Christopher Walken has a habit of appearing in small roles in just about anything. A good solid chunk of his roles are him just showing up in the middle of the movie, stealing a scene, and going on his merry way, as aptly illustrated by the poster on the main page. Walken is firmly on record as never turning down a gig, as long as he has the time in his schedule. It doesn't matter how good or bad your movie is, or how large or small the part is; you give him some money (and it doesn't have to be very much money, either), and Christopher Walken will show up and act.
Romance and Cigarettes. He turns up, sings "Delilah," sings "Red Headed Woman," fucks off again, and the best part of the movie is over.
MouseHunt sees Walken playing a hammy and delightfully over the top exterminator who completely steals the scene and ends up blowing up a large portion of the house in his efforts to kill a single mouse. The mouse survives.
Walken is also the centerpiece of probably the only good scene from Gigli.
Christopher Walken shares credit with Dennis Hopper for completely stealing the entire film when both appear together for a single scene in True Romance.
Likewise, his appearance as Clem the Janitor in the otherwise forgettable Joe Dirt, where he threatens to stab Kid Rock in the face with a soldering iron.
Although he might have had a bit too much screentime to count as one in The Rundown it still follows the same general pattern.
Does a similar thing as the Headless Horseman in Sleepy Hollow, this time even without dialogue.
Again in Abel Ferrara's philosophical vampire film The Addiction, where he shows up just to deliver a five-minute monologue on Sartre and vampirism.
An early example is his turn as Annie's disturbed brother in Annie Hall.
Jean Reno as "the cleaner" has one scene in La femme Nikita, but it is probably what viewers remember best about the whole movie. In fact the scene was so memorable that director Luc Besson decided to make a similar character the protagonist of his next film, with the role specifically written for Reno.
Orson Welles's role as Cardinal Wolsey in the 1966 film version of A Man for All Seasons. He's in two scenes, and is probably the best thing about this very excellent film. In a later version of the film, John Gielgud did a pretty decent, though less remarkable, job in the role as well.
Alec Baldwin is in Glengarry Glen Ross for exactly one scene, in which he delivers a monologue that establishes the atmosphere of menace that overhangs the rest of the film. It's one of the more famous monologues of cinema. Interestingly, the character and his speech were created exclusively for the film, due to studio executives feeling that the original play lacked the necessary exposition needed to establish the premise.
In Walk Hard: The Dewey Cox Story, the main character and his band meet famous musicians of the 60s during the height of their fame. Scene-stealers include Jack White as a conceited, drugged-out, mumbling Elvis with kung-fu skills and Jack Black, Paul Rudd, Justin Long and Jason Schwartzman as the Beatles.
Cyd Charisse. The entire "Broadway Melody" sequence is completely superfluous to the plot, and done entirely to try to recapture the glory of An American in Paris (Gene Kelly never did quite grasp that every musical doesn't have to have a ballet), but Charisse's silent performance as an icy gangster moll still stands with the stars' dances as a highlight of the film.
The screaming fanboy who shows up at the movie premiere in the opening sequence is also surprisingly memorable. Especially since he goes into hysterics not over the film's stars, but over "Zelda! Oh, Zelda!" — who, played by a very young Rita Moreno, is something of this trope as well.
Julius Tannen, who will forever be known as the "Talking Picture Man". Especially his feigned humility anticipating applause at the end.
Vendice Partners in Absolute Beginners. This character is one of several antagonists in on an evil scheme, and he convinces the idealistic photographer hero to join his advertising agency and become a sellout. He gets one big sequence, a brief appearance beforehand, and a wordless bit prior to the climax. But that's enough time for the spectacular Villain Recruitment Song / Disney Acid Sequence "That's Motivation", and between that and performing the movie's Title Theme Tune (he wrote both songs too, and there was a music video for the latter on top of that), Bowie was billed third in the credits, behind only the young lovers at the story's heart.
Heavily lampshaded in Zoolander, where they give his brief appearance as the Walk-Off judge a ludicrous amount of fanfare — to the point of plastering his name on the screen and starting up the song, "Let's Dance."
Cary Elwes gets one in The Chase, as a smarmy newscaster who has to apologize to his viewers due to Charlie Sheen's flipping off the camera.
The Princess Bride: Billy Crystal and Carol Kane as Miracle Max and his wife Valerie, a bickering old couple. There's also Peter Cook's role as the aptly titled Impressive Clergyman with the ridiculous speech impediment. And an underrated one with Mel Smith as the albino.
Four Weddings and a Funeral has Rowan Atkinson in a minor role as Gerald, the priest who keeps screwing up his lines in Wedding Number Two. He gets the names of both parties wrong, mentions the Holy Goat and the Holy Spigot, and utters the classic line "awful wedded wife". He gets the coveted ''and''.
Rowan Atkinson is in all of two scenes in Love Actually, one of which has him on-screen for maybe 10 seconds, and they're both absolutely hilarious.
