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YMMV / Spider-Man: The Animated Series

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  • Accidental Innuendo: Spider-Man's first fight with the Rhino has this gem as Rhino is getting ready to skewer the wallcrawler..
    Rhino: Let's get this over with! I gotta polish my horn!
  • Adaptation Displacement:
    • This show's take on the black costume's origin is more remembered than the original from Secret Wars, to the point it has a Live-Action Adaptation in Spider-Man 3. The version in The Spectacular Spider Man followed similar beats, but was Truer to the Text in other details (the Symbiote could take over Spider-Man’s body in his sleep and had an urge to bond with him) and borrowed elements from Ultimate Spider-Man.
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    • The Kingpin for a time became better known as a Spider-Man villain, which is fitting since he made his first appearance in The Amazing Spider-Man #50 and was chiefly a Spider-Man villain before being associated with the Daredevil franchise.
    • The Golden Age heroes from the "Six Forgotten Warriors" arc are best associated with their appearances in this adaptation due to their comic book counterparts from Marvel's Timely Comics era falling into obscurity after 1940s, much like the heroes did in-universe.
    • Spider-Man's "Man-Spider" mutation is much better known from its appearances in the cartoon than the relatively obscure storyline from the comic anthology Marvel Fanfare that it originally appeared in.
  • Audience-Coloring Adaptation: In terms of Venom and the alien symbiote story arc. Most of the adaptations of the character and arc use this show's version as a basis instead of the original comics, with elements like the symbiote coming from a space expedition by John Jameson, the black suit making Spider-Man more aggressive, and Venom being more ruthless and straight-forwardly villainous in nature and having a sense of humor.
  • Awesome Music:
  • Badass Decay: Several villains. The Lizard in particular gets this bad past his initial appearance.
  • Base-Breaking Character:
    • The Kingpin. Some regard him as an effective Big Bad, while others believe that he became far too overused over the course of the series, especially at the expense of other villains.
    • This series' version of Morbius the Living Vampire is quite a divisive character. A lot of fans were annoyed that he wasn't allowed to bite anyone or explicitly refer to feeding on blood because of censorship issues, but there are some who think that the censorship changes of having him suck human plasma through holes in his hands actually made him satisfyingly creepier than his comic counterpart.
  • Broken Base:
    • The quality of episodes after the first season. Some fans think that the show grew the beard after the first season with its story arcs, Character Development, and focus on Peter's personal life, while others think that the show declined in quality, citing bad animation, constantly recycled footage, the overuse of the Kingpin, Morbius or Madame Web and more space and vampire stories.
    • Christopher Daniel Barnes as Spider-Man. About half the fanbase thinks that he is the definitive voice for Spider-Man, as Kevin Conroy is the definitive voice for Batman. The other half thinks that Barnes was way too melodramatic as Spidey and his voice didn't fit Spidey at all.
  • Can't Un-Hear It:
  • Complete Monster:
    • Herbert Landon is a rabid anti-mutant extremist who created a formula that destroyed mutant cells and killed any mutant exposed to it. His endgame was to market this formula to the public as a cure for mutants only to instead use it to wipe them all out. The first person Landon attempted to test out this formula on is his "old friend," Hank McCoy. Thwarted in this endeavor, Landon would go on to work for The Kingpin, and performed various unsavory deeds such as forcibly converting Alistair Smythe into a cyborg slave and testing out a super soldier super serum by using Felicia Hardy as a guinea pig.
    • Cletus Kasady, aka Carnage, is introduced as an psychotic lunatic willing to use a bomb to kill himself and everyone within a 200 meter radius just for giggles. After entering into the service of Dormammu and bonding with the offspring of Eddie Brock's symbiote, Kasady uses his newfound power and connections to become an even worse menace. Unlike Eddie who, when bonded with his symbiote, creates a combined persona called Venom, Cletus is so psychotic that he still remains completely aware and in control after bonding with his symbiote. First helping Venom steal an interdimensional probe, Kasady quickly displays contempt towards his "dad's" softness and proves himself willing to kill Venom on the flimsiest of pretexts. Kasady would later go on to steal the souls of numerous innocent people in order to summon Dormammu and herald the end of the world. Once Spider-Man defeats him by letting him be sucked into Dormammu's home dimension, Kasady attempts to grab Eddie Brock's Love Interest, Dr. Ashley Kafka, to take her with him. He's only thwarted by Eddie sacrificing himself instead. Rampantly homicidal and needlessly sadistic, Kasady was a far cry from the usual Spider-Man villain, doing evil solely for the carnage it unleashed on the world.
