- Han Solo: I heard a story about you; I was wondering if it's true.
Lando Calrissian: Everything you have heard about me is true.—Solo
Some celebrities allow their reputation to become so bizarre that any story about them is believable. These celebrities have entered The Tyson Zone.
The term was created by commentator Bill Simmons in "honor" of heavyweight boxer Mike Tyson. Examples of Tysonic behavior include offering a zoo handler money to box a gorilla, threatening to eat an opponent's childrennote , biting said opponent in the ring, biting off part of the ear of another opponentnote , saying you're ready to "fight Jesus", or blowing $300 million on hookers, cocaine and an enormous collection of pigeons.note And yes, Tyson did all of these things and more.
Ideally, the nuttiness should be sustained for years. Continual craziness, ideally manifesting in a number of different forms, is required for someone to truly enter the Zone.
The subject must be famous. Being crazy in your house is one thing; being crazy on national television is a whole different story.
- All Men Are Perverts/All Women Are Lustful: The easiest way for somebody to enter the Zone is with a bizarre/violent sex life. If nothing is known, salacious rumors will do. (But often, simply an extramarital affair isn't enough. To really stand out from the pack, you need prostitutes, handcuffs, public nudity, some crazy fetish - the whole schmeer.)
- Ax-Crazy: Some of the best occupants of the Tyson Zone are shining examples of this trope.
- Memetic Molester: Or any other "Memetic" trope, but this one seems to fit the most.
- Only in Florida: Like this, but for places instead of people. Florida-related stories are like catnip for "news satire" outlets that traffic in made-up stories for clicks.
- Poe's Law: Same principle. A celebrity who enters the Tyson Zone for religious fundamentalism would be a straight example of both tropes.
- Weirdness Magnet: Not all who enter the Tyson Zone are crazy in their own right. Sometimes, the strange things just follow them.
- The title character has done so many weird heists that when someone else does an heist in a larger-than-life manner people tend to blame him unless there's a clear indication it wasn't him, like the heist involving guns or the caper being executed by too many people (he only has one accomplice, his lover Eva Kant). And even then, some may suspect it's part diversion, as, after all, he did do both...
- On a meta level, the authors and writers of the stories may pull any and all examples of Superdickery and many readers will fall for them every time. Because if one of the earliest tricks they've pulled on the readers was to give Diabolik a Secret Identity of sort and set up Elisabeth Gay as his lover and future accomplice only for Elisabeth to get him arrested and exposed by accident in Eva's debut story, they could do something like that again. And the numbers of those who have they wouldn't do it anymore are greatly diminished since the 2012 special "The Return of Gustavo Garian", in which the title character Gustavo Garian, the first named character to be introduced and the one who first mentioned Diabolik, was Killed Off for Real.
- Over the course of The Transformers: More Than Meets the Eye, Whirl acts so bizarre and outrageous that the rest of the crew stops being able to tell whether or not any act he claims to have done or opinion he expresses is for real. Any accusation or claim about him is treated as semi-plausible, no matter how ridiculous, simply because it's Whirl. It doesn't help that Whirl also has a really warped sense of humor.
- Played for Drama with Prowl; when Bombshell mind controls him and forces him to act as a Decepticon agent, nobody sees his sudden ruthless Jerkass behavior as suspicious. Prowl was already a pretty shifty and manipulative guy, so they were willing to believe, however subconsciously, that Prowl would really commit crimes for utterly inscrutable reasons and generally be an obnoxious jerk. When he's freed from Bombshell's control, Prowl is understandably disturbed that his supposed friends saw things like emotional manipulation or covering up politically inconvenient crimes as normal behavior for him.
- Harry Potter and the Methods of Rationality:
- Harry himself develops a reputation at Hogwarts for being able to do anything with his trademark finger snap, but that comes to bite him in the ass when Lesath Lestrange, certain that he can do anything, went on his knees and begged Harry to release his mother Bellatrix Black from Azkaban. He makes sure that The Daily Prophet releases absolutely ridiculous rumors about him, so that no one ever believes what the papers say about him anymore. He scares a Dementor in front of the Wizengamot, and they take it in stride, because he's The Boy-Who-Lived and it fits story logic. Well, ''most'' of them do.
- Draco Malfoy cannot do a good deed without everyone thinking he is plotting something nefarious.
