I mean to kill you in one minute, Ned, or see you hanged at Fort Smith at Judge Parker's convenience. Which'll it be? Ned:
I call that bold talk for a one-eyed fat man! Rooster: Fill your hand, you son of a bitch!
is an 1968 Western novel by Charles Portis. Its main plot revolves around planter's daughter Mattie Ross, seeking revenge for her father's murder — with the aid of a notorious marshal Rooster Cogburn — "The meanest one, double-tough, knowing no fear" aging Badass
drunkard — and a younger Texas Ranger LaBoeuf. The plot is played straight, involving some chasing, some tracking, some humor, much shooting, saving the girl from a snake pit, one-to-four final showdown
of Rooster against bandits and the final scene of Rooster riding away, proud and alone (sadly, there's no sunset
The book was adapted to film twice. The first version, released in 1969, was directed by Henry Hathaway and starred John Wayne
as Rooster Cogburn. The movie had two sequels: 1975 Rooster Cogburn
(original release title Rooster Cogburn (... and the Lady)
, starring John Wayne and Katharine Hepburn
), and 1978 True Grit
(made for TV, starring Warren Oates).
A second adaptation was released on December 22, 2010, directed by The Coen Brothers
. Staying closer to the source material
, it places a greater emphasis on Mattie, played impressively by 14-year-old Hailee Steinfeld
. Jeff Bridges
as Rooster and Matt Damon
as LaBoeuf costar, with Josh Brolin
as Tom Chaney. The film was nominated for ten Academy Awards
, but won none.
Both films and the book provide examples of:
Tropes specific to the original novel:
- As the Good Book Says: Mattie regularly quotes from the Bible during her narration, referring to specific passages.
- Badass Moustache: Rooster Cogburn, who is described as looking like a one-eyed Grover Cleveland.
- Bittersweet Ending: Mattie seems generally more upbeat than she does at the end of the 2010 film (she says she's content with the life she's led rather than act regretful), but the feeling is still somewhat melancholy, especially when it comes to her relationship with Cogburn.
- Cats Are Mean: Adult Mattie is thoroughly convinced that this is the case, and even cites Luke 8:26-33 as scriptural "proof" for it.
- Department of Redundancy Department: At one point, the narration says:
It was a cashier's check for $2,750 drawn on the Grangers Trust Co. of Topeka, Kansas, to a man named Marshall Purvis. I said, "This is a cashier's check for $2,750 drawn on the Grangers Trust Co. of Topeka, Kansas, to a man named Marshall Purvis."
- Eyepatch of Power: Averted. While Cogburn has only one eye, he doesn't wear an eyepatch. This was changed for both films to accommodate actors who obviously still had two eyes.
- Shout-Out: In addition to the explicit quoting of Bible passages, there are a number of more subtle allusions to scripture in the story. One of the more prominent examples involves two criminals who, prior to their deaths, strongly resemble the two thieves who were crucified with Jesus. One is unrepentant, the other accepts redemption and is promised a place in Paradise.
- Sweet Tooth: Rooster enjoys eating honey cakes with jam.
Tropes specific to the 1969 film
- Bittersweet Ending: The happiest ending of the three versions for sure, but LaBoeuf's death kind of dampens things.
- California Doubling: The story takes place in the Ozarks, but the landscape in the movie doesn't look like the Ozarks. In fact, it was shot in Colorado.
- Death by Adaptation: LaBoeuf.
- Death by Irony: After Mattie is knocked into the snakepit, Chaney makes a crack about how there'll be a corpse in that pit soon enough. He's then shot and falls, dead, into the pit himself. Mattie is rescued, but Chaney's corpse is just left there to rot.
- The Gunfighter Wannabe: Mattie's pretty serious about the revenge and makes Rooster and LaBoeuf take her with them. Even though she shows enough guts to impress them into taking her along, when things get serious, she's the Damsel in Distress. In the book and remake, Mattie is pretty skilled at fighting though, and again, 1969 Mattie can still be pretty badass in other areas.
