Our days are over
Times have changed around these parts
There ain't no more cowboys
Only men with violent heartsThe Twilight Of The Old West is a trope invoked by stories depicting the changes that took place in Western North America and Mexico during the closing days of the Wild West and the beginning days of the New Old West. This is roughly the period between 1890 (the year the U.S. Census Bureau announced the closing of the frontier and the Wounded Knee Massacre occurred thereby marking the end of the "Indian Wars") and 1920 (which marked the official end of The Mexican Revolution when guerilla/bandit forces operated along the US/Mexican border and the beginning of Prohibition in the U.S. which closed the last of the old West saloons). In stories set during the Twilight Of The Old West, there will still be many elements of the Wild West present like cowboys, gunfighters, outlaws, bank and train robberies, saloons, and cattle drives but, as you get deeper into the 20th century, they'll gradually become less common. Probably the most noticeable change is the shift away from horses as a mode of transportation in favor of trains and—especially—automobiles. The replacement of gas and oil lights in favor of electricity follows close behind as an indication of progress as do the appearances of new inventions like telephones, motion pictures, phonographs, and airplanes. While technological changes play a major role, the Twilight Of The Old West mainly deals with changes in society and how they affect those who still feel tied to the "old ways" of the Wild West. For example, bringing justice to an area now means criminals are dealt with by sheriffs, police, judges, and jails rather than vigilante justice. Also, Cattle Drives become more infrequent and smaller with the end of the open range and the spread of the railroad system beyond the hub cities that were usually the destination of such drives. Compare Riding into the Sunset. The Magic Goes Away can be considered the corresponding fantasy trope. Sub-trope of The Western and End of an Age that overlaps with the latter stage of the Wild West and the beginning of the New Old West. Opposite of Dawn of the Wild West. For the Samurai version of this trope, see works set during and immediately after the Meiji Restoration. Has nothing to do with cowboy vampire romance or a certain purple unicorn ruling the outback.
— Miracle of Sound, "Redemption Blues"*
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- Part of American Vampire is set in this timeframe. Skinner Sweet attends a Wild West Show, and is highly offended at how he and his Worthy Opponent are portrayed.
- Originally, the adventures of Cinnamon in The DCU were set in this period (although later stories moved her back to the more typical Wild West period).
- Jonah Hex's Deadly Distant Finale.
- This trope is a theme in Don Rosa's story The Vigilante of Pizen Bluff, a part of the The Life and Times of Scrooge McDuck series taking place in the 1890s, and involves Wild West legends such as the Dalton Gang, Anney Oakley, Buffalo Bill and Geronimo. PT Barnum himself sums it up at the end how the West has ended for all of them. Buffalo Bill and Anney Oakley reduced to performing tricks in a traveling show, Angus Pothole leaving the riverboat business as they have been made obsolete by the intercontinental railroads, and the great Indian tribes all but wiped out or stuck on reservations. As the story wraps up, Scrooge, himself a symbol of the dawning 20th century, thinks to himself as he watches the others leave that the West "is riding off into its last sunset".
- Hergé completely failed to understand this trope when making Tintin In America, and as such features cowboys and gangsters in the same story and sometimes in the exact same location.
- Parodied in the final story of a Lobo Elseworld that reimagined the Main Man as various Western characters. "The Last Despera-bo" is a wistful page of the character reflecting on how times are changing and there doesn't seem to be much place for him any more. Then he gets hit by a truck.
Films — Animated
- An American Tail: Fievel Goes West takes place around 1890 or so, implied to be the tail-end of the Wild West era because the boom town the Mousekewitz family expects to move to is now run-down and dying, and the Sheriff and folk hero Wylie Burp is now old, frail and past his prime.
Films — Live-Action
- The Ballad Of Cable Hogue depicts a failed prospector during the closing of the frontier. Cable Hogue discovers a well in the desert and founds a town at the site. When an automobile appears on the road and drives past without stopping, Cable recognizes that as a sign that the frontier is closing, so he decides to pack up and move to civilization.