John Hurt as Jellon Lamb, the Bounty Hunter who believes in neither God nor evolution, but is a big racist, in The Proposition. Only in two scenes, but completely owns both of them, and is billed as one of the film's stars. In the Making Of featurette on the DVD, he mentions that many of the other actors had originally wanted his role, even though it would mean less screen time than some of them actually got.
Quicksilver appears briefly to help break Erik out of prison, being both marvellous and hilarious in the process.
The guy in The Stinger (Apocalypse) also leaves a mark.
While they appear in several scenes, most of the future mutants appear for such a small amount of time and have little dialogue, but have such impressive fight scenes that it can lead to this. Blink gets the most, with Bishop getting in on it as well.
X-Men: Apocalypse again has Wolverine in one (though unlike First Class, the marketing decided to spoil it), past mutants in an impressive fight scene with the Ancient Egypt Horsemen, and the two scene wonder Caliban, who even inspired James Mangold to include the role in Logan.
Smiley's People also features a memorable role from Michael Gough, better known as Alfred Pennyworth, who plays an Estonian refugee.
Essentially as himself, in Charlie and the Chocolate Factory. The twist is that he takes all of the Dracula and Saruman mannerisms and transposes them onto a dentist. Just imagine Christopher Lee throwing his resonant basso into the word "Lollipops." When he shows up again, he's astonished to see Willy hasn't had any candy at all.
The Silence of the Lambs: Hannibal Lecter started out as one of these in Manhunter, back when he was Brian Cox. Three scenes, owns the movie. He doesn't even do much except sit there with his jaw hanging out, taunt the hero, and talk on the telephone, and yet... and yet... (In fact, he only has eighteen minutes of screen time in Silence of the Lambs, less than any other (leading) character that an actor has won a Oscar for portraying in a movie.)
The Social Network: Erica Albright is more like a three-scene wonder, but instantly, many were captivated by her brief role as Mark Zuckerberg's estranged girlfriend and instantly wanted to learn more about her. It is astounding to think that she isn't even an actual person and was created specifically for the film. Needless to say, there's a reason why this role convinced director David Fincher to pick Rooney Mara for the lead role in The Girl with the Dragon Tattoo and why her performance in Dragon Tattoo earned her a Best Actress nomination too.
Sir Alec Guinness often did this, and the smaller his role, the more memorable it often is. He managed to upstage both Peter O'Toole (in Lawrence of Arabia) and Omar Sharif (Doctor Zhivago) playing roles which, while crucial to the films, had relatively little screen time. He has a memorable role as Pope Innocent in Brother Sun, Sister Moon. He was so mesmerizing as Jacob Marley in the musical Scrooge that he earned an additional scene that appears in longer versions of the film.
"Macho Man" Randy Savage's role in the first movie as "Bonesaw Mcgraw", a crazy wrestler who wouldn't look out of place on something like ECW.
And Hal Sparks' hilariously awkward elevator scene in the second movie.
Tap dancing duo The Nicholas Brothers were very much this, as they were usually only in all of their films for a dance number - all of those dance numbers being so amazing many people can't remember anything else about the films. Such as this scene from Stormy Weather.
Whitey's Lindy Hoppers, a troupe pulled from the dance floors of Harlem, would show up in movies like Hellzapoppin' or A Day at the Races, go through some jaw-dropping gravity-defying moves, and exit.
Peter Lorre and Sidney Greenstreet in Casablanca, as, respectively, the conniving Guillermo Ugarte and the scheming restaurateur Mr. Ferrari.
They also appear in this scene in Hollywood Canteen.
Viggo Mortensen has a small part playing Satan in The Prophecy. He only has three scenes, two of which are fairly short, but they're the best part of the movie and and very, very chilling, particularly the first scene. Considering the main villain is Christopher Walken as an evil angel, that's a tall order.
Mortensen has a memorable one scene as the wheelchair-bound Lalin in Carlito's Way.
Bernie Mac plays a memorable used car salesman in only one scene.
Sideswipe is shown being absolutely badass in the opening scene or Revenge Of the Fallen, but barely appears in the rest of the movie.
Jetfire is one of the most beloved characters in the movie, even though he only appears twice: the first to teleport the main characters and leave, the second to die. Being a Cool Old Guy who is also an SR-71 probably does it.
In the third movie, we have (Ken Jeong as) Jerry Wang, a crazy Conspiracy Theorist who works at Sam's office. What did he do that made him so memorable? Faced with immediate termination at the hands of Laserbeak, he decides to forego pleading for his life in favor of suddenly pulling out two very large pistols (which he holds gangsta-style) and pointing them right at Laserbeak's face.
Jerry Wang:You messed with the wrong Wang, bitch!
John Houseman started acting in movies (rather than producing them) when he was over sixty years old, and so, his example of this trope in Seven Days in May as one of the military coup-plotters was in fact his first appearence on screen. And then twenty years later, he did the same with his last role, as the hilariously unflappable driving instructor in The Naked Gun.
Crispin Glover again in David Lynch's Wild at Heart. His role as Christmas-obsessed, sandwich-making cousin Dell, who enjoys putting cockroaches in his underpants and has a terrible fear of black gloves - in lasts for about three minutes and is probably the weirdest damn thing he's ever done, which is saying a lot.
