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Wait, wait, wait! Tomoyo-chan lives THERE?!

A big, well-appointed home is a symbol of wealth and status almost anywhere, varying based on facets including its location and relative opulence.

In Japan, it takes a meaning well beyond what it does in the US or UK. Japan is a very-densely populated nation — equivalent to packing half of the USA's population in a space roughly the size of Montana — which results in some of the highest real estate prices in the world. This is doubly the case in Tokyo and other big cities where even the smallest homes can cost 100 million yen ($1 million US) and up. Consequently, a large home with a lot of space around it is fantastically expensive, and indicates its owner has more money than the rest of the cast combined.

If the front door is more than a few feet from the street, if there are more than four or five rooms, if the rooms are bigger than the typical American walk-in closet... you are looking at the residence of somebody with wads of cash. If it looks like a French chateau and is surrounded by an actual estate, then we are well out of filthy rich and into Impossibly Cool Wealth.

A family that is extremely traditional will invariably have The Thing That Goes Doink somewhere in the yard of their Big Fancy House. It may also be found on Middle Of Nowhere Street.

This is not so much an Anime Trope as a fact of Japanese economics, but it makes for a great visual shorthand when the animators want to let the viewer know someone is outrageously wealthy. The same premise usually applies to characters mentioning their family has a summer home somewhere.

On the other hand, the indication of wealth is not always solid if the home was vacated or offered cheaply for obvious reasons.

While the same effect can be and is done in American series, the impact is nowhere near what is in Japan; a character would have to have an estate comparable to Monticello or San Simeon to be as impressive to suburban American audiences as a relatively modest house would be to Japanese viewers. This doesn't stop manga-ka from driving the point home by giving their characters homes opulent beyond Versailles, however. Curiously, this is actually less effective in the yet smaller Great Britain, where a massive estate is often a sign of hereditary nobility rather than sheer wealth, though this is less the case than it was in the past. It occasionally shows up in pre-20th century works; in Pride and Prejudice, Elizabeth Bennet jokingly claims that she started to fancy Darcy when she first saw his Big Fancy House.

It's curious that in Russia, a Big Fancy House evokes the same feelings as in Japan, despite Russia's vast size and diametrically opposite demographic problems. There are two causes for it, the first being that Russians mainly come in two flavours, filthy rich and starving poor, with a not very numerous middle class; the second is exorbitant real estate prices artificially raised by monopolization, so even an upper-middle class Russian cannot afford anything more than a three to four room apartment, let alone a Big Fancy House. Note that it only applies to houses near cities and with modern conveniences; a farmhouse in the middle of nowhere, with a restroom... err... crap pit in the backyard and possibly even without electricity is still dirt cheap, even if it is fairly large.

There may be another reason for the Russian example, one having more to do with the actual climate than the economic climate. Canadians tend to choose much smaller houses than Americans even given the same income and family size. Part of that is due to Canada's much more stable mortgage market where it's hard to buy more home than you can afford, but part of it is that big, rambling homes with huge rooms and towering ceilings are difficult and expensive to heat.

If a house is awe-inspiring for reasons other than size, it might be a Cool House. Contrast Friends Rent Control, where a character has an inexplicably large home.


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