A comic book geek and the first main character to be introduced. Works at a call center, but has ambitions as a comics artist.
Accidental Pornomancer: Gary's sex life is non-existent for a long time and then sometimes patchy, but there are points in the series when he's having non-standard forms of sex (mostly oral, performed by himself) quite frequently, even if he's not getting the standard types. At other times, he's getting regular sex, but the circumstances have elements of weirdness. He sometimes performs grudgingly, under a degree of duress, or even as a result of trickery, or freaks out over the stranger elements. At times, various women become determined to sample his cunnilingual abilities and willing to resort to dirty tricks to get them; Gary himself is generally either unaware of such intentions to staggering levels of obliviousness or lacks any sort of backbone to resist them.
Adorkable: Very much Gary's image, as is clearly intended by the writers, who give him a figure that's more slim than skinny, glasses that aren't quitenerdy, and so on. When he walks in on Matt and Senna having sex, and promptly throws a massive double-take at the sight of Senna's transsexual anatomy, Senna's reaction to him is "What a cutie!"
Ascended Fanboy: Gary starts the comic as a geek working in a call centre, with dreams of a career in comics art. He eventually gets some encouragement and training from his artistic idol, though that plotline fizzles out. Then, he swings a job interview with a videogames company. (In both cases, although Gary seems to be quite talented, the key is who he knows, not what he knows.)
Attention Deficit... Ooh! Geeky!: While Gary isn't exactly depicted as suffering from ADHD, even in the Hollywood form, he is painfully geeky and thus distractable by the right stimulus. For example, he almost gets sidetracked from the urgent pursuit of the dangerously berserk Yuki by the impulse to check out the latest batch of comics in a shop. Later, he is in Paris for the first time, with a beautiful woman on his arm; he's supposed to be an artist, and his companion is talking about visiting the Louvre or the Pompidou Centre; so naturally, he gets distracted by a video games shop.
Yuki's attempts to deal with her attraction to him, when she considered herself a lesbian, make Gary into a distinctly attractive woman inside her head.
And after DiDi's Wrong Name Outburst, Matt ends up visualizing her as a bustier gender-flipped Gary (though technically, that was someone with DiDi's body and Gary's face). Matt then goes on to similar experiences with the much less busty Kiley.
Beautiful All Along: Gary is initially presented as a gawky geek, verging on nerd — but that's never really convincing. He evidently has a metabolism that can keep him slim despite his geeky lifestyle, which gives him, to quote Dillon and Zii, a great ass, and he can dress up as Nightwing without having to fake the physique, chin, or really anything. It never seems very strange that various women and gay men fall for him. The only thing he really has against him is his pretty awful posture.
Blessed with Suck: It sometimes seems as if a passing fairy godmother read Gary's thoughts some time around when the comic started, and granted his wish to have attractive women want him. It's not an explicit superpower, but that's increasingly how things work for him. Unfortunately, Gary evidently neglected to wish for the personality or willpower that he needs to deal with the consequences of his good luck, and the women include a violent phallophobe, a narcissistictranssexual, and the desperate DiDi, among others. Around the time that the ruthless dominatrix guest star puts herself on the list, it becomes clear that Gary should have been more careful what he wished for.
Butt Monkey: Gary's misfortunes sometimes seem to be the comic's main source of humor, but this trope is eventually averted by stages.
He has his small successes even early on, such as Lita (Zii's cat, who hates everyone) liking him (not a great triumph, given his allergies). He scores a well-deserved victory over Zii when she thinks she's broken his ultra-rare classic Transformer model, and he gets her to promise to watch every Transformers episode with him before revealing that "Precious Overlord" is in fact not broken at all.
In fact, for all his misfortunes, Gary leads an increasingly interesting life from the first strip onwards; his big problem may simply be an inability to capitalise on his moments of good luck. For example, his favourite (ex-)porn star Amber becomes interested in him sexually, but then manages to drive him off thanks to his inability to handle her confusion about his exact sexual orientation. Likewise, he eventually has two attractive women competing for his attentions — but neither pays any attention to any ideas he may have about the matter.
