Another example ironically came about as the result of him deciding an insult was too severe. In one of his anti-AVGN videos, the Nostalgia Critic accuses him of having become his Irate Gamer. Boos are heard from the audience and the Nostalgia Critic admits that was going too far and apologizes.
He apparently doesn't like Jeff Dunham: In the Tank Girl review, he calls the heroine's jokes offensive and unfunny. "Like a female Jeff Dunham."
In the review of Conan The Barbarian he took a shot at Avatar:
Conan: Oh no! I'm pulled into Avatar! The visuals will be stunning but the story will be absolute bullshit!
Subverted in the Old vs. New Debate for The Nutty Professor, in which the Nostalgia Critic talks about beating up Dave Chappelle...for leaving his show at the height of its success, and leaving the Critic wanting more.
The Nostalgia Critic makes two attacks against Twilight in his Care Bears review, Edward Cullen was also on his scale on annoyance. This is by no means the only time he bashes Edward. In A Troll In Central Park, at one point the Critic says that Stanley is "as bland as Edward from Twilight".
And then in Care Bears Movie 2:
Christy: Hey, this is a lot like those Twilight movies— Dark Heart:"No, it's not! We're BUTCH compared to that shit!"
In the Star Trek review, he calls it the franchise that's been setting women back hundreds of years.
A brief gag in the A Troll In Central Park review lists all the reasons why Stanley the Troll will never have his own dreams come true. One of them is "He's more annoying than the trolls at Encyclopedia Dramatica."
The Critic has made a lot of negative comparisons to the Star Wars prequels to varying degrees of subtlety.
Hulk Hogan fighting security guards in Mr. Nanny: "Calm down, dude, you're not on American Gladiators. And even if you were it'd probably get cancelled."
Ever since he was forced to take down his review of The Room, he takes any and all opportunities for a Take That to Tommy Wiseau. He even puts on a show in his Tommy Wiseau impression at conventions!
The Ferngully 2 review mocks Batty's non-joke about oysters with "Because if you can't be funny, be confusing! It works really well for the 'New Yorker'!"
In the Care Bears Movie 2, Santa Christ pops up for a bit reading the paper, and at one point says "Fucking bears." At first, you might think he's just insulting the Care Bears, until you remember that not only are the Critic and Rob from Chicago, but the Chicago Bears had just lost the NFC Championship game.
In the 'Care Bears in Wonderland review, when the characters are falling down in a hole:
Critic as White Rabbit: You might remember this from the much better Disney movie. Critic as Care Bear: Oh, you mean withJohnny Depp? Critic as White Rabbit: No, the much BETTER Disney movie!
Also in The Care Bears Movie, when Nicholas casts a spell in the magic show that turns the spectating children demonic and makes them attack each other:
Nostalgia Critic: Oh no, he turned them into YouTube commenters!
In NickComs, he calls conservative author "Joe The Plumber" terrifying.
In the review of Superbabies: Baby Geniuses 2, he takes a shot at 4Kids when Jon Voight unveils plans for a children's TV network.
In Paranoia, the sarcastic "come on, a spouse supporting a freelance writer, who would believe that?" works as a slam against both Doug and Donnie. note there was a self-deprecating scene in the Demo Reel pilot where Donnie talked about his wife giving him money, and Doug's wife makes more consistent money than he does
There was a controversy over the scene in To Boldly Flee where Mechakara turned the Chick into 7-Of-Eleven through a drill; Lewis thought the original scene looked rapey, Lindsay was fine with it but nobody listened to her, and Doug tried to make it better (Rob eventually turned it into the filmed scene because Doug was getting so upset) but his version of vanilla was much kinkier than anyone else's. So fast forward to Pearl Harbor and who "submissive woman blowing a guy with a working drill" is aimed at is clear.
The Sharknado Review has one to MythBusters, though it round up more as a Shallow Parody that makes it come off as a case of him mocking the show without actually having watched it.
The Love Triangle sketch in the "Worst Christmas Special Ever" against the Homoerotic Subtext sex-positive-filled threesome of Donnie, Tacoma and Rebecca. Made more obvious by the Behind The Scenes video, as Doug wanted Malcolm to scream that Rachel was a hussy and everyone cackling at the thought of there being a scene with Doug and Malcolm together.
"Sexy" costumes get two. In the Ghost Dad review, when the Critic forces Tamara to dress as Sexy Dorothy, she responds "Why is there even a Sexy Dorothy costume? Who the fuck is turned on by Sexy Dorothy?" In his "Are You Sick of Let It Go" video, a brief moment comes with:
Tamara!Elsa: Costumes from this kid's movie will meet our slutty extremes! *Sexy Elsa costume flashes on screen*
Critic: Jesus Christ, it's DISNEY!"