  • Creepy Awesome: Carnage, before and after his transformation, due to his sheer batshit insanity.
  • Damsel Scrappy: Mary Jane Watson unfortunately fills this role throughout the series alongside being a Satellite Love Interest to Spider-Man. It comes to a head when she falls into a dimensional portal and is still stuck in limbo.
  • Ensemble Dark Horse:
    • This show certainly played a large role in promoting Hobgoblin and Shocker into the limelight. The former being ironic, considering the producer outright hated the Hobgoblin and only included him because of decisions his predecessor made.
    • Daredevil's solo appearance takes the best bits from his backstory, and distills them into a concise, tightly-written two-parter. His honesty, good nature, sense of humor, and remaining idealistic despite the odds makes him a very likable character. Shame his spinoff series never went off the ground.
    • J. Jonah Jameson has always been a key figure in Spidey mythos, but the more sympathetic Freudian Excuse he had here for his dislike of Spidey also managed to net him fans. Edward Asner's performance as Jonah is particularly a fan-favorite, which likely played a big part in him also getting cast in future cartoons starring Spidey.
    • Felicia Hardy/Black Cat is a character from the comics that was very popular with the fans due to her well-written chemistry with Spidey, sexy voice, sympathetic backstory, likable personality, and beautiful design. Jennifer Hale’s performance as both Felicia and Black Cat is also very well-liked to the point of which she occasionally tends to reprise her as the character in video games.
  • Fashion-Victim Villain: When "in persona", the Spot appears as a bald human being who is completely white from head to toe, whilst covered in large black spots.
  • Fight Scene Failure: The show had a number of heavily castrated fight scenes due to heavy censorship refusing to let Spider-Man throw a punch when battling villains. Pretty much all of the fights are done with Spider-Man's webbing. Very rarely you'll see an actual punch in a Wham Episode, such as when the Green Goblin abducts Mary Jane and takes her to a bridge many comics fans recognized...
  • First Installment Wins: There are fans who see the first season of the show as the one with the most memorable and well-written episodes, like "The Night Of The Lizard" and "The Alien Costume Saga", and with the best animation in the entire series. The following seasons are more divisive.
  • Gateway Series: For many kids, this was their first exposure to Spider-Man and its mythos. While it certainly took liberties with the comics, the results generally work well, all in all providing a good jumping off point for a fan.
    • To many, this was also a Gateway Series for the entire Marvel universe in general. Introducing the viewer to characters such as the X-Men, Daredevil, The Punisher, Blade, Doctor Strange, the Fantastic Four, and Captain America, thanks to their guest spots on this show.
    • This was especially the case in the former Eastern Bloc, where superhero comics were unknown until the Iron Curtain fell in the 1990s, which resulted in...
  • Germans Love David Hasselhoff: The series has something of a cult status in Russia and other post-Soviet countries, such as Ukraine or Kazakhstan. As one of the first Western animated series that appeared on Russian TV after the Soviet Union collapsed, it served as an introduction to the entire concept of superhero stories for the young post-Soviet generation. To give you an example of how iconic it is: to this day, Venom is sometimes referred to not by his usual Russian name (which is just Веномnote ), but by the Dub Name Change he received in the animated series, Черная Смертьnote .
  • Harsher in Hindsight:
    • An episode of a disfigured former actress plans to kidnap Mary Jane and use a device to transfer her mind into Mary Jane's young and beautiful body it doesn't work as Mysterio tells her that what she wanted was scientifically impossible. In Superior Spider-Man, Doc Ock used this trick on Peter... and it worked.
    • The final episode has Stan Lee remark that Spider-Man isn't the character he used to write anymore, with Spider-Man responding "What can I say? We all have to grow up someday, even we characters of fiction!" This remark stings for many fans in the 2000s and onward who believe that the editors and writers at Marvel refuse to let Peter Parker actually mature and still write him as if he's a teenager, hence things like ending his marriage with Mary Jane.