In due course, he loses his virginity and has a couple of short-lived but not tragic relationships with women. The June 4 2013 strip, number 750, the last of volume 5 (NSFW), perhaps marks the point beyond which nobody can classify Gary simply as a butt monkey. Having vanished, a little worryingly, from his apartment, Gary turns up in Paris, in the company of a naked fashion model, looking understandably fairly cheerful. It turns out that this situation has its complications, but at that point, Gary really is doing rather well. Meanwhile, most of the rest of the cast are suffering break-ups and traumas.
Which said, he does still suffer occasional uncomfortable incidents, even on that trip — as in this strip from Sandra on the Rocks. But everybody's life has its ups and downs. When that volume ends with Gary reflecting on his upcoming interview for his dream job, then getting a direct sexual offer from his favourite porn star, the trope appears to be buried deep with a stake through its heart.
Can't Get Away with Nuthin' : Gary's condition for a good part of the series. Any little mistake, naughtiness or speaking up gets back to bite him in the ass. Even seemingly good developments end up having overwhelming downsides. However, see the notes on "Butt Monkey" above.
Character Development: It's a debatable point how far Gary demonstrates this and how far he averts it. He does get a little more confident around women — well, he stops passing out in attractive female company — and he eventually gains just enough confidence to terminate an unwise date with Senna when the situation goes far enough and he has an alternative way to get home. But he remains aggravatingly passive and almost wilfully socially inept over many hundreds of strips.
Classical Anti-Hero: Gary probably rates as the comic's primary protagonist, but he's rather feeble and lacking in confidence, verging on downright passivity, with a tendency to collapse under pressure. Some of his traits make him a texbook loser anti-hero, at least at the beginning of the story: Menial job, check. No girlfriend, check. Still a virgin, check. Passive, check. Defaults he didn't display are cowardice (though he doesn't show much bravery) and laziness (though he's not exactly dynamic).
Clueless Chick Magnet: He ends up having most of the comic's female cast after him at times (and some of the males, too).
The Ditz: It's very intermittent, and mostly happens for comedy purposes, but new experiences such as air travel or alcohol can trigger downright ditzy behaviour from Gary.
Even the Guys Want Him: Partially through looks and partially through being a nice, sensitive person. (Though the guys in question are gay or bi.) Which makes his virgin loser status all the more boggling as he accumulates his harem of interested parties.
Expressive Hair: His single loose lock can flop down or stand straight depending on his mood; it may qualify as low-key Idiot Hair.
Expy: Given the comic's clear influence from Archie Comics, Gary, the amiable but gawky and rather (socially) clumsy male who frequently somehow finds himself torn between two (or more) attractive women, and sometimes ends up in a Lover Tug of War, can be seen as a loose expy for Archie Andrews. However, Gary is older, and does get laid.
Extreme Doormat: He's constantly pushed around, and almost never even tries to take the initiative. Eventually, in strip #795 (September 24, 2013, NSFW), the keen dominatrix Tatiana, guesting in a crossover with Sandra on the Rocks, more or less lampshades the trope, identifying him as "the perfect sub" within about five minutes of meeting him.
Tatiana: (thinks) On top of everything, he's so spineless. It's like he has no will of his own.
Flanderization: Though Gary becomes far more experienced with women than he is at the beginning of the comic, his negative traits seemingly become worse instead of better over time. In the beginning he would occasionally show an ability to handle unexpected situations (such as being able to make up an excuse for Zii when his landlord overheard that she was unemployed) and sometimes demonstrated flashes of insight. But as time goes on, his passiveness and obliviousness are turned up to the point where it can sometimes feel like there's nothing more to his personality.
Though this may be a side effect of him getting more sexual experience. Sex makes Gary clueless; he can show mental agility when no sex is involved. As his experiences become more likely to involve sex, they're less likely to show him at his best.
The Fool: His Unlucky Everydude qualities seem to fade into a weird sort of luck over time. He eventually, at various times, has his dream girl and a physically gorgeous rival willing to compete in a sex contest for him, has both his female roommates nearly willing to have sex with him, and accidentally transforms a kissing technique into an oral sex technique which gives three unmatched orgasms to his favorite porn starlet, while he isn't even aware of what he's doing. He eventually even has sex, with more than one attractive woman. The joke is, none of this does him much good — because he's still Gary.