"Are You Sick of Let It Go" also delivers one to bandwagon jumpers on YouTube who were only covering the song "Let It Go" because it was popular:
Critic: ''I don't care if you sing it so well/you're not Idina Menzel!"
Tamara!Elsa: ''I don't care 'cause I sing it so well/I'm like Idina Menzel!"
In Foodfight, he makes a Running Gag of how the other major animation studios were asked to contribute animation: Pixar's animators dashed it out and sent a note saying "fuck you"; DreamWorks Animation dashed it out and sent pictures of the founders mooning the camera; while Blue Sky Studios agreed to help them turn the movie into a terrible franchise (cue picture of Rio meets Ice Age meets Foodfight).
In "Top 11 Fuck Ups", we are introduced to Douchey McNitpick, who represents the more hostile side of the people that point out the Nostalgia Critic's mistakes, and he proceeds to bitch and moan about every little screw-up he finds in the Critic's videos. At the end, the Nostalgia Critic tells his viewers to point out his mistakes politely, and not be belligerent like McNitpick, right before he gets fed up with his whining, warps over to his house, and tears Douchey a new one.
In the "Next Top 11 Fuck Ups", Douchey becomes much more of a take that. He doesn't complain quite as much, but he's established as just living in a world of nothing but World of Warcraft, pornography, and criticizing the Nostalgia Critic. He also lives with his mother...and apparently masturbates to the green M&M.
In "The Looney Tunes Show: Good Or Bad", he impersonates a typical person reacting to change (something TGWTG tried their best to do by giving Critic a good send-off and having more original shows) by pretending to be a baby on the floor and wailing that he hates it.
"We're not turning this video into another brony message board!"
He also says that people don't know what's best for themselves, and continually giving them the same crap will manipulate them into never knowing what was different and will result in them asking for the same crap.
In the advertisement for the volume 4 TGWTG DVD, it starts off with Dominic talking over the standard Video Game Confessions music, but then realizes that's not good enough for the audience, and it goes into the heavy metal, explosions-happy, shaking NC opening montage.
Gets it right out the way in "Top 11 South Park Episodes" (a video topic he even let the fans decide on), as Malcolm, Yo and Rachel are shown as nerds at computers just waiting to bash him, and he yells at them for thinking their favorites will be on the list. Also comes back at the end, where they all scream at him until he turns into a South Park character and screeches at them to get laid.
Literally in The Master of Disguise, as two guys get pretty simple beatdowns in comparison to you (the person with the camera), and beating you down actually gets him back to... clearly not sane, but he merrily tosses the baseball bat away afterwards.
In Sharknado, he starts out doing a "Boomer will..." joke, but gets bored halfway through and tells everyone they should just be grateful for him doing a "Zuul, motherfucker" last review.
The Super-Promotion at the end of Man of Steel assumes the internet can't concentrate on anything longer than two minutes.
Huge in the commentary for The Shining review. Doug compares the review to a hypothetical Shining-themed episode of his much maligned former show Demo Reel because it had a consistent storyline with similar themes, and he theorized that viewers gave the review a pass because "...I was in the Critic outfit. If I was wearing the Donnie hat, people would be saying 'How could you?! What were you thinking?!'".
Tamara plays his straw fangirl in The Lorax, who is suddenly attracted to him because he's hipster porn, and lets him get away with bashing her and her fanart because pretty. While there's truth in it - his female fandom often objectifies him to the point where they don't listen to what he says - Rob called him out in the BTS for being defensive and mean-spirited about it.
Lampshaded by Linkara in ''Superman: For The Animals”, much to Critic's anger.
Linkara!Critic: I'm going to repeat the same memes over and over again, it gets funnier every single time. I'm gonna make funny faces at the camera because my audience are babies!
In "Why Is Loki So Hot", he spends a lot of time trashing anyone who writes him in Slash Fic, something that fandom was confused about as Doug was previously so pro-slash that even Rob had yelled at him for it.
In the midst of congratulating a girl he liked, Rob revealed that on quite a few cons, people who were there to look after Doug just creeped on him and put their own need for a Critic fix over helping him with anything.
His Ice Bucket Challenge throws a lot of shade on people wanting him to get wet for a “corny Harlem Shake challenge”, and the tagline warns it won't be what you're expecting even though he's caving in. a Cool as Ice DVD falls on his head instead of water
He starts off his Ghost Rider 2 review with “I remember it because you people wouldn't fucking shut up!”, also calling the fandom “barking dogs of entitlement”. Also, MikeJ insults both the Critic and the fandom by saying that Critic's really not a great reviewer (something even Critic and Doug agree with) but everyone watches him anyway.
