Offstage Villainy: The gap between Small Soldiers and The Princess Diaries 2. They couldn't actually show Hyper kidnapping Critic, taking him to her place, and doing enough awful things that he's terrified into pretending to love her. So. They used that gap, she never actually touches him and he only mentions a couple of things she's done to keep him there.
An EXTENDED Oh, Crap. In his review of The Room, he laughs at Tommy Wiseau's performance and asks where the real actor is. As he realizes to his horror that Tommy Wiseau IS the lead actor, his smile slowly fades into a face of pure horrific stupefaction.
And another when at the end of his "Old vs. New" of The Ten Commandments and The Prince of Egypt. As God reveals that he was upset with one of the judgments, the Critic's face goes through about ten priceless seconds of varying degrees of "...I'm fucked, aren't I."
Linkara's initial reaction to Nostalgia Critic at the beginning of their crossover review for Superman IV was FULL of this.
"...Bothell, Washington? You're bluffing. You don't really have those videos."
This is his reaction when, after running through the hotel, screaming like a maniac (albeit pausing to do a Q&A), and hiding in Sci-Fi Guy's hotel room, he turns on the TV...only to see Linkara glaring at him, ready to do a Star Trek crossover review with him, something he had been trying to avoid the entire month.
The scene where the Nostalgia Critic realizes where he has to review Good Burger.
He also uses it for the moments in the Drop Dead Fred review when he asserts that it's really a horror film.
He refers to it as "The Dramatic Choir" in his Top 11 Best Cliches, listing the different variants: actual Latin chanting, gibberish that sounds like a dead language, English made to sound like a different language, and plain old oohs and aahs.
Once More with Clarity: In Food Fight, Critic comes home from an earlier review and has a dementedly gross Catwoman-style breakdown. Sad, but he does that for movies and it's extreme but to be expected. But then we get to the ending of the review, where Tamara tells him it was a waste of time and nobody will care so he'll get less money, and the breakdown clips are shown again, this version much sadder because karma humanized him a little.
Operation Jealousy: He thinks this is happening with Dexter in Good Burger, as Monique looks like the female version of Ed and they're on a double date.
Out of Character: As the character personas hated each other, Rachel's farewell video is very clearly dedicated to Doug and Malcolm and a Call Back to Demo Reel, instead of anything to do with Critic.
Overcrank: The premise behind "Scary Slow-Mo", where he plays a scene slowly to make it more scary.
Overly Long Gag: He has a tendency towards this. Some of the more prominent examples:
The Critic himself has arguably been guilty of OLGs from time to time. The "laughing at Zack" and "Becky memorial" bits from Saved by the Bell, and the "bunny boobies" bit from Space Jam all dragged a bit.
As well as Mr. Tachanova Humpascheier Rickydicky Hamstermaster Pollywolly Wannabingbangme Supercalafragalistic Knickknackpaddywhackgivethedoga Bananafanafofresca Hickorydickoryhockitypockitywockitywhack Angelina Francesca the Third. ("It's Tatapolous.") Whatever.
Tone Lōc? Tony Lock? T. One Lock? Tone-Loc Picard?
The outbursts of "no" during the Drop Dead Fred review, going on for quite a while, ranging from loud and angry to quiet and disbelieving and back again.
The alien from Independence Day asking if it is an old girlfriend ("Stephanie?").
Both the Critic's reaction to Apollo getting beat up and the clapping scene in Rocky IV get really drawn out.
From the review of The Room, the Critic's response to Lisa questioning if Johnny is dead.
Spoony-as-the-Critic's crazed laughter in "You're a Dirty Rotten Bastard".
Drs. Insano and Smith's maniacal laughter in the The Secret of NIMH 2 review.
Soundwave talking about being in his own romantic comedy film in Raiders of the Story Arc: Transformers.
At the end of The Purge, the shock of seeing Pinky And Brain animated and voiced by the actors wears off after a bit, and all you're left with is childhood cartoon characters swearing at each other. Doug realizes this in the commentary, saying that he can see how it's a lot like a Family Guy skit.
Painting the Medium: In Moulin Rouge!, the Guilty Pleasures song is the only one where they look down the barrel of the camera, i.e it's more directed to the audience than to Critic.
Pandering to the Base: Invoked, parodied and lampshaded for his review of Turbo A Power Rangers Movie, mentioning the Milestone Celebration of its 20th anniversary repeatedly. Not only does he feature Rita and Zordon and break out the special effects to fake fight scenes with one of Rita's monsters, but he also gets Linkara to make a cameo. The parody and lampshading elements include the Critic calling "Pandering time" instead of "Morphing time" when he jumps into action, and a new song parodying the original Mighty Morphing theme including the lyrics "this song is here to praise your heroes and suck up".
"Don't make me tell your parents, who may or may not exist and I may or may not be keeping you from."
Parental Neglect: In the Chick's TLC review, he angrily defends living with his mother as her being his world. As she's never come to help when he's been blown up, kidnapped, having a breakdown or any other instances where he's got himself into trouble, it's safe to say she doesn't have the same feeling about him.
Paper-Thin Disguise: Naturally brings this up in the Sailor Moon review, where Serena is unable to tell Tuxedo Mask's very obvious identity. He also notes this of Sailor Moon herself.
Parody Commercial: One of Nostalgia Critic's occasional jokes is to make one out of one of the items in the work he reviews.
Perpetual Smiler: Doug in his out-of-character videos often can't seem to stop smiling, even when he's raging about something.
Phrase Catcher: The following exchange has happened on at least two crossovers in Walker's house:
Critic: How did you get in here? Other character: I broke in.
Pint-Sized Powerhouse: Seriously, what is Tinkerbell made out of? The Critic points out that she could have easily solved EVERYTHING in the movie by having her beat the living snot out of Captain Hook at the rest of the pirates.
Please Don't Leave Me: Critic is so desperate and lonely by Master Of Disguise that he spends about two minutes begging a personification of a fart joke not to leave him alone.
