Music / The Alan Parsons Project
Left to right: Eric Woolfson and Alan Parsons.

The Alan Parsons Project was a British Progressive Rock band active between 1975 and 1990. The core group consisted of Alan Parsons (Producer/Engineer/Co-Writer/Occasional Instruments and backing vocals) and Eric Woolfson (Keyboards/Lyricist/Vocalist), with additional members recruited as required for each individual project. After the band's dissolution, Woolfson went on to work on musicals (including several which continued the themes of Project albums) before dying of kidney cancer in 2009, while Parsons created several solo albums and has toured extensively playing mostly Project songs, with his band taking the name of "The Alan Parsons Live Project".

APP are known for a more accessible style of prog-rock than many of the other bands of the era. They rarely used strange time signatures, and for the most part stuck to 4-5 minute radio-length songs. They often used full orchestration in their songs, with some of the best examples being "The Cask of Amontillado" (from Tales Of Mystery and Imagination) and "Silence and I" (from Eye In The Sky). While the makeup of the backing band changed constantly, some members became essentially permanent parts of the band, including guitarist Ian Bairnson (who contributed all of the band's lead guitar work) and bassist David Paton (who also sang lead vocals on a few songs). Over time, the band became more pop-influenced, and in the mid-1980s, synthesizers started to replace their orchestra, reaching their zenith on Stereotomy, an album that is almost entirely synthpop.


  • Tales of Mystery and Imagination (1976) - inspired by the works of Edgar Allan Poe (Notable Songs: "The Raven", "The Cask Of Amontillado", "The Fall Of The House Of Usher" Suite)
  • I, Robot (1977) - Loosely inspired by the works of Isaac Asimov (Notable Songs: "I Wouldn't Wanna Be Like You", "Breakdown", "Don't Let It Show")
  • Pyramid (1978) - Based on the then-popular pseudoscience of "pyramid power," with general themes of death and impermanence as well. (Notable Songs: "What Goes Up", "Can't Take It With You", "The Eagle Will Rise Again")
  • Eve (1979) - About misogyny and feminism. (Notable Songs: "Lucifer", "Damned if I Do", "If I Could Change Your Mind")
  • The Turn of a Friendly Card (1980) - About gambling and midlife crisis. (Notable Songs: "Games People Play" and "The Turn of A Friendly Card Suite".)
  • Eye in the Sky (1982) - About belief systems - both religious and political. (Notable Songs: "Sirius", "Eye in the Sky", "Psychobabble", "Old and Wise")
  • Ammonia Avenue (1984) - Based on the tension between the scientific community and the public, as well as a general theme of failure to communicate. (Notable Songs: "Prime Time", "Since The Last Goodbye", "Don't Answer Me", "You Don't Believe")
  • Vulture Culture (1984) - About the selfishness and dishonesty of modern culture. (Notable Songs: "Let's Talk About Me", "Days Are Numbers (The Traveler)", "Hawkeye")
  • Stereotomy (1985) - About the pressures of modern life. (Notable Songs: "Stereotomy", "Limelight", "Where's The Walrus?")
  • Gaudi (1987) - Inspired by Catalan architect Antoni Gaudi, especially his Sagrada Familia basilica in Barcelona. (Notable Songs: "La Sagrada Familia", "Standing on Higher Ground", "Inside Looking Out")

"I am the trope in the sky, looking at you...":