Take That, Scrappy!: In-universe. Unless it becomes too mean spirited (such as the treatment of Scrappy Doo in the Scooby Doo film), the Critic will eat up and rewind scenes of annoying attempts at comic relief characters being killed, beaten, or injured.
Dr. Bitch Spasms was a character he created for one review(Patch Adams)before killing him, assuring the audience that "He's not a recurring character".
Tantrum Throwing: When he gets news that his mother died and doesn't even get to hear her final words because of the dinosaur coming out of his phone, he screeches unintelligibly and chucks his phone on the floor.
Brentalfloss:*poof* We seem to be in a convention room of some sort. *poof* That's Disneyworld somehow... *poof* that's Honolulu... *poof* that's classified... *poof* that's the future... *poof* that's two minutes ago... *poof* that's Spoony's house... *poof* oh this is my home!
At the end of his Flubber review, the Critic proverbally kicks himself in the nuts when he asks if there is a movie written only by John Hughes (a co-writer for the movie) that's worse than Flubber... and he immediately gets Home Alone 3.
Rover Dangerfield: "Well, I suppose it could be worse. I mean, it is a kids' film; I suppose they could be singing a song right now NONONONONONONONONO—" Cue song.
The 2010 Christmas Special: "Wait, you're just a two-bit angel without any wings! What are you going to do to me?" [Gets a beating.]
Ferngully 2 wasn't all that bad in the Critic's eyes (at least, it wasn't horrifying godawful), and thinks that if he gets more sequels like that, he'll be able to survive Sequel Month. Cue The Secret of NIMH 2 poster.
And a video later he starts wondering where is the spectacular badness of the movie, since it is just a typical dumb sequel dumb. A mere second later...
And in the end he says that he doesn't even care what movie he's going to review next. Enter the Care Bears...
In his list of "Dumbasses in Distress" he wonders if Princess Peach will start attacking by crying. Cue Super Princess Peach clip.
Looks like the Critic should have probably waited until his Star Trek odd-numbered movie review season was over before gloating about the lack of a Linkara appearance...
Any time the Critic conjures up a disturbing mental image, and says he doesn't want to see what that would look like - right after that, a Photoshop image of that precise thing will appear onscreen such as Arnold Schwarzenegger as Mary Poppins.
The Odd Life Of Timothy Green: The Critic wonders in great length about why people consider the movie terrible. One viewing later, he's killed the neighbor's cat.
In Son Of The Mask, Critic calls Santa Christ, begging him to come over because he's the only "good, decent" person he knows. Except it turns out that Santa Christ has a nasty side, which Critic eventually realizes much to his dismay.
Lampshaded in the "Super Mario Bros Super Show" review, when he comments how good it is that they haven't put a rap song over the opening credits music, whereupon they do exactly that:
NC: You know, I gotta learn to keep my fucking mouth shut.
In his Bridge to Terabithia review, the Critic keeps commenting on how whimsical everything is and how someone should already die. As soon as he says that, the father informs the lead that Leslie died.
NC: (Beat) Send your angry emails to firstname.lastname@example.org
In the "Top 11 Moments You Never Noticed in Ghosbusters" he starts off the editorial saying he wanted to do something to remember Harold Ramis and considered doing something with his most famous movie. He wondered if he should note many of the tiny details that might be overlooked and seemed to laugh it off before the title of the editorial came up.
The Batman & Robin review has him routinely claiming that the only way a scene could be more cliched is if X happened, then X happens. By the fourth time, he's wise to this, but it doesn't help.
Tertiary Sexual Characteristics: The critic thought Swift Heart Rabbit from The Care Bears Adventure in Wonderland was a dude, due to having blue fur, gender-neutral voice and lack of feminine features like big eyelashes for example.
Therapy Is For The Weak: In AI, when his child cries, Doug scornfully mocks him for wanting to see the therapist again.
There Are No Therapists: There was in the beginning, as one of his running gags was complaining about therapy bills, but he went into this trope when the character got crazier. Mostly because it's much more amusing this way.
Also subverted in the past, as judging from the Mr. Magoo review, he either served time in a mental ward or visited someone (a logical guess would be Ask That Guy) who did.
They Wasted a Perfectly Good Character:invoked Not as often as the below trope, but he occasionally notes a potentially interesting character is squandered. For example, in 3 Ninjas the boys run across a ninja with face paint who licks the blade of his sword before attacking them and is entirely silent and menacing. The Critic gets excited, until the character is defeated easily and subsequently humiliated.
"Well thank you movie! Thank you for ruining the only possibly cool character in this entire film!"