Plot Hole: invoked The Critic has a specialty of pointing out these. So, as lampshaded by Doug in his To Boldly Flee commentary, it was only fitting that he became one himself.
In his Full House review, he said the show was manufactured precious shit... or "precshit", as he liked to call it.
Similarly, in his Home Alone 3 review, he said many of John Hughes's '90s movies tended to fall into the category of slapstick shit, or "slapshit", as he liked to call it.
Power Is Sexy: Oh yes. Not just with him craving some of his own, but he was consistently attracted to curvy brunettes who like dominating, and his guy!crushes were always confident, self-possessed and usually black.
Precision F-Strike: Although NC gave Little Monsters a lot of criticism for its use of constant swear words in a kids movie, he gave credit to the "Holy shit!" line that the girl gives when she sees the monster entrance, since it would seem like a legitimate reaction.
Pre-Climax Climax: Unfortunately no details, but he calls "inevitable death sex" the best kind of sex.
Prequel: Scooby-Doo leads right into To Boldly Flee, with Critic's self-esteem imploding to the point where he knows he has to take (both suicidal and sensible) action, Continuity Porn to segway into a love-letter send-off for the character, anomalies already starting to pop up and Critic believing the same thing Turrell does, that he was the reason Psychlo blew up.
In a surreal moment, he crossed over with Doug's AT vlog of “Business Time”, with the magic of the show transporting him to Alcon, setting up “The Guyver” review.
“Is Eyes Wide Shut Artsy Porn” makes for one of the darker editorials, and he announces in the beginning that he wants to look at a couple of primal fears he has to segue into the next month's nostalgia-ween.
Skeletor: My wand can do anything! It can kill people, destroy cities, and make fashionable fur coats!
Pretty Little Headshots: For comedy, time and sanity purposes (because only a minority of people want to see his brain splattered on the wall), if he gets shot in the forehead there'll be only be a small hole there with a tiny bit of blood. If he gets shot in the side, there'll be nothing.
Previously On: In “Nostalgia Critic Talks Transformers 4”, after knocking Chester out, Critic does a quick summary of the Transformers-review storyline to catch everyone up to speed.
“What You Never Knew About TMNT” plays the end of the Small Soldiers episode at the beginning, explaining that Critic has been missing for a week.
Primal Fear: If you feel like you're useless and haven't made anything out of your life, then the commercial special angst will hurt quite a bit more.
Most people have felt alone and isolated at one point, so the Scooby-Doo review resonated strongly with plenty of his fanbase.
Plus it's not explicitly stated, but old!Critic is clearly note from his shakiness, more quiet personality and inability to remember anything from his childhood suffering from early dementia at this point. So Critic has that to look forward to now.
Women were apparently more scared of The Shining review than men were, including Rachel, as Doug had to apologize to her and several con guests for playing the part of “abusive threatening psycho boyfriend” far too well.
This is the trope that makes him love Paranorman so much as “it's finding that the scariest part of the scariest creatures is that, they are human, and any of us can become these things at any time.”
“Reality” in The Monster Squad. It makes Tamara scream when she sees it first, and terrifies the boys with things like student loans and bills to pay.
Princesses Rule: One of his biggest pet peeves. In any movie or TV show where a character is called a princess but is not shown to be the daughter of a living, active monarch, he will mention it and attack the character for it. For instance, in the review for Felix the Cat: The Movie, he scratches his head over why Princess Oriana is a princess when her parents are dead and she is ruling the nation, then theorizes that she had her first name legally changed to "Princess" so she could keep the title. He finally examines this trope in detail in the editorial video "What's with the Princess Hate?".
Prison Rape: Implied at the start of James and the Giant Peach. His jacket and tie are missing, he was apparently public enemy number one for the LP, he can't seem to look anyone in the eye, and it takes a while for him to get the slightest bit of confidence back. (Plus, it's Critic, making him a bitch would be easy.)
Product Placement: Most of the 2012 Critic episodes have had advertisements cutting him off in the middle of the review. Out-of-universe it's because Doug needs a little bit more money (caused by blip.tv changing the amount of money they pay to creators on a regular basis), but in-universe it's been implied that while Critic acts annoyed by them, he secretly likes being a corporate whore.
Prophetic Names: The Critic wonders if Richie Rich or his dad's lives would have been different if they had been born named "Poor E. Broke." Chester A. Bum claims that it's his legally born name.
Protagonist Centred Morality: The AI review and commentary had a huge dose of this, as it's not okay for TMZ to mock celebrities, but reboot!Critic does it so much that even Malcolm in the Man of Steel behind the scenes video pointed it out, and Doug in-commentary thinks the celebrities (including child stars) that he mocks are “asking for it”.
Genderqueer are included in the mocking too, as in Catwoman, Malcolm with the Tina A tits is referred to feeling like a catman in a catwoman's body, gets treated like the Butt Monkey, and Critic makes sure to scowl at him the most when they're all slow-dancing.
"The Strangest But Best Couples" has mocking of Critic's new homophobia too, but it's still meant to be amusing when LittleKuriboh (who when he came out as bisexual got a big backlash) touches him all over and then gets kicked out when Critic had wanted to humiliate a "sexy female guest" instead. Same thing at the end when Kirphober thought he was Kuriboh.
The first Hyper Fangirl vlog has Malcolm (in character) say he has a crush on Critic, and that while they have a bromance now, he'll tell Critic his real feelings eventually. As all Critic does is make him a pathetic abused Butt Monkey, the Cringe Comedy is just too much.
Quizzical Tilt: Parodied in The Thief and the Cobbler review when Tak and Yumyum look at each other while tilting their heads left and right, Critic mimics them until his head does a full rotation.
Rape Is a Special Kind of Evil: Defied. He sarcastically sums up how Costner's character in Waterworld can be considered a good guy because despite all the horrible things he's done, he didn't take a woman's body when she didn't want it.