  • Big Brother Is Watching: "Eye in the Sky"
  • Book Ends:
    • "Stereotomy" and "Stereotomy Two".
    • The two parts of "Turn of a Friendly Card" are this to their suite.
    • "La Sagrada Familia" and "Paseo de Gracia", the latter being an upbeat instrumental of the former.
  • Breakup Song:
    • "If I Could Change Your Mind".
    • "Since the Last Goodbye".
    • "You Won't Be There"
    • "Sooner Or Later"
  • Call-Back: "One More River"'s chorus is echoed in the bridge section of "Can't Take it With You."
    One more mile
    One more road
    One last bridge
    One less load
    • Also done instrumentally:
      • "Nothing Left to Lose" ends with the tune of "Snake Eyes".
      • The guitar riff in the bridge of "The Raven" is used twice in "(The System of) Doctor Tarr and Professor Fether"
    • "The Gold Bug" from The Turn of a Friendly Card is likely a Call Back to Tales of Mystery and Imagination.
  • Compressed Adaptation: The songs on Tales of Mystery and Imagination condense Edgar Allan Poe's rather wordy stories and poems into a couple of verses and choruses apiece.
  • Concept Album: All of them.
  • Epic Instrumental Opener: Several albums open with an instrumental that segues into the first song. The most famous of these instrumentals is "Sirius", the lead-in to "Eye in the Sky".
  • Epic Rocking:
    • "The Fall of the House of Usher" is in several parts, but is about sixteen minutes in total.
    • "La Sagrada Familia" is about eight and a half minutes on the studio version, although significantly shorter when played live.
  • Faceless Eye: The cover of the album Eye in the Sky. The title track, one of the Alan Parsons Project's best known songs, is a person telling their significant other (in a very creepy and vindictive fashion) that he/she knows the other has been cheating and is tired of pretending to be ignorant of it.
  • Fading into the Next Song: Pretty much the first two songs on an album. A special award goes to "Voyager" —> "What Goes Up..." —> "The Eagle Will Rise Again"
  • The Gambling Addict: The "The Turn of a Friendly Card" suite. Also "I Don't Wanna Go Home" from the same album.
  • Grand Finale: The Turn of a Friendly Card suite, "Old and Wise," and "To One in Paradise" all qualify, as do the endings to many of their other albums.
  • The Grim Reaper: The narrator in "Can't Take It With You".
  • I Am the Band: Alan Parsons (producer/sound engineer) and Eric Woolfson (songwriter), neither of whom sang or played instruments regularly (although Woolfson does sing lead on the band's biggest hit, "Eye in the Sky", and played keyboards on a lot of their later stuff).
  • The Invisible Band: In their music videos, though they do sometimes make brief cameo appearances.
    • In "Let's Talk About Me", Alan and Eric appear briefly on the television.
    • In "Don't Answer Me", the duo appear in illustrated form, each playing piano accompanied by the rest of the line-up.
    • Towards the end of "Games People Play", we zoom in on stain glass window made to look like a King of Diamonds, only to find Alan staring us down.
    • Both appear prominently in "I Wouldn't Want to be like You", though Eric is cast as an android.
  • Look on My Works, Ye Mighty, and Despair!: The central theme of "What Goes Up".
  • Mohs Scale of Rock and Metal Hardness: Anywhere from a 1 ("Time," "Old and Wise") to a 3 ("You're Gonna Get Your Fingers Burned," "La Sagrada Familia"), but on the whole, pretty soft even for a prog-rock band.
    • Occasionally, they would get up to a 4 ("Snake Eyes", "The Raven"). Their hardest song, "The Tell-Tale Heart", is a low 5.
  • Money Song: "Money Talks"
  • Music Box Intervals: "Eye In The Sky", "Don't Answer Me", the main theme of "The Turn Of A Friendly Card" suite.
  • Misogyny Song: A good chunk of the Eve album, seeing as the concept of "the strengths of women and the shortcomings of men" is sung almost entirely from a possessive man's point of view.
  • Mythology Gag:
    • "I'd Rather Be A Man" includes the line "I'd rather be a man 'cause I wouldn't wanna be like you." "I Wouldn't Wanna Be Like You" was the band's first hit single.
    • In Eric Woolfson's musical "Poe", an abridged reading of "The Raven" is performed by one of the characters. As the titular raven of the story appears, a soft bass riff begins playing, building up the tension for the rest of the reading. Project fans might recognize it as the same riff that opens and carries on throughout the Project song "Breakdown", the title of which nicely foreshadows the ending of "The Raven".
    • The cover of Pyramid references Pink Floyd's The Dark Side of the Moon, which Alan Parsons engineered.
  • Not Christian Rock: "The Eagle Will Rise Again"
  • Pastiche: According to Word of God, "Don't Answer Me" was an attempt to emulate Phil Spector's Wall of Sound effect.
  • Pyramid Power: Referenced and made fun of in Pyramid, particularly in the song "Pyramania".
  • Revolving Door Band: By design.
  • Retraux: And a number of other past-meets-future-type-tropes, just from the cover of I, Robot. There's the retro-futuristic-looking robot, but also 1950s fashions for the men on the escalators (fedoras and suits), and the escalators are very clearly those of Charles de Gaulle Airport in Parisnote  which was designed in the late 1960s and didn't open until 1974 (i.e. long after fedoras were out of style).
  • Rockstar Song: "Limelight" seems to be this.
  • Self-Backing Vocalist: Guest vocalist Chris Rainbow elevated this to an art form, both with lead harmonies and veritable walls of backing vocals. He was credited in a couple of Alan Parsons Project albums as a "One-Man Beach Boys Choir". Some of the re-released albums feature bonus tracks consisting of Chris Rainbow's backing vocals and harmonies isolated, he's that good.
  • Soprano and Gravel: Chris Rainbow ("The Turn of a Friendly Card") and Eric Woolfson ("Eye in the Sky"), as opposed to Lenny Zakatek ("I Wouldn't Wanna Be Like You") and David Paton ("What Goes Up...")
  • Spoken Word in Music:
    • Found in "Let's Talk About Me".
    • Very briefly in "Hawkeye".
    • The opening of "La Sagrada Familia".
    • Towards the end of "Inside Looking Out".
    • "Chinese Whispers" from Stereotomy.
    • The 1987 remaster of Tales of Mystery and Imagination includes several passages from Poe's poems as read by Orson Welles.
  • Stepford Smiler: The subject of "Don't Let It Show".
  • Stock Phrases: "What Goes Up..."

Alternative Title(s): Alan Parsons Project