A movie trilogy about a temporally displaced British Ministry of Defence agent, Austin Powers, and his archnemesis, Dr. Evil, who is obsessed with taking over the world and whose plans Austin consistently foils.When Dr. Evil cryogenically freezes himself and launches into space, Austin (believing himself the only one capable of battling this menace) follows suit and awaits the day that Dr. Evil returns to Earth. As it turns out, both characters are woefully out of date: Austin is a walking punchline from the swinging sixties, while Dr. Evil finds his evil syndicate is completely overshadowed by Starbucks.The three films are parodies of the Spy Drama genre, particularly Harry Palmer and James Bond, to the point that two of the three movie titles are direct spoofs of James Bond movie titles. As a finishing touch, Austin's florid sense of dress (perfectly at home in Las Vegas, but hard on the eyes elsewhere) was based on Jason King. (Word of God has also acknowledged this, but they don't make such a big deal of it because modern audiences are more likely to have heard of James Bond.) Lampshade Hanging is everywhere, and forget Leaning on the Fourth Wall, Austin dances on top of it. The series was known for its Acting for Two, as Mike Myers played four major characters: Austin, Dr. Evil, the second movie's henchman Fat Bastard, and the third movie's co-villain Goldmember.The series consists of:
Austin Powers: International Man of Mystery (1997)
Affectionate Parody: The first is mostly, as mentioned below, a parody of James Bond knockoffs and sixties culture in general. This is mostly continued in the second one, with various bits of sci-fi thrown in with all the time travel abuse. The third movie parodies Blaxploitation movies and, well, the Austin Powers franchise itself.
An Aesop: In one of the very few moments in the series played entirely serious, Dr. Evil taunts that the values of the hipsters and swingers Austin associated with (promiscuity, partying, drug use) are now considered evil and amoral in the nineties, trying to convince Austin they're Not So Different. Austin rejects this, explaining that the sixties weren't about embracing those values, it was about rebelling against "uptight squares" like Dr. Evil — the spirit of it all was freedom.
Dr. Evil: Face it - freedom failed.
Austin: No, man, freedom didn't fail. Right now, we got freedom andresponsibility - it's a very groovy time.
Anachronism Stew: Elvis Costello performed in The Spy Who Shagged Me, but the scene in question took place in 1969, which meant he would've only been fifteen years old (and looked much older than that). This is played for laughs like everything else. Burt Bacharach and Woody Harrelson also look to be as old as they were in 1999 in 1969.
Arson, Murder, and Jaywalking: While snooping around Alotta Fagina's penthouse in the first movie, Austin discovers a folder with some of Virtucon's Evil Plans listed inside. In between "Human Organ Trafficking" and "Project Vulcan" is... "Carrot Top Movie".
Artistic License - Geology: A pretty minor example; Dr. Evil refers to the Earth's core as the "liquid hot magma core." The Earth's innermost core is a mass of iron and nickel, solidified by the intense pressure around it. Though Dr. Evil might be referring to the outer core, which is liquid.
He did spend a night catching up on the time he missed after Vanessa yells at him. He could have learned about Thatcher that way.
Artistic License - Physics: in the first film, the Big Boy rocket begins to glow from re-entry the instant it begins to move downwards. But that glow is caused by friction, which builds up over time based on speed, and also requires something to actually generate the friction - it wouldn't happen outside of the atmosphere.
Woman: Don't forget, monsieur Powers, later you have a brief oral exam. Austin: I hope it's mostly oral and not too... (Beat) brief, baby? You know...
Beleaguered Assistant: Number 2, who, to add to the indignity, was happily running Virtucom as a legitimate multi-billion dollar company before Dr. Evil was unfrozen.
Berserk Button: Apparently, despite having little care for Scott Evil for "not being evil enough", his father does not take it well whenever someone goes so far as to imply that Scott is some sort of freak, as evidenced by his behavior on the Jerry Springer show, where his reaction was apparently not faked.
Big Bad Duumvirate: Dr. Evil teams up with Goldmember in the third movie against Austin Powers.
Big "NO!": Two in International Man of Mystery. A guard while Austin is driving toward him with a steamroller (actually a "STOOOOOOOOOP"), and Austin himself before leaping to push the underground drill's abort button.
