Jon:If the audience can't perceive it, it doesn't exist.
OW! ...Did you do that?! Garfield:
You kicked me! Garfield:
If you didn't see it, it didn't happen.
The audience of a movie will know only what they can see and hear. This means that nothing really exists in a movie unless you can see or hear it (because if it does, you're going to have to explain why it was Behind the Black
). As a result, a kind of accepted audio-visual shorthand has been created over many years, to help the audience understand what they're looking at and what's going on.
Tropes based on this phenomenon include:
- Acoustic License
If the audience can hear (or see speech bubbles for) a sound, then the characters are also aware of it, Physics be damned. (It can also work the other way around)
- All-Natural Gem Polish
Gems are naturally shiny and pre-cut so that the audience can recognize them.
- Age Is Relative
Characters who are more competent will also look older/more mature.
- The Air Not There
You can't see air; therefore, it does not exist.
- As You Know
The characters already know this exposition, but the viewers don't, so it has to be stated onscreen.
- Audible Sharpness
It's easy to tell when a blade is sharp because it makes a "sharp noise."
- Beeping Computers
Computers beep so that you can tell they're doing something.
- Behind the Black
Anything that's offscreen is invisible.
- Bishonen Line
There's only so many weird tentacles and extra eyes and such to add to a character design before they all blend together. At that point, if you want to make a clearly visible transformation, you have to remove all those weird features and go back to a humanoid design.
- Briffits and Squeans
Stationary images have to do something to represent motion.
- Bullet Sparks
Bullets spark when they ricochet to make it obvious where they hit.
- Calling Your Attacks
You can tell this guy is using a special attack because he's shouting the attack's name while he's using it.
- Cartoon Cheese
Cheese is always immediately recognizable by a distinctive shape and color.
- Chainsaw Good
Chainsaws are flashy and make a lot of noise, so they must be really powerful.
- Concealment Equals Cover
If you can't be seen, you can't be hit.
- Convection Schmonvection
Fire and lava are only dangerous if you touch them directly.
- Convulsive Seizures
If a character has a seizure, the writers will make it the most visible kind of seizure.
- Cower Power
You can tell a character is terrified by their exaggerated cowering.
- Culture Blind
The audience probably doesn't know about foreign cultural norms, so the characters will be clueless as well.
- Do Not Touch the Funnel Cloud
If you don't touch the visible part of a tornado, the most it can do is whip your hair around a little.
- Dramatic Stutter
A clear, auditory representation of a character's shock.
- Editorial Synaesthesia
Non-visual senses like smell and pain have to have some form of visual representation.
- Ermine Cape Effect
Fancy clothing is an easy way for us to tell which characters are royalty.
- Every Bullet Is a Tracer
Bullets leave visible trails in the air to make it easy to tell which way they went.
- Exact Progress Bar
Everything has a progress bar, even if it logically shouldn't, so the viewers know how close it is to being done.
- Extreme Graphical Representation
Computers use flashy, unnecessary graphics.
- Flash of Pain
You can tell a video game character just got damaged because they briefly flashed a different color.
- Fluorescent Footprints
When you're tracking someone, their trail will glow brightly so the audience can see it too.
- Frickin' Laser Beams
Lasers behave in unusual ways that make them more visible.
- Half-Identical Twins
Fraternal twins need to be (nearly) identical too, or the audience won't recognize them as twins.
- He's Dead, Jim
There will always be an obvious cue so we know the exact moment when a character dies.
- Highly-Visible Ninja
Ninjas are stealthy, but they can't be so stealthy that the audience doesn't know they're there.
- High-Speed Missile Dodge
As long as you don't touch the rocket, you'll be okay.
- Hollywood Darkness
It's dark, but not so dark that we can't see what's happening.
- Hologram Projection Imperfection
Holograms have little flickers and static effects and such so that it's obvious they're not real.
Physical blows make loud noises so the audience knows when someone gets hit.
- Laser Hallway
A type of security system that is conveniently easy to see.
- Laser Sight
Snipers use laser sights so that the audience can tell where they're aiming.
- Luckily My Powers Will Protect Me
If it's not visually obvious that your superpowers are protecting you, you'd better state it explicitly in dialogue.