Squickily, defied with pedophilia too. While he's sane enough to know it's obviously evil, watch his review of The Tommy Knockers. Cheating and bailing out of your responsibility towards a lost child is seen as worse than someone getting jailed for touching kids.
Reaching Between the Lines: Two characters who aren't in the same frame usually act as if they're talking by a video link, though the Critic throws something at Ask That Guy with the Glasses and knocks him out and he's able to fire his gun at Linkara and hit the wall behind him. He also appears to interact with the physical frame of M. Bison saying "OF COURSE!" and The Cinema Snob's musings on Manimal. Lampshaded by Phelous in the Childs Play review when he comments that the sock he threw at the Critic got much whiter in the Critic's frame than it had been in his.
When the Critic points out that the protagonists of Bio-Dome are moronic losers with no jobs and really shouldn't have a nice house and hot girlfriends like they do in the movie, '90s Kid shows up to inform him that that kind of thing happened all the time in the '90s. However, he's interrupted when his landlord shows up with an eviction notice. And a battering ram. And a sawed-off shotgun.
His phone conversation with the director for My Pet Monster, which started with him calling the director to ask why he would make such a stupid movie, and the conversation turns to him trying to explain that he watches old movies to point out their shortcomings ("It's kind of my job."), and ends in depression which inspires the next episode where he eats junk food and watches old commercials.
While it's very unlikely that he went, after the Master Of Disguise beatdown he says he'll be going away for a while, either to jail or a crazy house. Turns out beating people in public gets you in trouble with authorities!
Disney Afternoon has Critic getting his Berserk Button pressed like has often happened, but actually shows what it's like for the person who pressed it. Malcolm (the presser) is in pain for most of the review, even the usually-in-control Tamara is shaken, and Critic gets a lot more creepy as a result.
A little more psychotic reality as he also wants to stab her, but Critic is a lot quicker to threaten Hyper Fangirl with a restraining order for stalking him than Todd was for the Chick doing the same. The former said it by her second vlog, Todd only thought of it by To Boldly Flee.
Real Life Writes the Plot: Minor instance, since January 2012 some of his reviews have ads into the middle of the video as well, so he works this into the script of the reviews.
The ending of the A Simple Wish review, where Mara Wilson herself appears and delights in handing the Critic his comeuppance for making fun of her simply for the movies she appeared in... resulted from Mara being hurt about Doug's "fans" harassing her over Critic's Accentuate the Negative opinion about her acting, and Doug made up with her and she agreed to appear in his next review.
The only reason why Critic was “busy training” in the “Top 11 Adult Jokes We Never Got As Kids” was because Doug's home area had a lot of power outages that summer and he couldn't do a proper editorial.
To a lesser extent, Tamara had to do a half-day of filming After Earth because she was the only one going to vidcon, so Hyper Fangirl tells everyone that she can't be there long because she's getting a face tattoo of Critic's neck.
Real Men Cook: Inverted as a point of pride in “Rise Of The Commercials”, where he says the boys toys ovens were better than the girls toys ovens because boys couldn't eat the stuff they made and live.
Real Trailer, Fake Movie: In the The Cat in the Hat review, at the point in the movie where the Cat does his Carmen Miranda dance number, Critic first suspects that the movie is just some wacky episode of To Catch a Predator, then eventually comes to the conclusion that this is supposed to be one of those fake trailers that appear in Tropic Thunder, "The one that looks real but is so goddamn stupid it couldn't possibly exist, except this one actually exists and you should cry because of it."
He directs one at Michael Bay in the Pearl Harbor review, then another to TMZ in "Top 11 South Park" as well as anyone who watches the show. Doug ended up embarrassed by both of these, as the former was a Critical Research Failure, and the latter he felt was bratty and cruel.
In his The Cat in the Hat review, he delivers one to Soulless (who basically is the embodiment of everything wrong with the Dr. Seuss movies), calling him out on all his corporate money grubbing ideology.
Rebus Bubble: In the Saved By the Bell review, Duck + Oil = Gravestone.
He does another one for the Other Titanic Movie, questioning how the mouse put Human Female + Mouse = Racist.
Record Needle Scratch: Occurs in the Jack Frost review when he spots a chained-up Superman toy with Batman's head. Also happens in the Man of Steel review, when during the opening song, Superman states he killed a man.
In the Hyper Fangirl vlogs, Tamara and Hyper Fangirl (who is played by RL!Tamara) talk to each other and don't get on, and Doug and Critic co-exist in general; ever since “The Review Must Go On”, their meetings and allusions to each other aren't exactly as sweet as the To Boldly Flee talk.
Some (but not all) sketches or sketch characters are Critic writing them in-universe (like fathers played by him abusing their daughters played by Tamara) or ic!Rachel/Malcolm/Tamara pretending to be other people (like Katara, Sokka or Elsa) to fuck with Critic's head.
Partly done to a scene from Star Wars, with Darth Vader's lines are replaced by... Sailor Moon.
Darth Serena: How can that be!? If my mom finds out, she'll cut my allowance!
Done with the review of Turbo: A Power Rangers Movie when Rachel physically performs Rita, Doug dubs the voice, to Rachel's relief. It allowed her to just say whatever she wanted and she didn't have to scream the entire time.
Critic: Thatï¿½s right. Even though it defies everything logical and everything scientific, Inspector Gadget comes back to life simply through the will of heart. ...I said ï¿½simply through the will of heart.ï¿½ ...ï¿½Simply through the will of heart!ï¿½ ..Excuse me.
Retcon: Catwoman noticeably tried to make Critic manlier than his previous In Touch with His Feminine Side persona pre-comeback. He compares the movie experience to feeling embarrassed for a boy failing at football, the therapist (the only other cis guy) is a lisping idiot, he forgets that he's been slut-shamed (mostly by Douchey) for no reason, and he makes a point of not knowing why he owns a Sex and the City game.