The steamroller bit goes into Overly-Long Gag territory because the Mook stands there for a full 15 seconds shouting "STOOOOOP!" before the steamroller slowly crushes him.
And again in The Spy Who Shagged Me. When Dr. Evil hits the self-destruct button, then throws the bottle containing Austin's "mojo" into the air, Both Austins do this while they try to catch the jar.
British Teeth: Austin's teeth are so horrible they crack his car's mirror. Becomes a Brick Joke later when Vanessa tells him to use the toothpaste explosive as a weapon and he responds "Okay, I get it: I have bad teeth!" Austin is the only member of the cast so afflicted, however.
Austin is strange, eccentric, has an awful sense of humor, and is one of the world's greatest secret agents.
Played with The Mole in the third film. He's a polite, normal, friendly guy, who happens to have a large mole on his face, and is perfectly aware of the irony that The Mole has a mole. The pun aside though, he's an effective and professional agent.
Goldmember has several, with his most prominent (for which he's also the Phrase Catcher) being "[lost his genitalia in] an unfortunate smelting accident".
Cartwright Curse: Played for laughs throughout the series in parody of James Bond's habit of hooking up with a new beautiful woman in each movie who disappears either no with little fanfare in the next. Vanessa is revealed to be a fembot to re-bachelor Austin at the beginning of the second movie with little recognition from the characters, and Felicity just disappears.
A deleted scene mentions she ran off with Austin-from-five-minutes-in-the-past.
Casting Gag: Harry Palmer himself, Michael Caine, appears in Goldmember as Nigel Powers.
Censored Title: The second movie was often advertised in Britain as "The Spy Who...", leaving out the last two words. In Britain, "shag" is a much dirtier word than it is in North America. Averted or inverted (depending on whether the new title is considered more offensive than the original) in Norway, however, where the title translated as The Spy Who Spermed Me.
Chekhov's Gun: The Swedish penis pump which belongs to no one in particular and certainly not Austin.
When we first see Fat Bastard he's wearing a tam o'shanter and a kilt while bagpipe music plays.
Cut Lex Luthor a Check: Deconstructive Parody: When Dr. Evil comes out of cryogenic suspension, he immediately draws up outlandish plans to blackmail world leaders for millions of dollars. This annoys Number Two to no end, since he has spent the thirty years Dr. Evil was absent building up the front companies they established into a shady but completely law-abiding, legitimate and wildly successful corporation with an annual revenue of twenty-four billion dollars.
The Dragon: In the second movie, Mini-Me hilariously fills this role, giving Austin a hell of a beating before the climactic showdown with Dr. Evil. Keep in mind that Mini-Me, played by Vern Troyer, is less than three feet tall.
Even Evil Has Standards: The main reason why Number 2 attempted to betray Dr. Evil was because he was nearly ruining his business after he returned.
Similarly, and quite ironically, even Dr. Evil fitted into this trope. He has no qualms with taking over the world or just outright destroying it (at least until the ending of Austin Powers in Goldmember), but when he meets Goldmember, the eponymous villain of the third movie, even he was disturbed by him and his actions. "How about no, you freaky dutch bastard..." He'se also disturbed when Scott Evil lets his evil laugh gets away with him.
Evil Laugh: Spoofed massively. Often causes those trying to emulate Doctor Evil to fail hard.
Evil Plan: Each movie has one naturally, but of note is an early scene in the first movie. There Dr.Evil lists in detail two possible evil plans only to have Number Two tell him they already happened. So he shrugs and says 'Let's do what we always do: hijack nuclear weapons and hold the world hostage'
The phallic-looking rocket in the second movie, inspiring an Overly-Long Gag of bystanders reacting to it.
Genre Savvy: Scott Evil, who loves mocking his father's unoriginal plans in the first two movies. In the third, he just gives up altogether and pretends to support his father's plan (even though he's still making fun of it).
And later, Austin's father.
"Look at you. You haven't even got a name tag! You've got no chance. Why don't you just fall down?"
Girl of the Week: Every trope that applies to a Bond Girl applies to Austin's women.
Hand Signals: In The Spy Who Shagged Me, Felicity Shagwell uses them to tell her agents to interfere with Robin Spitz Swallows.
Hazmat Suit: The radiation suit Dr. Evil wears in International Man of Mystery as a parody of the one worn by the title character in Dr. No.