The Critic complains that this is one of the biggest faults of Last Action Hero, as Big Bad Benedict's evil plan to form an army of the greatest villains in movie history is one of the coolest concepts in the movie but is never allowed to come to fruition.
He also complained that the plot of Blank Check could've been interesting (a kid winds up with a lot of money and buys a castle) but it was too bland to pull it off.
He accuses The Blair Witch 2 of this, saying that, if you're gonna acknowledge the film is a phenomenon within the film's universe, they should at least maybe lampshade the marketing or commercialization, but they never do.
He says that Heavy Metal has a lot of stories that are potentially interesting as their own film, but the anthology nature of the movie means that they stop before the story seems like it's really begun.
In a variation, he frequently adds "mothafucka" in voice-over to the end of an emphatic and/or tough-sounding line from a character ("Taste the rainbow, motherfucker!"); in his commentary for the Superman IV review he says that he has discovered that you can add special extra oomph to anything by adding the word "motherfucker" to the end of it. And it's true.
He's on the receiving end in the Ferngully review:
The Nostalgia Chick: Don't you ever try to bring logic into this movie again. This is Ferngully, bitch!
This Is Gonna Suck: Pro-tip - if a review starts with anything else besides "Hello, I'm The Nostalgia Critic; I remember it so you don't have to", then the general consensus is that the subject is gonna suck. More specific examples include:
Essentially the Critic's reaction when he sees that he will have to review the Good Burger movie to finish Nickelodeon Month.
Nostalgia Critic: I don't want to review this movie.
His desk-banging at the beginning of A Kid in King Arthur's Court should be an indication of what's to come.
Also used in Follow That Bird; however, if you watched that review...
Used in his Garbage Pail Kids review when he tries to describe the movie at the beginning "It's, uh... it's... uh... i-it's... it's gonna hurt. I'm not gonna lie, this is really going to hurt."
Nostalgia Critic: I got nothing. I have absolutely nothing. I mean, what the hell am I supposed to say? "Garbage Pail Kids". Does the title even sound like it's going to attempt to be a good movie? (Long pause). I feel raped. I feel honest to God raped by this movie; it is that bad. There is no talent, no effort, nothing salvageable! Nothing salvageable about this movie at all!
In the beginning of his Batman & Robin review, the Critic puts a cyanide pill out of his hat just in case he needs to kill himself to escape the review. He tries to use it after hearing two lines of dialogue.
In the Lost in Space review he tries to hide in the shower in another vain effort to avoid the movie.
"Hello, I'm the Nostalgia Critic. I remember it- I fucking hate Bio-Dome, I fucking hate Bio-Dome, I FUCKING HATE BIO-DOME! I HATE IT, I HATE IT, I HATE IT!AYAYAYAYAYA—!!!([splashed with water]) Thank you. Anyway,... I fucking hate Biodome!"
He's been using this trope at the end of several videos, so we know that next week's movie is gonna suck a week in advance.
His A Troll in Central Park review opens up with him pacing and trying to express to the viewers how horrible the movie is.
"A Troll in Central— FUCK THIS MOVIEEEEEE!(punches himself) A Troll in Central Park!"
The Care Bears Movie is a slight exception; his lack of the usual opening is out of the embarrassment of having to admit that his job is to review the movie rather than the quality of the movie itself (not to say he thinks that it's a masterpiece by any means...)
Nostalgia Critic: I really hope you people appreciate what I do for you, 'cause lemme tell ya: It's not always easy! The stupid ass shit I gotta put up with, well, frankly it's more than I can bear.
At the end of "TMNT: Raiders of the Story Arc" he announces Sequels Month, only for his joy to quickly turn to horror. Next, the review for The Neverending Story 3 beginning with him wailing pitifully at the quality of the movie and the many more to come.
The The Secret of NIMH sequel gets two. At the beginning of the video, he cocks a gun, puts on a SWAT helmet and padded jacket, grabs a set of brass knuckles and finally a Cricket bat before sitting down.
Nostalgia Critic: BRING IT ON!
And then an unspoken one halfway into the movie.
Nostalgia Critic: I have to be honest, as we near the third act of this film, I'm not seeing the spectular badness it's supposed to have. I mean, don't get me wrong, it's bad, but it's just a basic dumb sequel bad, I mean, nothing really propels it into incredibly awful. Timmy: Jenny, look! What happened to them? Jenny: He's turned the humans into dogs! (Cut back to the Critic, with a dumbstruck expression. He finally drops the SWAT helmet from the opening over his hat).