Freudian Excuse: Not that he's a villain, but it's an excuse for his character flaws; he claims in an early strip that his virginity and social incompetence are a result of severely repressive ultra-religious parents, plus cock-teasing female contemporaries in his teenage years. (And soon after that, he finds that he's living with a virtually professional cock tease and a very talented amateur, and lusting after a girl with penis-phobia. Um...) However, this is never mentioned again, and his behavior looks far more like simple, if extreme, geekiness, than religious repression or guilt, so it may just rate as Early-Installment Weirdness.
Gag Penis: He has one, at least according to DiDi (she and Zii once undressed him and put him to bed after he fainted); when she learns that he's a virgin, she exclaims: "His star power! Quel gáchis!"note French for "What a waste!" None of the women who actually have sex with him comment on this, though; the fan consensus guess seems to be that he must be very adequately but not excessively equipped.
Geek Physiques: Averted. Initially, Gary may appear to suffer from the thin version, but it soon becomes clear that most women (and gay men) who meet him admire his butt and consider him quite cute and his sexual inexperience a sad waste. Despite his failure to take any kind of detectable exercise, he's slim (with occasional bad posture), not skinny.
Hollywood Dateless: Gary's shift from virginal and genuinely dateless, through socially clumsy and still virginal but attracting the attentions of several attractive women and going on dates with some of them, to fully sexually active (if still socially inept), was so rapid that he gave the impression of fitting this trope, although it never really fitted him.
Informed Attribute: To some extent, Gary's niceness is more asserted than visible to the audience. He's mostly harmless, and sometimes tries to do the right thing by other people without being asked, but his sheer social incompetence means that he sometimes causes pain to people around him. He doesn't know that he's doing so, but then, he doesn't put any visible effort into learning better.
Informed Flaw: Gary sometimes claims to have deep-seated psychological problems. It's not clear whether the writers intend this to be taken at face value or seen as self-pity, but the worst things that readers actually see are his nosebleed problem (largely cured over time), some poor social skills, and his geeky personality.
Lampshade Hanging is not a common feature of this comic, which avoids being overly self-referential. However, the writers perhaps made an exception for Gary. His spineless inability to say no to anyone had long become obvious, but it wasn't clear to some readers whether this was a point of conscious character design or just a weakness in the writing. Then, in strip #795 (September 24, 2013, marginally NSFW), Tatiana looked at him and identified him "the perfect sub", with no detectable will of his own.
Liquid Courage: An accidental example. Senna takes Gary on what turns out to be his first-ever 'plane flight, and he becomes very nervous. She suggests that he has a drink, and the normally teetotal Gary accepts, asking for something non-alcoholic to rehydrate himself. Senna, not listening, gets him something alcoholic, and he likes the taste and asks for more. He gets over his nerves, not only enough to survive the flight but also enough to join the Mile-High Club with Senna.
Loser Protagonist: Gary has some of the attributes of this trope, at least at the start of the story. He slowly gets better, and it seems that he has enough talent, intelligence, and peculiar natural gifts to be more than a loser, but his big problem in this respect is his passivity, which the writers don't seem willing or able to have him shed, and which stops him from realising that potential.
The Makeover: Attempted but ultimately averted for Gary, for practical purposes. After promising to help him get laid, and then getting a minor hold on him, Zii takes Gary shopping for cooler clothes. This attempt at a makeover takes place in the bonus strips to volume 1 of the print collection of the comic — i.e. off-stage to the online comic, although some of the effects are alluded to in passing. However, none of it seems to stick; Gary carries on wearing the same jeans and t-shirts as ever in later strips, even when hanging out with fashion models. Given his physical discomfort in the ultra-tight pants, Gary probably considers the whole thing a male Cosmetic Catastrophe.
A Man Is Not a Virgin: Part of his self-esteem issues. The irony is that once he apparently resolves this, his problems are only just beginning.