Retirony: In his Hook review he's angry because a coconut that Peter cut in half with his sword had just two more days until his retirement.
Nostalgia Critic: Anyone who does it should be shot (is shot in the forehead), un-shot (bullet hole disappears), and given a bag of money (bag of money appears)! (offhandedly) How about some lounge music? (lounge music plays) Yeah, that's nice.
Review And Story Segregation: Noticeable with Critic/Hyper Fangirl episodes, as the story has Critic disgusted with her and Hyper Fangirl needing mental help, but the review has him fine with her and her being lucid enough to bash something.
Rhyming with Itself: In the Guilty Pleasures song of the Moulin Rouge review, Critic rhymes "hell" with itself.
Right for the Wrong Reasons: Critic asks Evilina if The Cat in the Hat has broken him. Yes, but he thinks it's because he can't tell jokes anymore, the audience knows that's the case when he hits her later and gets happy on Soulless's torture.
"Is Tree Of Life Full Of Bullshit" was twitter!criticized by Kyle for this reason, although he deleted the tweet soon afterwards.
Kyle: Doug eventually arrives at a truth, but does so without really discussing the thing he ostensibly wants to discuss.
In the Princess Diaries 2 review, Critic is willing to give it up to Hyper Fangirl because she's made him think they have a lot of the same media likes in common. That completely blows up when it turns out she's faking it, but they really are Not So Different. Hyper Fangirl's choice to stalk Critic was shot like a Review Must Go On parallel, 'Tamara' was as frustrated with her as Doug is with Reboot!Critic, and Critic admits in his Uncanny Valley review that his own creeping into a person's bedroom ended badly.
Rimshot: The Les Misérables review has Paw not being able to do it and Critic being the only one who can create the noise, leaving Paw to look sad. He eventually manages when Critic bitterly says “enter coming out of the closet joke here” when they fall out of a closet.
Role Association: One of the common jokes in reviews, when he's not using I Am Not Leonard Nimoy instead, is to call actors by the name of a more famous character they played, or sometimes to refer to one with a clip. Here's an example from the review of Childs Play.
Romanticized Abuse: He has this habit of seeing rapey scenes (except when it comes children), both male-female or female-male, as a little creepy but mostly just acceptable softcore porn. Let it be stressed that this is just the Critic talking, not Doug.
He even openly admits that Bio-Dome is making him root for the bad guy.
Rouge Angles of Satin: The Critic's "Top 11 F* ck Ups" notes his spelling errors from time to time. It even has a deliberate one, Lampshaded by Douchey McNitpick, at the end.
Subverted in the commentary for The Care Bears Movie. Doug points out that "penguin" is spelled wrong in a caption, and asks why Rob didn't catch it, because he should know that Doug is "dyslexic as hell." The word was spelled correctly.
Rousing Speech: Double subverted by Critic's many manymany speeches in the reboot. He never gets listened to, and they're usually condescending or hypocritical, but with sappy music and an exaggerated Sincerity Mode voice he's meant to be the one in the right. Luckily, from The Last Airbender onwards, Doug listened to the complaints and had others mock Critic for them, or Rachel/Tim Burton (to name a couple) being the ones to give the speech while Critic sulks.
Royals Who Actually Do Something: The Critic likes this. He has cited it as a positive point for the Zelda animated series, and is annoyed whenever he reviews a subject in which royals don't use their power to resolve a conflict (such as A Kid In King Arthur's Court).
The "You're A Dirty Rotten Bastard" episode has quite a few Fridge Logic issues (Joe being President Evil, Canada being nuked, certainpeople being happy bunnies when they had problems that in no way related to the Critic, Critic has said many times that reviewing makes his life suck more etc.) but you've got to remember that it was just a way to make the Critic look like the biggest douche and loser in all of creation.
He states in his third "Top 11 F*ck-Ups" video that the main reason he referred to Dunston as a monkey instead of an ape was because the word "monkey" would get more laughs than the movie could ever provide.
Whenever something bad happens to a character that the Critic doesn't like (usually the annoying comic relief), such as getting punched or even getting killed, the Critic will rejoice and request to see the clip played over and over again, until he is satisfied.
Major Bronski: What is this? Sophisticated Americans suffering from false modesty? In Russia, we are more matu-[there’s an unexpected jump cut to a few seconds later, likely from the poor condition of the film; this catches Critic off-guard]
Critic: Whoa! In Soviet Russia, jump cuts jump YOU!
Sadistic Choice: The adbreak cliffhanger of Man of Steel. Zod tells Critic that if he doesn't hate it his corpse will be mutilated beyond all human recognition, and Joe tells him that if he goes back on his word then the internet will hunt him down like a animal.
Sadist Show: The character was created to suffer. First it was just bad movies, now it's bad movies and well, life in general. Doug even said in an interview that most people just keep watching to see the Critic get tortured all the time.
The Scottish Trope: Whenever the Critic says the word "elephant" (but not "elephants"), The Burger King's face flies into the screen, and whenever he mentions Chuck Norris, we're treated to a picture of Chuck Norris over a backdrop of fireworks with a voice saying "A-CHUCK A-NORRIIIIIIISSSS!!" And, as the Critic points out in his review of Free Willy, if he says the full title of a movie, he has to review it next week.
He's also taken a couple of potshots at his own speaking voice, what with Zack (in the Revenge of the Nostalgic Commercials) listing him as "Obnoxious High-Pitched Critic", and the Bum calling him "an even more high-pitched Sam Kinison" in the Kickassia Bum Review.
“Ghost Rider 2” is big on it, with his starting off the episode yelling at the audience for being entitled, Mike J saying he's mediocre but getting all the views; also that he re-reviews too much, and the Ghost Rider pony comes in to slam him on the head.
