Gillian: [sarcastic] Don't tell me; you're from outer space. Kirk: No, I'm from Iowa. I only work in outer space.
Star Trek IV: The Voyage Home is the fourth movie in the Star Trek film series, released in 1986.This is "The One WithThe Whales".Kirk is prepared to face the consequences of his actions in the previous movie, but a powerful alien probe is making its way to Earth (yes, another one), wreaking havoc with the environment and shutting down anything with power. Deducing that the probe is searching for humpback whales, which are extinct in the twenty-third century, Kirk and crew use a Klingon Bird-Of-Prey they stole in the last film to Time Travel to San Francisco in The Eighties, where they hope to retrieve some and save Earth. Hilarity Ensues. Instead of the traditional Space Opera, this movie is an outright comedy. It even lacks a villain, outside of the whale probe and a whaler boat.The wild success of this movie (it was the most financially successful Trek film until the 2009 reboot) was proof to Paramount that Star Trek could survive as an expanded franchise, and gave Gene Roddenberry the opportunity to create a new series.
Kirk: Oh, him? He's harmless. Part of the free speech movement at Berkeley in the sixties. I think he did a little too much LDSnote This acronym refers to the Church of Jesus Christ of Latter Day Saints, aka the Mormons. Gillian: L D S?
Ass in Ambassador: The Klingon ambassador, to be specific. As he and his party leave, an unseen heckler actually calls him a pompous ass.
Aww, Look! They Really Do Love Each Other: Spock and Sarek have a moment. After a brief icy exchange where Spock says (somewhat backhandedly) that he appreciated his father making the effort to attend the trial, Sarek countered softly with "it was no effort, you are my son". Probably as close to a gooey moment as you would get between a Vulcan father and son.
Kirk: If we play our cards right, we may be able to find out when those whales are being released. Spock: How will playing cards help?
Dr. Taylor: Are you sure you won't change your mind? Spock: Is there something wrong with the one I have?
Book Ends: Kirk refers to the others as 'My friends' when they commit themselves to help Spock in Star Trek III: The Search for Spock ("My friends, Dr McCoy and I have to do this, the rest of you don't") and again after the resulting trial in this film's ending ("My friends, We've come home.")
Brake Angrily: Gillian slams the brakes on her truck after Spock declares that Gracie is pregnant.
Came Back Wrong: It's implied that maybe we didn't quite get all of Spock back at the end of the previous movie, that there's a certain... something missing. He gets better by the end though. Death apparently isn't something you can just get over straight away.
Cat Folk: The Caitian admiral at Star Fleet headquarters.
The Klingon Bird-of-Prey, which was just the enemy ship and later a means of escaping from the exploding Genesis Planet in the previous film, ends up being a vital part of this film's storyline thanks to its ability to cloak and land.
Kirk's glasses are an unusual case of this; from the perspective of the audience and Kirk himself, this is the last time the glasses are seen. However, 298 years down the line, they're going to be very important once again.
City of Weirdos: Most people are willing to accept the slightly out-of-touch Spock as a harmless stoner, even as he does weird things like jump into the whale tank...until he says things about the whales that he shouldn't be able to know. Truth in Television as anyone who lives in San Francisco could tell you.
Complaining About Rescues They Don't Like: Spock initially feels that his shipmates, being illogical humans as they are, made a huge mistake by sacrificing their careers, the Enterprise and Kirk's son David just so they could have him back.
Crazy Enough to Work: Even though it's the crew of the mighty Enterprise we're talking about, the whole "get some whales from back in time" thing did sound pretty ridiculous. McCoy lampshades this, to which Kirk simply responds that if McCoy has a better plan, he should speak up.
The film is also nice enough to explain why several saner sounding plans wouldn't work.
Critical Research Failure: In-Universe. The crew, knowing only the broad strokes of the sociopolitical environment of the late twentieth century United States, failed to realize that putting Chekov, a Russian, on the ground looking for "nuclear wessels" was a bad idea.
Critical Staffing Shortage: The stolen Klingon bird of prey is manned only by the Enterprise command crew, half of what it should have.
Damage Control: Kirk asks when they can get their captured Bird-of-Prey under way, Scotty quips, "Damage control is easy; reading Klingon, that's hard."
Death Amnesia: Played with. Spock never says he can't remember what dying and coming back was like, but it was such an alien experience that he can't discuss it in terms anyone else will understand.
Actually, he states that he can't explain it without the other person having a common frame of reference, meaning:
Bones: You mean I have to die to discuss your insights on death?!