  • In the season 3 episodes "Venom Returns" and "Carnage" Carnage would try to free the eldritch demon, Dormammu. Later on in the comics Carnage would go on try to do the same for two other similar dark entities, Chton and Knull. Like in the show Eddie Brock through a heroic sacrifice was able to stop Chton but unfortunately wasn't able to stop Cletus from freeing Knull.
  • In the "Six Forgotten Warriors" arc, it is revealed that this show's version of the Black Marvel is an African-American man who kept his true identity a secret due to the potential racist backlash he would have received during the 40s. These days non-white legacy characters and and non-white interpretations of traditionally white characters have often been met with a great deal of hostility from certain segments of superhero fandom. In Marvel Canon, the same concept was used for the Blue Marvel, who kept his identity a secret due to racial tension of 1960s except his identity was revealed after his mask was damaged and forced to resign as a result.
  • The cartoon was made while David "Microchip" Lieberman was still working with the Punisher as an ally and as portrayed as such here. Right around the time their appearances here came out, Micro in the comics pulled a Face–Heel Turn and eventually got killed.
  • Hilarious in Hindsight:
    • In the first episode Spidey complains about why he has to crawl around sewers and can't land an easier superhero gig with the Avengers which he eventually did in the comics. He also complains about not being "a galaxy hopping superhero," which he essentially becomes in the final episodes.
    • This show's version of the Spot was Driven to Villainy as a result of Tony Stark shutting down his research into interdimensional portal creation. A decade later, the Marvel Cinematic Universe would also have Tony be the catalyst for a Spider-Man villain turning to crime not once but twice.
    • Among the Spider-Men from alternate universes in the Secret Wars arc, there is one in particular that claims to have taken Doc Ock's Combat Tentacles after defeating him. Almost twenty years later, the Superior Spider-Man debuts.
    • In the "Six Forgotten Warriors" arc, the Black Marvel (who in this universe is an African-American man) has been safekeeping Captain America's shield and even uses it a few times in battle until Captain America returns. Seventeen years later, The Falcon would take over as Captain America.
  • Iron Woobie: The Scarlet Spider. He's been through all the same trauma that Spider-Carnage has, but somehow came out okay.
  • Jerkass Woobie:
    • J.Jonah Jameson's distrust and dislike of Spidey make much more sense when we learn that his wife was killed by a masked gunman.note  Alistair Smythe arguably qualifies for this trope as well.
    • The scene where Kingpin's wife leaves him is surprisingly sad and is the one time the Kingpin shows actual remorse for his actions.
    • Venom. Sure he went off the deep end in his first appearance, but it was motivated by the loss of his job, apartment, and reputation thanks to Peter's unintended actions as a reporter. In his second appearance, it's established he's cooled down quite a bit without the Symbiote. Even when he merges with it again, it's purely out of protection for his girlfriend, and later implied to be from the shared knowledge he gained from Peter. As a result, he gets a very tragic Disney Villain Death.
    • Morbius was introduced as an arrogant jerk and a romantic rival for Felicia Hardy, and he proceeded to steal Peter's blood in his attempts to get ahead in their 'rivalry,' but the rivalry is because he needs funding to find a cure for a plague afflicting his home country, and he goes through more than enough bad karma by being turned into the TV-Y7 version of a vampire and eventually further mutated into a bat beast right in front of Felicia.
    • Scorpion, to a lesser extent. He’s violent, vindictive, and a dangerous criminal, but he was pushed around all his life and was subject to painful mutations that drove him insane, and he is continuously thwarted at being turned back to normal, which is the only thing he wants.
    • Richard Fisk by the end of "Man Without Fear." He's the unrepetent underling to Kingpin and the appear to actually have a stable relationship despite being both being criminals, until his own father lets him take the fall for his crimes.