Also in Hallows, Bill Nighyis Rufus Scrimgeour, inexplicably Welsh Minister for Magic, symbol of strength, beacon of hope to the Wizarding World! Gets maybe ten minutes before being Killed Off for Real.
In Network, Ned Beatty as ominous CEO Arthur Jensen. The guy's onscreen probably five minutes, but his speech is utterly fantastic. "You have meddled with the primal forces of nature, Mr. Beale, and I WON'T HAVE IT! IS THAT CLEAR??"
And then there's Beatrice Straight in the same film, who won the Best Supporting Actress Oscar for what is the shortest amount of time an Oscar-winning role had been onscreen. (five minutes and forty seconds, mostly in an equally impressive speech) Beatty was also nominated for Best Supporting Actor.
Notes on a Scandal. Bill Nighy. He is in two scenes. The first introduces his character, the second is an argument with his wife, (Cate Blanchett) when he discovers that she's been having an affair with one of her fifteen year-old students. The movie stars two excellent actors in Judi Dench and the aforementioned Blanchett, both at the top of their respective games. The subject matter is titillating, and the script is well written. It would take one heck of an actor to draw attention, even momentarily, away from all of that to show the real human cost of such a scandal. Bill Nighy is such an actor.
As a Russian gynaecologist in Nine Months. He only shows up twice, but you'll remember him (of course you will, he's Robin Williams).
He has two brief scenes in Kenneth Branagh's Dead Again as a former psychiatrist that are quite memorable. It's officially a cameo too, as Williams didn't want to be credited or appear in promotional material lest people assume the film a comedy.
Ben Stein in, of course, Ferris Bueller's Day Off. "Bueller? Bueller?" Also, Charlie Sheen as the hoodlum in the scene in the police station with Jeannie near the end. "You wear too much makeup. My sister wears too much makeup. She looks like a whore."
Stein gets a scene in The Mask when Stanley Ipkiss tries to make sense of his zany newfound artifact, and the beginning of Son of the Mask, where his face gets separated from his head and put on display by Loki.
Marissa Jaret Winokur's sullen fast-food server, Janine ("You are so busted!"), in American Beauty. At a screening of the film, the character's smug little smirk at Annette Bening not only elicited laughs from the audience, but actual applause.
In the classic, star-studded movie version of Agatha Christie's Murder on the Orient Express (1974), Ingrid Bergman won an Oscar for her role as the half-crazy Swedish missionary Greta Ohlsson, who is practically only seen onscreen during a 7 minute near-monologue. Bergman herself, however, said that Valentina Cortese should've won. This trope applies to nearly everyone in the film; with the exception of Hercule Poirot and the director of the train, who interrogate each passenger, no one has more than three scenes. Just the same, every actor gives a full movie's performance in their 7 minutes on-screen.
Dame Judi Dench as Queen Elizabeth I needed only nine minutes of screen time to run away with Shakespeare in Love and an Oscar for Best Actress in a Supporting Role.
"Have her then, but you're a lordly fool. She's been plucked since I saw her last, and not by you... it takes a woman to know it."
Barbara Billingsley, even though she's only in one scene, has one of the greatest comedic moments in movie history:
"Pardon me, stewardess, I speak jive."
There's also Ethel Merman as the soldier who thinks he's Ethel Merman.
Sammy Davis, Jr., in the film version of Sweet Charity. He shows up, blows the rest of the cast right off the screen with a stunning rendition of the movie's best song ("Rhythm of Life"), then vanishes, his hipster-preacher character and the sequence in which he appears having absolutely nothing to do with the storyline. Classic Wonder.
In When Harry Met Sally..., Estelle Reiner brings down the house with her one and only line, which is the most memorable line in the film: "I'll have what she's having!" (She's director Rob Reiner's mother.)
The Street Preacher, Dolph Lundgren's Jesus-obsessed cyborg hitman, is easily the best part of Johnny Mnemonic. Admittedly, that's not saying much, but he easily outshines the film's other attempts at One Scene Wonders (Ice-T playing... Ice-T the urban revolutionary, and Henry Rollins playing... Henry Rollins the cyborg medic).
Street Preacher: Do you want him brought to Jesus, or to you?
Darth Vader in Revenge of the Sith (in the suit, that is); the film was built up and marketed to lead to that scene; in the final film, Vader is shown in the suit for less than three minutes, with less than 30 seconds of dialogue by James Earl Jones.
Also in Revenge of the Sith, Wayne Pygram's cameo as a younger Tarkin was appreciated by fans.
Also from the original trilogy, the Rancor caretaker who cries once he sees its corpse.
Greedo only gets one scene where he gets shot by Han Solo. He's since become so popular and well known (most likely due to the whole "Han shot first" thing) that a number of comics and cartoons have been written exploring upon him as a character. The most notable example would be the Underworld comic which reveals why Greedo took the job to kill Han (he was trying to become a well-known bounty hunter but was failing miserably) and why he wanted to kill Han (he was very jealous of Solo, who was kind of a dick to him).