Dedication: To the crew of the Challenger at the beginning of the film.
Every Helicopter Is A Huey: Sulu tells a helicopter pilot that he trained on Hueys at the Academy, as a hobby (though the pilot probably didn't know he meant Starfleet Academy). The Novelization expands on it.
Face Palm: Kirk's reaction to Spock diving into the whale tank without warning him.
Foreshadowing: the Kilngon ambassador mentions attempts to negotiate a peace treaty, and that there would be no peace whilst Kirk lived. This may or may not have been intentional, but it's picked up as the central theme of the plot in the sixth movie—where, interestingly enough, the same character (and actor) is one of the first to applaud Kirk and the Enterprise crew when they prevent the sabotage of the eventual Federation/Klingon treaty.
Fish Out of Temporal Water: The whole premise of the film, figuratively and almost literally, thanks to the cetaceans out of temporal water.
Gaia's Lament: Whales are extinct in the 23rd century. The probe is very unhappy about this.
The probe doesn't seem to have emotions, it just tries to communicate until something responds... if nothing responds, it never stops trying. (It just so happens that its communication drains Starfleet power supplies and screws up's Earth's surface weather...) The designers of the probe were callous and uncaring what side-effects this would have, just as the 20th century humans were callous and uncaring regarding the plight of the whales— at least that's the idea.
Possibly narrowly averted: the region St. Petersburg is located in is still named Leningrad Oblast.
Green Aesop: "To hunt a species to extinction is not logical."
Large Ham: John Schuck as the Klingon Hambassador makes Shatner look positively subdued.
"Behold, the quintessential devil himself: James T. Kirk, renegade and terrorist!"
Kicked Upstairs: Inverted: Kirk has violated orders to save the world. They "punish" him by taking away his cushy desk job and demoting him to a "mere" starship captain. So Star Fleet gets what it wants (a public punishment to demonstrate they don't tolerate such behavior, not to mention their best captain back in the field) and Kirk gets what he wants (the Enterprise).
Modern Humans are Morons: Kirk reminds his crew before exploring 20th Century San Francisco that "this is an extremely primitive and paranoid culture" and believes that no one pays attention to you in the contemporary age "unless you swear every other word." Bones is shocked to find a woman in a hospital on dialysis, asking if this is The Dark Ages, and compares two doctors chatting about a procedure to "the goddamn Spanish Inquisition." When he confronts the surgeon about to operate on Chekov, he manages to make it sound like an attempt to let the evil spirits out, and tells him to put his butcher knives away.
Averted strongly by Gillian, who manages to impress Spock and outwit Kirk.
Mood Whiplash: When Gillian starts showing videos of actual whale disassembling. In theaters, the audiences often got very quiet at this point.
No Antagonist: Even the probe is just trying to find out what happened to their friends on Earth.
No Endor Holocaust: We never do find out what happened to the crew of the Saratoga, or the other ships that the probe disabled en route to Earth. Who knows how many, if any, survivors there were on the ships where the life support was barely functioning, and the crew had to watch their emergency power run lower... and lower. Word of God, however, Jossed the idea that they died, and the novelization mentions in passing that the captain of the Saratoga managed to save her crew.
No One Gets Left Behind: When Chekov is at the mercy of 20th Century medicine, Bones insists on going to save him. Spock backs him up. When asked if it's the logical thing to do, he admits that it is not. It is, however, the human thing to do.
Not This One, That One: A notable inversion/subversion at the end: The crew arrives at Space Dock to take charge of their new ship. The crew argues about which ship they will get. Dr. McCoy trusts the bureaucrats to give them a freighter, while Mr. Sulu opines he would like the Excelsior. Scotty of course scoffs at Mr. Sulu, asking why he would want that "bucket of bolts". Their shuttle starts its approach on the shiny new Excelsior... then flies over it to reveal the smaller ship hiding behind it: the Enterprise-A.
Oh Crap: The whaler's crew upon seeing the Bird-of-Prey decloak. Not only could the entire whaler fit in the Bird-of-Prey's torpedo launcher, but these are late 20th century humans. They have never seen an alien (or even human) starship of any kind before. Needless to say they scurry away as fast as they are able to turn the ship around.
Once More with Clarity: During the time travel sequence, the lines spoken by the crew during the sequence are spoken later on.
The Quincy Punk: Kirk and Spock encounter such a punk on a bus in 1980s San Francisco. When he refuses to turn down the loud punk rock music he is playing, Spock nerve pinches him into silence, and everyone else on the bus applauds.