The Top 11 Best Avatar Episodes has a Freeze-Frame Bonus in Jason's book about how Doug's not been eating because he's been too busy working. Something he's well-known for, to the point in MomoCon where he had to clarify he's so thin because food would be a distraction from work, not because he has an eating disorder.
Self-Fulfilling Prophecy: He uses this trope word for word in The Secret of NIMH 2, pointing out that nothing that happened in the movie would have happened if the townspeople hadn't praised Timmy to be some hero in the first place.
"So let me get this straight: Timmy's great destiny was to stop a jealous mastermind who wouldn't have been a jealous mastermind until he had heard that Timmy had a great destiny. In other words, if they DIDN'T FUCKING BUILD HIM UP, NONE OF THIS WOULD HAVE HAPPENED!TALK ABOUT A SELF-FULFILLING PROPHECY, YOU DUMBASSES!"
Sequel Episode: Son of the Mask followed The Review Must Go On, with Critic deeply regretting coming back, Evilina telling him that To Boldly Flee won't be happening again, and Santa Christ telling him he blew a chance at happy so deserves to suffer.
Ghost Dad to The Wicker Man. Critic wasn't a ghost, he was just pretending to be because he wanted to punish Tamara and Malcolm for torturing him in the latter episode.
Essentially The Lorax is one to The Cat in the Hat, as it's very much the same opinions and jokes recycled (even lampshaded by the focus group guys, “this again?”) just without the Devil or Evilina to provide any darkness or someone for Critic to be abusive to.
"Old vs New: Amazing Spider-Man" continues from The Lorax, with no other characters but Black Willy Wonka and the Hyper Fangirl still both around to freak the Critic out.
Bloodrayne to Alone in the Dark (2005). Critic tells Tamara and Malcolm that it's a tradition to review Uwe Boll movies with Linkara and Spoony, and he's miserable over it.
The Top 11 Best Avatar Episodes is set right after the episode on the worst, but has more in common with The Last Airbender, with Malcolm revisiting his Sokka persona, Critic hiding in that episode's title card, and the big meta portion in the middle explaining that Critic protects himself with fourth wall references, a Story Arc that became apparent in Airbender.
The Monster Squad to Disney Afternoon, both having Critic trying desperately to be a kid again, dragging others into the illusion, and the former having “reality” as a literal monster.
Sequelitis: In-universe, and probably out too, The Critic did not enjoy Sequel Month.
Also, The Neverending Story 2 ("So when I heard that there was another movie, I got excited as hell. I loved the first one and I couldn't wait to see another one. It blewed.") and the third and fourth Jaws.
In "Cartoon All-Stars to the Rescue," Critic refers to almost all of the characters featured in the special as cherished cartoon icons, including that Alvin and the Chipmunks are part of the embodiedment of childhood, and is absolutely mortified that Simon knows what marijuana is. Later in his and The Nostalgia Chick's Cross Over review, "The Chipmunk Adventure," Critic dismisses The Chipmunks as creepy rodent-people, and complains that Simon is nothing but a whiney little bitch who should have contacted authorities for sensing something is amiss with the balloon race.
On top of all the other problems, the "men can't get or don't notice being sexually harassed" message in "Dawn Of The Commercials" doesn't even hold water for reboot!Critic, let alone his prime self, as we've both seen and heard him feel awful about getting groped many times and all genders feeling entitled to him.
Series Fauxnale: Scooby-Doo is filled with references to past reviews, has returning characters including Roger the angel from the Christmas special, consists of Critic interacting with his younger and older selves, all three making a Heroic Sacrifice/Heroic Suicide to save the world, has a lot of intense acting from Doug when it comes to Critic's depression reaching boiling point, and it ends with Critic making the effort to join in a poker game and was meant to be his last review as the Nostalgic Critic. Come January 22nd, 2013, he announced the character would be coming with more reviews but different rules.
Serious Business: In-universe, Man of Steel. Critic walks to his desk in Mundane Made Awesome while fanboy tweets either complain or praise the movie and he acts like he's giving people a voice. The joke here is that Doug's already done a Zod Review and Sibling Rivalry on the film, and it really doesn't matter in the long run.
After Earth was originally going to have a renactment of the “Papa's Got A Brand New Badge” scene from The Fresh Prince of Bel-Air, but Doug didn't want to do it as he felt like it was too serious subject matter for a dumb review. To put this into perspective, he was totally okay with using a dead mom scene in the middle of a joke a few weeks back.
Sex for Solace: Towards the end, there was a lot more jokes on the patheticness of his sex life, from constant failed one night stands to catching a couple of stds.
Sex Is Evil: The reboot has strong vibes of this. Critic was always abused in the original run, sexually included, but he was an Aggressive Submissive who loved flirting and showing off skin. In the reboot however, both he and Zod are castrated, crossdressing is seen as worse than racism, Critic Stepford Smilers to the catwomen that he has to get some Male Gaze in just to get viewcounts, and Evilina is sexualized despite being a little girl. Even crosses over to Bum Reviews where Critic isn't even shown but apparently he's so sex-starved that he makes a Rogue figurine give him handjobs. In the Fandom Nod-heavy “Uncanny Valley” review, Critic lampshades and explains this as he's been sexually repressing himself since he came back and it's killing him.
Sexy Soaked Shirt: Doug even said in a commentary that he had to sell the old Critic jacket because he was getting it soaked too much.
Sex Sells: The “Is Eyes Wide Shut Artsy Porn” editorial starts with him wanting to talk about fear of the subconscious, getting booed, and getting viewers back by grittingly adding on “with orgies”. Doug does the same thing in his preview, neglecting to mention that there's a lot of discussion on nightmares and twitchingly going for the fanservice angle.
Ship Sinking: Like Chick/Todd, you'd think this would be obvious considering stalkers shouldn't really get what they want, but “The Princess Diaries 2” review stomped out any sign of Critic/Hyper Fangirl when she kidnaps him, manipulates him and he tells her straight up that he'll never love her. The commentary also helped by confirming that any hint of like Critic might have had for HF in the review was just Stockholm kicking in.
