Want to show that your Evil Overlord, or someone within The Empire is a genuine bad guy, regardless of their rank in The Empire or how minor a character they are? Simple, all you have to do is have them Kick the Dog, right? Well, what if there isn't a handy dog around? Have them kick whatever minority race/species or gender/sexuality or lower class scum is around instead to show that they're a really bad guy. Bonus points if either the heroes or some highly sympathetic character is a member of said minority.
Depending on how and with whom this is used, it can sometimes come across as just slightly odd. It generally works best with minor characters who have not had a lot of time in the attention of the audience, since you can easily reveal that their Hidden Depths are really rather unpleasant, thus allowing you to cement them as unlikeable or have the character graduate from being an annoying obstacle to someone the fans will cheer to see put down.
It doesn't always work as well with the Magnificent BastardEvil Overlord types, particularly if introduced late into their run as an antagonist. Because honestly, if the fandom hasn't turned against the Overlord after the character in question may have murdered thousands or even millions, enslaved people in The Empire wholesale, and so on and so forth, is having the character be a little sexist or racist really going to automatically turn people against them? (In particularly bad cases of Misaimed Fandom where the fans were already using every scrap of evidence and threadbare argument to argue that the bad guys weren't that bad, you may risk the character's fans declaring this to be a Fanon Discontinuity, and possibly even splitting the fanbase). In these cases, to make it work, you might have to do a purposeful Flanderization to your character and make them all about their bias. Of course, that will also mean you've gone and derailed your own plot if you need to do it to that extent...
A notable key to this is that the racism, sexism, Fantastic Racism, or whatever displayed by the character is often completely gratuitous or extraneous to the rest of their villainy. Usually, whatever their goal might be, they don't have to be a racist, speciesist, or sexist to accomplish it - but they are.
This is the reason why Those Wacky Nazis and The Klan are at the bottom of the villain food chain, and it's a good bet that the Politically Incorrect Villain will be the one going down in an Even Evil Has Standards team-up.
Also, people might sometimes see this trope where it doesn't exist. Some villains are simply bullying types who go after minorities without really caring whether people will find it politically incorrect or not - and it doesn't have to matter if their targets remind them of themselves in some way. Why do they do this? Genre savviness, primarily; after all, minorities lack the numbers to fight back, and there's nothing to be gained from Bullying a Dragon.
Compare Evil Is Petty; Contrast Equal-Opportunity Evil. Note however that they are not mutually exclusive; a villain can be progressive towards some groups but intolerant towards others. Compare and contrast the Politically Incorrect Hero. May lead to Felony Misdemeanor if this character type is thought to be more evil than outwardly flamboyant villains. This should also not be confused with Values Dissonance, where the author apparently has these attitudes. Any and all instances of Those Wacky Nazis qualify automatically.
This is not when a villain is a minority who is portrayed in a politically incorrect manner. That's Unfortunate Implications.
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This is a major reason why Nina of Code Geass was considered The Scrappy. Despite the fact that it would be safe to assume that some Britannians are racists, she's the only major character to hold such opinions and thus comes across badly. Though she originally doesn't tout any personal supremacy, she's "just" paranoid that any Eleven might be a terrorist. Later, after Princess Euphemia's death she becomes rather unhinged, and starts considering the use of a weapon that's for all thoughts and purposes a nuke against one man.
Jeremiah Gottwald isn't paranoid like Nina, but he's easily the most racist out of everyone in Britannia's army, given that during his brief stint as Margrave of Area 11, he takes a little too much joy in executing the Japanese. His racism begins to dwindle as he begins to lose his sanity due to public humiliation, and it more or less mellows out after he encounters Sayoko several times.
Luciano Bradley also has moments like this, although they're less prominent because he's unpleasant in many other ways. His last words are "My life is taken by a lowly Eleven?"
It's more due to fear than hatred, but Frieza of Dragon Ball has a beef against the Saiyan race, personified when he calls Goku and Vegeta "Saiyan monkeys."
He's also quite disdainful of Namekians and their stubborn resistance to give him the Dragonballs.
In the Rurouni Kenshin arc that introduces Sanosuke, we encounter three very minor characters, (they don't even get names) drunkenly and nastily arguing while the Kenshin gang is trying to eat at Akabeko. We know they're not nice characters right away, and it's taken up a notch when one of them throws a sake jug that hits Kenshin in the head and then refuses to apologize, but things get taken up to a whole new level when one of the waitresses very politely comes over and asks them to keep it down and the biggest of the three responds by saying "And now a female is mouthing off?!!" and hitting her.
Notably, these drunkards were democratic activists; at this stage in Japanese history the 'government of the people' was extremely elitist and political parties were illegal. The guys drop a bunch of real names and are apparently using the cause to make themselves feel important while talking about freedom. Sano calls them on hypocrisy: he was mentored by a real populist.
They also bring up the separatist leader Saigo Takamori as a 'hero.' Given his army was Satsuma samurai and was defeated by a conscript army of citizens from all backgrounds, and Kaoru's father was killed on the government side just the previous year, it all brings up a lot of emotional complexity.
In Shitsurakuen, the terms "villain" and "misogynist" are pretty much synonyms.
This seems to be a common trope in Jidai Geki / whenever there are ronins around. In Tsukikage Ran, the female ronin protagonist gets a lot of these comments and always trounces those who make them.
Similarly, Samurai Champloo also has a very similar scene to the Kenshin one in its first episode, where a boorish nobleman is sexually harassing the waitresses at the restaurant Fuu works at and generally attacking very threatening. After being promised free food to intervene, Mugen slaughters the guy's guards and performs Mutilation Interrogation on him.
Bonus points to Blue Cosmos leader Muruta Azrael who adds He-Man Woman Hater to his already severe Fantastic Racism. It isn't to nearly the same degree, but he treats the female captain of the Dominion with utter contempt ("Ms. Captain"), and is the only male character in the show to actually use the phrase "bitch" when describing a girl.
Every single villain in Me And The Devil Blues is some level of racist. It's pretty telling that one of the least racist villains, who actually asks R.J. to play for his party, calls the blues "nigger music." Yeahhh...
Arlong and Hody Jones from One Piece are astoundingly brutal, sadistic, and unrepentant racists and Fishman supremacists who consider humans as little more than vermin and see nothing wrong with enslaving them or engaging in a full-on genocidal pogrom. Arlong has the slightly redeeming feature of caring greatly for his own men, but that means very little when you consider the many, many awful things he's done. Hody, on the other hand, doesn't even have that and is even nastier than Arlong, enough so to put him in the running for "biggest monster in the series".
Nnoitra is openly sexist. He openly mocks the more highly ranked Harribel as "scared" when she reacts with restraint to Ichigo's invasion of Hueco Mundo. He openly attacked Nelliel because she was a woman who was ranked higher than him. He loathed the idea of a woman having a higher position than a man on the battlefield and went to great lengths to plot her removal from the Espada ranks.
Yhwach openly uses arrancar as shock troops. When asked by a subordinate if it was okay to treat them so dismissively, he commented on just how disposable they are. He's only using them in the first place because they don't need training to fight, so he really doesn't care how long they last before they die. He also arranged for a purge of all Quincies that he regarded as "impure" (either from mixed-blood origins or pure-bloods that had been tainted by hollow attacks). His purge is directly responsible for the deaths of both Masaki and Kanae, mothers to Ichigo and Uryu respectively.
Hajime No Ippo: To add to the huge list of jerkassery of Bryan Hawk, he's also shown to be racist against Japanese. In an Ax-Crazy rant, he tells the Japanese that if they want to be world champion so badly, they should send him all of their women so he'll give them his genes. In twenty years, Japan would be crawling with world champions.
In the War of Austrian Succession arc of Axis Powers Hetalia, Prussia mocks the idea of Maria Theressa ruling Austria and uses the opportunity to snag Silecia. The Lemony Narrator makes a lot of jokes about the Values Dissonance of Prussia's reasoning. Maria Theresa, meanwhile, retaliates by bringing in Hungary to get rid of Prussia.