Hear Me The Money: During Austin Powers's final confrontation with Dr. Evil in the first film, in a deleted scene, Number 2 attempts to bribe Austin with $1 billion in a Fendi briefcase. When Austin grabs just one stack of $100 bills, he notes that the money is short of a billion, to which Number 2 mentions the Fendi briefcase being part of it. They continue to argue until Dr. Evil presses the button to eliminate Number 2. Austin could have told that the money is short of a billion by the simple fact that you can't fit ten million $100 bills in a single briefcase.
Heel-Face Turn: In Goldmember—Mini-Me and Dr. Evil. Fat Bastard, as well. And maybe Frau and Number 2.
Help Mistaken For Attack: Austin returns to his hotel room to find Mini-Me grinning at him while holding up a letter opener. The audience knows that Mini-Me is here because he defected from Dr. Evil (the "help") and that he was just using the letter opener to open some mail, but Austin immediately reads it as an ambush (the "attack").
High Heel-Face Turn: The second film's sexy evil foreigner with a highly suggestive name, Ivana Humpalot, was sent to kill Austin Powers but instead finds him so attractive that she ends up confessing to her agenda and just asks him to make love to her. Apparently she was so attracted to him that she made no move to kill him even after he lost his mojo in the middle of sex.
Implausible Deniability: Austin's increasingly desperate insistence that "Swedish-Made Penis Enlarger Pump" weren't his bag, baby, as the evidence continued to mount against him.
Impossible Shadow Puppets: Subverted. A mook believes he is seeing an impossible silhouette of a man with a small arm for a penis, who shakes hands with it and bites it before giving birth. It turns out to be Austin, Mini-Me, some tubing and an apple.
Improbable Aiming Skills: Towards the end of Shagged, Austin fires fewer shots from his handgun than the number of henchmen he hits.
Juggling Loaded Guns: Austin can be seen shaking his arms and blinking uncontrollably whenever he fires his gun. Mike Myers notes in the commentary that it was done only half-intentionally, as Mike himself had never fired a gun before.
Just in Time: Played for laughs in the first film. Austin has well over ten seconds to stop Dr. Evil's drill from reaching the Earth's core, but deliberately waits until there's just a second to spare, so that his Big "NO!" will look more dramatic.
Dr. Evil: Son, wouldn't you like to see what daddy does for a living?
Scott Evil: Blow me.
Dr. Evil: What?
Scott Evil: Show me.
The TV edited version works just as well:
Dr. Evil: Son, wouldn't you like to see what daddy does for a living?
Scott Evil: Bite me.
Dr. Evil: What?
Scott Evil: Might be - fun.
Lampshade Hanging: Ubiquitous; every Bond Trope from Death Trap to Bond Girl is pointed out and made fun of.
The Last of These Is Not Like the Others: When Number Two shows a map of the United States with miniature models of businesses he acquired in the first movie during Dr. Evil's time being frozen, he concludes the list with a factory that makes miniature models... of factories.
Laugh with Me: Dr. Evil doesn't like to make an Evil Laugh by himself. Parodied in the last scene of the third movie where Scott laughs alone and desperately turns in every direction for someone to join in.
Gender-swapped in the second film, when Frau Farbissina admits she is Scott's mother.
Spoofed in the second with Dr. Evil and Austin.
Played straight in the third film, when it's revealed Austin and Dr. Evil are brothers.
Made of Iron: Robin Swallows, who survives a knife to the back, a barrage of bullets, a bazooka, and falling out of a tall building, all while mocking Austin while he uses her as a human shield.
Male Gaze: In IMoM, our first view of Vanessa Kensington via a slow pan up her entire body. Felicity Shagwell is introduced in a similar way.
In a deleted scene from the second film, Austin shakes Robin Swallows by the hand really hard just to watch her cleavage bounce up and down.
During the chess scene, the camera pans down to Ivana Humpalot's chest as she squeezes her breasts together.
The guy Felicity dances with in her first scene openly stares at her chest.
Mama Bear: Don't try to harm Scott in front of Frau, both Mini Me and Doctor Evil found that out the hard way. Later it turns out she really is Scott's mom.
Marshmallow Hell: While scoping out Dr. Evil's headquarters, Austin is accidentally pulled down into Felicity's breasts.
Austin: Hello, mummy. Mummy, can I have some chocolates? I want some Mars bars! Don't smack my bottom, mummy...