  • Magnificent Bastard:
    • Wilson Fisk is a wealthy philanthropist, but is known amongst the criminal underworld as The Kingpin of crime. Crawling out of life of impoverishment and constant abuse, Fisk became the head of a worldwide criminal empire using the skills he honed in prison. From his headquarters within the Empire State Building, Fisk has the various gangs and supervillains in New York under his thumb. He supplies those under his employ with weapons in exchange for their complete loyalty, while taking great care to ensure they remain utterly dependent on him. Despite the constant interference of superheroes like Spider-Man, it's never enough to loosen the Kingpin's grip over Manhattan. His wealth and public image allow him to avoid the consequences of his actions, even if it means sacrificing the ones he loves the most. With schemes such as forming the Insidious Six, to framing others for his crimes, to even attacking the SHIELD Helicarrier; Fisk isn't afraid to get his hands dirty in his pursuit for absolute power.
    • Dr. Doom appears, see his entry on Fantastic Four for details.
  • Memetic Mutation:
    • Morbius hungers for PLASMA!
    • Spidey's "This is starting to sound like a bad comic book plot!" in the two-part finale was already a Take That! to the Clone Saga in the comics, but has been used often by fans to express dissatisfaction with any bad storytelling in comics, particularly after its usage as a running gag in Atop the Fourth Wall.
    • Venom driving a truck while chasing Spidey qualifies as this.
    • Spider-Man's Big "NO!" when Mary Jane's clone melts away.
  • Mondegreen: Many people hear the line "Radioactive spider blood" in the theme song as "radioactive spider glider" thanks to the garbled electronic lyrics.
  • Moral Event Horizon: If Kingpin didn't already cross it by the time Daredevil made his appearance, he certainly did after letting his son be convicted of his own crimes to keep his reputation clean. He justifies this with the coldly-delivered "sacrifices must be made", in essence doing the exact thing his father did to him, without any remorse to speak of except for the knowledge that his son will likely come back for revenge on him later. And this was after when Fisk expressed pride in how he was a better parent than his own father.
  • Narm: The epic Executive Meddling the show faced to make it more kid-friendly results in quite a few moments of unintentional hilarity:
    • Especially odd is their treatment of Morbius; any kid knows what vampires do, so who exactly did they think they were protecting? Not only is his hunger for plasma not nearly as threatening as a thirst for blood, but plasma is 90% water, so he could easily get a drink from a water fountain and he'd be fine.
    • The SHOOOOOOOOCKERRRRRRRR!!!!!!!-line mentioned in Memetic Mutation. It might also fall into Narm Charm seeing how it's actually supposed to be Spidey losing his mental grip and going off the deep end.
    • The show was pretty infamous for seeking to avoid every variation of "die" or "kill". Sometimes the aversion of the word death would take the dialogue into this territory. In the episode "Return of Hydro-Man, Part II", Mary Jane says, with all seriousness, "I just can't shake the feeling that when we find out what's wrong with me, it's going to lead to my destruction!". Serious intents or not, try saying that out loud and see what kind of reaction you get. This Mary Jane was later revealed to be a clone, and did indeed die shortly later.
    • After a while a lot of the fights started to look silly due to the fact that censors wouldn't allow Spider-Man to do the kind of knock down drag out fist fighting that superheroes are known for.
    • Spidey sounding like an old man with breathing problems as he shakes his fist and yells "YOU'LL PAY OSBOOORNN!".
    • The much-reused clip of Spider-Man dodging Doc Ock's tentacles in a box-filled warehouse, which even gets trotted out when he's lost his powers, with the show pathetically trying to cover it up by dubbing in the line "At least I still have some of my spider-agility."
    • The show evidently did not have a model or reference sheet for an unmasked version of the Shocker, who never takes off his costume, even sleeping in it while in prison.
    • Norman Osborn switches between his normal voice and the absurdly high-pitched one of the Green Goblin while struggling to keep from being crushed by a statue (with a goblin mask for a face): Need... my... strength... back... Need... my... strength...
  • Never Live It Down: The aforementioned "SHOOOOOOOOCKERRRRRRRR!!!!!!!" scene from "The Alien Costume Part 2." Whenever fans bring the show up in a discussion, it's only inevitable that someone is going to reference this moment in response.
  • Older Than They Think:
    • Spider-Man teaming up with various alternate versions of him from different realities? Forget Spiderverse. Forget even Shattered Dimensions. This show did it first.