A lot of unpleasant characters in Yu-Gi-Oh! 5Ds fit, at least in the first season, seeing as the upper class of Neo Domino City tended to look down on the lower class of Satellite. The term "Satellite scum" is a common slur. Oddly, enough, Rex Godwin, the first Big Bad of the series does not, seeing as he was actually born there.
The Homelander, a twisted Captain Ersatz for Superman in The Boys is a ginormous racist, as well as a misogynist and a rapist. In two separate issues he shouts a racial epithet just before (or just after) killing a minority villain. There's also the Captain Marvel/Thor knock-off, Storm Front, who is an actual Nazi and is mentioned to sponsor numerous white supremacist causes and militias worldwide. (That Stormfront is also the name of a real life Neo-Nazi and white supremacist group should be a clue that the character isn't a big fan of diversity.)
Most of the superpowered people in the Boys universe are either racist, misogynistic or homophobic just to drive home how screwed up they are.
Variant in The League of Extraordinary Gentlemen, the Big Bad of the first book is depicted as a homophobe just to bump up his villain credentials (despite the fact that this would have hardly made him unusual in the Victorian era). Likewise, in the third volume, the more misogynistic qualities of James Bond and the more reactionary qualities of Bulldog Drummond are played up.
When first introduced, Red Skull, arch-enemy of Captain America, was indeed a Nazi agent, but was written more as an "enemy of America" than a "Nazi" per se. Over time, however, he has been given more and more racist and eugenic dialogue, making him the rare Marvel villain who became less sympathetic over time.
One script during Mark Waid's run of Captain America was written from the Red Skull's POV and contained a number of racial slurs. The racially-charged comments (among other things) were heavily edited out of the published issue, with the final issue being so radically different that Waid asked his name be taken off the credits. The issue's original script built up to a scene where the Skull, in a roundabout way, equates Cap to Hitler himself. Link here.
In an interesting case, the Ultimate Red Skull who is far worse than even the mainstream version seems to have lost all his racial supremacist connotations, given that's he's worked for dictators and terrorists of every possible colour and creed. He believes in true equality: He wants to kill EVERYONE.
A lot of Captain America villains are like this. Arnim Zola, Crossbones, Baron Zemo, and Hydra in general. (Hell, on the cover of the hero's first appearance, he was shown punching Hitler himself in the face, even though that never happened.)
This is because Captain America's career as a costumed hero began during the World War II. There exists more than one cover featuring Cap punching out Hitler or (a racist caricature of) General Tojo. The man was used to sell War Bonds, after all.
The Red Skull has since renounced Nazism in favor of his own brand of nihilism. Why? He thought Nazism was too morally restrictive. Nowadays, he more-or-less Hates Everyone Equally.
Captain Nazi. Really and truly, his name says it all, doesn't it? Although he's apparently some kind of personification of Nazism (or so he now claims), so it's integral to his character rather than a gratuitous trait.
It was never a gratuitous trait — it's his whole motivation and origin.
A one-shot killer-schoolkid character in Grant Morrison's X-Men, in explaining why he killed a mutant and harvested his organs, included the aside "Yes, he was gay, but that's incidental to my cause."
If one counts Fantastic Racism, recurring villainous groups the Friends of Humanity and the U-Men are based on this; the FoH are the most well-known anti-mutant racist crusaders/human supremacists, whilst the U-men have similar ideologies for explaining their calling of vivisecting mutants to graft organs to themselves to acquire superpowers.
Close to all of the villains in Wanted are this. The Future is definitely the worst though, as he is an unapologetic Nazi and misogynist.
Marvel's The Swarm is, as the Runaways put it, "A super-Nazi...made of bees" (My God). He takes the time to ask Victor which of the "mongrel races" he belongs to during their fight - Vic's mom was Mexican, his dad Ultron. You'd think someone made out of bees would be open minded.
If somebody says anything even remotely homophobic in the Midnighter's comic book series, they're evil. Period.
Sole exception is Kev, who in the end admits to himself he repeats homophobic slurs, because he got his idea how tough guys should act from tv and movies.
Vampires, being alienated for all time from everything God created, would necessarily hate all humans, so any particular dislike of a group would be superfluous.
This is played much more straight with Caleb, the servant of the First who shows up in the final season. He's a proud and vocal misogynist, and every time Buffy fails to defeat him he loudly chalks it up to her being female.
Writers who don't like presenting Doctor Doom as a Noble Demon will sometimes make him more unsympathetic by having him voice racist and sexist sentiments. This is at odd with Doom's more frequent characterization as having egalitarian views (in the anti-bigotry, not (obviously) in a pro-democracy sense), and who loathes bigotry on account of his Roma ancestry. Fans tend to conclude that bigoted Dooms were actually malfunctioning Doombots.
Norman Osborn is one. He is sexist, violent xenophobe, admires Hitler and the Red Skull. White supremacists believe he is a true hero of white Americans.
Paul Cornell's Captain Britain and MI13 series depicted Marvel's version of Dracula as a virulent anti-Muslim bigot. May have some historical backing, given that the original Vlad Tepes fought many wars against the Ottoman Empire.
In Batman: Heart of Hush, Hush seems to have a misogynistic and classist streak, calling Zatanna a "filthy gypsy" and Selina a "common gutterslut". This could possibly be explained by his issues with his mother, a smothering, snobby woman.
On a lighter note, Spider-Woman once fought a guy named Turner D. Century, whose goal was to return society to the cultural values it had before World War I; in other words, he was both a bigot and a chauvinist. Despite his rather unethical outlook, as a villain, he's regarded as a joke (if not the biggest joke in Marvel's history).
During Kieron Gillen run on The Uncanny X-Men Mr. Sinister started showing more mannierism appriorate for early XIX-century England, time and place he lived in, before aquiring immortality. Part of that mannierism was to call Storm Scott's "colonial pet".
The man in black from Futari Wa Pretty Cure Dragon may very well be the most blatant example of this trope in the entire franchise. Even Moerumba doesn't stereotype Mexicans left and right like he does. This gets to the point where he's the most hated villain in any Pretty Cure fanseries, both by the readers and by the characters in-series.
95% of all Slash Fic antagonists are homophobic jerkasses, either as their main motivation or on the side.
Queen Of All Oni: Ikazuki looks down on Jade not just because of her youth and inexperience (which is somewhat understandable), but also because she's a female.
On the other hand, since the Titans are Hero Antagonists to Jade, Beast Boy could technically be considered this (though Politically Incorrect Hero would probably be more accurate), with the trait being a Running Gag: like how he referred to Jade as a midget (the other Titans call him out on how that's politically incorrect), and later he commits mild racial profiling (albeit by accident) by comparing Jade and Mumbo due to the fact that they are both blue-skinned magic users.
In Kage (another Dark Jade fic and a Crossover between JCA and W.I.T.C.H.), Jade and Miranda both see Frost as a sexist jerk (and they're not wrong).
A lot of fanfictions that try to portray a darker version of the world of Harry Potter make wizarding society incredibly misogynistic. In some Ron the Death Eater fics, like The Last War, characters like Ron will be made incredibly misogynistic to show how evil he is, and thus unworthy of Hermione.
Every antagonist in Knowledge is Power is a pureblood supremacist, regardless of how little sense it makes from their canon portrayal.
Films — Animated
Gaston in Beauty and the Beast is very quickly established as a chauvinistic pig: "It's not natural for a woman to read. Soon she starts getting ideas and thinking..." This is proved later to be the tip of the iceberg for a thoroughly nasty piece of work. There may have been a dose of sour grapes in there as well. The look he gives the book after he snatches it out of Belle's hands would seem to imply that it is well above his reading level.
Inverted in Mulan. Shan-yu is one of the few male characters in the movie to never say anything sexist against Mulan, and he seems to appreciate her bravery. This could be because the Huns and other Steppe societies were less sexist against women than the Chinese, and while the women were generally expected to stay home they were also respected as warriors in their own right and were more than capable of defending themselves while the men were away.
