Pretty much the entire Fourteenth and Fifteenth Centuries, though in southern Europe this overlaps with The Renaissance. This is the period where chivalry is dying, and Macchiavellian nobles are killing off kings, queens, peasants, and each other with gusto (especially if they happen to be relatives), with recurrences of The Plague generally finishing off any survivors. This is the age of the Dance of Death, The Hundred Years War, the Wars of the Roses, The Spanish Inquisition, the early witchcraft trials, and the vivid paintings of Hieronymus Bosch. It just got as dark and edgy as Dark Age Europe again. Still, a common feature of fictions will be an idealistic character who looks forward to a day when society has left all this mediaeval darkness behind. (This character often is killed.) We can blame most of these attitudes on the Renaissance, and even more on the Enlightenment when the whole 'people who came before us were really stupid' thing really started up.
The typical clothing will include Nice Hats, often of disturbingly complicated structure, and surprisingly low necklines among the women; among the men, yards and yards of cloth in the sleeves and disturbingly high hemlines (Women's hemlines won't rise up until several centuries later). Both generously include lots of fur and velvet, at least among the nobility — and lots of dirt, at least among the peasants. Splotches of blood are a not infrequent addition for both.
Outside certain aspects of the Renaissance, this is generally not regarded as a happy time — and even that period tends to be darkened by poisoning Popes, manipulating courtesans, and murderous feuds among the noble clans.
Tropes associated with this time period include:
- Corrupt Church: The Spanish Inquisition is often portrayed as this, even though it was controlled by the Spanish Crown.
- Deadly Decadent Court: The reason ladies of dubious virtue like Agnes Sorel, Elizabeth Shore, and Vannozza Catanei became powers in the state.
- The Dung Ages
- Feuding Families: For instance, the feuds between the Percys and the Nevilles, and York and Lancaster, which form much of the background of William Shakespeare's historical plays.
- Form-Fitting Wardrobe: The concept of tailoring and fitting started in this era, aided by the invention of functional buttons in 13th-century Germany.
- Historical Domain Character: Of course. Richard III of England and Louis XI of France are favorites.
- The Hundred Years War
- Joker Jury/Trial of the Mystical Jury: Both The Spanish Inquisition and the Vehmgericht vacillate between these two tropes.
- Medieval Morons: Often this occurs in the form of a proto-Renaissance inventor or philosopher being branded as a "witch" or "heretic" by the superstitious, close-minded aristocrats and/or mob.
- Nice Hat: When the tall headdresses, including the famous steeple headdress, were in vogue.
- Pimped-Out Dress: One of the most popular (both back then and as a stock costume now) was a dress with tight sleeves, a v-neckline, and trimming of an extravagant fabric (usually fur or velvet) on the cuffs, hem, and neckline.
- Plot-Triggering Death/Wham Episode: One of the biggest in European history: the battlefield death of Charles the Bold of Burgundy permanently changed the geopolitics of Western Europe. At the time, Charles controlled territory in the Low Countries and France that acted as a buffer between France and the Holy Roman Empire. When he died, it was split between the two and informed much of the conflict between France and Germany for the next few centuries. England was also deprived of its only ally in France, meaning a restart of the Hundred Years War was no longer possible.
- The Plague
Works set in this time period are:
- The paintings of the Flemish Primitives (Jan Van Eyck, Rogier Van Der Weyden, Hans Memling, Hugo Van Der Goes)
- The paintings of Hieronymus Bosch.
- Sir Walter Scott's Anne of Geierstein and Quentin Durward.
- Victor Hugo's The Hunchback of Notre Dame and most of its adaptations are set in late 15th-century Paris under the reign of King Louis XI.
- Justin McCarthy's If I Were King
- Henryk Sienkiewicz's The Knights of the Cross
- Umberto Eco's The Name of the Rose
- Connie Willis's Doomsday Book
- Holly Hoyt's The Purple Widow.
- In The Royal Diaries series, Isabel, Jewel of Castilla, Spain, 1466 is about Queen Isabel (also known as Isabella), before her famous reign during the time of Christopher Columbus.
- The Accursed Kings begins at the end of The High Middle Ages and ends in the beginning of The Hundred Years War, including a short time of The Late Middle Ages before the beginning of The Hundred Years War
- The Bridegroom, a Norwegian story of the dramatic effect of The Plague in rural Norway. As dark as you can possibly get it.
- The frame story of The Decameron is set during the Plague, and was written during this period, so it is very much of this era. However, the stories the brigata tells are uniformly set before the Plague, although they vary wildly in time period (most seem to be set in The High Middle Ages, but there are some stories set in ancient Rome or Greece, as well.)
- Assassin's Creed II
- Europa Universalis games typically begin in this timeframe. Crusader Kings ends in it.
- Medieval: Total War and its remake deal with this period (as well as the rest of the middle ages). The late period is characterized by combat with heavily armored units, but also with gunpowder and early cannons - and prompts some factions to begin thinking of crossing the Atlantic Ocean.
- Some campaigns of Age of Empires II; the "Imperial Age" of in-game development (featuring lots of plate armor and gunpowder weapons, plus a campaign based on Cortés' conquest of Mexico) corresponds to this era.
- Il était une fois... dedicates its thirteenth episode to The Hundred Years War, and logically includes Joan of Arc. It shows her at first as a long-haired peasant girl who introduces herself to the nobles and the Dauphin, then as a short-haired Lady of War adored by the crowds, at the coronation of Charles VII... and at her execution.