Film: Barb Wire

No clothes either.

"The very first actual scene, the one that plays over the credits, is Anderson dancing around and flopping out of her top on a strip club stage... One of the most vocal patrons calls her 'babe' and she severely injures him by throwing her shoe at his forehead. I can only guess all the paying, theater-going viewers of this film, seeing everything they had paid to see, left right after the credits."
Chris Sims and Matt Wilson, ComicsAlliance

A 1996 soft core porn film disguised as an action film. So when you're watching it, and your mom walks in, you can just point to some of the explosions and claim it's an example of female empowerment... or something...

The movie stars Pamela Anderson Lee doing what she does best - running around with the minimal amount of clothing on, and the opening credits involve a prolonged scene with Pam wet-dancing on a trapeze. There's also no small number of other women wearing very little as well, but honest to god mom, look at all the explosions and Pam kicking the asses of all those men; it's just packed with female empowerment!

Anyway, apart all the boobage - err, the explosions - this was Pam's attempt for her to bridge her career from television to film. And quaint as seeing her toting vast amounts of guns in skin-tight black leather is, it kinda failed. It has earned its reputation for completely ripping off the plot of Casablanca in a way that makes Overdrawn at the Memory Bank look like Citizen Kane (to stretch a metaphor beyond the point of logic). Has been Snark Bait for many a reviewer.

The film is based on the series printed by Dark Horse Comics.

Tropes Include:

  • Action Girl: No matter how much of Pam got showed off, Barb Wire is definitely a hard-up, bad-ass action girl to be proud of.
  • Anti-Villain: Police Chief Willis. He may be a corrupt, lying asshole who makes Barb's life difficult, and a pawn of the oppressors, but he's not actually evil. For one thing, he knows his men are thugs and idiots, but they're still his men. He doesn't agree with the murder of Barb's blind brother, and at the end he saves them all by not handcuffing Barb and giving her a grenade to use.
  • Artistic License Biology: A character fools a retina scanner using colored contact lenses, which actually might've worked if it had been an iris scanner. Evidently the writers didn't know retinas are at the back of the eyeball.
  • Berserk Button: "Don't call me Babe!" (Which led to many jokes about talking pigs.)
  • Captain Obvious: Police Chief Willis deliberately does this near the end of the film.
    Willis: "Look out, she's got a grenade!"
    • The beauty of this line is the almost monotone way he says it. It is, after all, the grenade he gave Barb.
  • Combat Stilettos: While not doing as much hand-to-hand combat as usual for this trope, she does enough fighting in them to justify it.
  • Cute Bruiser: Barb and also the young leader of the resistance within Steel City.
  • Cut His Heart Out with a Spoon: Colonel Pryzer is good at these. He makes two threats.
    "Let me make this perfectly clear. If Cora D escapes, I will personally rip your heart out of your ass, and shove it back down your throat."
    "Goddammit Willis, I'm gonna rip you in half!"
  • Disproportionate Retribution: Barb once shot a person for calling her a "babe."
  • Evil Laugh: Barb Wire hears the villain do it for at least two minutes as he tries to kill her with a forklift!
  • Expy: Since the plot completely rips off Casablanca, pretty much everybody is an Expy of somebody. The most obvious though, is the corrupt but on-the-side-of-good Police Chief Willis as Captain Louis Renault.
    • The Fat Man is played by.... a really fat man!
  • Extended Disarming: Barb has one of these sequences when she and her friends get caught.
  • Eye Remember: Stupidly attempted on a blind man.