Claude Frollo from The Hunchback of Notre Dame. He wins extra points for being a genocidal racist. To be fair, while it is an unnecessary addition to the original character, the movie actually bends the plot around his racism - it launches the plot by being the reason he gets stuck with Quasimodo in the first place (he chases and treats Quasi's mother coldly because he's racist); his attempted genocide helps to bond Esmeralda and Quasimodo while also pushing Phoebus to betray him; and it adds an extra layer to his crisis of faith about his lust for Esmeralda.
And what to think of Governor Ratcliffe from Pocahontas? To an extent, this is the whole point of his character, since he's basically a Composite Character of the cruelty of European colonization. The lyrics to the song "Savages", which he leads, were so offensive to Native Americans people actually complained about the movie as a whole being racist - despite it being the the villain who was blatantly racist.
The sequel plays with this. The people of England are fine with Pocahontas when she first shows up, but when she protests the bear-baiting as "barbaric", the king decides she just a savage and locks her up.
While it's surprisingly underplayed in The Princess and the Frog, there are the two Jerk Ass realtors who tell Tiana, after informing her that she was outbid on the building she was trying to buy, that "a woman of your...background, you're better off to stay where you are". Given the look on Tiana's face, she definitely gets all of the implications. Interestingly, Facilier implicitly tries to apply this trope to the town in general as an excuse for his behavior, which is very untrue.
Coonskin by Ralph Bakshi, being an animated Blaxploitation Parody film, had many racist characters and racial stereotypes throughout the movie. But we see the most blatant example in Officer Madigan, a cop of the mobs payroll. He's both racist and homophobic even towards the son of his mob boss who is a blatant homosexual. He goes as far as to refuse to bathe before meeting with some black street level thugs who also work for his boss (In his words, they ain't worth it). He gets a combo of Death by Racism and Color Me Black, when "Brother Rabbit" drugs him with some acid leaving him in full blackface, armed, and wearing a dress. This caused him to fly off the handle and shoot it out with some other cops and get riddles with bullets.
There's also SimpleSavior, who spouts phony pro-black propaganda, and claims to be cousin to Black Jesus. He uses this scam to con "donations" from the people of Harlem so he can "buy guns to kill whites". In reality his money gets kicked up to the mafia who gladly exploit and oppress Harlem to their disposal.
Doorman: This here's where Simple Savior runs his black revolution, brother. Natural black Jesus is the reverend's cousin, too. He gives people the strength to kill whites.
Brother Bear: Kill whites? You hear that shit? Any whites?
Doorman: Yeah, any whites.
Brother Bear: Ain't this a bitch?
Preacher Fox: Anyone we want?
Brother Bear: Ain't this a bitch!
Preacher Fox: Huh. We can kill anyone we want?
Doorman: Any whites.
Films — Live-Action
In The Addams Family movies, the camp counselors very obviously give the blond WASP kids the desirable parts of the play while putting Wednesday, Pugsley, and the children who are minorities in the less desirable roles. Their script is also absurdly racist, harping on how primitive the Indians are and stressing that the superior white children shouldn't be too snobbish about how much better they are. At least until Wednesday takes the story Off the Rails...
Frank Costello of The Departed mentions a distaste for "niggers" in his opening monologue. While it is shown to have historical significance this racism fails to show up in any significant way within the plot - it is only used to establish, mere seconds into the movie, that this guy is not a good man.
Later on he tears into a group of Chinese criminals, despite them aiming machine guns at him, calling them chinks as he berates them for bringing automatic weapons to the deal.
In The Gift, Keanu Reeves plays a brutal, wifebeating thug who is menacing the psychic heroine with insults and threats and apropos of nothing at all he announces, "You ain't no better than a Jew or a nigger!" He is a Red Herring for the murderer and ends up becoming somewhat sympathetic, sending him into subversion territory.
Blazing Saddles: Oddly, Big Bad Hedley Lamarr doesn't show as much blatant bigotry as his henchmen, Mr. Taggart and Lyle. He doesn't show as much racism as the Innocent Bystanders that the black sheriff is protecting! When hiring outlaws the Big Bad advertises himself as an Equal Opportunity Employer and specifically mentions in his famous Long List that he wants criminals of many different races and backgrounds working for him. On the other hand, he doesn't hesitate to slap Lily around and insult her German ancestry when she does a High Heel-Face Turn. Hedley is also in charge of appropriating land in Colorado from the local Indians, justifying this by claiming "they're such children."
Velma Von Tussle in the Hairspray movie is not only racist, but makes cruel comments to the heroine about her weight. Granted, the movie (and original film) show that lots of people were pretty openly racist during this time period, but it is an extra Kick the Dog for her.
One of several reasons why the Wild Wild West film was poorly rated, is that the somewhat likable Loveless of the television series was transformed into a racist bigot who is constantly making racial slurs and jokes against Will Smith's Jim West. Also troubling is that the original Loveless was a dwarf and this one is an amputee, the subject for West's slurs against him. Lots ofDude, Not Funny! on both sides.
One of the other dons, describing his plan for his gang's drug trafficking, intends to market heroin to blacks, saying "They're animals anyway, let them lose their souls". What's interesting is that in an earlier draft of script, he actually elaborates a bit on his racist views, citing the rampancy of Parental Abandonment in the black community, anathema to the family-minded Italian ideal, among his reason for disliking them. This was probably cut for fear that too many viewers would agree with him... This makes sure that Michael's eventual massacre of the rival dons comes across as a Kick the Son of a Bitch moment.
Jack Woltz, while not a true villain in the movie (in the book he's a much more distasteful individual), he quickly loses any sympathy he may have had by throwing every slur in the book against Italians at Tom Hagen in a single sentence.When Tom points out that he's actually part Irish and part German, Woltz then refers to Tom as "My kraut-mick friend."
Harold And Kumar Go To White Castle has the Jerk Ass cop, the extreme sports punks, and Harold's lazy womanizing coworkers, who make him do their work because "Asians love crunching numbers". Then, Harold & Kumar Escape from Guantanamo Bay tops it with one of the most racist characters in film history: Homeland Security official Ron Fox. He believes every stereotype about every race and religion there is, and will ignore and literally wipe his ass with the rights and freedoms all Americans are given unless you're white Christian.
Cyrus the Virus from Con Air says a lot of racist comments toward Pinball and Baby-O. There's also Diamond Dog, a black supremacist who believes that all white people are inherently evil. However, both of them are still pragmatic enough to team up with each other.
While their support for slavery makes them inherently politically incorrect villains, the Confederate States in the Alternate HistoryC.S.A.: The Confederate States of America is also highly sexist, and while like the actual United States, it had Chinese laborers in the 19th century, they chose to enslave theirs. They also decided to be Christian-only, and thus their Jewish population either fled or were allowed to live on ghettos reservations.
In Sneakers, Mother and Crease get caught off-guard by a couple of Mooks. One of the Mooks orders Mother out of the van, then looks over at Crease (played by Sidney Poitier) and says "You too, midnight." The audience suddenly becomes very invested in seeing this nameless, faceless character get his ass kicked.
Much of District 9 has different levels of these characters, being that it is essentially a story of The Apartheid Era with aliens replacing black people as the victims of racism. Psycho for Hire Koobus, who is the head of MNU's private army, really runs with this trope though when he says that he would do his job for free because he just loves to watch Prawns die.
In Silver Streak, we already know who the bad-guy is,note “Ever since that plane crash in Cologne, Germany, when you caused a hundred people to die just to cover up your link with the scandal at the Metropolitan Gallery.” but we really start hating him when he angrily calls Richard Pryor's character (who was disguised as a waiter) a "stupid nigger."
In Trading Places, the Eddie Murphy character overhears the Dukes comment how they can't "have a nigger run our family business". Before that, you could see the Dukes as affably dotty. That reveal tells the audience that the Dukes deserve whatever they get (impoverishment, and in one case, a life-threatening heart attack).
