same episode.
  • Unfinished Episode: A few unmade episodes are known:
    • "The Midnight Hour" was based on an 80's Teen Titans comic with Nightwing but altered. Batman is captured by a drug lord who will auction him off at midnight, the highest bidder would have the honor of unmasking and murdering Batman before the criminals of Gotham. Robin would have to use the detective skills Batman taught him to find where Batman is and save him. It's unknown why this was unmade, seeing as how it gave Robin a starring role, something the network had been constantly asking for.
    • "Mind Games", an episode where Hugo Strange, in disguise, would have lured Bruce, Dick, and Alfred to a clinic where he wipes their memories of their secret lives as crime fighters, allowing the villains to go on a crime spree. With the help of Leslie Thompkins they rediscover their identities and Batman and Robin go out to stop Strange and get their memories back. The ending would've had Hugo Strange lobotomized, somewhat similar to his fate in The Batman. Interestingly enough, this basic premise was used for the Grand Finale arc to The Batman Adventures' original run.
    • One unmade episode that has yet to be named was about Batman infiltrating Blackgate Prison to stop a crime boss called Mr. Big who runs a vast criminal network from within the prison, only it turns out to be a trap and he is nearly executed in the electric chair, only to be saved by the Riddler, saying that "as long as he can help it, a few lowly jailbirds won't defeat the Dark Knight."
    • Another one included Robin being forced to become more responsible and save Batman's life as Poison Ivy's toxin slowly kills him.
    • Another episode involved Bruce Wayne and a bunch of rich people being hypnotized by a magician called The Mad Maestro, though it is possible this episode was retooled into "Prophecy of Doom".
    • Another would have had The Mad Hatter using baseball caps during a 'ball cap day' at a baseball game to brainwash everyone there, putting Batman into an insane Alice in Wonderland scenario.
    • Another unmade episode concerned a friend of Bruce Wayne's turning out to be a sadistic hunter who captures big cats and lets them loose in his private reserve to hunt and kill them. Catwoman finds out, only to find herself become one of the targets for his latest hunt.
    • An adaptation of the classic story Night of the Stalker (where Batman mercilessly stalks a gang of robbers through the woods for killing a couple in front of their son) was planned but never filmed. Show artist Darwyn Cooke later used the idea for a short story called "Deja Vu" in his issue of the Solo anthology. Cooke has noted the line "Heh. That Starks. What the character." after Starks throws both him and Batman off a cliff seemingly to their deaths was actually written by Bruce Timm during the brainstorming sessions for the idea.
    • Another episode was to be called "The Life of a Gun" which had been written by Tom Ruegger was to be about Batman finding a gun that had been used in a robbery and tracing it's history, we were to have been given a life cycle of the gun from it's creation to the day it was sold and used in the robbery, and in the end it was to have been melted down and made into a tombstone, it was ready to be made but in the end Fox decided to cancel it.
    • David Wise wrote an episode which got killed for being "too dark" where Batman gets ambushed by a paramilitary group and gets hit with a gas that turns him psychotic, resulting in Robin needing to help him by going to the Joker (and having to break into Arkham to get to him, upon which entering the Joker does a Mind Screw which causes Robin to throw up), the climax would feature Batman facing all the villains in an abandoned sports stadium and revealing a bomb strapped to his chest and taunting the villains to come and get him.
    • Martin Pasko wrote an episode called The Count and the Countess that very nearly got made, and is even listed in some early episode guides published in the tie-in comics, but it was apparently delayed by an incompetent animation studio and was replaced by See No Evil. Many theorize this would have been the episode featuring the comic villainess Nocturna, a vampire, but the Fox censors shot the story down as it involved Batman becoming a vampire and craving human blood.
    • Paul Dini was a huge fan of The Sandman and even talked to Neil Gaiman about Sandman and Death appearing in an episode, the concept involved a huge action packed opening in which most of the villains beat the hell out of Batman and nearly kill him. Batman would encounter Death, but Sandman talks his sister into letting Batman live and then shows Batman the impact he has on people, especially in their dreams and the nightmares of criminals. Neil Gaiman approved of it and gave it his blessing, but it went unmade for a variety of reasons including: the Vertigo/DC split, no action outside of the first act, being too cerebral for a "kid's show", producer Alan Burnett didn't want to do too many stories about the supernatural, and the fact that Sandman was a comic for adults and they could easily be accused of promoting adult material to children. Link
    • There was also going to be an episode about Catwoman teaming up with Black Canary, but the network killed the concept because Robin was absent in the episode and Batman himself wouldn't be prominent enough. Her design was still used in the show for a recurring background character and it was still used for her appearance in Justice League Unlimited.
    • Batman: Mask of the Phantasm was originally going to be the end of the series, which explains why Joker seemingly dies at the end. In addition, Mask of the Phantasm was originally going to be a two-parter called "Masks," featuring Batman Year Two's villain Reaper, with Batman's origin being a standalone episode called "Vigil", which would have been told mostly from Alfred's point of view.
    • An episode with the Riddler taking over a newly constructed skyscraper, planning to steal the riches from it's vaults. He challenges Batman to come get him, forcing Batman to brave the security system, now reprogrammed to be lethal by the Riddler.
    • An episode in which a criminal mastermind called the Architect (who would have predated the proper Batman villain known as Architect by about 15 years) being locked in the 'Hard Timers' wing of Blackgate Prison, only to escape when the walls are blown up by his henchmen. Architect escapes into the icy waters of Gotham Harbor and never resurfaces. Batman would go underwater to discover the Architect has a secret submarine base near Gotham.
    • A story where Two-Face would begin a crime spree in which he steals a trio of items and destroys one of them, keeping the other two. He would capture Batgirl and use her as bait to lure Batman and Robin to his hideout, where he planned to kill one of them.
    • An episode in which Bruce Wayne would personally oversee a deposit of Wayne Industries' files in an underground storage facility, only to be attacked by Clayface and a group of armed thugs. Bruce, unable to change into Batman, uses the darkness an a connecting cave filled with bats to convince the lowlifes that Batman is among them so he can escape and return as Batman before they get away.
    • An episode in which a modern-day pirate gang led by 'Blackbeard' would attack and rob various ships. When an entire ocean liner is taken, Batman follows them to the 'Graveyard of Ships' in the Sargasso Sea, where he discovers the pirates plan to use the liner as a base.
    • An episode in which the Scarecrow poisons Gotham's water supply and meddles with the TV and Radio transmissions to make the entire city afraid of Batman, Batman must try to restore order while avoiding rabid mobs of civilians and police. It's likely that this episode was retooled into "Dreams in Darkness".
    • Dini also conceived a story about Poison Ivy seducing Swamp Thing, but it turned out that the latter character was off-limits due to rights issues. Eventually the same idea ended up being used by others in the unconnected Justice League Action series.
    • Dini also thought of doing a team up between Ra's Al Ghul and Poison Ivy, but it was shelved when the show staff moved on to work on Batman Beyond. Coincidentally, this team up would be shown happening in comics of Injustice 2.
  • What Could Have Been: Has its own page.
  • The Wiki Rule: The Batman: The Animated Series Wiki.
  • Word of Gay: Paul Dini has confirmed that Harley Quinn and Poison Ivy were in a physical relationship while together, even though they could never explicitly confirm that on the show.