- Made of Iron
The audience can't feel the character's pain, so the character won't be incapacitated by what should be serious injuries.
- Midair Bobbing
When a character is bobbing up and down, you know they're floating in the air and not just misaligned with the background.
- Mind-Control Eyes
If his eyes are glazed over or spiralling, it's a good indication to the viewer that he's being brainwashed.
- Morphic Resonance
When a character shapeshifts, there are visual cues that make it easy to tell they're the same person.
- Motive Rant
If the writers want the audience to know the bad guy's motives, he has to actually explain them at some point.
- Narrating the Obvious
For the benefit of the audience, having characters narrate events that should be extremely obvious to them.
- National Stereotypes
How else will you know that it's foreign?
- National Stereotypes North America
- National Stereotypes Asia
- National Stereotypes Western Europe
- National Stereotypes Eastern Europe
- No Peripheral Vision
The camera doesn't have peripheral vision, so neither do the characters.
- Not the Fall That Kills You
As long as you don't splat into the ground, you'll be okay.
- One-Dimensional Thinking
Fleeing characters could avoid mishap by stepping aside rather than continue rushing forward.
- Offscreen Inertia
As long as a character is offscreen, it's assumed that they continue doing whatever it was we last saw them doing.
- Offscreen Reality Warp
Implausible changes are accepted if they happen offscreen.
- Offscreen Teleportation
Offscreen characters are in a sort of limbo that allows them to reappear wherever they like when they come back onscreen.
- Outrun the Fireball
As long as you can escape the visible blast, you won't be hurt by the invisible shockwaves that would tear you to bits in real life.
- Power Glows
Power is represented with a highly-visible glowing effect.
- Power Floats
Ordinary people can't float, so if a character can then he must have some sort of mystic power.
- Psychic Nosebleed
A strictly-mental injury is represented with the more-visible effect of a nosebleed.
- Puny Parachute
Parachutes are small enough to fit on the screen.
- Radio Voice
You can tell the voice is coming from the radio because it's slightly distorted.
- Repeating so the Audience Can Hear
We can't hear the other end of his telephone conversation, but that's okay because he'll repeat it back for us.
- See No Evil, Hear No Evil
If it isn't visible, it isn't audible either.
- Soft Water
Why shouldn't water be softer than dry land?
- Some Kind of Force Field
A visible disruption effect in the air, usually with appropriate sound effects, accompanies a force field.
- Sounding It Out
A character reads something out loud for the benefit of the audience, even though there's nobody else around to hear.
- Sounds of Science
When scientific minds are engaged in scientific debate, they will mutter in a scientific manner so everyone can tell that's what they're doing.
- Space Flecks
If you can see the stars moving out the window, you know you're moving through space.
- Space Is Noisy
There is sound in space because the viewers want to be able to hear what's going on.
- Stock Costume Traits
Certain visual cues let the audience instantly identify a character's profession.
- Stock Visual Metaphors
An index of visual shorthands that help the audience understand what's going on.
- Stray Shots Strike Nothing
The bullet missed the target, therefore it no longer exists.
- Streaming Stars
If the stars seem to be stretching into lines as they go by, you're moving through space very quickly.
- Technicolor Toxin
Poison is brightly-colored so it's easy to tell that it's poisonous.
- Tertiary Sexual Characteristics
For obvious reasons, you can't just display a character's genitalia, so you've got to find some way to make it clear who's a boy and who's a girl.
- Theatrics Of Pain
Actors exaggerate pain for the benefit of the audience.
- Translation Convention
The characters may be foreigners, but the audience has to understand what's going on, so they're speaking English (or whatever the audience's language is).
- Traveling-Pipe Bulge
When a character is traveling through a pipe, the pipe will bulge to show their location.
- Tron Lines
Glowing blue lines over everything are a good indicator of advanced technology.
- Viewer-Friendly Interface
Computer interfaces are designed for the viewers watching them on TV, not the characters who are actually using them.
- Visible Invisibility
The audience needs to be able to see what an invisible character is doing.
- Voiceover Letter
We can't see the actual text of the letter, so instead we hear a voiceover of the person who wrote it.