It's more a sign of the times (the 1860's) but Bill the Butcher from Gangs of New York is profoundly racist, especially against the Irish but also against anyone who isn't white and Protestant.
Miles Quaritch from Avatar expresses Fantastic Racism in the sense that it applies to another species than another race. That said, the very nature of his remarks very closely resembles conventional racism.
There's Something About Mary has a toe-curling exchange with Matt Dillon's character obliviously causing offense when trying to impress Mary. We already know he's a conniving bad guy, this nails down the fact that he's a self-serving idiot with the empathy of half a brick in a sock to boot.
In True Romance, Dennis Hopper's character, knowing that The Mafia plans to torture him to death, preys on their politically incorrect nature, telling them that Sicilians are descended from blacks (which is not the word he uses). This provokes their leader into killing him immediately.
In Snatch, the fence Avi continually refers to Boris as a "Cossack."
An unusual example in the first Kill Bill movie: Boss Tanaka, a member of the yakuza crime council, does not believe that a half-Chinese, American-born woman (O-Ren Ishii) should be the leader of a Japanese criminal syndicate. Unusual in that O-Ren is herself a villain and displays politically incorrect tendencies of her own later on (against Caucasians), and also in that Tanaka is not gleeful or bullying like many of the other examples on this page, but genuinely upset that the council members are causing their ancestors to "weep in the afterlife" by appointing a "half-breed bitch" their leader (and the other gang bosses do not agree with Tanaka at all, and even mock him). O-Ren promptly collects his fucking head, explaining that she is willing to take criticism but that any questioning of either her nationality or her ethnic heritage will not be tolerated.
In the remake of Scarface, Tony Montana states to his best friend that he doesn't like Colombians.
All the villains in all the Bring It On movies, but especially so in the fifth movie, where the protagonist is Latina.
Mitchell starts out with John Saxon's character murdering an unarmed minority burglar, then planting a gun on the body in order to claim self-defense. When the police shows up, he tosses out a "wetback" comment for good measure.
In Tombstone, Behan helpfully announces that he's the founder of the Anti-Chinese League to let the audience know not to sympathize with him. This was Truth in Television.
The villain of Red Eye makes misogynistic comments throughout the film.
Inglourious Basterds. To make the film's Affably EvilAnti-Villain more palatable, they even introduce him with a speech in which he admits to admiring the Jews. He's still, you know, a Nazi, though. The anti heroes occasionally enter into this trope as well, as their disregard for German lives crosses a few lines, too.
The first and third Indiana Jones films. Just to be on the safe side, the first one gives one of its Nazi villains a few antisemitic comments about the Ark of the Covenant.
In The Karate Kid III, the villain makes Daniel determined enough to continue fighting by calling Mr. Miyagi a "slope".
The Blues Brothers introduces its neo-Nazi villains by giving their leader a deeply racist speech at a rally. Our heroes are not pleased.
Walter Wade Jr. (played by Christian Bale) in the Shaft remake. He's a white supremacist who harasses a black man at a restaurant, and later kills him because the guy successfully dissed him.
The Villain Protagonist in Man Bites Dog, in addition to being a Serial Killer who murders at random, regularly make derogatory comments about blacks, asian, homosexuals and others. For example, after killing a black night watchman, he says he won't touch him because the "monkeys" have AIDS, and that they often have dogs with them because blacks are closer to nature.
Awkwardly done in The Boondock Saints where Yakavetta insists that Rocco refer to the black man in the joke he's telling as a "nigger".
Byzantium: Nearly all members of the vampire Brethren hold very open contempt for women.
An airplane was overweight - they had thrown off everything they could but it finally came down to throwing out passengers. A racist flight attendant gets on the intercom and says "All right - we will be throwing passengers off the plane alphabetically according to race. Are there any African Americans on the plane?" (no one answers) Are there any black people on the plane?" (again, no answers) "Are there any.. um... colored people on the plane?" As this goes on, a black child looks up at his father and asks "Aren't we all those things?" His father says "Just for today, we're niggers."
Some of the humor in this joke comes the fact that it is the black man using the racist word instead of the racist - but if you want to tell this joke without using the word, you could say their family came from Zimbabwe.
In The True Confessions of Charlotte Doyle, Captain Jaggery fits this trope to a T (granted, it is 1832). While holding the 13-year old Charlotte on trial for allegedly murdering the first mate, he reaches this conclusion:
"So what we have here is a girl who admits she owns the weapon that murdered Mr. Hollybrass. A girl who lied about where she got it. A girl who was taught to use a blade, and learned to use it, as Mr. Grimes would have it, 'uncommon' well. A girl, who all agree, is unnatural in every way she acts. Gentlemen, do we not, as natural men, need to take heed? Is it not our duty, our obligation, to protect the natural order of the world?"
In Spock's World, a group of these attempt to drive Vulcan to secede from the Federation.
The Star Wars Expanded Universe novels use this. While Lucas seems to have intended there to be some parallels between The Empire and the Nazis, relatively little of that shows up explicitly on screen. In books, comics, etc, both individual villains and The Empire as a whole are depicted as speciest against non-humans. (And in fact an easy way to tell which side is the bad guy side in whatever time period it might be is if they ever make a comment about human superiority).
The Yuuzhan Vong of the Expanded Universe display extreme intolerance for anyone who doesn't follow their religion and lifestyle.
Seems like the EU just came up with a good explanation for why you don't see too many nonhumans in the Imperial military, although they apparently don't mind hiring them as bounty hunters and such.
The EU also makes it pretty obvious that Palpatine himself doesn't buy into such nonsense (he considers everyone to be inferior to himself). He just finds it a useful way to manipulate people, since humans are the majority of the Empire's population and center of galactic wealth and power (the Core Worlds) is also where human supremacist feelings are most widely accepted. Ensuring the loyalty of the Core World elite by oppressing the aliens is rather quicker and easier than doing the reverse.
There was the Diversity Alliance, an anti-human terrorist organization who plan on killing all humans with a bio-weapon that only targets humans.
In Layer Cake, as he sells out his employees to a Dirty Cop, gangster Jimmy Prince makes racial slurs against black associate Morty and is homophobic towards the protagonist, who while not gay, is not sufficiently "manly" for Jimmy's standards. Thanks to a Magnificent Bastard fellow gangster, Jimmy's crew are made privy to a tape of these comments and the protagonist shoots him in the head.
In the Harry Potter books, anyone racist is going to be evil. Most of the Slytherins are bigoted against Muggles, with Draco Malfoy serving as the first one we meet. Voldemort is a thinly-veiled Hitler-analogue, though. One of the most egregious racists in the story is DoloresUmbridge, who treats anyone without a pure wizarding heritage as a lesser being, and anyone with a mixed-human heritage as something to hunted down. She ends up becoming The Quisling just to have an excuse to have Muggle-borns locked up. According to Word of God, this earns her a life sentence in Azkaban after the events of Deathly Hallows.
In the Dan Brown novel Deception Point, Senator Sexton at one point thinks to himself while discussing toning down his condemnation of same-sex marriage for campaigning purposes "If it were up to me, the faggots wouldn't even have the right to vote". His actions only get more despicable from there.
General Metzov of the Miles Vorkosigan novel The Vor Game is not only a hardliner ultra-nationalist, but he is a sexist jerk as well. He is paired with the much smarter female villain Cavilo, but in a Just Between You and Me moment tells the heroes that he's just manipulating her, since no woman would be smart enough to lead. His political incorrectness leads to his death (and an example of Eviler than Thou) when his last words (before Cavilo shoots him in the head) are "open your legs to me bitch". Cavilo is actually more evil than Metzov, but because of his Politically Incorrect Villain traits, it's hard not to give her some sympathy or at least applause at the moment she kills him.
Patrick Bateman in American Psycho is an insane, sadistic serial killer, and also racist, anti-semitic, elitist, sexist and homophobic.