It ends up being just another note in his Through the Eyes of Madness bit, but in Jurassic Park III, Tamara childishly asks Critic to check her stomach because it's hurting, and he actually acts like he's her daddy, crouching down and gently lifting her shirt. Notable because they usually have The Masochism Tango, and this might be the nicest moment they've had.
Shoot the Shaggy Dog: Played for dark laughs in the James and the Giant Peach review. He got sent to jail for the below-average Let's Play, didn't exactly have a good time (his jacket and tie are missing), even Chester acts entitled at the press conference, has to be good for a movie he doesn't like because he doesn't want to A) be shot and B) have everyone still hate him. In the end, he gives his honest opinion that he can see why people like it but it's not for him and he gets killed for that.
Shower Scene: In the DVD menu, Rob barges in on him while he's showering. Critic's rather freaked by this.
Shown Their Work: In the North review, the Critic goes into a ballistic rage about the infamous "Inuits murder their own people callously" scene, with information that Inuits haven't been doing this for over hundreds of years, they only did it in famine and as a last resort, they certainly didn't set up a theme-park-like business for it.
His interviews to the creators of Animaniacs in his tribute to the show are extremely in depth. The clips he includes are hard to find including an original recording of Orson Welles complaining about doing a commercial.
His "Top 11 Cereal Mascots" countdown proved he can do a terrific amount of research when he really wants to, finding very old clips to compare the old versions of the mascots with the new, and giving history and background in abundance.
His review of Full House, for the most part, is this, due to Doug watching the whole series to make sure he wouldn't fuck up. He did get the details of the mother's death wrong, though (i.e. he thought she died of a disease).
Done with tremendous effect toward the realPatch Adams.
Weird as they're played for comedy and most Hollywood portrayals aren't, but people with the actual disorders have remarked that he plays OCD and Dissociative Identity Disorder far more realistically than the usual portrayals, the former with his constantly going back to meaningless details and the latter with his apologizing/not remembering instantly after an extreme tantrum happens.
Subverted in The Review Must Go On. Doug instantly takes Critic on his challenge to make him go away, but Critic keeps on hounding him.
Inverted in After Earth, when Malcolm!Will Smith tries to give him a motivational speech about how he has something to live for, but Critic has no time for it, calling him completely unoriginal.
He was on the receiving end in Welshy's farewell video, on a rather important subject.
Critic: So what, you're just going to keep coming back?
Welshy: Heh, you did.
Sincerity Mode: He usually ends his reviews with a much more honest and less jokey review of the movie, seriously saying what the overall problems are and, in many cases, acknowledging the movie's good points.
He will occasionally interject a genuine compliment into an otherwise negative review, preceding it with "I'm serious" so it is not mistaken for sarcasm. An example is his high opinion of the "Smooth Criminal" sequence from Moonwalker.
The Critic also admits that the big plot twist in Baby Geniuses 2 is actually pretty good, and that he was legitimately surprised by it.
Slobs Versus Snobs: One of the ways Critic and Ask That Guy are contrasted. Critic tries his best to be down with the everyman, but is really a Spoiled Sweet snob, while Ask That Guy pretends to be a high-class gentleman, but is really a filthy hedonist.
Slow Clap: The Critic points out its overuse in various sports movies in his 90s Sports Montage, and later on appears to initiate one in Rocky IV.
Slut Shaming: If he's ever angry at someone (both genders), the usual shamey words flow freely from his mouth. In return though, Douchey's called him a whore a few times too, Spoony's called him dirty to humiliate him further after getting spooned, and in real life the only person Doug calls a slut is himself.
Played straight in Sailor Moon, where it was only two minutes in and he was already ragging fourteen year old girls for “looking slutty”.
Small Reference Pools: A somewhat strange example is the 2010 Christmas special, where in the commentary Doug apparently thought he was the first person ever to think of doing a twisted inversion of It's a Wonderful Plot. Needless to say, the fans soon put him straight on all the existing examples.
Also referenced in some reviews where he gets irritated at the fans who have no idea what he's talking about. "Go watch a black and white movie!"
Doug and Rob recommend watching The Neverending Story 3 in their commentary to see all the hundreds of other horrible things that they didn't have time to mention without making the review three hours long (for a hour and a half long movie).
His review of Dungeons & Dragons starts with him saying that this is probably one of the worst movies ever, which is exactly why it's one of the best movies ever and why people need to see it.
By definition, the episodes which don't follow the formula of trashing one bad movie count: "Top 11", "Old vs. New", "Raiders of the Story Arc". The "Old vs. New"s are usually a lot more analytical than usual.
Anytime The Nostalgia Critic reviews a movie with another reviewer. See Crossover for the list.
"Harry Potter and the Deathly Hallows Launch", which isn't a Nostalgia Critic review but stars the character.
"Bebe's Kids", which was the only time The Nostalgia Critic reviewed a video game. It was done as part of a deal between The Angry Video Game Nerd and himself where the two would perform each other's jobs for one review (James Rolfe reviewed the obscure Rocky parody "Ricky 1").
"Sesame Street Presents: Follow That Bird", which broke The Nostalgia Critic: he was unable to make fun of it because he loves Sesame Street. He invites Chester A. Bum to take his place for the last minute of the video.
"Teddy Ruxpin", which was not only the first review based on a toy, but also was done in the format of a slasher/thriller movie in the second half of the video.
"The Good Son". Doug Walker had temporarily lost his voice in real life, so he performed this review by remaining silent and writing out his thoughts on cue cards. The only word he uttered in the entire review was "ASS!"
"TMNT". While it's still in the typical format, it's from a very recent film (2007), so that breaks tradition of doing solely nostalgic movies from the '80s and '90s.
"Transformers 2", which took the format of his earliest reviews, i.e. no film clips, and more like what his Bum Reviews series would evolve into.