- Voices Are Mental
If characters swap bodies, their new body will talk in their old voice so that you can tell it's the same character.
- Walk In Chime In
A character just entering the set has somehow heard what the characters already there were talking about before they walked in—the audience knows, after all, so the characters should too.
- Water Is Blue
In drawn media, water is always depicted as a clean blue rather than clear. This way, it's much easier for the audience to see it.
- When It Rains, It Pours
There's no point in having it rain so lightly that the audience can't even tell it's raining, so if it's gonna rain, it rains a lot.
- Worm Sign
When something is tunneling underground, you can tell where it is because it will displace dirt or break floorboards on the surface.
- X-Ray Sparks
You can tell he's being electrocuted because his skeleton is showing through his skin.
A lot of these violate Real Life
physics because Reality Is Unrealistic
. But Tropes Are Not Bad
. Remember, this is in consideration to the audience
, so if you're looking for realism, go check out naturalism
, aka Slice of Life
. The Rule of Perception is the whole reason Foley artists and sound mixers exist.
Related to The Coconut Effect
, in that the Rule of Perception is often what causes the initial drift away from reality.
- Detective Conan often has people whose actions the audience is suppose to know, but whose specific appearance is unknown to the other characters, rendered as all-black silhouettes even in places where there would be no shadows (even outdoors in the middle of the day).
- Death Note: Light Yagami's eyes turn red and glow during his most psychotic moments. Unlike other fictional characters with glowing red eyes, Light isn't magical (not that the option wasn't offered multiple times) so his eyes aren't actually glowing in-universe; it's just visual shorthand to show us how far he's gone.
- In a feminine-hygiene ad, some blindfolded women try to identify the rhinoceros standing between them. Their guesses are all inanimate objects, based entirely on the shape of its body parts that are seen on screen ("It's a rope", "It's a pillar", etc). None of them notice that it smells like a big freakin' animal, that it's warm to the touch, or that it's moving slightly.
- A case of Rule of Perception meets Completely Missing the Point, as in the original parable that inspired this scenario (which involves an elephant), the blind investigators know it's an elephant, and are asked what the animal is like, not what it is.
- Sue Storm's "invisible" self and force field are visible to the audience, by dotted outlines in the comics and Conspicuous CG Predator-like distortion in the movies.
- Played with in both. When they want the audience to see that Sue is doing something, such as sneaking around invisibly or deploying an invisible force-field, they will be rendered visibly. When they want Sue's reveal to be a surprise, they will leave her and her force fields totally invisible until the reveal.
- Improvement in art quality has removed the infamous dotted lines from the comics and replaced them with the same effect used for glass.
- In the Don Rosa story "The Three Caballeros Ride Again," Jose Carioca hides out in Donald Duck's trunk and asks him to help him flee from a bandit. The two exchange several lines of dialogue, but do not recognize each other until they are face to face—apparently in a comic book, neither of them can hear the other's distinctive speech patterns...
- When Jean Grey/Marvel Girl of the X-Men uses telekinesis, visible (to the reader) pink energy is often shown moving from her head to whatever she's manipulating. Other telekinetics often have similar effects (light blue for Justice/Vance Astrovik, purple for Psylocke, dotted lines or translucent white for the Invisible Woman, etc.). Rarely, if ever, is it made clear whether this energy is supposed to be visible or not. Often, onlookers will clearly be unable to tell why an object is moving seemingly under its own power, but on at least one occasion another character referred to Jean's telekinesis as "pink stuff."
- For that matter, pretty much every mental power gets a visual representation. Examples include concentric yellow circles for Aquaman's animal control powers, lightning bolts around his head for Professor X's telepathy (rarely used anymore), a wavelike effect for Magneto's magnetic powers, squiggly lines around his head (with half of his face turning into his mask if he's in his civilian ID) for Spider-Man's spider sense, etc.
- A strange result of this was the case of Ink, a character who thought he had the mutant ability to simulate others' powers by getting an appropriate symbol tattooed on his body (it turned out he was a normal human - it was the tattoo artist who had super powers). One of his tattoo powers was telepathy, which he got from having lightning bolts tattooed on his head, just like the ones used to show Professor X using his powers in old school X-Men comics. The question this raises: how would someone who'd never read an X-Men comic know to associate telepathy with lightning bolts?