- Killed Off for Real: LaBoeuf himself at the end.
- There Is No Kill Like Overkill: LaBoeuf shoots a turkey and proudly brings it to the party who complain that it's all ripped up. Too much gun, Rooster says. Ah, what can he know, he's not from Texas!
Tropes specific to the 2010 film
- Anti-Hero: Rooster is a rude, crude, sloven drunkard who only agrees to Mattie's offer out of sheer annoyance, and spends some of the trip to find Mattie's target roaring drunk. And just before the climax, tells Mattie that the entire trip was an irritating waste of his time, which demoralizes LaBoeuf enough to leave the group in the morning, and seemingly abandons her to her father's killer when she's caught. This is, of course, just a ploy to follow the group back to their camp. He also stops LaBoeuf from whipping Mattie.
- Badass Beard: Rooster has this.
- Badass Longcoat: And this too.
- Billing Displacement: Josh Brolin is billed third and above the title, but doesn't appear until an hour in and has somewhat less presence.
- And Starring: Hailee Steinfeld, despite being the protagonist, is the last name to appear in the credits. This may be partially due to this being her first film.
- Bittersweet Ending: Or Downer Ending, depending on how you look at it. See Downer Ending.
- Boisterous Bruiser: Cogburn.
- Boom, Headshot: Rooster responds to Quincey fatally stabbing his accomplice, Moon, by immediately pulling out his sixgun and shooting Quincey point-blank in the face. No Gory Discretion Shot, either; the shooting happens in full view of the camera.
- Bunny-Ears Lawyer: Despite his many quirks and Jerkassitude, Cogburn does have the true grit.
- California Doubling: Set in Eastern Oklahoma, shot in New Mexico and Texas. As anyone familiar with Oklahoma (or New Mexico and Texas!) can tell you, they don't really look alike.
- The Cameo: J.K. Simmons' recognizable voice "appears" very briefly as Mattie's lawyer answering her letter.
- Captain Obvious: Rooster dispenses lines in this vein as though they were pearls of wisdom. Among the most memorable:
Rooster: "Well. That did not pan out."
- Perhaps the greatest example:
- Chekhov's Gun
- Rooster and Mattie take care to lay down a rope to ward off snakes wherever they bed down for the evening. As it is winter, Ranger LaBoeuf says it is unnecessary. However, during the climactic scene, Mattie stirs up some dormant snakes that awaken and strike. She is saved by a rope, which Rooster uses to reach her.
- The snakes are sleeping in a pit that LaBoeuf had only moments earlier pointed out to Mattie in a throwaway line talking about something else.
- Deliberate Values Dissonance
Rooster: Damn shame. I would give three dollars right now for a pickled buffalo tongue.
- The uncomfortable pseudo romantic moments between LaBoeuf and Mattie.
- Played with when Rooster frees and chases off a mule that two Native American children were goading outside a trading post, then proceeds to repeatedly and literally kick them off of the porch to the ground. This has presumably more to do with their treatment of the mule than with their ethnic background, however.
- Determinator: Mattie is almost inhumanly obsessed with avenging her father.
- Diagonal Cut: In the gun equivalent of this trope, for several seconds after LaBoeuf shoots Pepper at long range, it's unclear that he was hit at all. Then he falls over dead.
- Downer Ending: While the climactic confrontation has a positive outcome, the conclusion set twenty-five years later reveals that Mattie has lost an arm to snakebite and grown up into a caustic old maid with few or no friends, Cogburn died before they could meet again, and she hasn't heard from LaBoeuf since the shootout with Pepper's gang. Can be seen as a Bittersweet Ending, depending on how content you may think Mattie is (in the original book, she's perfectly fine with things), or how bad you think things turned out. See Bittersweet Ending.
- Do You Want to Haggle?: Mattie does. She has to visibly force herself not to haggle with Rooster since she needs his good will.