FN-2199, the stormtrooper who screams "Traitor!" to Finn in The Force Awakens, and drops his gun to use a Z6 baton against Finn's lightsaber. After a fight, he is killed by Chewbacca's bowcaster by Han Solo. This scene has became a popular meme on the internet.
Also in The Force Awakens, Mark Hamillgets third billing, but Luke only appears in two scenes - in a barely lit flashback, and then the final scene, where Luke doesn't even speaknote leading to jokes that he was paid by the line but his mere presence is enough for fans everywhere to cheer.
The popularity of a OSW can wax or wane with time. For example, the Imperial officer who capture Han in Return of the Jedi invests his sole line of dialogue, "You Rebel Scum!" with such an outlandish degree of disdain that it became a meme in the days of pre-Internet fandom, even being parodied in the original StarCraft I. But the line and scene are rarely referenced anymore, overshadowed by various other, more popular memes.
In Rogue One, Darth Vader is onscreen for about 10 minutes at most and only talks in one scene. In his last scene he has no dialogue, yet almost steals the entire film with one of the most Nightmare Fuel-inducing sequences in the saga.
Chris Sarandon's outstanding turn as Al Pacino's pre-op transgender girlfriend in the classic Dog Day Afternoon garnered him an Oscar nomination and made his career, despite his appearing in only two scenes.
Charles Durning as the Governor of Texas in The Best Little Whorehouse in Texas, which got him nominated for a Supporting Actor Oscar. It helps that he has one of the funniest musical numbers in the movie, "Sidestep", where he celebrates his ability to dodge questions put to him by the press.
Pinhead's brief yet ultimately memorable appearances in the first Hellraiser film counts as this. So much so that he went on to define the entire series. The original plan was to have Julia as the recurring villain, thus turning her into a rare female slasher villain. However, Pinhead's popularity caused the whole thing to be reworked.
Graeme Garden has two scenes in the 1986 film version of Whoops Apocalypse, both as different (but identical) creaky old servants limping hurriedly down different (but identical) corridors to get to a telephone and complete a call (which they fail to do). It's one of the more memorable sequences in the film.
Telly Savalas turns up close to the end of Horror Express and stops the story cold with his portrayal of swaggering, vodka-swilling Tsarist Captain Kazan. An aristocrat threatens to send him to Siberia, his reply is a bemused "I am in Siberia."
In Midnight Cowboy, Sylvia Miles' Cass has less than five minutes of screen time, but it was enough for Miles to win an Oscar nomination for Best Supporting Actress. John McGiver (Mr. O'Daniel) and Bernard Hughes (Towny) arguably fit this as well.
Meat Loaf and Ronnie James Dio, and Dave Grohl in Tenacious D in The Pick of Destiny, each get a scene dedicated to them; the former as Jack Black's father, who tears down all his posters while singing about how rock & roll is the Devil's music, and the latter as a poster of himself that comes to life afterward. Grohl provides the Big Bad. Tim Robbins also plays a crazy homeless man trying to rob the characters, but can't walk, and demands they come to him so he can stab them.
The Wienie King in The Palm Beach Story. "Cold are the hands of time that creep along relentlessly, destroying slowly but without pity that which yesterday was young... That's hard to say with false teeth!"
The movie The Loved One is basically a whole string of these, including scenes with James Coburn, Roddy McDowall, Milton Berle, and, most memorable by far, Liberace playing a coffin salesman.
Silent Bob's speech in Chasing Amy is so memorable, it's easy to forget that he and his hetero life mate Jay are only in one scene.
Richard Harris as English Bob in Unforgiven, who just "shoots some pheasants, defends monarchy, gets beaten by Gene Hackman, gets arrested and then goes away" in across maybe 10 minutes of screentime. But it's a remarkable performance enough for "The Duck of Death" to be in the poster.
Viola Davis in Doubt. A single scene, about ten minutes of screen time, and while she's onscreen she overshadows Meryl Streep. It got her nominated for an Oscar, and many believed she should have won it.
In the Loop is not short of great performances or funny material. Steve Coogan is in the movie for what must be a grand total of five minutes all up, and interacts with few of the main characters and none of the main plot. However, in those five minutes he easily manages to steal the movie as Paul, the easily frustrated constituent who just wants the U.K. Minister for International Development to do something about the wall of his constituency office (which is collapsing into Paul's mum's back garden) whilst said Minister is self-importantly but foolishly involving himself in grand matters of geo-political diplomacy.
Pyramid Head in the Silent Hill movie. Two scenes, each lasting approximately thirty seconds, not a single line, and he's still one of the best parts.
You Only Live Twice features Donald Pleasence as Ernst Stavro Blofeld. He's got a white cat, a bald head, and a scar. He's also one of the most memorable James Bond villains, parodied and referenced ad nauseam. Total screen time: Approximately ten minutes.
Jack Palance had a film career of 50 years and over 70 movies, but when he died in 2006, one film role consistently stood out in all the obituaries and tributes dedicated to him: the role of the taunting, smilinghired gun Jack Wilson in Shane. Palance's Wilson is widely regarded as the definitive Western bad guy. Total screen time: eight minutes. Total words spoken by Wilson: less than fifty, but he makes the most out of two of them: "Prove it."