- Big Jake takes place in 1909. It featured a posse of Texas Rangers chasing outlaws in automobiles but ultimately the bad guys are defeated using old school gunfighting.
- Butch Cassidy and the Sundance Kid is set between the years 1898 and 1908—a time when such "new" inventions like motion pictures are present. The abrupt transition from the Wild West to the Modern Age is illustrated in a cut scene from the movie when Butch and Sundance visit a nickelodeon and see a filmed dramatization of one of their train robberies ... in which they're shot to death.
- Sergio Leone's last Spaghetti Western Duck, You Sucker! is set during The Mexican Revolution, making full use of the Western landscapes that had been used his previous films, but now with 20th century weapons and transportation.
- Though still set squarely in the Old West, The Last Samurai shows a time when - for some people, at least - that time was already starting to die out. The hero, no longer needed as an Indian fighter in his own land, is offered employment oversees fighting a different kind of "savage". This also mirrors the fact that Japan, at the same time, is facing its own End of an Age, with the decline of the samurai and feudal era.
- The Life and Times of Judge Roy Bean partially takes place during the first decades of the 20th century.
- Lonely Are The Brave is set in the early 1960s. The protagonist, Jack Burns (Kirk Douglas), is an itinerant ranch hand who still rides everywhere on horseback and sleeps wherever he ends up in the evening; he refuses to join modern society, claiming that he resents its emphasis on telling people where they can or can't go and what they can or can't do. He is finding maintaining his Old West lifestyle increasingly difficult, however; the film is bookended by two attempts to ride his horse across Highway 66, only for the horse to be spooked by the noise of the cars. The second time, it is both dark and rainy, and the horse's panic leaves Burns in the path of an oncoming 18-wheeler.
- The Magnificent Seven has a constant undertone of the Seven dealing with a world that has little need for their profession anymore. They accept the low-rate job south of the border because it's better than any other prospects.
- The Man Who Shot Liberty Valance has this dramatized by the tragic Character Arc of John Wayne's character, as he sees his way of life fading away with Jimmy Stewart's character taking the reins (so to speak).
- McCabe & Mrs. Miller may, upon first glance, appear to take place early in the era of the Wild West. However, the appearance of a vacuum cleaner and William McKinley presidential posters indicate it's actually around 1900 and times are changing.
- The spaghetti western My Name Is Nobody takes place in 1899 and the trope is part of the plot. Jack Beauregard, an old and, by then, famous gunslinger in the Wild West decides to call it quits and retire to Europe. However, he meets 'Nobody', a young enthusiastic gunfighter whose idol is exactly Beauregard. Nobody wants Beauregard to definitely end in a blaze of glory in the history books by facing the Wild Bunch (a horse-riding gang of 150 bandits) alone.
- Sergio Leone's penultimate Western, Once Upon a Time in the West, uses the railroad as an analogy for the dying Wild West, with Frank and Harmonica exchanging these lines:
Harmonica: So you found out you're not a businessman after all?Frank: Just a man.Harmonica: An ancient race. [looks to the approaching railroad] Other Mortonsnote will be along and they'll kill it off.
- The Professionals is set during the later years of The Mexican Revolution.
- Ride the High Country involves two aging ex-lawman hired to guard a shipment of gold being transported out of the Sierras in early 20th century California. The opening scene, especially, captures the flavor of this trope; director Sam Peckinpah revisits the same themes in The Wild Bunch.
- Shane hints at this, with an exchange between Shane and one of the villains near the end, about how both their ways are coming to an end.
- In The Shootist, John Wayne plays a dying gunfighter in the fast-changing West of 1901.
- In Sunset, which is set in 1920s Hollywood, Wyatt Earp is watching his life being mythologised while he is still alive.
- íThree Amigos! lampshades and parodies Wild Western tropes...even though the plot takes place in the Mexican frontiers around World War I, with the protagonists washed-up silent film stars pretending to be cowboys. At one point, German military pilots show up to train the main villain's banditos in more "modern" weapons.