- Dumbledore's Obfuscating Insanity confuses people as to whether he's sane pretending to be insane, or insane pretending to be sane pretending to be insane. Add one more layer of sanity. He may or may not have used Obfuscating Evil on the Death Eater faction to stop them from taking people's families hostage, but now they think Dumbledore isn't above stooping to any low. But people still have trouble believing that he's set fire to a chicken.
- Defense Professors have had such a terrible record over the last decades that any accusation against them is plausible... which is why the teachers don't want to hear them, because they don't want to have to fire the professors mid-year; this is for the sake of their students' education.
- A particularly unusual example in The Hangover franchise: The characters spend the first two movies recovering from blackouts, and begin to believe anything about themselves while intoxicated. Tyson himself makes an appearance.
- The Stig from Top Gear is often hyped this way in-show. This does include his other relatives.
- 30 Rock's Tracy Jordan not only draws this image (he has admitted that some of the things people think about him aren't true), but actively cultivates it. On one occasion, he gets a (washable) facial tattoo because he's afraid a magazine article will lead people to believe that he's normal.
- Rich Hall jokingly suggested one episode that QI had got to the opposite of this stage—that Fry could say anything in his capacity as host and the public would believe it to be true.
- Last Week Tonight with John Oliver: An episode about the Middle Eastern Terrorist group ISIS had John noting that they had become so outrageous in their actions/claims that people will believe anything about them.
- The entire genre of Visual Kei (especially in its original iteration of Visual Shock) was and is about intentionally entering this with one's persona, one's band's image, and sometimes even one's own personal life. Some artists have been especially good at it (although, sadly, some of the best at it became so due to mental health or alcohol and drug problems...).
- Invoked by John Oliver in one of his routines, where he talks about encountering Tyson in Las Vegas and realising that he really should go to bed now - this being the purpose of Mike Tyson: to let you know when you're about to go too far and should instead go home. Oliver theorises that deploying Mike Tyson might be a more effective means of dispersing riots than tear gas.
- For Richard Jeni, it was Michael Jackson.
Michael Jackson is a cautionary tale for the rest of us. That's what happens when you keep fixing it until it's broke.
- In Unhallowed Metropolis, the only reliable way to cultivate a Controversy-Proof Image is to become a Black Sheep. After this point, more scandals aren't going to damage your reputation anymore.
- Old Man Henderson shows how this trope can be weaponized in tabletop games; the creator of the titular character gave him a ridiculously thorough 300-something page backstory to justify Henderson having an absurd Game-Breaker skill set. His skills were so outrageous and his backstory so impenetrable that the DM and other players began believing anything the creator made up about Henderson, figuring that the justification was probably buried somewhere in the backstory. Henderson ended up using this to hijack a helicopter during a key moment; he had zero skill or experience with flying and should've died in the attempt, but the DM was too exasperated to read anymore of Henderson's character sheet and just let it happen.
- By the time of Phoenix Wright: Ace Attorney Dual Destinies, the prosecutors have realized that four games worth of already insane acts have put them in this situation via in-universe Darkness-Induced Audience Apathy. As a result, they can do even more crazy stuff to win because nobody cares at that point.
- Invoked by Bob Chipman in his review of Transformers: The Last Knight, where, due to the fact that he'd run out of ways to criticize these films without repeating himself from his reviews of the prior four films, he simply presented most of the review as a list of twenty things that actually happened in this movie. One of them is not like the others.
14. There's an extended comedy sequence where Crosshairs loses his testosterone regulation cog and reverts to exaggerated effeminate mannerisms, which plays out as background slapstick during an unnecessarily long foreground discussion of what gender differentiation even means for the Transformers in the first place, and pays off in a deeply uncomfortable joke about "hybrid cars".
15. I just made that last one up, but admit it, you didn't know that for sure.
- The Nostalgia Critic brings this up when discussing Lara Croft: Tomb Raider, arguing that the movie rides on Angelina Jolie's wild child personality she had cultivated. Everything Lara does in the movie almost makes you wonder if the camera crew was just following Jolie around. Specifically, in one sequence she was just doing an acrobatic bungie cord sequence in the main hall of her mansion for no reason. He points out when black ops sent by the Big Bad show up, she gives one of them a look mixing "Do you really want to do this?" and "I've been waiting for you."
- South Park: Eric Cartman is the poster child for this trope in a fictional setting starting with season 5. Acknowledged and played with in a twisted manner in season 15's "1%".