Holly Palance (Jack's daughter) had one memorable scene in the original The Omen (1976) as Damien's first nanny who is compelled by Satan to hang herself at Damien's birthday party. "Look at me, Damien! I'm doing it all for you!"
Matthew Atherton, A.K.A Feedback, of Who Wants to Be a Superhero?, with a total of two memorable minutes in the utterly forgettable monster movie Mega-Snake.
Figwit, short for "Frodo is grea... who is that?" in The Fellowship of the Ring. Three seconds of screen time, but Bret McKenzie had such a large cult following that they even gave his character lines in Return of the King.
If you were to talk to a casual fan who has trouble telling the films apart, you can usually hit gold by telling them "Return of the King is the one with the Giant Spider". Shelob turned up twice for less than ten minutes, total, but she's always remembered.
In American Pie, then-unknown John Cho's one-scene appearance as the MILF guy. Not only did this scene popularize the term "MILF," Cho arguably went on to have the best career out of all the young actors in the film. It resulted in a movie role being written just for him - the part of Harold in Harold & Kumar Go to White Castle.
He even returns to the fourth movie with a more expanded role - but still credited as only MILF guy.
Sulu: Attention: John Harrison. This is Captain Hikaru Sulu of the USS Enterprise. A shuttle of highly trained officers is on its way to your location. If you do not surrender to them immediately, I will unleash the entire payload of advanced long-range torpedoes currently locked on to your location. You have two minutes to confirm your compliance. Refusal to do so will result in your obliteration. And if you test me, you will fail.
Garland's performance could also, as she likewise has only one or two scenes, but makes a powerful impression.
The Thor-Axine team (a trio of Viking themed drivers) during the first half of the Casa Cristo rally in Speed Racer. They fire a beehive out of a catapault. From a speeding racecar.
Mel Brooks' High Anxiety has future big time director Barry Levinson as a high-strung bellboy who gets progressively more irritated with Brooks' requests for a newspaper until...no, it's too good to spoil.
Randy Quaid as Cousin Eddie in National Lampoon's Vacation was only in the movie for a fairly small amount of time (they go to his house, have a BBQ, spend the night, then leave), but he was so funny and so popular they brought him back into a much bigger part for Christmas Vacation.
ZombielandBill Murray makes a completely out of left field cameo as himself that is one of the most memorable scenes in the movie. Amber Heard, also, as "406", Columbus' hot, blonde neighbor who unfortunately turns into a zombie and tries to kill him.
A deleted scene in Fun with Dick and Jane features James Whitmore as an elderly ex-Marine, now employed as a security guard in a toy store in the profession of "kicking Jim Carrey's butt". It's quite possibly the funniest, most memorable scene not in the movie.
Glen Coco in Mean Girls has gone memetic. He does not even have a line, but is mentioned in one of the most quoted lines of the film.
Claude Rains as the slightly creepy, elderly millionaire Frederick Lannington in the 1950 film noir thriller Where Danger Lives. He can't be on screen for any more than five or ten minutes, but you'll remember him. He receives top billing alongside Robert Mitchum and Faith Domergue.
Dr. Iris appears in Minority Report for one scene (and a brief appearance in the "commercial" for the precogs at the beginning of the film) and her "soul-sick" performance earned her a supporting actress nod, I believe for the Golden Globes.
Eddie Izzard as Mr. Kite in Across the Universe. His Large Ham performance is definitely memorable, and provides some of the funniest lines in the movie ("Have you seen it? It's great. They've got stuff.").
The nameless cigar-smoking mobster from Ninja Assassin. When your response to getting stabbed in the neck is to hold it with one and do a spinning close-fisted backhand to your would-be killer with the other, well, you will be memorable. The rest is just icing on the cake.
The three-breasted mutant chick from the original Total Recall (1990). Johnny-cab, as well. 'cab is on screen for a total of two minutes. In this time, he spouts chirpy nonsense, gets torn apart by Arnold Schwarzenegger, starts screaming and glowing, tries to kill Arnie by driving at full speed into him, misses him, and hits a wall and explodes. "Fasten your seatbelt!"
The three-breasted mutant chick was indeed so popular that they were forced to include her in the remake and to make sure fans know it was added to one of the trailers.
A young Robert Duvall as the reclusive Arthur "Boo" Radley, his first movie role. He doesn't even so much as speak, but his appearance stays with you.
A lesser known, but still powerful example, is Brock Peters as Tom Robinson, his one scene being the courtroom scene. He cried when filming the scene, something he had not rehearsed up to that point, which nearly caused Gregory Peck to cry as well.
Another example from the courtroom scene: Collin Wilcox Paxton as Mayella Ewell. Her closing words when she breaks down in front of Atticus also leaves quite an impact.
Carla Perez's thirty-second cameo as Rita Repulsa in Turbo A Power Rangers Movie, with all the ham her presence implies, may be the best thing about it.
