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2009 Dramedy written and directed by Judd Apatow and starring Adam Sandler and Seth Rogen.George Simmons (Sandler), a famous and popular comedian and star of numerous successful lowbrow comedic movies, is diagnosed with a rare form of leukemia, the treatment of which promises only a low chance of success. Looking back on his life and finding it empty and lonely, realizing that he's somehow managed to drive away pretty much every meaningful human connection he ever had, Simmons decides to get back to his roots and return to the stand-up comedy circuit where he started. At his first gig, where he gives a dark, depressing routine, he crosses paths with Ira Wright (Rogen), a fumbling, shy and nervous up-and-comer who is on stage immediately after Simmons and manages to get a few laughs riffing on Simmons' dark routine.Recognising something in Wright, Simmons offers him a job writing jokes for a corporate gig, which becomes a gig as Simmons' P.A. Ira thus becomes the first and only person George tells about his illness, and he begins to try and encourage George to come out of his shell and rebuild connections, including mending bridges with 'the one that got away' — his ex-girlfriend Laura (Leslie Mann) who is now married to an Australian businessman named Clark (Eric Bana).Just when George has resigned himself to the inevitable, an unexpected development gives him further cause to re-evaluate his life and what he thought he knew about it — and he decides that it's time to get back together with Laura...
Brief Accent Imitation: Laura attempts this in an effort to goad her husband. It fluctuates wildly, with shades of Standard English, Cockney, Scottoirish, Jamaican, and some Austrailian towards the end. Could also double as a Funny Moment.
Call Back: During one of George's stand-up routines he mentions his father putting peanut butter on his genitals for his dog to lick up. After the Halfway Plot Switch we are treated to the "Peanut butter game", a far less Squicky version of the same practice.
Cluster F-Bomb: Every comedian in the film's routine has shades of this to some extent or another.
Creator Breakdown: An in-universe example. George's first stand-up gig after learning about his illness especially, but it informs all of them that we see. Ira's own gigs aren't entirely free of this either.
Deadpan Snarker: George and most of the other comedians who appear, although it's deconstructed in a way; it's made fairly clear that they all tend to use jokes as a substitute for actually forging meaningful connections with other people, or at least as a way to avoid expressing their feelings.
Extreme Doormat: Ira is definitely this. He tries to get better at the end.
Flanderization: George himself, in the first half of the movie, he was a Jerk with a Heart of Gold that despite certain stuff he said or how he treated Ira, still cared enough to hire Ira as his assistant, which is thoughtful, considering that Ira himself is pretty much a Butt Monkey when it comes to his humour. He also felt really bad for what he did to Laura, which was a minor part of the first half, and becomes a major part of the second half in which George is flanderized into a Jerkass.
Foreshadowing: The aformentioned crash is, according to Word of God, a symbolic precursor of the failure of George's attempt to be with Laura.
Genre Shift: From a comedy to a drama back to a comedy.
Halfway Plot Switch: When it's revealed that George is cured of his illness, the movie soon shifts to a Days of Our Lives kinda feel as George starts to rekindle his love for Laura as Ira does not approve of this and Clark certainly doesn't either after he finds out.
Jerkass: George in the latter half of the movie. He's deconstructed by Ira towards the end.
Kavorka Man: George, his celebrity status makes him pretty popular with the ladies.
Nice Job Breaking It, Hero: Ira does this when he follows Laura to the airport. When Clark and Laura reunite and forgive each other, Ira tries to sneak away, but is spotted by Clark, thus having Laura be forced to tell how she slept with George and thus having an angered Clark beat the living crap out of George. All thanks to Ira simply trying to fix things.
Oh, Crap: The look on George's face when Laura begins to make plans to leave her husband is beyond priceless.
Trailers Always Spoil: Annoyingly enough, at least one trailer shows George getting the news that his illness is gone. Some summaries give away the same plot point. Of course, given the length of the movie and the Halfway Plot Switch...
What the Hell, Hero?: In a way; after Ira, completely fed up with George when he fired him, has completely deconstructed the other man and informed him that even if he had everything he ever wanted George would still not be happy because he's a bitter, selfish, self-loathing shell of a man who doesn't seem to know what happiness even is never mind be able to find or provoke it in other people.
Wham Line: The aforementioned Lame Comeback is meant by George to be this in-universe. And for a comic to be told this by someone as big as George Simmons would certainly qualify. Still comes off pretty lame, though.