All his friends and colleagues are too except of course, the Jewish Paul Owen/Allen and the gay Luis Carruthers. Those qualities were meant to be a reflection of the 1980's Wall Street high society in which he lived rather than a flaw specific to Bateman alone. Other than the serial killing (maybe).
In Lucky Starr and the Rings of Saturn, Sten Devoure, the product of supposedly-superior Sirian genetics, reveals himself as a despicable person right away by referring to Lucky's sidekick Bigman Jones, a rather short and ugly Martian, as "that thing" and "it". The insult becomes dangerous when he tells a group of robots that Bigman is not human, and orders them to "break it."
Henry Bowers of Stephen King's IT is one of these in a nutshell. He hates Stanley Uris because he's Jewish, Mike Hanlon because he's black, Eddie Kaspbrak because of his asthma, Bill Denbrough because of his stutter, Richie Tozier for his glasses and his smart mouth, Ben Hanscomb because of his weight, and Beverly Marsh because she's female. Really, he's an all-around asshole.
This will cross over into Freudian Excuse territory, but Henry is beaten by his father at home, and (in his embittered mind, anyway) needs weaker people (especially if they are outcasts) to bully in order to cope with his rage. Also, his father is a racist, who blames black people for all of his misfortunes. It doesn't excuse his actions, but it does lend some deeper meaning to this trope.
After killing Mike's dog, Henry tells his father, who actually praises him for doing so, and lets him drink a beer with him. This is one of the only times his father takes any time to bond with the boy, so Henry's demeanor is definitely more complex than it first appears.
Flashman is this in spades, and it's just one of his many endearing features. He's a serial adulterer who lies outrageously to woo other mens' wives, he treats the lower classes with condescension, and he's a shameless racist to boot.
Captain Shannon in The First Casualty by Ben Elton. His racism, misogyny, and homophobia are some of his nicer traits.
Zaroff of The Most Dangerous Game got bored of hunting animals and decided to name a trope. He justifies this by mostly hunting what he considers "lesser races." (Incidentally, he applies this racism to himself—as a Cossack, he believes that savagery is an essential part of his nature.)
Sisterhood Series by Fern Michaels: This sort of villain has popped up a number of times. FBI assistant director Mitch Riley refers to Harry Wong as a "slant-eye" at one point in the book Hide And Seek. Deputy Clyde calls Harry Wong by that racial epithet in the book Under The Radar, which Harry happily repays by tweaking the scum's nose and knocking him out. Before the book Lethal Justice, Alexis Thorne reveals in her thoughts that her employers chose to frame her for their crimes because she is black. Strangely, that is never brought up in the book where Alexis pays them back.
One of the easier ways to pick out the villain in an Honor Harrington novel is to find the guy whose inner monologue puts her down for being either a woman, or not born nobility, or both.
While villain might be too strong a word for her, Ada Haskill from In the Face of Danger is snobby, unpleasant, ungrateful and doesn't hesitate to look down on Megan, a 12-year-old girl, for being Irish.
King Iadon in Elantris is really sexist. This winds up screwing him over, since he barely even remembers Sarene exists until she's got him backed into a corner and unable to do anything but concede to what she says.
The three villains (yeah, one creep obviously wasn't enough) in the Swedish novel Överenskommelser by Simona Ahrnstedt. Their views on women are disgusting even by the standards of the time they live in (the 1880s). Not only do they feel that men and women have different roles in life, which would have been the consensus of the era. But these guys also feel that a man has the right to treat women like dirt, or even become a serial abuser of women. In particular, we see how female protagonist Beatrice is threatened, almost starved to death, battered and raped. But we also get to see other women being abused. Even other men in the story are repulsed by them.
The Criminal Minds episode "Limelight" featured a serial killer who was severely misogynistic, to the point that he referred to women using the words "it" and "bleeder".
The Doctor Who episode "Human Nature" features an already fairly unlikeable snobby public schoolboy who then snidely comments to Martha, who's working undercover as a maid, "with hands that colour, how can you tell when anything's clean?". This was more to cement his unsympathetic nature rather than his evil nature, as a few scenes later he dies at the hands of some aliens in such a way that the audience is not meant to feel sorry for him.
While the villain of "Dinosaurs on a Spaceship" already was pretty unlikable (he killed an entire crew of hibernating aliens just to steal the dinosaurs they were transporting), he reaches new levels of cruelty when he threatens the Doctor into handing over Nefertiti. She leaves with him voluntarily, and he gleefully talks about how he wants to "break" her.
Frank Burns is a borderline case, usually, showing far more dislike of Koreans than necessary, often even extending to South Koreans. He stops short of resorting to racial slurs, however, something that a few even more unsavory types do, and one of his more well-known Pet the Dog moments involved helping Hawkeye expose an unintentional U.S. Army attack on a South Korean village that the brass was refusing to take responsibility for.
He was incredibly homophobic, however, in one episode trying to get a gay soldier court martialed for no reason other than that, even though he the only evidence was a statement the guy had made. (Which Burns had overheard.) Even Major Houlihan (often Burns' partner in any scheme involving military regulations) couldn't support him this time. Hawkeye and Trapper had to lure Burns into exposing dirt on himself that they could use to blackmail him with (they fooled him into admitting he had bought the answers to his medical school final) and "convinced" him to leave the guy alone. (A common counter to Burns' schemes; he tends to give up when he discovers he'll get in even worse trouble than a potential victim.)
Calling Charles Winchester a "villain" is kind of a stretch, but he showed blatant bigotry in one episode where his sister wrote to inform him she was engaged; he objected to her fiancé solely due to the fact that he was Italian. (He thought such people were below his family's social class.) In the same episode, to make this worse, he offended Father Mulcahy by including the Irish among people he grouped below their class. Winchester's attitude came back to haunt him, however, when he got another letter from his sister, saying her fiancé had called off the engagement because his family didn't approve of him marrying outside their faith. The revelation led to a Heel Realization for Winchester and him telegraphing a message to her to apologize in advance for the nasty letters he sent in reply to the announcement, attributing them to "Greatness of distance... and narrowness of mind."
Mutant Enemy productions indulge in this from time to time, but the most obvious is in the Firefly episode "Heart of Gold" where the Villain of the Week, Rance Burgess, is misogynistic to such an extent that he apparently forces a traitorous prostitute to well... suck him off in front of his lynch mob, in order to prove his superiority over women.
There's Warren, too. Being a misogynist in a Whedon work is a bad career move.
Billy from Angel could even uncover the latent homicidal-hatred-of-women in other men, like a virus.
This power is explained as bringing a primordial part of the male psyche to the surface and putting it in charge of his brain. Which definitely borders on Unfortunate Implications, implying all men secretly hate women (but then this is Joss Whedon).
Mostly played for laughs, but the head of the Italian W&F branch had a lot of spite towards gypsies. To be fair, they showed spite when trying to assist Angel, who was cursed by gypsies.
He's only a Jerk Ass rather than an outright villain, but one of the many ways Sawyer's jerkiness was established early in LOST was that almost every time he opened his mouth he would say something dismissive about a woman or something anti-Arab about Sayid.
Subverted slightly in that he was doing it on purpose in order to be hated by others as much as he hated himself.
System Lord Baal, the long-running Starscream on Stargate SG-1, was perhaps one of the show's more appealing villains, in that his approach was somewhat more subtle and frank than the usual Always Chaotic Evil, Chaotic Stupid rhetoric of the series various Big Bads. This was balanced out by him being a blatant misogynist, making several sexist comments (usually directed at Colonel Carter) throughout the show's run.
He finally got his comeuppance in "The Quest, Part II" when Carter got fed up and punched him in the face. CMoA, indeed.
Also shown by Kitano, foreshadowing the reveal that he's a Goa'uld. When Sam is called upon to demonstrate the effectiveness of Tau'ri weaponry, Kitano makes no attempt to hide his disbelief that "the female" could be any good with a gun.