Mathieu Amalric appears in the first and last scenes of The Extraordinary Adventures of Adèle Blanc-Sec (The Extraordinary Adventures of Adèle Blanc-Sec) as the titular heroine's revolting arch-nemesis Dieuleveult, dressed entirely in a black trenchcoat, hat and sunglasses like a Gestapo officer, completely unrecognizable under a thick layer of makeup with rotten-looking false teeth and speaking with a wheezy voice, all in all resembling Toht from Raiders of the Lost Ark. After stealing the scene with a wonderfully over-the-top creepy performance, his character is mummified alive and only seen at the end of the movie, observing Adèle embarking on the Titanic and ominously wishing her "bon voyage". This is made even more infuriating due to the fact that Dieuleveult is, as previously indicated, her arch-nemesis in the comics and yet has no other role in the plot other than failing to prevent her from stealing a mummy she hopes will bring her sister back to life. Needless to stay, the fans of the original comic were not pleased.
American Gangster has Ruby Dee in an Academy Award nominated role as Frank Lucas' mother. She had less than 10 minutes of screen time.
Arnold Schwarzenegger appeared in The Rundown for about five seconds of screentime, enough to say exactly two words. His appearance is mentioned in just about every professional review of the movie listed on IMDb.
Bruce McGill in The Insider, as the lawyer who deposes Russell Crowe. "WIPE THAT SMIRK OFF YOUR FACE!"
Johnny Depp has two very brief scenes in the French film Ils se marient et eurent beaucoup des enfants (also known as Happily Ever After), one of which contains no dialogue (only some cute eye-flirting to the sounds of "Creep"), and then another scene at the end in which he—get this, ladies—speaks French, and then kisses the female lead in a dreamy, magical elevator ride, implying that her romantic life will turn all right after all.
Noah Cross does not appear in Chinatown until the movie is over halfway through. And he doesn't appear again until near the very end of the film. However, he is remembered as one of the most despicable villains in cinematic history. Roman Polanski's appearance as the man who cuts Jack Nicholson's nose with a knife also deserves a mention. It's probably the scene most people remember.
Ralph Fiennes in Nanny McPhee and the Big Bang. In his only scene, he helps set up the film's climax and in the process patches up things with his children and relatives.
And now I'll give you some advice, young man. Never tell the truth to an old woman — especially if she asks for it.
Gary Busey tends to do this in any film he isn't headlining.
As a crazy psycho Vietnam War vet in Black Sheep (1996) opposite Chris Farley and David Spade (although it's two and not just one), and his 'stint' as a Heavy-like demon hunter in Succubus: Hell Bent, in which he gives quite possibly the least rousing morale boosting speech ever submitted to celluloid (he basically tells the kid he has no hope of winning and he should just let the succubus do what she wants because he'll only manage to piss her off worse), dumps a load of weird junk that actually seems to work on the hero, and then drives off to leave him to his fate.
He and Lucy Butler stand out as two of the nicer people in Lost Highway, in their brief screentime as Pete Dayton's parents.
Speaking of Fear and Loathing, there's also Ellen Barkin's moving cameo as a waitress in a depressing café who gets terrorized by the main characters.
Jon Hamm's appearance in The A-Team is technically The Cameo, but may also fall under this because he comes out of nowhere (he wasn't mentioned in any of the promotional material) and is pretty darn awesome, despite being onscreen for only about two or three minutes.
The Pale Man in Pan's Labyrinth is probably the most talked about part of the film. Hardly surprising, given that he's played by Doug Jones (who also played the Faun), employing his remarkable physical talents to deliver a memorably terrifying scene.
Liam Dunn made a specialty of these roles in comedies in the early 1970's. He's probably best known for playing the besieged minister Rev. Johnson in Blazing Saddles and as the abused patient Mr. Hilltop at the beginning of Young Frankenstein, but his crowing moment has to be as Judge Maxwell, who has to legally sort out the problems created by his daughter Judy (Barbra Streisand) in What's Up, Doc? He has less than ten minutes on screen, but his reactions to the story being told to him are priceless. Buck Henry's wonderful dialogue was a big help.
"You see Santa Claus tonight you better run boy, you better run for ya life!"
And the Scary Black Man from the sequel. He doesn't even speak, yet he is remembered almost as much as the film's star.
Joan McCracken, who performs the show-stopping number ("Pass That Peace Pipe") in the MGM musical Good News, and has basically no other role in the rest of the movie. McCracken, who was a terrific dancer but only a moderately good singer, and who was quite plain-looking, especially by Hollywood standards, specialized in these kinds of roles.
Gary Sinise as the reporter in The Green Mile. The scene is a powerful one in the book, illustrating perfectly why John Coffey was convicted, even through doubts that he actually did the crime, and Sinise certainly put his stamp on it. Despite being in that one scene, his obvious connections with Tom Hanks gave him a spot in the movie's trailer.
About half the cast of Barton Fink, though most of them have about two scenes.
Tony Shaloub as Ben Geisler. About two scenes and five minutes and he owns every second of them. "Well, tell Lipnick he can kiss my dimpled ass."