Rapid-Fire Typing: Scotty goes from not even understanding the concept of a computer without voice commands to apparently being able type 3 million words per minute. Also combines with Hollywood Hacking — the action on the computer's screen doesn't even remotely synch with his keystrokes.
Refuge in Audacity: Chekhov, in obviously Russian accent, going around the streets asking about "nuclear wessels" and getting away with it. Doesn't help him when he actually gets found on board one, however.
Rogue Human: The Klingon Ambassador tries painting Captain Kirk as this, in an attempt to get him extradited.
Sarcastic Confession: Kirk flat out tells Gillian exactly who he is and where he comes from over dinner. Subverted in that Kirk tells her with utter conviction and she naturally thinks he's full of shit.
Scotty and transparent aluminum. In the novelization, the engineer he sells the formula to is the one who introduce[d/s] it to the world, and Scotty discusses the trope specifically when McCoy calls him on it.
Scotty: "How do we know he didn't invent the thing?"
In the Novelization, Scotty states that the engineer did invent transparent aluminum, and it might be Scotty and Bones' job to tell him about it.
When Kirk sells his glasses at a pawn shop.
Spock: Admiral, weren't those a gift from Dr. McCoy?
Kirk: And they will be again. That's the beauty of it.
No one checks to see if removing Gillian from the timeline will change anything historic. Despite her insistence that "I have nobody here", no one considers the possibility that any future actions of hers could be important.
In the Expanded Universe, it's explained that this is actually standard Federation policy towards people from the past that wind up in the "present". If their removal from the timeline doesn't cause catastrophic changes, they're supposed to stay rather than risk polluting the timeline by going back with knowledge of the future.
Technology Marches On: Gillian mistakes Kirk's communicator for a pocket pager. Also the humour provided by Scotty using the then-cutting-edge Macintosh Plus as if it were hopelessly primitive is ironic nowadays.
Time Travelers Are Spies: Chekov and Uhura, big time. Though it might have gone better if one of them wasn't Russian. In the Novelization, the fact Uhura is African doesn't help matters.note Ethiopia's relationship with the USSR, for one.
Though it's very low-key (especially for Kirk) and doesn't really become much more than some flirting and a hug. Which makes sense considering the character becoming a female scientist was actually a fairly late revision to the script... in prior drafts, the character was a conspiracy theorist played by Eddie Murphy.
Totally Radical: Kirk doesn't quite have a grasp on 1986 idioms. Nor does Spock.
Kirk: And a double dumbass on you!
Troll: Scotty referring to Bones as "his assistant". Scotty's look after implies that he said it just to mess with him.
Trouble from the Past: The humans of the past hunted whales to extinction and that turned out to be a bad idea.
Unintentional Period Piece: Downplayed to an extent as it doesn't whack you over the head with The Eighties, but it has its moments. Gillian thinks Kirk's communicator is a "pocket pager", cutting edge in those days any time later she'd assume it was a mobile phone. The whole debacle with Chekhov being caught on board a US Navy ship is pure Cold War, and Scotty attempting to work a Macintosh Plus very much dates it. "Just use the keyboard" sounds like Dr. Nichols simply assumes that Scotty isn't used to computers with a mouse- cutting edge back then!
Unishment: When Kirk is demoted back to the Captaincy of a starship... which is what he wanted all along anyway.
Unspoken Plan Guarantee: Chekov gives Kirk a simple explanation for how he and Uhura plan to collect high-energy photons from the aircraft carrier Enterprise. It works perfectly—until the transporter fizzles out and Chekov is captured. And critically injured trying to escape. Although it didn't help that he tempted fate by saying "No one will ever know we were there."
Weapons Understudies: The nuclear aircraft carrier USS Enterprise is here played by the non-nuclear USS Ranger. The Enterprise's reactor area was highly classified and radioactive to the point the film would have been unusable, and even if filming was feasible, she was at sea at the time. If you look closely, you can see several sailors wearing Ranger insignia.
Weld The Lock: Kirk uses a phaser to melt the lock on a door he locked some 20th-century medstaff in. This, incidentally, is the only time a phaser is fired throughout the entire movie (successfully—Chekov's attempt fizzles due to a malfunction), showing just how Lighter and SofterIV is compared to pretty much all the other films.
We Will Have Perfect Health in the Future: Demonstrated when McCoy, visiting a twentieth century hospital, is horrified that a woman is undergoing kidney dialysis. "Dialysis? What is this, the Dark Ages?" He gives her a pill, and minutes later, doctors are dumbfounded by her miraculous recovery as she grows a new kidney.