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  • The thing in the tunnel in Absentia is most likely one.
  • The Alice in Wonderland (1999) featured "The Crow", which scared Tweedle-Dum and Tweedle-Dee.
  • The Heart of Atlantis in Atlantis: The Lost Empire is a gigantic hovering crystal that feeds on the emotions of dead Atlanteans, making it conscious, or in the words of the King, alive but only "in a way". It is largely benevolent, protecting the city and giving the Atlanteans long life and supernatural powers as well as powering their technology, but will also absorb and potentially kill members of the royal family to protect itself, and is responsible for sinking Atlantis beneath the sea when the King displeased it by using its power as a weapon of war.
  • Bird Box: Despite Charlie calling them demons, the creatures are closer to this. Simply looking at one will drive you to suicide on the spot. The drawings that Gary made of them certainly resemble look quite bizarre, as well.
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  • Whatever it is that inhabits the shrine in Byzantium.
  • The Ancient Ones from The Cabin in the Woods. We don't know much about them, but it's said that their awakening would be the end of humanity, and every horror movie ever made was secretly part of an ancient ritual designed to keep their bloodlust sated.
  • Cast a Deadly Spell climaxes with a cultist trying to awaken a Lovecraftian beastie. Luckily, the needed Virgin Power turns out to have already been, um, depowered. Yes, yes, Incredibly Lame Pun and all that...
  • In the film adaptation of Chronicles of Narnia: The Voyage of the Dawn Treader, the malevolent green mist takes the form of Edmund's deepest fears in the form of a surprisingly Cthulhu-esque sea serpent. Earlier in the film, it's revealed that Edmund and Lucy read a lot of fantasy books, so this could potentially be interpreted as a suggestion that Edmund has read some of HP Lovecraft's work.
  • This trope seems to perfectly describe whatever the eponymous ship from Event Horizon encountered after activating its experimental faster-than-light drive for the first time. Although mainly hinted as being a place rather than a creature, the ship is at one point said to have become some kind of malevolent entity. Quotes such as 'Hell is only a word. The reality is much, much worse.' suggest this trope. At one point, a character gets first-hand experience of what is on 'the other side' and returns catatonic and suicidal, only managing to whimper rather ominously 'I saw things...' Allegedly, a lot of scenes were regarded as just too horrific and were sadly cut.
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    • Allegedly? For your viewing pleasure. Maybe.
    • And who's to say Hell can't be a place and a creature?
  • Galactus gets turned into this in the Fantastic Four: Rise of the Silver Surfer.
  • "Mr. Shadow" from The Fifth Element. Never really explained other than being pure death-bringing evil from deep space. He/it/whatever even returns every so often when the stars are right.
  • The evil room in 1408 is explicitly identified as never having been anything even remotely human.
  • Gozer the Traveller in Ghostbusters (1984), an interdimensional being who seems to have no fixed form of its own. It's taken the form of a "large and moving torb", a "giant sloar", and... the Stay Puft Marshmallow Man. Zuul and Vinz Clortho, Gozer's demonic dog disciples, have magical powers, but aren't quite at the Eldritch Abomination level.
  • King Ghidorah, Godzilla's Arch-Enemy, could be considered one at least in the Showa films and the Rebirth of Mothra trilogy. Sure, he may just look like a three-headed dragon, but considering that he is described as an ancient and powerful monster that travels through space destroying everything it comes across, he has the vibe of cosmic horror.
    • Godzilla himself is this in Godzilla Monster Planet. The film's protagonists spend the entire movie trying to take back the Earth from Godzilla after he and the other Kaiju forced humanity to abandon the planet 20 years before which, due to relativity, turns out to be 20,000 years back on Earth. They finally manage to pull it off - barely - but they quickly learn that what they killed was only a juvenile, and the original is now a 300 meter tall Leviathan that swiftly decimates the survivors in a matter of seconds. What's more, unlike in some previous incarnations, Godzilla's origins are never made explicitly clear, and it's hinted that things like Godzilla have ravaged countless planets and civilizations throughout time and the universe.
  • The first Hellboy film featured the Ogdru Jahad, depicted as a group of ginormous be-tentacled crustaceans inhabiting The Void outside the universe, as well as a tentacled monstrosity (referred to as Behemoth in the supplemental materials, though it was obviously based on the Ogdru Hem from the comicbook) that burst out of Rasputin's body and grew from man-sized to warehouse-sized in minutes.