Martin Scorsese's under-appreciated mid-'80s gem After Hours is rife with one-off appearances and small recurring ones, but none more lustrous (or self-contained) than Teri Garr and Verna Bloom.
The psychotic neo-Nazi from Falling Down has one scene, and if it's not the best one in the movie, it's the one that caused the most laughter. Every line he spouts is caustic and vitriolic, and usually loaded with at least one slur, and five curses. The role could have been played spooky and subtle, but the actor instead decided that no scenery would go unchewed in his performance. If anyone quotes the movie, chances are good it'll be from that scene.
Tiny Lister as the Scary Black Man convict on the ferry in The Dark Knight. He has less than three minutes of screentime, and just one brief monologue delivered in a hushed whisper...and does more to thwart the Joker than Batman and the entire Gotham City police force combined.
Susan Backlinie deciding to go swimming at an unfortunate moment in the opening scenes of Jaws. Not only is the scene itself one of the most memorable in cinema, but the bit-player actress gives us one of the most heart-stoppingly real depictions of terror and pain seen on screen.
Braindead: The priest who has had only a few unremarkable appearances shows up in the graveyard once the zombies start appearing and goes to town on the zombies in the most epic scene of the movie, ripping/kicking off limbs, throwing and beating up zombies with lines like "This calls for divine intervention" and "I kick ass for The Lord!"
James Cagney reprising his role as George M. Cohan (which won him the Best Actor Oscar for Yankee Doodle Dandy) for the Bob Hope vehicle The Seven Little Foys. Cagney and Hope trade hilarious barbs for a couple minutes, then do an epic tap dance number together.
The 1933 film Dinner at Eight alludes to this trope in-universe. One of the characters is a washed-up, alcoholic actor who learns he's been demoted from the lead in an upcoming play to a minor one-scene role. His agent persuades him to accept the smaller part on the grounds that he can make a bigger impression on the audience with his single scene.
Prometheus has a pretty huge one in the last minute of the film. It's the first Xenomorph, which pops out of the Big Bad. It's particularly creepy.
Stan Lee, one of the masterminds of Marvel comics, makes a Cameo in just about every single live-action movie adaptation of the heroes he created (and even those he didn't, such as Deadpool and Captain America) Sometimes he's a plain old man, sometimes he gets a few speaking lines, or sometimes he even does some Leaning on the Fourth Wall by playing himself.
But the best of them all is animated, in Big Hero 6.
The Hunger Games has Clove, who, despite while showing up in other scenes, has one scene dedicated to her almost sadistically killing Katniss.
Seneca Crane was practically mentioned only in name in the books. In the movie, however, Wes Bentley (of American Beauty fame) does a magnificent job playing up the charm and popularity of the Head Gamemaker, and his attempts to keep the games under control even as Katniss ruins everything for him and President Snow. (The fact that his beard ended up becoming a Memetic Mutation in and of itself probably helped, too.)
Thresh only gets to speak in one scene, in which he shows up out of nowhere, rescues Katniss from Clove by smashing Clove into a wall until she dies, and then spares Katniss' life because of what she did for Rue.
Foxface, who appears briefly here and there, says very little throughout the movie, and doesn't look like the kind who would survive this, but nearly makes it to the end without killing a single person, and probably could've won if not for one mistake. It helps that the actress, Jacqueline Emerson, is super cute.
In the remake of The Manchurian Candidate, there's Jeffrey Wright as the deeply troubled Cpl. Al Melvin, who has a scene near the beginning of the film and doesn't show up much afterwards, but casts such a haunting shadow over the proceedings of the whole film.
Jerry the CIA agent in Apocalypse Now - "Terminate with extreme prejudice."
Walton Goggins in G.I. Joe: Retaliation as the Warden of Cobra Commander and Destro's prison, who utilizes every second of his screentime.
In Flight, protagonists Whitaker and Nicole meet in the hospital stairwell as they wanted a smoke. Then comes a cancer patient from Utah that only appears in that scene, but provides some insightful dialogue.
Bill O'Reilly, who makes a surprising cameo as himself, commenting on his show about Pepper Potts becoming CEO of Stark Industries. It's much like the segments on his show in real life, but the fact that he's in Iron Man 2 makes it hilarious.
O'Reilly also appears in Iron Man 3, where Joan Rivers and her Fashion Police cohorts also appear to comment on War Machine's new paint job. Both segments get extended in the deleted scenes, with hilarious results.
The Suitcase Armor. It's used for just three minutes and has the living crap beaten out of it, but the activation was so cool that the armor was used on the DVD cover instead of the Mark VI upgrade. Elements of it were also adapted into the Mark VII of The Avengers.
Adam Pally as a cameraman who is a Tony Stark fanboy in Iron Man 3, providing one of the funniest moments of the film.
Harry Dean Stanton's unnamed security guard in The Avengers. Not only does he take witnessing a giant green rage monster fall out of the sky in stride, but is also considerate enough to bring a change of clothes for the human that the monster changes into. His scene-closing line is one of the movie's most memorable.