Medium Awareness: Austin uses the subtitles to understand Japanese in the third movie. What makes it funny is that the white subtitles are sometimes placed in front of white items, resulting in the subtitles looking entirely lewd.
"Why don't I just-a speak in English?"
"Yes, that would be helpful! Then we wouldn't continue to misread your subtitles, making it seem that you're saying things that are dirty!" *cracks smile just before camera cuts away*
Ms. Fanservice: Alotta Fagina from the first movie is a pretty straight example. Her only real role (besides acting as a plot device to drive a temporary wedge between Austin and Vanessa) was to look hot.
Vanessa (especially her nude scene at the end), Felicity and Foxxy.
MST3K Mantra: invoked Invoked and lampshaded, when Austin has some issues with temporal causality in The Spy Who Shagged Me, Basil Exposition tells him to just relax and try to enjoy it, then looks directly at the camera and tells the audience to do the same.
Naked People Are Funny: The opening credits of The Spy who Shagged Me play over a scene wherein Austin decides to celebrate his newfound singleness by taking a stroll through the hotel in the buff, his naughty parts concealed by various objects.
Never the Selves Shall Meet: Averted in The Spy Who Shagged Me, when Austin not only interacts with a ten-minute-younger version of himself, but the two of them apparently wind up engaging in a three-way with Felicity Shagwell.
"Technically it's not cheating, baby!"
Never Trust a Trailer: An early trailer for The Spy Who Shagged Me made it seem like Robin Swallows had a larger role then she actually did.
Japanese Man 2: "It looks like Godzilla, but due to international copyright laws, it's not."
Japanese Man 1: "STILL! WE SHOULD RUN LIKE IT IS GODZILLA!"
Japanese Man 2: "Though it isn't." *winks at camera*
No Fourth Wall: The third film. An obvious example is when Austin and Fat Bastard are fighting and Fat Bastard does "the ultimate wire-fighting maneuver", only for one of his wires to break.
Not to mention the numerous times when Austin looks directly at the camera when saying something. One example is during the Mr. Roboto scene. Austin, after misreading several subtitles for Mr. Roboto's dialogue, is pretty weirded out. Mr. Roboto says "Why don't I just speak English?" This leads to:
Austin: Yeah, why don't you? That way I wouldn't misread the subtitles making it seem like you are saying things which are dirty. [looks at camera]
Another camera look occurs when Austin is shot at on the ladder near the end and falls, pulling down Dr. Evil's pants to stop his fall. He says:
Austin: You know, Dr. Evil, I used to think you were crazy.
Offscreen Villain Dark Matter: Each movie begins with Number 2 revealing a wildly successful business venture that he embarked on in Dr. Evil's absence. The funding for Dr. Evil's projects most likely comes from there.
Let's just say that Dr. Evil did not react well at all to a Klansman calling Scott Evil a freak on Jerry Springer.
Nigel Powers is also this when he stops Austin from shooting his other son, Dr. Evil.
People Jars: In International Man of Mystery there is a cryogenic storage facility with frozen celebrities in pods. Amongst them Vanilla Ice◊.
Perspective Reversal: In the first movie, Austin upsets Vanessa by sleeping with Alotta as part of the job; in the second movie, Felicity upsets Austin by sleeping with Fat Bastard as part of the job.
Pixellation: Used on a woman's bare breasts in the "Hard Knock Life" music video in Goldmember.
Playing with a Trope: Arguably one of the entire purposes of the series, as it parodies, spins, exaggerates, lampshades, and puts an odd twist on everything from random dance scenes to celebrity cameos to under-the-credits scenes.
Pretty Fly for a White Guy: Dr. Evil and Mini-Me performing a music video to the tune of It's A Hard Knock Life in Goldmember is all this.
Pretty in Mink: The models in the second movie, and Austin wearing a pimp coat in the third.
Prove I Am Not Bluffing: In The Spy Who Shagged Me, Dr Evil blows up the White House to demonstrate his giant moon based laser... except it was just footage from Independence Day. Dr Evil defends the actual laser effect would be very similar.
Punctuated! For! Emphasis!: "DO! YOU! WORK! FOR! NUMBER! TWO!??" (original release version, while the current releases use the clip of Austin shouting "Who... does... Number Two... work for?!")