    • The Prowler being portrayed as having a criminal record as a thief here comes long before the Aaron Davis incarnation of the Prowler.
  • Replacement Scrappy: Landon for replacing Smythe.
  • The Scrappy:
    • The cab drivers from the episode "Attack of the Octobot", especially Mousie. It's mostly due to their annoying voices and the fact that they were all ethnic stereotypes.
    • Anna Watson, an Obnoxious In-Laws that has nothing but bad things to say about Peter in spite of the fact that Peter was never anything but courteous towards her. It doesn't help that the Anna Watson from the comics was nothing like this.
  • "Seinfeld" Is Unfunny: As fondly remembered the show is and how great it's version of Spidey is, there are many people who believe that the series can feel dated and doesn't hold up much today in terms of quality due to often questionable animation, sketchy character development, and Executive Meddling preventing many stories from reaching their full potential.
  • Signature Scene: For better or worse, Spider-Man screaming ""SHOOOOOOOOCKERRRRRRRR!!!!!!!!"
  • Take That, Scrappy!:
    • Spidey's tirade against Madame Web matched what many viewers felt about her. And she actually doesn't enter Spider-Man's life, at least until the "Secret Wars" episodes. Which she says she foretold about before leaving.
    Spider-Man: I am tired of you... and your riddles. And your lessons! And your SUPREME ARROGANCE! Don't you ever, EVER enter my life again! Do you hear me? DO YOU HEAR ME!?
    • "The Return of Hydro-Man part 1", Peter finally gets sick of Anna Watson's rudeness to him and rightfully calls her out on accusing him of not caring for Mary Jane. She even briefly looked surprised.
  • Unexpected Character: In the Grand Finale, Spidey went to an alternate universe where he met Gwen Stacy, who was unexpected because there was no appearance or even mention of any Gwen Stacy in that series until then. Audiences who knew nothing of comics didn't even understand the significance which Spider-Man hangs a Lampshade on:
    Spider-Man: (thought) Great, Parker, you're engaged to a girl you never even met.
  • Unintentionally Unsympathetic: Harry Osborn doesn't come off too well in this show. He's meant to be a Jerkass Woobie as per usual, but he gives into evil and insanity way too quickly in "Return of the Green Goblin". It doesn't help that in the season before this, he acted spiteful toward Peter for "stealing Mary Jane" from him, as if she was an object he had ownership of, ignoring the fact that MJ broke up with him and then got together with Peter by her own free will without Peter having done anything. And then when he learns that Peter and MJ are getting married while he's getting psychiatric help, he willingly accepts the Green Goblin's help, crashes the wedding, and threatens to blow up the church if MJ doesn't marry him instead.
  • The Un-Twist: The identity of the Hobgoblin, thanks to Mark Hamill's distinctive voice. Even the credits didn't try to hide it!
  • Villain Decay: Many of the villains within the course of the show suffered this. Most glaring would be:
    • Dr Octopus, who became a mere flunky for the Kingpin, even giving up on his plans to become The Starscream shortly after the time he got defeated by a child.
    • Hobgoblin, who was revealed to be nothing more than a petty crook and a wuss in his last appearance. Ironically this is true to the Jason Macendale/Hobgoblin of the comics.
    • And Alistair Smythe, who Took a Level in Badass by becoming a mutant and leaving the Kingpin's services only to end up becoming a flunky for Silvermane in an even less important position than he was as the Kingpin's lackey.
  • What an Idiot!: In "Day of the Chameleon," none of the SHIELD agents present noticed that "Nick Fury"'s eye-patch was on the wrong eye, despite being right in front of them. Spidey was briefly fooled, too, but he noticed after mere seconds and despite being farther away.
  • The Woobie: True to the comics, the sheer amount of crap poor Spidey gets put through over the course of this show, particularly from the second season onwards, is unbelievable.
  • Woolseyism:
    • In the Russian dub, a direct translation of "venom" wouldn't match the lip movements, as well as sounding somewhat awkward. What did they change it to instead? The admittedly cooler name, "Black Death". In later translations his name was translated as "The Death Bringer".
    • Also in the Russian dub, all mentions of "plasma" changed to "blood". Mentions of deaths also were added.


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