Kenneth Tigar as the German Old Man who refuses to kneel to Loki.
In Epic Pitbull's character, Bufo, only appears in two scenes and was never mentioned or seen again.
Dieter Laser in the German drama film Big Girls Don't Cry. He is in it for less than 10 minutes and scares the living ***t out of the viewer as a pedophile.
Slightly in the 2003 live action Peter Pan. The actor only ever did that film and eight years later put up a Youtube video expressing his shock at having so many fans for such a small role.
Donald Sutherland as X in JFK. An unusual example though. It's played straight in that he's in one scene, it amounts to about fifteen minutes of screen time of a three hour movie, and it's arguably the most memorable scene in the movie. However since it's essentially a monologue it's probably the second biggest speaking part in the movie.
Taken to a shocking degree in the 1951 film Scrooge. Towards the end of the film, Scrooge arrives at his nephew's house and hesitates before going into the party. He is comforted by the door maid who nods for him to go in. She has no lines but it is a very warm and tender scene. For years there was a massive discussion online about the actress's identity as she was uncredited in the film. Eventually a relative of hers surfaced online and this blog post identifies her as Theresa Derrington.
Peter Sellers as the title character in Dr. Strangelove, where he's trying to talk to the President (also played by Sellers) while being attacked by his own prosthetic hand. Yes, it's so funny that Sellers steals the scene from himself.
Nearly every review of Harry Brown, positive or negative, makes note of Sean Harris' ten-minute performance as Stretch, one of the sinister drug dealers from whom Michael Caine's character attempts to purchase a gun (and to whom he directs his now-famousBond One-Liner "you failed to maintain your weapon, son"). A few other directors, including Deliver Us from Evil's ScottDerrickson and Mission: Impossible 5's Christopher McQuarrie, have cited the performance as the reason for casting him in other, usually equally-scary roles.
Carroll Baker as Dorothy Stratten's mother in Star 80. She essentially has only one scene, a monologue addressed to the camera— but that's all she needs. "I never signed."
The hot dog vendor in Highlander, who mocks the police about their utter inability to find out anything about the recent rash of be-headings in New York.
"What does IN-COM-PE-TENT mean?"
From the mostly-forgotten RoboCop-ripoff movie R.O.T.O.R., we have the female hostage. She starts out looking nonchalant at being held at gunpoint. And after the man holding her at gunpoint is shot by the main character, she takes out his partner with a flurry of powerful kicks, ending by pinning the guy against a pole by the throat with her foot.
In a A League of Their Own, the role is so small that it's credited only as "Dollbody Kid," but the youngster who drives Dottie to the roadhouse makes the most of his two memorable lines with a perfectly timed delivery:
Dollbody Kid: What's your rush, dollbody? What do you say we slip in the back seat, and you make a man out of me?
Dottie Hinson: What do you say I smack you around for a while?
Michael Kroecher as Lord Stanhope in The Enigma of Kaspar Hauser. His campy portrayal of the nobleman is fondly remembered by the audience and he eventually became a character actor for this kind of roles.
Bride of Frankenstein has the titular character, who appears for only a few minutes at the very end. Somehow, those few minutes inspired an entire mythos.
Tony Randall has a memorable cameo in Down with Love, a cockeyed tribute to the kind of romantic comedy he used to costar in during The '50s.
Jim Broadbent as Mr. Grueber the antique dealer. He's such an important supporting character in the books, that it be impossible to do an adaptation without him, and as a fellow immigrant he understands what Paddington is going through better than anyone else. That and his tea train he uses at Elevenses is really cool.
The Royal Guard outside Buckingham Palace who takes pity on Paddington and offers tea service and a sandwich that he keeps under his hat.
German actor Udo Kier showed up in so many productions, starting with underground films with Andy Warhol's troupe, to Giallo movies, European Arthouse and Blockbusters that his face alone brings joy to the cineast's heart.
Captain America: Civil War had one in the form of Florence Kasumba, who only has one line in one scene in the entire movie. She is escorting T'Challa back to his car and Black Widow is standing in front of it, and she simply says: "Move, or you will be moved." For those who follow the comics, it's implied that she is one of the Dora Milajae, the Black Panther's Praetorian Guard/Bodyguard Babes. That one line alone made her a memorable character, in spite of her not even having a name. The character proved so popular that they brought her back in a bigger role in the subsequent Black Panther movie, with her name being given as Ayo.
From his first line, King T'Chaka comes off as a wise statesman, and a nice, funny guy in general, like your dad, uncle, or grandpa. Shame about the explosion.
Another one for Judi Dench: her debut as M in GoldenEye. It was ironic enough to watch James Bond take orders from a powerful older woman who wasn't swayed by his charms, but she gives him an epic "The Reason You Suck" Speech before sending him on his mission, while still telling him to come back alive. It was normal for the previous M to appear just long enough to give Bond his mission briefing and send him on his way, but Dench's debut was so well-loved that she was given an expanded role in subsequent films, even becoming a significant part of the plot in twoof them (and a posthumous appearance in Spectre, showing the series wasn't ready to let her go).