General Drayfox: Let him kneel before me! Unless of course he's an Orthodox Jew and has an issue with kneeling for religious reasons, in which case I'd be happy for him to pay his obeisance in whatever way he finds culturally appropriate. Mwwahahahaha!
On The Wire, any time a gangster refers to Omar using an anti-gay slur instead of his name, take a shot.
In season two of The Hour, crime kingpin Rafael Cilenti briefly abandons his Faux Affable Evil facade to randomly tell Bel that "In the end, all women are showgirls and whores."
Game of Thrones: Joffrey is a He-Man Woman Hater, showing basically no respect for any of the women around him (which, to be fair, is not much more respect than he shows anyone else) and stating that intelligent women do as they're told, and is homophobic even for the standards of the time, wondering at one point whether he should make homosexuality a crime punishable by death.
The fifth season of Breaking Bad introduced a group of neo-nazis who end up playing a very large role in the events of the season. However, their beliefs border on being an Informed Attribute. Apart from having a few swastika tattoos, they never do or say anything particularly racist, and their designation as Nazis seems to just be a shorthand way of saying "these guys are bad news."
After Rodney Mack was kicked off of Smackdown, Theodore Long became his manager, stating that WWE, its fans and society in general were unkind to Rodney because he was black. He held challenges to demonstrate Rodney was a better wrestler than the white people that the booking favored. Teddy later took in other black wrestlers Mark Henry and Jazz, forming the stable Thuggin and Buggin Enterprises but also took white wrestler Chris Nowinski, deciding it wasn't right to be hateful toward white people. When injuries and show trades destroyed Thuggin and Buggin Enterprises, Teddy Long moved on to manage another white wrestler, Mark Jindrak, stating that Mark was underappreciated by WWE, its fans and society in general, who couldn't see he was the "Reflection of Perfection". Later, Theodore Long became Smackdown's general manager and did his best to give wrestlers equal opportunity.
Around 2004/2005, Chavo Guerrero Jr came to the conclusion that his Hispanic heritage was a disadvantage he needed to reject to "reach his full potential". Chavo dyed his hair blond, used makeup to make his skin appear "less Mexican" then changed his name to Kerwin White. Kerwin set out to prove his whiteness by wearing khaki pants with collared polo shirts, golfing and attacking black wrestlers. To insult fans, Kerwin justified his behavior by noting on the day of his first appearance in the WWE his WWE.com page had three times the traffic that Chavo's had the previous month. Kerwin also periodically updated fans on how he was adjusting to life in "Middle Class America".
Hinted at and then subverted (sort of) at Over the Limit 2010. After losing his Intercontinental Championship to Kofi Kingston and then getting attacked by a vengeful Matt Hardy, Scottish wrestler Drew McIntyre stormed into Theodore Long's office and demanded that Hardy be fired. When Long refused, McIntyre went berserk and went about smashing various objects in Long's office. Then he turned his attention to Long's treasured photograph of Martin Luther King, Jr., and for a few terrible moments it really looked like he was going to smash that, too. (There's a chilling moment when McIntyre seems to realize what he is doing, and he hesitates, but the transfixed look on his face is not due to a twinge of remorse but from a rush of adrenaline as it becomes clear to him the symbolic amount of power he now holds in his hands: If I were to smash this, I wouldn't just be causing a lot of grief for Teddy Long; I'd behumiliating every black person on earth. Long begged him to leave the picture alone....whereupon McIntyre apparently had a change of heart and decided that it would be better to leave the photo of the civil rights leader intact: he explained that Teddy Long was "spineless" and needed to be reminded what a true leader looked like, and also that "I am more like him than you will ever be." It was a very uncomfortable sequence on a number of levels, especially since WWE programming is supposed to be geared toward family audiences now. (McIntyre, while still officially a villain, has been getting some Pet the Dog moments lately with his kind acts toward Kelly Kelly and dedicating a match to her when she was fired.
R-Truth dipped into this territory after his heel turn. While bringing attention to the fact he's black and angry, and that John Cena is a white man in separate promos, he did not make any racist remarks. His turn was kicked off though by smoking in a public building, for a different kind of politically incorrect.
He actually inverted the trope in a sense when on one episode of Monday Night Raw R-Truth (who is black) came down to the ring dressed as a Confederate general (to make the point that he wanted to "secede" from WWE). Justified in that R-Truth had gone insane by this point (and also in that there were black Confederate soldiers toward the end of the American Civil War, but that's neither here nor there).
Not quite un-PC. The Confederate Army inducted black soldiers (Both slaves and free blacks) a full year before the Union did. They were mostly in support roles, but there were black Confederates who saw combat.
John Bradshaw Layfield in his JBL gimmick was racist against Asians and Latinos, and a misogynist to boot. He also couldn't stand foreigners of any kind, even if they were white. However, this did not stop him from loudly supporting all the heels, even the nonwhite ones, when he was an Affably Evil color commentator alongside Michael Cole for a year or so, and calling Cole a "xenophobe" when Cole tried to criticize foreign heels. This led to odd cases, such as when JBL would simultaneously praise Renee Dupree or Maryse while bashing France. Whether this was intended as Hypocritical Humor or was just a Zig-Zagging Trope is hard to determine.
Or possibly a joke given that neither of them are French (as in, from France): they're both Canadian.
Alberto Del Rio was racist against ethnic Chicanos such as Rey Mysterio, (Alberto is one himself but claims to be descended from Spanish royalty) and looked down on anyone he considered a peasant (such as Sin Cara, who represents the unrepresented). After his second heel turn you can add gringos like John Cena to list too.
Jack Swagger has become one of these in 2013, debuting a new gimmick: "A Real American", an anti-immigration character who has only had this trait taken Up to Eleven with his new manager, Zeb Coulter. The latter is also fond of giving the audience The Reason You Suck Speeches about not living by their standards.
The Coalition States from Rifts are the go-to bad guys of the setting due to their xenocidal attitude toward Dimensional Beings and creatures of magic. Their promotion of illiteracy and their seeking to destroy magical artifacts doesn't endear them too well to the rest of the setting either.
The only race that is arguable not politically incorrect is the Orks. Sure, they will kill anything that isn't considered orky enough, but that includes other Orks. And they don't kill out of spite or bigotry, they only fight because they think it's fun and it's what they're good at.
The Mutants & Masterminds setting Freedom City features White Knight, a white supremacist who (unknowingly) made a Deal with the Devil for flame-based superpowers and who thinks he's a superhero fighting a crusade against... well, everyone. His costume combines elements of a Klan member and a white power skinhead, and most GMS use him as someone for heroes to feel good about kicking in the junk.
The "Crooks!" splat for general M&M introduces a numbers of racist supervillains, and even a writeup for racism as a Weakness (Quirk: Racist, for the curious). Blitz II is the granddaughter of a Nazi super-speedster (her grandmother, the first Blitz) and has inherited Nazi ideology to the point she is the songster of a Euro-punk skinhead band called Third Generation that is massively popular amongst the Neo-Nazi underground. Iron Cross is a Nazi-created Flying Brick who still upholds Hitler's commands. Johnny Reb is a demon summoned by the Confederates during the American Civil War and bound into the body of various human racist hosts — not surprisingly, he wears what is basically a Klansman robe with a Confederate flag on the face of the hooded mask.
Interestingly, Johnny Reb actually only paid lip-service to racism when he was first created — to a demon, all humans were alike. Centuries of being stuck in the bodies of racists, however, has imprinted him with a racist mentality in turn.
In Dungeons & Dragons continuity, Baphomet, the demon lord that created minotaurs, is a chauvinist, evident by the fact that he does not allow female cultists to worship him and minotaurs are Always Male. Strangely, he seems to have an alliance of some sort with Pale Night, a female demon lord that shares the layer of the Abyss that he rules. (The most likely reason for this is because Pale Night is much more powerful than he is, and no demon wants her as an enemy, even one who hates women.)
Kostchtchie is just as bad as Baphomet, if not worse; even female Frost Giants are relegated to sub-class breeding stock.