In the Masters Of The Universe review he says:
"So He-Man is going to use his awesome cosmic powers and medieval-style fighting moves...in the suburbs of New Jersey?" *sob* "This is gonna suck, isn't it?"
He begins his The Magic Voyage review raving incoherently before he can even attempt to begin his opening catch phrase. He then blows fire into the camera.
Begins his Master of Disguise review with an introduction that just drips this trope as he talks about how hard it is to review a bad comedy.
Usually, the Critic gives a primer for the movie while clips of it run in the background. For After Earth, he spends the whole primer repeatedly saying "No!" and sobbing without explaining the movie at all.
This Is Reality: The Critic mocks this relentlessly (or as relentlessly as possible while drunk) in his review of It.
The Three Faces of Adam: Scooby-Doo review. The young Critic is the hunter, with ambitious hope that's going to get crushed. The usual Critic is the lord, miserable about how his life is going nowhere. The older Critic is the prophet, losing his memories and passion but is gentle and intelligent.
Critic, Chick and Brentalfloss in the Moulin Rouge! review. You've got Floss calling Critic "baby" when they're alone, Floss and Chick dancing together and her spanking him in "El Tango De Pretense" and a basic confirmation that Chick and Critic have had sex (real sex, not g-rated fairy rape) when he recognizes her bedroom immediately. It also doesn't help that all three of them prove throughout the review that they have No Sense of Personal Space when it comes to the others.
Pointedly averted with Critic, Rachel and Malcolm (their Demo Reel incarnations were built on the trope), as they try to grope him in a 8 Crazy Nights porn skit but he slaps them off.
Three Stooges Shout-Out: Done by Doug and special guest reviewers Linkara and Spoony in their review of Bloodrayne. The title card mimicks the opening logo of the Three Stooges and their fight near the end is done in typical Stooges fashion.
His growing insanity is made more obvious in "The Worst Christmas Special EVER", as his shoving Malcolm against the fridge is revealed to be an hallucination, and the people who he loved as his parents actually had no idea who he was.
In Jurassic Park III, Tamara asks him to check her stomach because it's hurting, and when he sees a dinosaur come out under her shirt and shoves her off, she's understandably confused.
Throw It In:invoked In the review of Commando, during the fight sequence when Arnold's character and a henchman crash into a porn scene being filmed, the Critic wonders whether the footage of the two fighting actually made it into the porno.
Toilet Humor: In the review of Child's Play 3, Phelous banishes NC's Casper down the toilet. Phelous later brings up toilets when talking about the liquid plastic being made for a small child's toilet. Finally, at the end of the review, NC goes to use the bathroom, forgetting that Phelous had banished Casper there.
Token Trio: Post-reboot has Critic the white guy, Rachel/Tamara the white woman and Malcolm the black man. It makes who's in charge of who very obvious.
Critic: Oh my god, what did they do to you Falkor!? Not only to the animatronics look like the butt cheeks from Chuck E. Cheese, but the character is totally backwards. Falkor was a dignified creature; he was optimistic and wise. This abomination is a blithering idiot, he's like the flying version of Patrick the starfish!
Too Soon:invoked Pushed his Good Son review back a month due to the death of one of Macaulay Culkin's two sisters.
Subverted in his Blank Check review, where he makes a joke about Michael Jackson, waiting just under two months after his death, telling us it's no longer too soon and nothing we can say about him could take away what he truly was...
Nostalgia Critic: Don't be afraid, people. No matter how hard you laugh, he will always be a genius.
The TMNT review featured him mocking Splinter's voice, saying it sounded like "Mr. Miyagi if he smoked a million Marlboros". This didn't go over well at all: he was mocking one of the most beloved voice actors of all time, who had recently died of esophagus cancer. In the very next video, the Critic apologized, saying he had no idea who the actor was, that he had died, or even how he died. He'd intended to mock the voice, not the person. 'Course he still gets flack for this, and he even mentioned it as one of his Top Eleven F* ck-Ups.
Addressed by Rob after Justin's death, saying he was going to force Doug to hold himself back from writing suicide scenes/suicidal feelings with the Critic, at least for a short while. But Doug apparently didn't listen, as Ghost Dad was reviewed shortly after and it was entirely based on Critic making everyone think he had committed suicide. There was also the “Disney Afternoon” behind the scenes where he wanted to create a suicidal Straw Fan replacement of Douchey, and the “When Is A Movie Just A Movie” title card had Han Solo about to shoot himself.
Or Top 12, in the case of Top 12 Greatest Christmas Specials. Why Top 12? Because IT'S CHRISTMAS!
In his review of North, The Critic creates a top ten list of double entendres that could be added to Jason Alexander's character saying, "Here, loosen his pants!"
