"...every single punch in this scene sounds like one of the Foley guys is whaling on a naugahyde sofa with an aluminum baseball bat."
It sounds like they're hitting each other with bags full of groceries!So you've dedicated years of your life to mastering some obscure martial art with the intention of avenging your family's murder at the hands of an evil man named Betty. Only you'll never sneak up on him because your slightest movement causes horribly loud swooshes and cracks. Maybe you should have studied something other than Kung Foley. Kung-Foley is the hyper-exaggerated sound effects that go along with almost any really serious action sequence. From high risk martial arts to zipping your fly, it's all fair game. It's moved from Kung Fu trope to cliché to high Camp to Satire to acceptance as a mainstream trope. This is odd as it represents a backwards evolutionary trajectory. According to MythBusters, a normal punch is almost silent and a Hollywood punch is created by a combination of sounds like breaking walnuts. Martial Arts equivalent of Noisy Guns or Audible Sharpness. Subtrope of The Coconut Effect. Named for a comment from the Mystery Science Theater 3000 version of Warrior of the Lost World. The "foley" portion is a reference to Foley artists, the people responsible for making sound effects synced to the events on screen, like the aforementioned cracking of walnuts for punches. This Trope is specifically about the hyper-exaggerated applications of foley in action sequences note For more applications of this art, and examples of non-action uses, see The Coconut Effect, the supertrope to Kung-Foley.
— Mary Jo Pehl, Cinematic Titanic: "East Meets Watts"
- Hong Kong kung fu movies were pretty notorious for this, especially in the early days.
- Parodied in the ad for the Samsung Epic 4G called "Epic Sound Effects".
- A foreground element of Kung Pow! Enter the Fist.
- Parodied in "Weird Al" Yankovic's video Fat (itself a parody of Michael Jackson's video Bad). Al suddenly realizes he is causing sound effects with every slightest move, first regular swishes and cracks, then ratcheting and glass breaking. And further parodied when after one hand movement causes a loud snapping noise, he pulls it back to show the mousetrap that's closed on it.
- Hot Fuzz.
- Used straight in the opening sequence.
- The camera also makes an audible whoosh as it whip-pans. And it whip-pans a lot.
- There's times when the sound effects for movements are jokes. For example, when doctor gets shot in the foot; as he goes down, you can hear the sound of a tree falling). Or when the Chef Inspector roars when the chandelier in the pub falls, he has a lion's roar!
- While not martial arts the foley sounds of Eye Pokes and Dope Slaps in The Three Stooges is masterful foley work. Arguably, the foley is the only reason why the Three Stooges shorts work. Otherwise it's just a bunch of guys hitting each other—at least with the sounds it becomes exaggerated and comical. It also made it so they wouldn't have to actually hit each other very hard.
- Magical Shopping Arcade Abenobashi has a suit that produces Kung Foley in one episode.
- There were many sound effects in Parker Lewis Can't Lose, including a Dramatic Gun Cock as Kubiac readies his fist, or a clickety-clack sound as Ms. Musso slowly raises her arm...
- Scrubs is chock-full of these, particularly the head-whip bullwhip sound which dominates Season 1.
- In the film Batman & Robin, The Brute Bane tosses a group of Redshirt thugs through the air, complete with a slide-whistle sound effect.
- Batman: the Adam West series was even more ridiculous. Mickey Mousing was used heavily, while the (in)famous written sound effects(Pow! Biff! Wham!) popped up on the screen.
- El Chavo del ocho (and Chespirito's other works, for that matter) has pretty original elements; among them, everytime a character punches (or otherwise hits) another character you can hear a boxing bell. Bonus points for having it done live.
- It's impressive to watch the foley for A Prairie Home Companion in action; he's able to simulate, among other things, a helicopter hovering over a house being torn apart by an earthquake while pterodactyls close in.
- Justice League Unlimited uses this to add to the brutal effectiveness of its amped-up fight scenes.