Malcanthet is a rarer gender-reversed version; only women can be her elite Thralls, men are delegated to menial roles in her cult and considered expendable (male cultists being blinded is mandatory in many Malcanthet cults).
In the Planescape campaign, the Harmonium are not depicted this way (or as villains at all, usually; they're most often just depicted as Lawful Stupid) but they may have been in the past. Stories of their homeworld of Orthos, which they brought peace to and now rule, claim that they exterminated whole races on the planet, to meet that goal. Because the Harmonium's philosophy is based on "Chaos Is Evil", they annihilated all Chaotic races on their world. This includes not only the Chaotic Evil or often dangerously unstable Chaotic Neutral races, but also the Chaotic Good races, like elves and gnomes. This has earned the Harmonium a lot of bad press In-Universe.
In the Dark Sun campaign, the biggest reason Athas became the hellish place it is was because of the Cleansing Wars started by the Halfling sorcerer king Rajaat, who was obsessed with returning the world to its Blue Age, an age when the world was covered by a vast ocean and ruled by halflings. To that end, he sought to exterminate all of the "impure" races, and ordered his army to wage a war of genocide against all non-humans, but eventually they turned against humans as well. Before he was defeated and imprisoned by a rebellion, the war had caused the extinction of all gnomes, orcs, goblins, kobolds, ogres, lizard men, fey races, and trolls on Athas, and the populations of the dwarves, elves, and giants had been reduced dramatically. Rajaat's own people, Halflings, fared the worst; they survived, but degenerated into savage cannibals.
BattleTech some of the Clans count. It's not that they're racists or sexist, its that they view Freebirths are inferior to Trueborns, and are fit for nothing but to serve Trueborn warriors. The most prominent examples are Clans Smoke Jaguar and Steel Viper, who don't allow Freebirths to join the Warrior castes. This is very extreme for Clan standards, even Clan Jade Falcon and Ice Hellion allow Freebirths in their warrior armies.
In Warcraft The Roleplaying Game, after the upgrade to "World of Warcraft: The Roleplaying Game", the retconned Horde faction sourcebook was written to make it clear that the previously alluded to misogynistic aspects of Troll culture were only practiced by the still-evil tribes, and "good guy" Trolls who had joined the Horde, like the Darkspears and Revantusks, were much more egalitarian.
Lucy the Slut in Avenue Q says racial slurs against Kate Monster when she sees her and Princeton together.
Also the teacher that Kate was assisting has touches of this, including saying something along the lines of "I should have known better than to rely on one of you people" when Kate misses an appointment to take over the class.
Averted when a song points out that everybody is a little bit racist.
Finian's Rainbow has Rawkins, a bigoted Senator, who due to a wish made on top of Leprechaun's pot of gold is turned into an African-American.
Othello's Iago is racist, sexist, xenophobic- you name it. This is obviously to establish him as a bad man but he stillinexplicably has his fans. His stooge Roderigo is also disgustingly racist.
High Priest Caiaphas, his father-in-law Annas, and their various flunkies display heavy classist prejudices in the early portions of Jesus Christ Superstar, referring to Jesus' followers as "blockheads", "fools", "half-witted", and a "rabble." In fact, they often seem to be venting their hatred more at the common people of Judaea more than at Jesus himself. Jesus calls them on it when he says: "Why waste your breath moaning at the crowd?"
In Prototype 2, You learn of Project New Hope in a sidequest chain, which is a virus that's aimed to sterilize the poor people, while this is bad on its own, the scientists gleefully bragging to Heller go out of their way to specifically say "Especially the immigrants". Heller's response to this is one of the most gleeful moments of Laser-Guided Karma in the game.
Lord Nemesis in City of Heroes is such a Magnificent Bastard that it comes as a shock to some players when they come across evidence of his racism — after all, he started as a Prussian tinkerer in the Civil War. His more despicable acts include killing off an alternate Earth full of people, who 'didn't count' because they were black, and in a more personal moment, killing an African member of Longbow who's been your sympathetic ally. He's also sexist but that gets Played for Laughs when he talks down to Lady Grey.
General Sarrano from Bulletstorm is one, on top of being genocidal and EXTREMELY foul-mouthed.
And then there's Cerberus (appropriately enough, the Renegade options while you're working for them in 2 consist of endorsing and supporting them). The Illusive Man is bad enough, but Kai Leng, especially in the novels, is a racist douchebag of the first order.
The Watcher in Darksiders isn't content with merely being a Jerkass to War. He also talks down to the Archangel Uriel, calling her "wench" and "whore" while ordering War to finish her off. In a Crowning Moment Of Awesome, War refuses to obey despite the Watcher's attempts to force obedience. Like the rest of his jackassery, this bites the Watcher in the ass when Uriel chops off his hand and breaks the Seventh Seal, freeing War in the process.
In Anchorhead, the Big Bad Croesus, possessing the protagonist's husband Michael uses sexist insults against the female protagonist.
Actually averted with Caesar himself. Lead Designer Joshua Sawyer has noted that everyone in the Legion is Caesar's slave. Sure, the women have to do all the manual labor and be baby-making machines, but the men are conscripted into the army at age twelve and forced to serve until they die. They're beaten and abused by their superiors and have every inch of humanity drained from them, turning them into mindless killers and marauders totally dedicated to Caesar, whose only purpose in life is to be used as Cannon Fodder.
The Thalmor of the Aldmeri Dominion in general despise humans in general, and cannot handle the thought of one of them having ascended and sharing a seat in the pantheon with the eight other Divines. They're trying to erase Talos from the pantheon to erase even the possibility of man from Tamriel, even if it unmakes reality as a result!
The Stormcloaks, one of the playable factions of the game, do not treat races other than Nords too well, as can be seen if you take a look around cities and villages that they control.
In Warcraft III, Lord Garithos is shown as an extremely racist commander who insults and degrades non-humans and incarcerated the Blood Elves for not staying in a doomed base to die as he ordered. When he's finally backstabbed by Sylvanas Windrunner, one doesn't feel sorry for him.
Most of the Founders in Bioshock Infinite are all fairly racist, which is appropriate for the time period. Comstock however takes it to another level, outright despising Lincoln for emancipating the blacks from their "rightful place" in society and is credited as "The Hero of Wounded Knee". Similarly, there's also the Fraternal Order of the Raven, who revere John Wilkes Booth as their patron saint and are more or less The Klan in all-but name and color scheme (they favor blue robes rather than white).
Comes up in both Assassin's Creed III and Assassin's Creed IV: Black Flag: In the former case, the protagonist ancestor Assassin is for all intents and purposes Mohawk and reacted to as such by white colonists, with the more thuggish characters referencing his heritagenote sometimes including "half-breed" from those who know that he's half-British on his father's side. In the latter, African slavery is a topic that comes up multiple times and almost everyone who's okay with it or even participating is depicted quite unsympathetically; in fact, one of the first foreshadowings to Benjamin Hornigold's eventual defection from Nassau is when he questions Edward Kenway's willingness to let his Trinidadian quartermaster carry a pistol, and Woode Rogers is notably in the slave trade despite his own Templar Grand Master "asking" him to quit itnote and, as the novel has Sir Robert Walpole revealing, Rogers was even subsequently expelled from the Templars over it, while Julien du Casse quit the slave trade to become a sell-sword, which was how he came across the Templars to begin with.
In the Assassin's Creed IV: Freedom Cry DLC, the "Gouverneur de Fayet"note Pierre, marquis de Fayet flat-out claims that slaves "are not even human! Without the discipline and guidance of their masters, they turn to rebellion, murder, like you."
Dr. Nofun from Sluggy Freelance has comically intense misogyny, alternately painting women as stupid and useless, and evil schemers out to destroy all men. Subverted when it turns out to be just an act — the weak-willed women and terrified men that would want to work for someone who shows this kind of behavior are easy to manipulate.
Villain Protagonist Black Mage from 8-Bit Theater demonstrates a ludicrous level of racism in one strip, acting like an offensive Japanese stereotype while impersonating Black Belt. White Mage points out that not only is it offensive, but Black Belt isn't even Asian to begin with.