"Alone in the Dark", which had The Nostalgia Critic again unable to speak, but this time using Mac speak to convey his thoughts. He was also accompanied by Spoony and Linkara, and the review took place in a different environment than usual.
"Baby Geniuses" took the form of a disturbed Nostalgia Critic walking around a convention in a daze after having seen this film, and narrating in the style of film noir.
"Commercials", which didn't feature the typical white wall or his usual attire but instead The Nostalgia Critic sitting in a recliner wearing an "I Donut Donuts" T-shirt and watching TV. His review was focused on commercials, not TV shows or movies like it usually is.
"You're a Rotten Dirty Bastard Christmas Special" was a parody of It's a Wonderful Life where the Critic sees what things would be like if he was never born. Only problem is, everyone involved with Channel Awesome is well off, and the angel sent to show the Critic the error of his ways lost out on being God's number one guy just because the Critic existed.
"Jungle 2 Jungle'" was reviewed in the style of a nature documentary.
"Raiders of the Story Arc: Transformers" has Doug playing the character of Optimus Prime.
The Critic's reasoning for why Waterworld was a bomb at the box office. He even says that it's not bad as an action movie, but ultimately fails to live up to its high budget (which the movie didn't even manage to reach in cinemas).
He also plays whimsical, uplifting music from a scene in Jack that doesn't warrant such music over the ending of Marley and Me for the same purpose.
A rocky guitar instrumental of "The Review Must Go On" is played over his explosions-heavy opening theme, but the actual lyrics were about Critic hating his job, carrying on because he has to (thus parodying the Queen and Moulin Rouge! versions), and foreshadowing his end.
Another slow Ominous Music Box Tune is playing over his gushing over how the Super Mario Comics don't suck, until he starts squeeing over Toadstool and then it turns into a more apt guitar. Then it goes back to sad music once the squee stops.
"Paranoia"'s piano soundtrack plays over the usual flames at the end of "Top 11 South Park Episodes", making it an oddly foreboding promo. and seeing as how he has a moment of crying over Demo Reel's retcon in the review, it turned out fitting
Lambasted in his review of The Purge for playing calming music while showing rapid-action violence on-screen.
Lampshaded when he gets very uncomfortable with the synthy pop song playing at the end of the The Monster Squad review, and asks to switch back to his own depressing, more fitting theme song.
Invoked in “Rise Of The Commercials”, where the happy Mentos commercial music plays over boss!Doug getting the shit beaten out of him by Jim, Malcolm and Tamara.
Spiritual Antithesis: In terms of episodes, 8 Crazy Nights to The Grinch. The latter had the moral being that anyone could like what they wanted for whatever reason and that would eventually sink into Critic in what was meant to be his finale. The former had a Deep South group of Happy Madison fans who laughed at the movie and anything shit-related, and for this reason Critic lured them into a bathroom to kill them all. To help out with the comparison, Doug posted The Grinch on facebook a few days after Eight Crazy Nights, saying it was becoming one of his favorites.
Generally, the reboot to Demo Reel. Tacoma made sure it was okay with the others that he was in white-face and was so smart that he got a Pulitzer right out of college, The Shining has Malcolm pretend to be a white stereotype to avoid getting killed, while on the whole getting dumb Butt Monkey characters; Rebecca was openly feminist due to how bad she'd been burned by Hollywood, it was noted by Doug that he just gave Rachel ditzy Cute and Psycho roles; Donnie clung onto the other two and called them his best friends immediately, Rachel lampshaded that Critic treats them like crap.
"WHAT THE HELL!? Did they just talk? Did Tom & Jerry, one of the most famous silent duos of all time, just speak to each other?? No. No, no, no, no no no, it's gotta be a mistake. I gotta be hearing things. I'm gonna just go ahead and eat my customary 3-pound watermelon and drink my traditional pitcher of sangria both at the same time while I confirm how wrong I was about this ridiculous misunderstanding..."
Also done in his Video Game Review, when he partakes in the Nerd's favourite beverage during the opening.
After performing one in his Milk Money review, he lampshades it by yelling, "Why is it I'm always drinking when a scene like that happens?"
During the review of The Room, he does it when Johnny askes another character how their sex life is.
The Critic tries but fails to avert this in his review of Star Trek The Motion Picture. He manages to prevent himself from spitting out his drink after hearing Lieutenant Ilia mention her oath of celibacy, but he spits it out when she asks Captain Kirk, in Johnny's voice, how his sex life is.
Spoofed with Their Own Words: As comments have noticed, The Lorax review was eerily similar to the actual film; generic corporate bad guys, no sense of subtlety, a heavily one-sided message, and a dark, bittersweet ending subverted with an over the top happy one. Add that onto Critic's previous heavy lampshading of his own pandering and desperation for money, as well as realizing in the review that he's just as packaged as the new Onceler, and you've got a truckload of meta.
John Hughes:"There! I did it! I wrote the worst Home Alone script ever. I know I'm contractually obligated to write at least one more movie, but this script is so terrible no studio would ever buy it. Haha!" Producer:"We'll take it." John Hughes:"My career is over!"
Squick: His in-universe reaction in the Conan reviews to a segment where Arnold says that working out is "like cumming": "CONAN: THE CUMMER... EW"
Stalking Is Love: Or at least Hyper Fangirl thinks so. When Critic screams at her but makes the mistake of saying that he'll find her and stalk her back, he realizes that she'd enjoy that and she eagerly agrees.
Stalker Without A Crush: The Ghost Of Christmas Future is just a little too obsessed with getting the Critic to do what he wants.
Standard '50s Father: The Darker and Edgier version pops up in both Jurassic Park 3 and ''Rise Of The Commercials”, where Doug wears a ridiculously middle-class jumper, has glasses perched on his nose, and is obliviously abusive to his daughter Tamara. Critic's lampshading after the first episode add another layer to it; he writes these sketches when he's in a dark place about his own abusive mother recently dying.