- Power Rangers/Super Sentai, Kamen Rider, and most other tokusatsus are guilty of this. Back then they would save the sound effects for when someone puches someone else, making the fights a bit closer to reality. Lately though there have been more whooshes in the fights, so not really anymore.
- Hercules The Legendary Journeys and Xena: Warrior Princess both made heavy use of this trope, with nearly every punch, throw, and glance accentuated with sound effects. no surprise since executive producer Sam Raimi is generally fond of this trope, which also shows up in his Evil Dead movies.
- In the Whateley Universe, martial arts whiz Chaka makes that 'crack' noise when she punches at high speed. Even when she's wearing a sleeveless blouse. Justified since it's implied she's actually breaking the sound barrier.
- Done to a rather ridiculous extent with Tenpouin Keiya of Evil Zone, whose barehanded strikes make whipping-like sounds regardless of whether or not they actually connect with the opponent.
- Parodied in the first Police Academy, where Larvell Jones puts his beatboxing skills to use and imitates a Kung-Fu movie, complete with the wooshes, cracks and out-of-sync dubbing. This trope is played straight everywhere else in the movie series, though.
- The trumpet blare every time Fred is startled/enraged/otherwise emotive in The Flintstones.
- The movie U.S. Seals II had this cranked up to eleven - every movement of a hand, head or finger is accompanied by a whoosh sound, as if the foley artist was paid per foley.
- Foley is parodied in the Goodies episode Kung Fu Kapers, when Tim and Bill are fighting — Tim tries to hit Bill, finds it produces a honking noise, then just touches him for a while to explore the sounds that ensue, which include alarm clocks and party horns. Bill laughs and plays a few notes on himself by tapping his head and knees. Tim pushes Bill's stomach and produces a loud honk. They both laugh...and then Tim clobbers Bill over the head accompanied by a huge, rock-smashing sound effect.
- In classic Deadlands rules, there's an In-Universe example: martial artists can take the disadvantage "The Cup Overflows". It means that all their combat moves result in hammy sound effects and possibly even 'Final Fantasy-esque battle auras and flashes of light. Not only it makes stealth harder, it also makes hostile martial artists think your character is more dangerous than they are and target you with their strongest techniques; non-martial artists simply think you are a sorcerer.
- Averted in Fight Club where the fights have disturbingly real sound effects.
- Invoked in one of the film's commentary tracks; Brad Pitt reminisces about filming a scene where his character slaps a Project Mayhem recruit's newly-shaven head, and director David Fincher, who was insistent on using the actual sound of the slap instead of SFX, repeatedly directing him to "Hit him harder! No, harder!"
- The live action films Guyver and Guyver: Dark Hero are full of bizarre sound effects. The first one decides that the Zoanoids should sound like elephants and/or lions while the second one decides that every movement of the titular Guyver must sound like scraping metal.
- In the episode The Secret Box from SpongeBob SquarePants, there is a scene where SpongeBob doesn't want to wake Patrick. Stepping on a chip causes a loud glass-shattering sound. Drops of sweat make a splashing sound when they touch the ground. Elephant roaring and car crashing sounds are heard when SpongeBob is walking.
- Supernatural often has loud punches and crashes accenting the fight scenes.
- Wayne's World 2 takes this to whole new limits when Wayne and Jeff are fighting: Every single motion is Kung-Foley'd, even when Wayne operates his telephone in mid-fight.
- Played with in Netflix/Marvel's Daredevil. The usual foley is there, but the staging of the scene often draws attention to it— because the title character is blind and relies on his much, much better than average hearing to compensate.
- The "poof" sound that accompanies anybody (from spies to ninjas) throwing a smoke bomb to escape.
- A cymbal crash or orchestra hit whenever someone gets struck hard with something. The sound of a hammer striking an anvil is also sometimes used (yes, even when the injury isn't an Anvil on Head).
- Particularly heavy hits may require a gong (see also The Hit Flash).
- The 'frooff' noise of an object passing by the camera.
- People being knocked over to the sound of bowling pins.