Film / Casino Royale (1967)

"...a definitive example of what can happen when everybody working on a film goes simultaneously berserk."

The one that's a complete parody and is not part of the series.

The second adaptation of Ian Fleming's Casino Royale, released in 1967. It was originally planned to be a straight adaptation of the one novel that EON Productions (at the time) didn't have the rights to, but producer Charles Feldman instead decided to mount it as spoof of James Bond and spy films in general. Unfortunately a Troubled Production ensued, and the resultant film, even for a comedy, has Mood Whiplash, incomprehensible plotting, and ridiculousness aplenty.

Sir James Bond (David Niven), the original as opposed to that imposter who inherited his name and number, is forced out of retirement to investigate the deaths and disappearances of various British Secret Service agents, which turn out to be the work of the spy organization SMERSH. Organizing the recruitment of a new team of agents, he also plans to confuse SMERSH by naming all of them "James Bond" — even the women. The film proceeds to jump back and forth between the misadventures of the faux-007s before most of them are brought together for the climax. They are:

  • Evelyn Tremble (Peter Sellers): A baccarat expert sent to challenge SMERSH operative Le Chiffre (Orson Welles) at the titular casino, in the one plot thread that is derived from the original book. He is recruited and assisted by...
  • Vesper Lynd (Ursula Andress): A former colleague of Sir James Bond who's gone into high finance.
  • Mata Bond (Joanna Pettet): Sir James's swinging daughter, the product of his tragic affair with Mata Hari. She's sent behind the Iron Curtain to investigate a SMERSH fundraising auction.
  • Cooper, aka "Coop" (Terrence Cooper): His specialty is resisting the advances of women, a vital skill given that the dead agents were all seduced to their dooms by SMERSH's roster of female spies.
  • The Detainer (Daliah Lavi): "The new secret weapon" of the group.
  • Jimmy Bond (Woody Allen): Sir James's "disappointing" American nephew.

Definitely not to be confused with Casino Royale (2006).

Tropino Royale:

  • Affably Evil: Dr. Noah. His grand plan does certainly spring from pettiness and is threatening genuinely destruction — he intends to kill off all men taller than him — but it's also him standing up for the little guy, after a fashion (since goofy guys like him will now get their choice of women, who will all be turned beautiful by the same device). He seems to treat his many, many underlings well; the only one he kills is Le Chiffre, who's Faux Affably Evil anyway. He does hold the Detainer as a captive in his quarters, but tries to convince her to get in on his scheme and the new world order rather than forcing her into it. In fact, his affability is key to his downfall, as she is able to trick him into swallowing his own bomb pill.
  • Americans Are Cowboys: The American army is apparently composed of Cowboys and Indians.
  • And Starring: Terence Cooper and Barbara Bouchet are credited as co-stars, but right before them, George Raft and Jean Paul Belmondo are featured in the secondary cast with no special words around their names despite only making very minor appearances in the climax.
    • Actually, Raft and Belmondo are part of the list of "Guest Stars," only not alphabetical
  • Anyone Can Die: It's the only movie where James Bond dies. All seven of them. Many at the same time.
  • Backwards-Firing Gun: It kills George Raft.
  • Big Bad: Dr. Noah.
  • Bilingual Bonus: The French Legionnaire translates "merde" when he hits his hand as "ouch." It actually means "shit".
  • Bizarrchitecture:The West Berlin spy school is depicted this way, in the spirit of German expressionism.
  • The Cameo: Even in a movie chock full of them Peter O'Toole as a bagpiper during Tremble's Mind Screw at Le Chiffre's hands stands out.
  • Camp Gay: Fordyce, Q's assistant at outfitting Evelyn Tremble.
  • Cast as a Mask: Dr. Noah is pretty much a spoof of this trope. He's voiced by Valentine Dyall, radio's "Man in Black", until The Reveal that he's actually Jimmy Bond — Woody Allen's character.
  • Celibate Hero: Niven's Bond, following having to double-cross the love of his life, Mata Hari (yes, that Mata Hari), and have her executed. And then he kisses Moneypenny's daughter. Yeah.
  • Cover Drop: During the opening credits, notice the images of explosions and several characters as angels. These will make sense at the very end.
  • Cowboys and Indians: The American reinforcements in the climax are these.
  • Death by Adaptation: Turns out to be James Bond himself!
  • Egocentric Team Naming: Once Sir James Bond becomes head of MI-6 after the previous M gets offed, the very first thing he does is rename ALL his agents, male AND female, James Bond 007 as a ploy to confuse the enemy.
  • Everyone Join the Party: In the finale, all Hell breaks loose when the Big Bad's casino is invaded by Ransome and an army of secret agents (apparently) sent to assist James Bond, consisting of a French Foreign Legionnaire, George Raft playing himself, stereotypical Cowboys and Indians, chimpanzees, and even seals. And then everyone else in the casino joins in on the action. No one is safe, especially when the whole casino explodes at the end, killing everyone inside.
  • Everything's Better with Monkeys: A chimp shows up in the big fight climax.
  • Evil All Along: Certainly Jimmy Bond, who turns out to be the Big Bad, and possibly Vesper Lynd.
  • Face–Heel Turn: While Le Chiffre is torturing Evelyn, Vesper Lynd arrives to save him — only to kill him for the money, apparently. (That said, it's possible that this is a case of Evil All Along rather than this trope.)
  • Faux Affably Evil: Le Chiffre's a jolly gambler, but at the same time he has no qualms with blowing up the auctioneer via telephone when the auction is ruined by Mata Bond or torturing Evelyn Tremble after Evelyn wins the game.
  • Fluffy Cloud Heaven and Fire and Brimstone Hell: Spoofed in the final scene. "Six of them went to a heavenly spot, the seventh one is going to a place where it's terribly hot."
  • Follow That Car: Spoofed.
  • Gainax Ending, preceded by a Gainax Middle, and a Gainax Beginning.
  • Getting Crap Past the Radar: The opening scene is constructed to make it look like the police inspector meeting with Evelyn is showing him his genitals.
    • "Gosh, what an enormous bed!" "The German army was very big in those days."
    • "That's the first john I've ever gone round with." (She's referring to a toilet.)
  • Hiccup Hijinks: Jimmy Bond is tricked into swallowing an aspirin that makes him hiccup 1,000 times and then explode. The explosion destroys the Casino Royale and kills pretty much the entire cast.
  • I Am Spartacus: The original Bond gives orders that all the newly recruited agents are to be called James Bond 007.
  • Instrument of Murder: Ursula Andress uses the old machine-gun-in-the-bagpipes trick.
  • Karma Houdini: Oddly, Vesper Lynd actually makes it to Heaven with the other James Bonds and stays there, unlike Jimmy Bond.
  • Mood Whiplash: When Vesper Lynd recruits Evelyn Tremble, the film suddenly becomes considerably less wacky, though still heavy on comic Double Entendre; it's where "The Look of Love" comes in after 40+ minutes of slapstick. Most of Peter Sellers' scenes come as this compared to the rest of the film, in part because he plays his role mostly straight — reacting to the strange world he's in rather than being just another wacky resident of it. This is because Sellers was cast when the movie was intended to be a straight adaptation, and he apparently considered the final script a bait-and-switch. He either refused to deliver the comedic lines as scripted and ad-libbed, or may have even out-and-out rewrote his scenes with the collaboration of an outside screenwriter to make them hew closer to the original conception he had been promised. Accounts vary.
  • Not Even Bothering with the Accent: Vesper Lynd speaks with Ursula Andress' native Swiss-German accent.
  • Obfuscating Stupidity: Jimmy Bond's introductory scene has him nervously trying to talk a firing squad out of shooting him ("You do realize this means an angry letter to the Times?"), but he successfully pulls off a distraction when they're about to fire and scales the wall behind him to escape...although it turns out that there's another firing squad about to shoot someone else on the other side and he barely escapes that. This foreshadows Jimmy turning out to be Dr. Noah, the Big Bad in the late going.
  • Real Life Writes the Plot: It's unclear how the increasingly zany plot was conceived. The best guess is that even though Charles Feldman had the right to make a straight James Bond entry, he feared that he would not be able to compete with the official Bond movies, and he directed each writer who came along to make the film more and more of a parody. As mentioned above, however, Peter Sellers had been hired while the film was still intended to be a serious Bond movie, and he saw it as a way to broaden his acting portfolio. He was not amused when the film veered towards a wacky parody during the filming process, and after many fights with the producers, the director and his co-stars, including/especially Orson Welles, Sellers either was fired or quit. After that, Feldman, scrambling for a replacement story, decided to go all-out and pack the film with seven Bonds, and also hired a different director for each act of the film, resulting in its extremely disjointed feel.
  • The Reveal: Dr. Noah is actually Jimmy Bond.
  • Rule of Funny: Much of the movie runs on this, with the climactic fight the most elaborate example.
  • Scotland: Much of the first act takes place here when Sir James Bond has to bring M's personal effects back to his ancestral estate (M was short for McTarry). SMERSH has beaten him there and filled the estate with spies who play up every single Scottish stereotype (and their accents) to extremes — haggis, kilts, bagpipes, etc. It's implied that none of them are actually Scottish themselves; M's "widow" is actually a Frenchwoman named Mimi, as are several of her underlings.
    • The Scots theme continues, including Tremble suddenly encountering bagpipers, and his French police contact Inspector Mathis (one of the few characters from the source novel) being played by a Scots actor with accent (which is even Lampshaded.)
  • Speech Impediment: The original James Bond has a tendency to stutter — until he returns from Scotland. Back at MI-5 he asks an underling if he's stuttering; when he's told he's not, he says that's good because he "doesn't have time for that now."
  • Spoiler Opening: The title sequence contains shots from the ending sequence.
  • Stage Magician: Le Chiffre does a few magic tricks during the poker scene. This is because magic-loving Orson Welles was allowed to do them to keep him happy as the shoot dragged on. They're reportedly all genuine illusions, with no camera tricks.
  • Take That!: Niven's Bond calls Sean Connery's Bond a sex maniac who dragged the James Bond name through the dirt, and takes his fellow spies to task for relying on gadgets.
    • Peter Sellers was fired/quit midway through the shoot due to chronic absences and miscellaneous poor behavior, so the filmmakers making up for this by having his character shot to death by the suddenly turncoat Vesper can be seen as this as well.
  • Too Many Cooks Spoil the Soup: Five directors working on it wouldn't lead to good results.
  • Who's Laughing Now?: Jimmy Bond is the Big Bad, intending to conquer the world as revenge against his famous, and infinitely more stylish and sophisticated, uncle.
  • Writers Cannot Do Math: As pointed out in the recap by The Agony Booth, if Mata Bond really is the daughter of Mata Hari, she should be at least fifty years old.
  • Your Makeup Is Running