- Actually Marvel comics do exist in the 616.
- Doctor Strange's astral self is represented by a 'ghosted' version of himself with various other visual effects. Whether other characters can see him is indicated by dialogue. He also has visual indications when spellcasting, usually in the form of a glow around his hands.
- My Immortal is blissfully unaware of the Rule of Perception, as a result of which characters often seem to materialise out of nowhere.
- Godzilla vs. Megaguirus: We know that large insects are noisy. One would think that Megaguirus, being a monstrous dragonfly-like insect almost as big as Godzilla, would be pretty loud. But no, turns out she is as stealthy as a ninja. Godzilla and humans alike tend to fail to detect her until she is right on top of them.
- In Willy Wonka and the Chocolate Factory (1971), none of the visitors recognize that the chocolate river is chocolate until Mr. Wonka tells them. At least one asks something along the lines of, "What is in that river?" Clearly, the chocolate smells no stronger near the chocolate river than anywhere else in the confection-filled room.
- Epic Movie has a characteristically boneheaded take on the same scenario: Edward drinks from the "chocolate river," and apparently likes it just fine, until someone tells him it's actually a sewage line.
- Volcano features a scene where a guy jumps off the end of a subway car and is slowly burned up from the bottom, as he sinks into the lava puddle. Only the parts of him in the puddle burn, apparently melting. In reality, lava is very dense, and lava flows can be walked upon. If he'd walked quickly his shoes would have been destroyed, but that should have been it.
- In Star Trek VI: The Undiscovered Country, Scotty is shown sitting alone in the conference room studying some blueprints shortly before discovering a major plot point. The blueprints consist of small-scale external views of the Enterprise. This is the sort of basic information we'd expect the chief engineer to have committed to memory. But it tells the viewer that Scotty is hard at work, better than a random electrical schematic might.
- In the 2010 version of True Grit, the speed of sound issue is noticibly averted. When Rooster Cogburn fires a rifle as a signal from across a valley, we see a plume of smoke shoot silently out of the gun, followed seconds later by the distant crack.
- Rule of Perception is one of many tropes that The Coen Brothers make a habit of averting and subverting in most of their films.
- In Cloverfield, the eponymous monster just shows up practically on top of the protagonists in central park at the very end, yet no indication of its approach is shown beforehand, like the fact that the ground quakes when it walks, and it tends to clumsily destroy the surrounding environment wherever it goes. The creature just appears out of nowhere to the protagonists because it appears out of nowhere to the audience.
- Thursday Next retreats to a fictional world for a while in the The Well of Lost Plots, and notices several things, like wallpaper, underwear, and breakfast, are missing because they're not usually mentioned in stories. She also finds that she is one of the only people with a sense of smell.
- And a sense of hearing, at least as we understand it. Although Bookworlders aren't deaf, they can only hear what's explicitly stated in the text. For example, they can't distinguish voices unless something like "Thursday said" appears after the quote.
- In Hush, Hush, Nora finds a gun in Patch's car, which is splattered with a red substance that she assumes is blood. Patch explains that the gun is a paintball gun and that the red substance is paint from a game a few days ago. It's possible that Nora simply can't tell the difference between a paintball gun and a real one, but the smell, texture, and color of several-days-old blood is different than several-days-old paint. (For starters, dried blood gradually darkens to black)
- In "The Pine Bluff Variant" of The X-Files, Mulder and Scully's conversation is bugged with a laser beam against the window of Mulder's apartment. The laser is bright red (so we know it's there), instead of infrared, which would be a lot more discreet.
- When Matt Parkman reads someone's mind, the audience usually hears a jumble of sounds, with an occasional clear sentence bubbling through the chaos.
- Parkman usually tilts his head when reading minds. Lampshaded in an episode where all powers were lost but Parkman wasn't immediately aware of it. He tried to read someone's mind, but the target simply said "why do you keep tilting your head?"
- Many of the other powers in Heroes take this to an almost absurd degree. Peter and Ted's hands glow when they are emitting radiation. Elle's electricity is in the form of blue sparks. Sylar's lie-detection skill is indicated with a shake of the camera (and usually his saying "You're lying!" directly aferwards).