Let's see, there's Alotta Fagina, Ivana Humpalot, Fook Mi and Fook Yu (the Japanese twins), Dixie Normas... anyone else?
Felicity Shagwell. "Shagwell by name, shag very well by reputation"
Pyrrhic Victory: In the first movie, when Austin catches Dr. Evil attempting to escape after Austin stopped the nuclear warhead, Dr. Evil attempts to impose this on Austin. He argues that free love and anything Austin stood up for in the 1960's is considered "evil," but Austin argues that they aren't and he's come to understand how much the world changed but can be similar motives adapted for the 1990's, saying "It's freedom, baby, Yeah!" Dr. Evil still is still smug that even though Austin has caught him, Dr. Evil says "Freedom failed" and Austin would be forced to live with all that, and not in a good way.Luckily for Dr. Evil, Alotta Fagina arrives holding Vanessa hostage. This gives Dr. Evil a change to escape after a failed intervention by Number Two.
Screens Are Cameras: Dr. Evil tends to do this a lot. He has typical villain ultimatums with various world leaders through closed circuit televisions, yet there are no cameras that would allow him to see anything.
Separated by a Common Language: In Goldmember there's a scene where Nigel Powers is talking about his sexual exploits and Austin requests that they speak in "English" English in front of the Americans. The proceeding conversation has subtitles.(But not all of it.)
Show Within a Show: Austinpussy, originally the intended title of the third film (a parody of Octopussy)), which they couldn't get past the censors. It was directed by Steven Spielberg and starred Tom Cruise as Austin, Gwyneth Paltrow as the Bond Girl, Kevin Spacey as Dr. Evil, Danny DeVito as Mini-me, and John Travolta as Goldmember.
Dr. Evil: Why must I be constantly surrounded by frickin' idiots?
Talking Is a Free Action: Generally used, but the second movie is the most blatant about it. Austin time-travels ten minutes back in time to just when Felicity's chamber was being flooded with poison gas... and pauses to have a chat with himself that lasts longer than it originally took the chamber to flood with gas. Time apparently just halts for this, and doesn't start up again until past-Austin shoots some mooks.
Talk to the Hand: Dr. Evil does this, much to the pop culture lacking president's confusion.
Not so much lacking in pop culture as Dr. Evil's using 90's-era pop culture lines... in 1969.
Unstoppable Rage: Dr. Evil, after a Klansmen called Scott Evil a "freak", ends up going ballistic: He ends up fighting even when being restrained by Steve Wilkos and the other members of security, and after seemingly calming down, he then rushes to attack him again (something that never happens on the Jerry Springer show). And then instigates a full-out brawl on the set. Eventually, he seems calmed down... until Jerry Springer tells security to get Dr. Evil out of the premises ("get this jerk out of here"), upon which his rage was reawakened, and starts fighting with the host, eventually managing to smash a globe in the ensuing stage riot.
Vocal Dissonance: Subverted in the Studio 69 scene, when Foxxy uses a man like a ventriloquist's dummy to speak to Austin covertly. At first glance, it seems like the guy is speaking with a sexy black woman's voice.
What Measure Is a Mook?: Mocked in deleted scenes from IMoM. We see the family of the dead guard that Austin smashes with the steamroller learning of his death; later, "John Smith", the guard who gets decapitated by the "ill-tempered mutated sea bass", is shown to have been a day away from marriage and was late for his bachelor party because he was working late. In both cases, the family / friends are fully aware that the mook is a henchman of Dr Evil and act like its just a normal job. The British and Australian cuts included these scenes.
Wire Fu: Parodied. Fat Bastard tries to use a Wire Fu attack on Austin in the third movie (to the point of visibly held up by wires and calling attention to the people in the background holding him up.) One of the wires breaks halfway through, though, and he's just left dangling in the air.
You Have Failed Me: Dr. Evil punishes his minions by dumping them through a trapdoor to be burned alive. When he tries it again in the '90s, the unfortunate Mook is left alive but "very badly burned" and is finally dispatched by another Mook with poor aim. His botched execution is Played for Laughs.
You Just Told Me: Subverted. Austin tricks Alotta Fagina into admitting her boss is into "big underground drills", but he knew already and did this to look suave. Counts as a spoof as well since he is the one who brought up the drills so he obviously already knew.