Training Montage: Parodied, demonstrating the Critic's claim that anything is awesome with fast editing and 80s music, he does so with his morning routine.
Trigger: Doug's new learned thing of said week apparently, as in "Lady And Peebles" he calls Bubblegum's violence towards Ricardio being triggered by Lady Rainicorn getting hurt (and nearly getting sexually assaulted), and in Food Fight, the grocery store deliberately triggers Critic's breakdown by listing advertising products.
Two out of Three Ain't Bad: Used in Alice in Wonderland when Malice assumes that he escaped from an asylum to prove he's not a psychotic maniac. Critic tells her he didn't escape from anything but he's still a psychotic maniac.
Critic's Smart Ball line in Les Misérables, "wouldn't that technically be Père Noël?", was only dubbed in because Doug note information comes from the 2013 charity drive after the Les Misérables bloopers were shown had noticed Kyle was annoyed by having to go the Viewers Are Morons route and wanted to piss him off more.
Seeing Doug/Critic hug Rachel, Jim and Malcolm in "The Worst Christmas Special EVER" and tell them how awesome they're doing is pretty uncomfortable knowing that this was the episode after she announced thatshe was leaving because she didn't want to be in TGWTG anymore.
It also doesn't help that there was a take where Doug forgot Rachel's name and just called her "her", and was annoyed by her quoting A Christmas Carol.
For Turbo, Critic's flailing around in the Power Rangers costume and helmet becomes less funny and more agitating when Rob tells Doug off in the commentary for putting his life at risk: it was during a Chicago heatwave, Doug couldn't actually breathe at first in the helmet, and he demanded retakes because his tie was annoying him.
The Unpronounceable: The Critic (and several others) had some trouble pronouncing Tone Lōc. He also had some trouble with some names in Drop Dead Fred, including the last name of that guy from The Young Ones (Rik Mayall), that chick from Gremlins (Phoebe Cates), and the director of the film (Ate de Jong), which he doesn't even bother to pronouce. He also pronounces Hubie's name in The Pebble and the Penguin as "hubby".
Unreadably Fast Text: In his tribute to Siskel And Ebert, after S&E's mocking of protestants in their outtakes, The Critic made a disclaimer that he isn't prejudiced against other religions, except for a really long list that scrolled across the screen.
Critic: Especially the middle one.
In his review of Junior, after Danny DeVito's character asked Arnold why he couldn't have a baby, The Critic replied with: "That's a very valid question. Why not? Oh wait, maybe because of these." And the screen fills with reasons why not. The list stays on screen for only a second.
In his review of A Troll in Central Park, the screen fills with reasons why Stanley won't have his dreams come true. Then it cuts back to the film clips, where Gus says, "You're a coward!", which was one of the choices in the long list.
The Unreveal: For the Critic at the end of the To Boldly Flee review, his own identity. His realization is built up as to who The Nostalgia Cricket is, only to think that the "Cricket" is Phelous.
In the Hyper Fangirl vlogs, the titular fangirl doesn't seem to find it odd that she can talk to her actress Tamara, or that Doug and Critic are in the same place. But then she is mentally ill and hears voices, so it'd be a normal time for her.
Up to Eleven: "Why "Top 11"? Because I like to go one step beyond."
While he understands the original True Grit was filmed in the sixties, he still wants to call PETA for the poor snake getting abused.
In his Sailor Moon review, he takes a tangent to explain that while the main protagonists are played for fanservice in their transformation sequences and skimpy outfits despite being 14 years old, in many parts of Japan the legal age of consent is 13, and while there are legal loopholes back and forth on how legal it is, mostly the sexualization would be acceptable. He also discusses the dub of the show keeping the sexualization of the characters but reworking the lesbian relationship of two characters into cousins and platonic love.
Doug often uses the phrases "So the story begins with..." and "O.K., let's look at the story." as a way of starting his reviews.
An amnesiac Critic calls the lead actor of the anniversary movies "The Nostalgia Cricket" in each of the anniversary movies' episodes.
Very Special Episode: Quite a few reviews talk about painful subjects, but nearly always have enough laughs to offset them. The top 11 lists for The Simpsons and Batman, however, don't have many jokes, so his pull-no-punches discussions on how it feels to feel like a failure at school or be the victim of Domestic Abuse stand out more.
Neither did Patch Adams (especially after he finds out that sexually abused and dead girlfriend was a murdered male friend in real life), which managed to push every single Close To Home button he had.
Victim Blaming: "What's Up With All The Princess Hate" blamed societal expectation that women shouldn't have power on women who like princessy things, starting histrend of thinking women's fantasies need to be a certain way or they're worth nothing.