- Even Evil Has Standards: Implied with Lucky Ned in the 2010 version, that standard being oathkeeping. For instance, one of his first lines is informing Rooster that his threat to kill Mattie is not an empty one. Later on, he is adamant that Mattie be left unharmed after closing his deal for her release with Rooster.
- The Fellowship Has Ended: As revealed in the epilogue, after the end of their quest, Mattie never met Cogburn or LaBoeuf again.
- Foreshadowing: Mentioning that snakes are usually asleep at this time of year, and taking precautions anyway.
- Gallows Humor: Literally! The most cringe-worthy, and yet still funny, is both of the white hangers-to-be are given time to say their last words, but the Native American one has his bag forced over his head just as he begins to give his, cutting him off.
- Girlish Pigtails: Mattie's hairstyle tells everybody she's just a young girl.
- Guile Hero: Mattie wins battles through her intelligence, will, and force of personality alone - Rooster turns her down twice before she gets a grudging agreement to do the task, and she has to catch up to him the third time.
- Handy Cuffs: Two outlaws having their hands restrained in this way allowed one to kill the other with a knife before he could talk.
- The Hero Dies: Rooster himself at the end.
- Hitler Cam: Tom Chaney when he starts formulating an intent to kill Mattie.
- Human Resources: The dead body Rooster and Mattie find hung thirty feet up from a tree over the trail. After Mattie cuts it down, a passing Indian asks to take it with him - as Rooster puts it, "a dead body's gonna be worth something to someone." Later on they find out it ended up with the Bear Man, who pulled out all its teeth but offered to trade the rest of it to them.
- Improbable Aiming Skills: Zig-zagged in one scene where LaBoeuf and a drunken Rooster try to show off their marksmanship, and both hit and miss some very difficult moving targets (and Rooster once missed a not very small, non-moving target). The scene with Rooster shooting at, and missing, the whiskey bottle proves to be a deconstruction of the Eyepatch of Power. Though the eyepatch looks cool and Rooster is plenty Badass, it does provide a handicap, especially when combined with his alcoholism. Just before he shoots the bottle, he has to tilt his head much more in order for his good eye, on the left side, to line up properly with the gun in his right hand.
- Insistent Terminology: A brief example, but Forrester the Bear Man makes a couple of specific references to "the original Greaser Bob." Apparently, there were multiple Greaser Bobs in the Choctaw Nation...
- In Vino Veritas: Sort of. Rooster finally screams at LaBoeuf and Mattie that their trail has gone cold, that he's out of his league, that he has no clue why he agreed to this job, and that all of them are gullible idiots, prompting LaBoeuf to leave again and Mattie to get shaken a little. We say "sort of" because she runs into Cheney the very next morning.
- Jerk with a Heart of Gold: All THREE of the main characters qualify.
- Law of Inverse Recoil: Both times Mattie fires guns, they give one hell of a recoil. Possibly justified, given her small stature and lack of experience with firearms.
- The Sharps carbine in particular has a beastly amount of recoil; a grown man holding it incorrectly could easily be knocked off balance.
- Makes Us Even: Mattie spends 25 years trying to get Cogburn his last $50. She then finds that he died three days ago, and that the money is of no use to him, hence why she moves him to her family plot. Though some might say it went beyond just the debt.
- May-December Romance: The epilogue implies that Mattie's attachment to Cogburn had something to do with her never marrying, in a completely non-physical sense. Or at least, it implies that other people imply that.
- Mercy Kill: Rooster does this to Little Blackie in order to not making him suffer since it's almost dead exhausted.
- Never My Fault: Rooster tossing an empty bottle into the air to shoot at, and missing. Three times.
Rooster: That Chinamen is running them cheap shells on me again.
LaBoeuf: I thought you gonna say the sun was in your eyes. That is to say, your eye.
- No Sense of Personal Space: Mattie tried to talk to Rooster while he was in the outhouse.
- Not-So-Harmless Villain: Though not nearly as cunning as LaBoeuf insists he is, Tom Chaney is much more ruthless and cruel than his Good Ol' Boy dialect and attitude would imply.