- The Wild Bunch is set in 1913 when the film's characters, a gang of aging outlaws, have clearly lived past their time. Electricity and automobiles are present as are such "modern" weapons like Colt M1911 handguns, M1903 Springfield rifles and Winchester Model 1897 shotguns and an M1917 machine gun which underscore the mechanized brutality of the modern era.
- The prologue of Indiana Jones and the Last Crusade depicts a young Indiana Jones in Utah during this period.
- Legends of the Fall starts off around this era, before moving into World War 1 and the Prohibition Era.
- Both versions of Monte Walsh (the 1970 version starring Lee Marvin and the 2003 version starring Tom Selleck) address the plight of aging cowboys in an era where the frontier is vanishing.
- The story "The Long High Noon" in the anthology Law of the Gun is about two Gunslingers trying to have a decisive shootout over several decades as the Old West fades around them. By the end of the story, they're both playing aged extras in cowboy movies. One of them finally decisively plugs the other, then walks in front of an automobile.
- O. Henry has several stories about the West set in this era.
- Monte Walsh, Jack Schaefer's 1963 novel about a group of aging cowboys coming to terms with the end of the era. Later adapted as a movie twice: in 1970, starring Lee Marvin and Jack Palance; and in 2003, starring Tom Selleck and Keith Carradine.
- Blood Meridian is literally subtitled "An Evening Redness in the West", and is a comment on the death of that era.
- The Continental Op short story "Corkscrew" by Dashiell Hammett (written in 1925) takes a big city private eye to a small western town. Part of the story involves the Op telling the people of Corkscrew that frontier justice isn't gonna cut it anymore.
Live Action Television
- The Adventures of Brisco County, Jr. takes place in 1893, as the old ways are changing, although unlike most versions of this trope, it's mostly played for laughs.
- The short-lived 1971 Western series Bearcats! is set in 1914 and has the main characters traveling from one adventure to another in a Stutz Bearcat automobile rather than on horses. In a couple of episodes they faced off against airplanes and a (slightly anachronistic) tank.
- Nichols, a 1970s Western Dramedy starring James Garner, took place in 1914 Arizona and had the title character, a pacifistic sheriff, using cars and motorcycles rather than a horse.
- The series Outlaws starts in 1899 where an outlaw has become a sheriff sent to bring in his old gang. The sheriff tells the gang that the old ways aren't going to work any more. Then a freak lightning storm sends them all through time to 1986, where they set up a detective agency and have to adapt to the modern world.
- The Kraft Suspense Theatre episode "Threepersons" is set on the Texas/Mexico border circa 1923, with horses and automobiles sharing the streets. The heroes go after a gang who's smuggling booze across the border.
- Hec Ramsey starred Richard Boone as Hector "Hec" Ramsey, who had been a gunfighter/lawman in the Wild West, but the heydays of the cowboy are coming to an end, and the 20th century is just beginning, and Ramsey is keeping up with the times. He has developed a strong interest in the then-emerging field of forensics.
- The Murdoch Mysteries episode "Mild, Mild West", in which a murder is committed at Buffallo Bill's Roadshow, and Murdoch's brand of by-the-book law and order is contrasted with the sort of lawman who gets involved in shootouts on main street.
- Red Dead Redemption takes place in 1911, with this trope in full effect. Federal agents have shown up to tame the Wild West, and they've brought an automobile with them. They repeatedly refer to the hero, Retired Outlaw John Marston, as a remnant of a bygone age, even as they use him to track down his former gang mates. Indeed, one of the game's major themes is the incompatibility of the old west with "civilized" people, whom are ever encroaching upon it.
- Call of Juarez: Gunslinger actually starts off in 1910. Most of the story however is told via flashback during the heyday of the Wild West.
- Buffalo Bill's Wild West Show, which toured from 1883 to 1913, was a result of the closing of the West. There were all of these people still alive who had lived through the wildest days of the West, which had finally been tamed and fenced in. So the only way left to experience the Wild West was The Theme Park Version, and William F. Cody brought some of the best to his show, like Annie Oakley and Sitting Bull.
- The hunt for Pancho Villa had both the primitive setting of the borderlands and the high-tech for their time gasoline-powered trucks, airplanes, radios and automatic weapons.