He also practices fantastic racism. His only qualms about eating his teammates is that he "just didn't want to eat that greasy, foreign" elf. Thief returns the sentiment and also hates the dwarves, because everyone in 8-Bit is evil, so everyone is racist. Black Mage is the worst by far.
No mention of his objectification of White Mage? Because I could've sworn that his sentiment that he was okay with boning her as long as her body was still somewhat warm was politically (and ethically and morally) incorrect. Only reason why he avoids being flat-out sexistic/chauvinistic is because, White Mage aside, he seems to consider women equal to men.
General Tarquin from The Order of the Stick is Affably Evil incarnate at first glance, but is The Bluebeard under the surface. So far, he's had no less than nine wives, one of whom died 'of mysterious circumstances' (though it turns out that he actually had nothing to do with that) and at least one of whom was tortured into accepting (i.e, he had her feet frozen in a block of ice).
He treats men about as badly—it's just that he's not interested in having sex with them, so they're more likely to just be imprisoned or executed.
Redcloak, The Dragon of Xykon, hates humans and humanoid creatures because of the prejudice he experienced as a goblin from human(oid)s. He also used to hate hobgoblins until one saved his life because he was a leader of a group of hobgoblins during the time.
If anyone thought it was a coincidence that Homestuck's Lord English keeps enslaving women into eternal servitude and his second-in-command likes to manipulate young girls into doing his bidding, that was thoroughly disproved by the fact that Caliborn, essentially LE's younger self, is incredibly sexist and never shows any respect to anyone he doesn't consider an "alpha male."
Jean-Marie from Fairy Dust uses racism to rationalise guilt away over the mission to attack an island's native troll population. He also says sexist things early on, but had just had a concussion and had reverted to juvenile humour while stressed and confused.
Oozaru Vegeta: Hey, Kakarot! What's the opposite of Christopher Walken?
Vegeta: Christopher REEVE! *Crushes Goku's legs*
Goku: AAAAGH! That was in terrible taste!
Vegeta: Don't care! Evil! *Crushes*
While technically no longer a villain by this point, during Vegeta's battle with Android 18, he keeps hurling sexist insults at her, culminating in calling her the C-word to everyone's shock. Which makes 18 beating the crap out of Vegeta immediately afterwards all the more satisfying.
A lot of people quoted on FSTDT are like this, but Doctor Doom (no relation) from Free Conservatives is probably the most politically incorrect.
Played for Laughs by Mastermind who, among other things, schedules an appointment with one of his lackeys just to harass him for being named "Gaylord."
Mastermind: Because your name doesn't have the word "gay" in it.
Gaylord: It also has the word "lord"!
Mastermind: Because it's not that you like to have a gay (bleep) up the ass!
In New Vindicators, there are a few, but Forrest Bedford is the standout. He's the head of a Church Militant that hates superpowered beings, but he was also in the KKK and regularly tosses around racial epithets.
Played for Laughs in Nullmetal Alchemist where Fuhrer King Bradley has a national Make Fun Of Mexicans Day - where people have to take part in stereotypical Mexican things (e.g. wear a sombrero, refer to people as "gringos" and " Trivialize the cultural history of entire race of people with offensive stereotypes"). Though he enjoys killing and tormenting all foreigners, he jokes that he doesn't even need an excuse to do so because he's the Fuhrer.
When the character was introduced into the "official" Batman comics, the moral complexity of Lock-Up was (briefly) addressed by Commissioner Gordon, who admitted that there were times when he sympathized with Lyle Bolton. It is certainly easy to understand Bolton's frustration of having to deal with, year after year, some of the most monstrous human beings (and in one case an animalistic mutant!) who have ever existed, who are collectively responsible for over a thousand deaths over the past decade and have expressed no desire to reform. And since Arkham Asylum is infamously a Cardboard Prison, that would almost clinch the argument - if Lock-Up were not so adamant about tracking down and brutally imprisoning all murderers, even young kids in street gangs who are not psychopathic and who have only killed in the heat of the moment.
In the Justice League Unlimited episode "For The Man Who Has Everything", Mongul makes a number of incredibly sexist remarks toward Wonder Woman. In the same show, Despero is a zealot and implied incredibly obvious Mind Control Rapist.
The Monarch from The Venture Bros. dabbles in this from time to time. He is never outrageously offensive, but the intent is there when he uses the word "retard" in front of the mentally challenged Ned. Doc Hammer said that the dialogue exchange was inspired by his mother lecturing him about using the word in the show, but Hammer saying the point is that The Monarch is a villain and doesn't care about political correctness.
Kyle's mom becomes somewhat of a Politically Incorrect Villain towards Canadians in The Movie, despite the fact that her own adopted son is Canadian.
...Which is perfectly in character for her. It is established quite early in the series that she's something of a hypocrite.
In Celebrity Deathmatch, there's a fight where John Rocker battles Derek Jeter. Unsurprisingly, John Rocker doesn't get the most sympathetic of portrayals and is electrocuted to death by the match's end.
For context, Rocker had given a long interview, at one point of which he just started randomly complaining and saying derisive things about people in New York, with one of those comments a homophobic slur. It fits the trope in that remarks were completely spontaneous and not pertinent to the subject at hand. Still the public outcry against this interview was so ferocious that many actually came to Rocker's defense, surmising that he was just a blunt man with poor social skills, and not a monster.
Rocker also made an appearance as a character on Saturday Night Live, where he was played by Will Ferrell in full-blown blustering mode. Appearing on "Weekend Update", Ferrell had him insult everyone under the sun, and refer to the studio audience members as "homo-Mexicans."
Both played straight and inverted in Avatar: The Last Airbender , in which the antagonistic Fire Nation promotes the view that all other cultures in the world are inferior to their own, yet has the greatest degree of gender parity out of all the nations, with a high proportion of women in military and police positions. Fire Lord Ozai, the Big Bad, even favored his younger daughter over his older son, making her his heir simply because she was more competent. (For him "competent" meant "psychopathic," but still.)
Played straighter, in a minor way, with Zuko in the first season (when he's most antagonistic). He spends a lot of time using "peasant" as an insult toward Katara and Sokka.
He's actually more greedy than anti-Indian, and his rage against Indians doesn't become obvious until after John Smith is captured by them. Still fits the trope, though, because Ratclliffe still wants to shoot all the Indians after they decide to let Smith go. Though this is more paranoia believing that Smith's release was merely a trick to let their guard down.
Some of the "villains" the Warners faced in Animaniacs. Just compare Ludwig von Beethoven to Abraham Lincoln. Beethoven calls them "horrid children" and is suffering Amusing Injuries by the short's end. Meanwhile Lincoln is nice to them (although clearly annoyed by their wackiness) and they help him with his speech. He and Beethoven were working on something, but how they treat the Warners at the start of short affects how differently they are "helped" by them.
Transformers: the Decepticons in most incarnations, despise anyone who's organic. How much this applies varies from the various incarnations. Sometimes they simply consider organics as lesser than mechanical life and feel that organics should serve them, sometimes they want to straight up exterminate them.
Ben 10: Alien Force gives use the Highbreeds, who are bascally an alien version of the Nazis. In the same vein, the Forever Knights were portrayed as a paramilitary, anti-alien group with fanatical behaviour during the Alien Force/Ultimate Alien era (though they were more stoic and rational scientists in the original series).
Mousey: You Americans are so fond of being in charge.
In Futurama there was Leela's old martial arts instructor, Master Fnog; clearly a chauvinist, who claimed she not have "the will of the warrior" but the will of "a schoolmarm" or "housewife." (Even though she did excellently in his class.) In fact, when she eventually confronted him years later - and kicked his ass good - he didn't deny his true intentions, or that he was a jerk, saying, "You always were my best student... Good thing I was such a lousy teacher!" (He even goes so far as to tell her "See you in girl hell! I'll be in boy hell — much nicer!")