A straighter example is with Swiftheart from Care Bears in Wonderland.
Viewers Are Morons: The Critic really hates how most environmental movies make this assumption about their younger viewers, often constantly and obnoxiously shoving the moral of the story in their faces. It gets to the point that in his review of the second Sonic cartoon, he can barely comprehend the fact that the show has a subtle environmental message.
The Critic complains about this in his Captain America (1990) review, where they put the name of every place, every single time the scene shifts to another scenery. At one point he gets fed up with it and puts captions under every little thing on-screen.
In his TMNT review, he finds it an odd contradiction that the opening of the film briefly glosses over the Turtles' origins (which would sound pretty weird to those unfamiliar with the franchise), as apparently this movie is made for the fans, yet when Leonardo first appears, the movie features the subtitle "Leonardo" to let us know who he is.
According to the Les Miserables (2012) bloopers, Kyle's attempts at jokes in French were stopped by Doug because he thought the audience wouldn't get them.
In The King and I, a chorus of complaints rise up when he says he's going to give them a history lesson.
Critic: Shut up! You're gonna learn something.
The “Is Eyes Wide Shut Artsy Porn” editorial starts with him getting booed because he wants to talk about fear of the subconscious, and getting cheered when he adds that there'll be orgies.
Villain Decay: M. Night Shyamalan. After being a major villain in the "B-Plot" of the Avatar review, he's become comic relief as of the After Earth review.
Villain Song: Most, though not all, of the Top Eleven villain songs. The Nostalgia Critic defines it as "songs sung by or about the villain", so they don't all quite fit the trope.
More personal than most but the ending of My Pet Monster has his low self-esteem and job insecurity (which have been building up from at least the review of Full House) hit him right in the face. The depression carries on to the next episode.
A Simple Wish has Mara Wilson existing! As a demonic badass who schools the Critic and gives him a Humiliation Conga for bashing child stars!
Review of Scooby-Doo. Critic reviewing the movie with his younger and older self, all three dying to save the world (Critic gets better though), returning characters coming back (most notably Roger as the angel from "You're A Dirty Rotten Bastard"), is a prequel for To Boldly Flee, and his self-hate running deeper than anyone realized.
"The Review Must Go On" starts off as a Demo Reel episode with Donnie, Tacoma and Rebecca happy with life, but then switches to Critic pushing Doug into killing that show off and bringing him back into existence.
Son of the Mask introduces a hell right under Critic's home with the devil and Evilina as recurring characters, Santa Christ comes back a lot nastier, and Critic really regrets coming down from the Plot Hole.
The Master of Disguise is the starting point for a lot of plot threads that ended up getting darker; Rachel reveals herself to be a bit of a Broken Bird and tries to kill Critic (and ends up beaten down on the ground), Critic himself has such a breakdown that he says he has to go to the asylum or prison after the review, and he destroys a Happy Madison's building full of people.
"The Guyver" is an episode update by Sage, but it serves as wham for Critic. Doug used a vlog to send him over there, it's the first video in the reboot where he's explicitly called out by an equal (not someone who works for him like IC!Rachel) for being an asshole, it's established that his memory of the anniversary specials are fading, and a Redemption Rejection is involved.
Princess Diaries 2. Hyper Fangirl kidnaps Critic to her Big Fancy House that she got from another stalking victim, proves much more desperate and disturbing than even first appeared by trying to manipulate him into loving her. And it almost works via Stockholm Syndrome, but he gets back to himself, tells her that he will never give her what she wants, but she has a breakdown because of this and vanishes.
A running gag in his review of Star Trek: Insurrection is his preoccupation with figuring out who was the Bolian from the beginning of the film.
Critic: Who are you, blue man?
In his "Top 11Dumbest Lord of the Rings Moments" video, #2 is "Saru-who?" because he really disliked how there was no resolution regarding Saruman in the theatrical version. Especially because it was filmed and would have gone in the beginning of the movie.
Rob as The Other Guy last appeared in Scooby-Doo finally succeeding in getting Critic out of his loner shell and partaking in a poker game with friends. He hasn't been seen since Critic came back and Critic is even lonelier than before.
What Were You Thinking?: A common reaction by the Critic. For example, after realizing that Kazaam was a slave to a little white kid, he blurts loudly, "WHAT IS WRONG WITH THESE PEOPLE?!"
"Where Are They Now?" Epilogue: Parodied in the Warriors of Virtue and Mr. Nanny reviews, plus in the third compilation of old commercials, in which we learn what happened to Zack, the self-proclaimed LEGO Maniac.
White and Grey Morality: The Nerd/Critic rivalry, mostly for how pathetically meaningless it was. Even during the fighting they had moments of being nice to each other. Doug's later writings tuned out the white, though.