- In the earlier seasons, Hiro's powers require intense concentration, AKA screwing his face up.
- A Law & Order episode had the detective miss a dead body directly in their line of sight until the camera could see it.
- In a CSI arson investigation, Greg must compare a used match from the crime scene to a large pile of matchbooks taken from a suspect's home. In through-the-microscope views of him holding the torn match end to the matchbooks, the used match's cardboard shaft is dark in color, while the books' matches are light. This makes it more obvious to viewers that they aren't a match for one another, but begs the question of why Greg bothered comparing those samples microscopically at all, when their colors are so visibly different.
- Doctor Who just about always has the characters hiding in plain sight of the audience — where those characters ought to be clear to the searchers, too.
- How I Met Your Mother frequently uses this and it became a hallmark for the show. They constantly play with the use of narration in how the story unfolds and how the characters perceive a situation. One notable example was "Three Days of Snow" where Ted explains "This is a three day story" and we see three different plots going on simultaneously, only for a twist in that each story takes place on a different day. Another episode "No Tomorrow" has Ted believes himself to be experimenting with an unusually lucky night he was having at the bar. But Marshall shows him an accidental audio recording of Ted's evening where Ted's dialogue is the same but changed from curious and honest to sleazy.
- In the music industry, if you're not in the public eye people assume you're not doing anything, or have "Fallen Off". Usually happens when an artist isn't properly promoted, or ignored by media outlets.
- Bone Thugs-n-Harmony hit this trope HARD in the 2000's, They would release mainstream albums and people would still say "I thought they broke up?", Or "I didn't know they had a new album out". Despite having previous albums people seem to have short attention spans thanks to the Fleeting Demographic Rule.
- The Eve's Garden strip club in Bioshock probably qualifies; the sign includes the anachronism "XXX", which would not come into use in Real Life until the 1970s. But players instantly recognize the shorthand.
- Any Visual Novel with multiple routes, and the challenges facing the heroine in her route are assumed to occur regardless of whether or not the main character is involved with her. Potential Nightmare Fuel without this trope, especially if the heroine will meet a horrible fate without the intervention of the main character. Does not apply if intervention by the main character causes her suffering circumstantially or directly.
- In the Super Mario Bros. series, any pipe with a Piranha Plant will only hurt you if you can see the plant. If the Plant is currently inside the pipe, you can go inside the pipe without taking damage.
- Played With in Stick It To The Man. The hand you use to interact with the world is invisible to most characters.
- The Cartoon Chronicles of Conroy Cat naturally toys with this one now and again. The "off panel" aspect of this trope is one that Conroy picks up on incredibly quickly during his 'toon training, to Doggy's irritation.
- In The Order of the Stick, whenever Elan plays his bard song, green musical notes fill the air. As part of the strip's general Medium Awareness, one (green) character notices that they are the same color as she is.
- In Noob, Tenshirock's avatar seems to exist for interaction with players, NPCs and in-game objects. However, earasing it is treated as the same thing as keeping him from doing anything to the game and the effects of his hacking only seem to ever happen a short distance away from him.
- In the second season pilot of My Little Pony: Friendship Is Magic, Discord corrupts Twilight Sparkle's friends one by one. When the ponies turn into jerks, they also become sepia-toned and later turn gray. Spike and Pinkie Pie are the only ones to note the color change, and both characters are among the only ones to have openly broken the fourth wall before.
- More generally, the colored auras that show up around unicorns horns or levitated objects are purely for the benefit of the audience. Some fans forget that the characters are incapable of seeing them.
- In Avatar: The Last Airbender and The Legend of Korra, Airbending can be seen as visible gusts. Given how people normally can't see air, this is done to give scenes a little extra flair. And to avoid having a character look like a dork throwing their arms around without some sort of visual to show that they are doing something.
- In his classic essay "That Which Is Seen, and That Which Is Not Seen", the 19th century French economist Frederic Bastiat argues that many destructive government policies arise from tendency of people to only focus on what is obviously visible.
- Inverted in quantum theory, since observing a quantum phenomenon actually changes the output of the quantum effect.