- One Riot, One Ranger: LaBoeuf. Less literally, Cogburn also fits this trope, since Marshals often work alone and he's taken on whole gangs by himself.
- Only a Flesh Wound: LaBoeuf is shot straight through the shoulder but shrugs it off. Rooster gets shot by one of Ned Pepper's men in the finale but isn't hindered. Mattie shoots Chaney, but he stays on his feet and attacks her (twice).
- Only in It for the Money: Cogburn appears to be this when he negotiates a $100 bounty for tracking down Chaney. By the end there's probably more to it, especially when he never collects the remaining $50.
- Public Execution: Three men are publicly hanged early on in the film.
- Reptiles Are Abhorrent: Especially rattle-snakes.
- Rule of Perception: Two extremely rare aversions. First, the sound of Rooster's gunshot is delayed by several seconds. Second, there is a noticeable delay between the report of LaBoeuf's carbine and the impact of the bullet. Most people are used to instant sound effects and hitscan weapons, so this may be a case of Reality Is Unrealistic.
- Rule of Symbolism: The fatal bullet for Tom Cheney also propels his shooter into a snake pit.
- Scenery Porn: Unsurprisingly a major focus, given that it was done by the Coen Brothers. Credit also due to their frequent collaborator, DP Roger Deakins, who may be the best in the industry in that position.
- Screw This, I'm Outta Here!: The Pepper Gang's doctor banks a hard left and rides right out of the film when Rooster starts opening fire on the gang.
- Shout-Out: A rather subtle one: The shot of Old Mattie standing in front of Rooster's grave at sunset is an exact recreation of the opening and closing shots of Unforgiven.
- Suck Out the Poison: Done realistically. There is no perceptible benefit afterwards, and in all likelihood this probably lead to an infection which is why Mattie had to have her arm amputated.
- Taking You with Me: Ned Pepper tries to do this with Rooster after the shoot-out in the glen. As Pepper himself says, he is shot to pieces, he's miles from civilization, and his gang's doctor has fled, so he knows he's not walking away from the fight, but he can at least kill Rooster who is trapped under the corpse of his horse. Ultimately averted when LaBoeuf snipes Pepper from a cliff at least 400 meters away, saving Rooster's life.
- Teeth-Clenched Teamwork: Rooster and LaBoeuf......LaBoeuf and Mattie.......Mattie and Cogburn. Let's just say none of them are thrilled to be teaming together.
- Troubling Unchildlike Behaviour: Even by Old West standards, a 14-year-old girl that hellbent on vengeance gives everybody pause.
- Truer To The Text: The Coen brothers have said that this was their intention.
- Twilight of the Old West: Railroads are already established transportation at the start of the film; by the end of it, Rooster Cogburn is living a parody of his old life in a Wild West Show, and the West is done.
- Water Is Dry: After Mattie has her horse swim across the river, she comes out and there is a shot of her looking at Rooster and LaBouef. She has a few drops falling from her hat, but her clothes are nowhere near as soaked as they were a moment ago.
- What Happened to the Mouse?: If you look closely at the final shootout, you'll notice that the gang's doctor lives. He isn't mentioned afterwards, him and his horse are absent from long shots, and Rooster doesn't try to find him in order to treat Mattie after the snake bite.
- Wise Beyond Her Years: Mattie, incredibly smart, stern and determined for her age. Makes sense because of all she's been through and her previous responsibilities. Yet the 2010 adaptation's dark tone at the end is a deconstruction of this- her insistence on getting her way, even through intimidation, may have been cute when she was a child but these traits did not serve her well during her adult years.
- You Make Me Sic: Mattie continually points out Rooster's misspellings - even a quarter-century later!
- You Talk Too Much: Let's just let Rooster take this one:
Rooster: It astonishes me that Mr. LaBoeuf has been shot, trampled, and nearly bitten his tongue off, and yet not only does he continue to talk but he spills the banks of English.