  • Leviathan, the Greater-Scope Villain of the Hellraiser series. It is a giant, floating black prism that feeds on souls and is constantly shooting an Agony Beam.
  • The film version of James and the Giant Peach preserves the backstory of James's parents being killed by a rhinoceros...broadly speaking. In the original book, the rhino was just a random animal that escaped from the zoo and somehow ate James's parents despite being a herbivore; it was clearly just an excuse for James to wind up living with his abusive aunts, and it was more played for Black Comedy than anything else. The film version, on the other hand, takes...a rather different approach. The rhino in the film is an outright eldritch horror, being a sentient mass of clouds in the rough shape of a rhinoceros, with glowing red eyes and lightning constantly crackling around and inside it. James is understandably terrified of the damn thing, and one of the ways his aunts torment him is by threatening that the rhino will one day come back to get him like it got his parents. Which it does near the end of the film (although fortunately he's able to stand up to it by that point). We find out absolutely nothing about where the damn thing came from; it just...exists, and it's ultimately left unclear whether it's a real entity, a figment of James's imagination, some kind of metaphor, or something else entirely. James lampshades this during his final confrontation with the Rhino:
    "You're not even a real rhino! You're just a lot of smoke and noise!
  • John Carpenter used different permutations of the trope in some of the movies he appropriately called his "Apocalypse trilogy":
    • The titular monster in The Thing (1982) is a Starfish Alien, so bizarre with no definite form that it can't be called anything other than "The Thing."
    • In Prince of Darkness, Satan is described as being such an organism; what we see is some kind of living liquid, contained within a swirling canister, that quickly starts to leak into the ceiling and can take control of humans both by direct contact and telepathically. It's also attempting to bring forth its true father, The Anti-God, of whom we only see a single hand trapped behind the mirror. Both of these are implied to not entirely cooperate with reality, and just Satan stirring within its prison causes the laws of physics and nature within the church to start slipping, with one example being an amateur magician attempting the "make a card disappear" trick accidentally removing the card from existence.
    • The unreal horrors trying to find purchase into our reality through the works of Sutter Kane from In the Mouth of Madness are definitely abominations. The numerous shout outs to H. P. Lovecraft and the Cthulhu Mythos help.
  • The Kamen Rider Blade film Missing Ace gives us Jashin 14, an ancient creature which has existed since the beginning of time whose power is reserved for the winner of the Battle Fight. It's a gigantic creature with four arms and incredible power. That's not even mentioning its role in Kamen Rider Decade, where it takes over the world and forces everyone into 'peace' where violating the smallest rule results in being robbed of your free will.
  • A humorous example; how about that that giant alien at the end of Men in Black? Remember how the alien invader was looking for a galaxy which turned out to be a marble-like macguffin? Apparently, our galaxy is like a marble compared to certain things beyond it. And no one is aware.
  • Dionin, the D'Ampton Worm from The Lair of the White Worm. It seems to be killed easily for an E.A., but it always gets better. It also has a race of vampire Snake People feeding virgins to it so it stays well fed and hangs out underground a lot.
  • The vampire space-ship in Lifeforce fits the definition almost exactly. It comes from across the universe, turns out to be in fact alive, is utterly inhuman (although its servants assume human form for convenience), arrives to consume the planet, and the heroes have no chance in hell of defeating it. They merely manage to contain the destruction it causes, and it goes back unharmed to Halley's Comet to return in 95 years for its next feeding.
  • Most of the hallucinations and creatures in The Lords of Salem fit this description, most notably the antichrist.
  • Whatever it was that was impersonating Freddy Krueger during Wes Craven's New Nightmare. Its description in the film is really vague, except that it's ancient, enjoys hurting people, and can only be contained when a story captures its essence (which Freddy seemed to do). Minus the last part, it sounds a lot like Nyarlathotep.
  • Kagutaba from Noroi: The Curse. A chaotic entity once used as a tool by a village of shamans, it stopped cooperating at some point, forcing the villagers to perform an annual ritual to bind it underground. It has no definite shape (although its influence is felt everywhere), but when it manifests itself physically... well, let's just say it makes for one of the most jarringly scary endings of any film EVER.
  • The tentacle creature from the 1981 film Possession.
  • Although none directly appear in the Japanese version of The Ring, it's hinted that Sadako's mother had contact with such beings due to her psychic powers... and that one may have been Sadako's father, rather than the man who was believed to be.