State The Simple Solution: In the crossover for Star Trek Insurrection, Linkara has taken over the tv and plans on continuing with the review and go at Nemesis. Critic is horrified and cannot take it when Sci-fi Guy, whose been standing in the corner for the review, tells him to just turn off the tv. It works.
Stealth Insult: Other producers have noted that since Doug said (pre-reboot) that he would only do films that they have done if he thought they hadn't said all that was needed, constantly picking movies they reviewed (mostly from Mike J, the Chick, Film Brain or The Blockbuster Buster) means he didn't think they were good enough.
Critic calling Santa Christ "the only good, decent person [he] knows" in Son of the Mask, ignoring everyone who listened to his angst and looked after him in To Boldly Flee.
Sting: Doug often plays "Shock Horror (a)" by Dick Walter (also frequently heard on The Ren & Stimpy Show) when something he considers shocking appears on the screen. Some examples of when it's played include:
Two clips from the Casper review were re-used in subsequent episodes: "TIMING!" and "Exposition, exposition..."
Stockholm Syndrome: In The Cat in the Hat commentary, Doug was confused as to why some thought the Evilina/Critic interaction was heartwarming (pointing out The Nostalgia Critic in particular), when he had it as Critic was horrible to her and she just missed him because bad company is better than none.
The “Princess Diaries 2” commentary has Doug talking about how Critic never had any actual affection for fangirl, and was only about to kiss her because she'd kept him captive for two weeks and he had no other company. Plus he's always been prone to crawling back to people who hurt him.
Played for fanservice in Tamara's hype for the game show, apparently playing a character called Miss Stockholm, who wears sexy dresses and always seems to be in handcuffs.
Stock Sound Effects: Two notable examples include whenever there is a fight scene and punching is involved or whenever he fires his gun.
He was raised Catholic (is agnostic now), but calls out people who use the Bible as a defense for what they don't understand (Gordy) or that think the rest of the world is evil because they're not the same religion (Exorcist II: The Heretic).
Story Arc: His massive insecurity with his job. It was set up in Full House where he complains at his fans for not appreciating what he does for them, comes out when he gets upset at other contributors for stealing it and being better than him, ran through Kickassia when he would rather commit mass murder-suicide than lose the power he had for once gained, he breaks down to CR about his Inferiority Superiority Complex and got pushed to the forefront in the My Pet Monster / "Commercials Special" double parter. It's also the thing that leads him to his breakdown in Scooby-Doo and making his life better in To Boldly Flee. Or at least until the retcon of that happiness, it comes right back in Son of the Mask.
In a lighter, sillier example, the Nerd/Critic rivalry. Light because it ended in a kickass brawl and didn't include near-Death by Despair.
Definite now that Doug says they're finished, the "fuck-ups" lists provided a progression from "I'm unbelievable, I am your Jesus" to giving up and breaking down so hard that Douchey decides to leave him alone.
The reboot does this in a more Plot Threads manner, with more wham and sequels. Some episodes will focus on what Critic sees not being completely real, others will have his increasing need for money or how much nastier he is to actors and fans of things he doesn't like, then there's his increase in power since “The Review Must Go On”, Santa Christ being a different kind of Fallen Hero to him, his bad treatment of Tamara, Rachel and Malcolm and so on, but they all come down to one thing: he's going through serious Sanity Slippage.
The Lorax review started another one, with a Straw Fangirl falling in love with the Critic, and the Spider-Man review continues with it, the ending consisting of yet moreSanity Slippage as she decides to make him fall in love with her whether he likes it or not. Doug said at momocon it would go on for a while, and wouldn't exactly be happy.
Doug: "What would the Critic and a love story be? And I just thought it had to be something miserable."
Straw Character: A lot of the arguments that Joe says in Man of Steel are just there for Critic to get the upper hand complaint on. RL!Joe understood this, as he said on twitter that one day he'll give a proper defense.
Doug at least realized in the commentary that he had given himself most of the talking and apologized, while Joe let him off but said "If I had free range, I would counterpoint everything you said".
At least Joe got off slightly better than the villains of Peter Soulless and the AI crew, who Critic fights with and speechifies to, and they never show any sign of humanity or logical argument. The TMZ people have it dangerously close to libel, as they were based on real people and Critic complains that they have no thick skin when in reality nobody wants to hear a screaming manchild call their fans obsessive virgins.
In The Lorax commentary, Doug and Rob admit the execs were complete cardboard cut-outs for Critic to fight against, but Rob makes fun of anyone who complained.
Strawman Has a Point: In-universe. Amongst other things, one of the Critic's main issues with Patch Adams is how the movie keeps trying to set up anyone who doesn't agree with the titular character's "laughter is the best medicine" policy as wrong, humorless, evil, or any combination of the above, yet he points out that Adams (the character in the movie, not the real Patch Adams, which he emphasizes) acts very unprofessional and that a lot of the people who frown on his manners are perfectly right in pointing this out to him.
Stuffed into the Fridge: In his review of Alaska, he has a rant about how using a parent's death merely as a plot device is disgusting.
Stunned Silence: The Critic is left absolutely speechless when he hears Eric Idle singing in The Secret of NIMH 2. He tried to say out some kind of reaction, but just couldn't think of any words to say.
Barb Wire: "I'm sure you'll have very strong and smart children." Critic: "If they stay out of sequels..."
Suspiciously Apropos Music: When Critic talks to his younger happier self in Scooby-Doo, Teen Critic is coincidentally listening to “Perfect” by Smashing Pumpkins, a band that Doug loved when he was younger and describes current Critic's situation a lot better than his teen self's.
Suspiciously Specific Denial: Double subverted in "Disney Afternoon" where he tries to be a teenager and posit that "watching children's cartoons and commenting on them" isn't something he does currently, but the reality quickly catches up to him. He goes right back into the escape a bit later however, and the ending of the episode has the trio doing their homework.