White Male Lead: Addressed in the True Grit Old vs New. He calls Maddy the lead (as you'd think it would be obvious) and tells The Dude off when he starts whining.
White Sheep: Judging by what he's said, his grandfather (the one that called himself Vanessa, not the one that sounds like the villain in Teenage Mutant Ninja Turtles) and possibly his great aunt were the only nice people in his nightmare of a family. Shame they're both deceased.
Whole Plot Reference: The review of Scooby-Doo involves a past, present and future version of the Critic teaming up to review the movie with the universe in the balance, reminiscent of the last episode of Star Trek: The Next Generation, complete with a homage to the final scene of the series where Picard joins the Bridge Officer Poker Night for the first time.
A Wizard Did It: Whenever something happens for no particular reason in Moonwalker, the Nostalgia Critic points out that it is happening because "Jackson wills it!"
The Woobie: Invoked. He feels incredibly sorry for the abused slave robot in Doug's First Movie.
Lampshaded in 'Why is Loki So Hot?': "Hey, how come I'm in that trope?!" although he's not
Women Are Wiser: Twisted and subverted in “The Princess Diaries 2”, where Hyper Fangirl manages to keep Critic around (and almost giving it up) by pandering to all the stereotypical male things (like violence and porn) his boner would like, but she screws up when Benny finds a Transformers movie and she breaks down not knowing what Critic actually enjoys.
World of Ham: The Critic by himself was already hammy. Then he started having guests, and most are equally overblown. Rob's Santa Christ, and basically everyone played by Malcolm and Rachel qualify.
An in-universe example: He missed a large section of the hidden message in The Angry Video Game Nerd's forum post because he "Forgot to carry the 1."
Written-In Infirmity: Doug's surprisingly prone to throat infections, forcing him to get creative to make videos without talking. In "The Good Son", he never spoke and communicated through cue cards, subtitles, and the use of sound effects. In "Alone in the Dark", he speaks through MacInTalk (plus he has Linkara and Spoony joining him).
WTH, Casting Agency?: The Critic points this out in-universe when he sees someone famous in crappy movies or shows.
(As Eric Idle in Casper): I'm far too talented to be in this movie!
In his video game review for the DVD, he angrily (and quite tearfully) yells at the large portion of the audience who just want to see him suffer. It's actually a surprise that it took him so long.
Critic: Because that's all you want to see isn't it? You just wanna see me angry! Dance monkey dance!
And in his review of Cop and a Half, he calls us all sick pigs for wanting him to suffer through it.
A slightly creepy Freeze-Frame Bonus one happens in the review of Once Upon A Forest. The second porn visit is a sex trafficking site that includes a fifteen year old girl. Knowing that he's a feminist Papa Wolf who views his audience as pretty sadistic, you gotta wonder what he's trying to say.
In the introduction to his review of Doug's First Movie, he calls out his fans for constantly requesting him to review the movie despite his hatred of everything relating to the show.
The Scooby-Doo use of this is probably the most guilt-inducing. Just read:
Critic: Well I'll tell you who that little fuckshit is, he's the Nostalgia Critic! He remembers it so you don't fucking have to! Even though every fucking day he exists, he wishes he didn't have to, he wishes he didn't have to do this bullshit to make you watch and get good ratings! And why does it happen? Why do you keep coming back? Because you're fucking sick and I'm fucking stupid.
You Have Failed Me: The Critic does this to a behind-the-scenes guy in the first Top 11 Nostalgic F*ck Ups.
You Keep Using That Word: "Remake." Only about half the modern movies featured on Old Vs. New are actually remakes, the others are simply different adaptations of the same story.
To the pleasure of a certain part of his fanbase, he completely got the difference between "sex" and "gender" in the Patch Adams review when voicing his disgust about they gave no respect whatsoever to the murdered male friend by making him a female love interest.
Gets a little confusing in Alien: Resurrection, as Critic 1 assumes Critic 2 is racist because he can't accept a black guy has died in a horror movie and Critic 2 snarks back that Critic 1 clearly doesn't know what word means.
In Bloodrayne, “tradition”. No matter how many times Critic says it like it's fact, doing one Uwe Boll crossover with Linkara/Spoony when they broke into his house years ago does not a tradition make.
Yo Yo Plot Point: If you thought he was over all his job problems in the first commercial special, you'd be wrong. Perhaps justified, as singing ain't exactly proper therapy. Not so justified in Son of the Mask and beyond, as Scooby Doo and To Boldly Flee were all about Critic spanking his inner moppet job issues and getting a job he liked; helping people with the plothole.