    • Well, Mr. Towel says he's from the ocean, in any case.
  • Behemecoatyl in Starship Troopers 3: Marauder, the so-called "Bug God".
    • Their creators are even more so.
  • Korrok in John Dies at the End is the source of all the monsters in the film and looks like a giant mish-mash of different animal parts with a giant red eye that is capable of reading minds and absorbing knowledge by eating people. Basically, it's a living computer created in an Alternate Universe where humans have developed Organic Technology (by mating different animals together) in the 19th century, which is why all those creatures look so weird. The during-credits ending implies that Korrok has attempted to invade other worlds as well. This is also mentioned by John at one point that Shitload (one of Korrok's creations) has once taken over a world in a matter of days. We are shown what looks like Earth being rapidly taken over.
  • In the Final Destination series, Death's real form is never seen and it is treated as an inhuman force of nature, its motives in causing such cruel deaths are inscrutible to all beings except itself, and it is so powerful and omnipresent that it can claim whatever humans it wants before directing its attention to some other corner of the planet.
  • In Altitude, the giant tentacle monster (nicknamed "Skythulhu") that lives in the clouds is a terrifying creature from beyond and periodically shows up to eat one of the helpless main characters.
  • The Omega Mimic from Edge of Tomorrow. It's utterly incomprehensible and alien (even the expert can't truly explain just what it is), its motives and reasoning are Blue and Orange Morality at best, and it can control time.
  • The Black Monolith from 2001: A Space Odyssey. Think about it: it's a thing of Alien Geometry, a perfectly-proportional inert black slab that may or may not exist across multiple dimensions. It's unfathomably powerful, capable of uplifting living beings to sentience or helping them Ascend to a Higher Plane of Existence. It operates on a moral code that no mortal being can comprehend. And it's either incapable or unwilling to directly communicate its intentions to humanity. Although it's more benevolent on the whole than most examples, strictly speaking it does qualify.
  • Found-footage movie Borderlands is marketed as and initially appears to be "Paranormal Activity in a church". As the movie progresses it becomes clear that it's much more Lovecraftian than anything, with an Apocalyptic Log, murals of something inhuman that feeds on children and a tunnel that turns out to be a huge organic orifice for something huge, unseen and hungry, that painfully devours the main characters.
  • The animated film The Secret of Kells has Crom Cruach, a massive, Ourobouros-esque serpent, made of light, referred to as The Dark One, a being who's eyes can reveal unfathomable patterns and knowledge. It's beaten by a boy with a piece of pink chalk.
  • While one of them is used as the page-image above, the creatures in The Mist are only borderline examples; they are very lethal, both to each other and to humans, but they are ultimately biological entities that can bleed and die. One possible exception being the Behemoth, as no creature of such size could exist in Earth's gravity and atmosphere. It would be unable to move, and suffocate under its own weight.
  • The Marvel Cinematic Universe wasn't going to be a stranger to this trope for long, specially once its cosmic and magical sides started being expanded. Thankfully, the setting subscribes to Lovecraft Lite so there're ways to trick, coerce or even kill them.
  • The entity in Resolution is never shown, reaction shots indicate that it's tremendously horrific and large (and pretty much appears out of nowhere), and it can apparently change reality at its whim including creating recordings of events happening in the past, present, or current future.
  • "Calvin" from Life (2017). Not only his biology is, well, strange but is theorised to be responsible of the extinction of all life in Mars and grows more strange, intelligent and sadistic as it assimilates every living thing it can catch.And, at the ending, is likely it will be responsible of the extintion of humanity.
  • The gigantic entity that lurks below the mysterious radio station in AM1200. The viewer can only catch a glimpse of a single eye and a hungry, gaping maw.
  • The Angel of Death from The Prince of Egypt, the last and most horrifying of the plagues of Egypt. It appears as a mass of glowing smoke that emerges from what appears to be a dimensional portal and kills the firstborns of Egypt with a touch that steal away their breath.
  • The Void: Discussed by Powell. Some amoral entity from the other side gave him the means to bring people back from the dead, though certainly not the way they wanted. But while the tentacled monsters summoned from the Void are certainly creepy, the actual godlike Eldritch Abomination is revealed at the end to be a giant floating pyramid (the symbol of the cult), or at least that's the form that Daniel and Allison perceive it as.
  • Forbidden Planet: The 'monster from the id' manifesting the unconscious evil desires of a vanished race as an ephemeral, super-powered crab-like plasma thing.

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