Nature Abhors a Virgin: Somewhat played with in Gary's story. He admitted his unhappy virginity early on, and if the trope applied, that made him having sex eventually inevitable. However, ensuing complications in his story convinced some readers that he'd only get laid at the end of the comic's run, with the trope thus averted until that time. Then, almost out of the blue, he had sex, seemingly playing the trope straight. And yet little else about him changed.
Nerd: Gary has many of the classic attributes of the trope, although he wants to get rid of some of them. His nerdiness ends up modified by various sub-tropes, though:
Lovable Nerd: This appears to be his plot function at first; Gary is sweet, battered, and probably deserves better than the hand life dealt him. Over time, though, the trope is deconstructed, or at least Gary's lovability proves debatable; his luck changes (especially with women), his problems seem to be his own fault as much as anything, and while he's nice enough, he proves to have definite flaws.
Give Geeks a Chance: As the comic progresses, Gary is increasingly a subject of interest to many of the attractive women around him — despite him still being much the same socially inept geek as ever. However, this interest doesn't always fit the standard version of the trope; not many of these women like Gary for his geekiness, although some of them are taken with his cute nervousness. They are generally more likely to be interested in the supposed glamour of him being an artist, or to have heard about his skill at cunnilingus. However, his (rather passive) kindness and good nature may make him promising "boyfriend material" for some.
Hollywood Nerd: He was always a bit adorkable, being slim and nervously amiable rather than really unattractive, and he underwent a fairly rapid transition to something of a Mr. Fanservice. Given that he bears a striking resemblance to Dick Grayson in geeky glasses (he even fills in as Nightwing at a play), and that even Zii admits that he's attractive, this may be entirely deliberate character design. And his glasses are probably slightly too well-chosen to be considered really nerdy.
Nerds Are Sexy: Pretty much everyone in the comic agrees that he's cute, with a certain dorky nice-guy charm, and some characters are specifically attracted by his nerdy or geeky features, such as quiet obligingness and interest in manga (Yuki) or obvious stammering inexperience (Senna). However, his terrible luck, passivity, awkwardness, and uncontrollable geek reflexes ruin or endanger many of his chances.
Nice Guy: He does have his flaws, but he's still a genuinely nice (if passive) guy, probably the most consistently moral major character in the comic. In his relationships he generally put the other person first, even at the cost of his own happiness and satisfaction.
Gary's niceness also features strongly in the crossover with Sticky Dilly Buns. Some readers assumed that he was being set up as that previously-absent competition for Pierre as Sandra's romantic interest, but then he went home — albeit with a goodbye kiss that left that ship just about afloat.
Nosebleed: Sexual situations initially cause him violent nosebleeds. He mostly gets over this a few hundred strips into the story.
Older than They Look: He's almost 30, but doesn't look a day older than the rest of the cast, most of whom are apparently in their mid 20s.
This Loser Is You: As a comics-and-anime-loving geek who's also the primary protagonist of a webcomic, Gary seems set up to be the character with whom many readers will identify. But he's also passive, pliable, severely short on confidence, and at the start of the story at least, a 29-year-old virgin, while being surrounded by cooler characters. The writers don't actually seem to have that cynical a view of their audience — Gary has his good points, and the comic isn't entirely seen from his point of view — but geeks who identify with him too much may end up feeling rather teased.
Unwanted Harem: Gary moves quite rapidly from frustrated girlfriendless virgin to subject of interest for multiple women (including frustrated Amazonian sex goddess DiDi, deranged otaku fantasy Yuki, misled gorgeous dim-bulb Sonya, super-high-maintenance Senna, Amber the swirly-loving porn star, and model and geek idol Sandra), few of whom are keen to share him, and his inexperience and haplessness leave him ill-equipped to handle this. His oral skills cause much but not all of this trouble; he tends to go with the flow rather than doing much about his problems. See the discussion of this trope on the Main Page for details.
Quite early on, one of his co-workers mistakenly but understandably thinks that Gary has a full-scale harem...
"Punk rock chick. Big-Breasted amazon who gives tons of assplay. Japanese Nympho. Gary is the luckiest guy on the face of the earth."
...and when things get even more interesting later, the same co-worker is seen eavesdropping Gary's telephone conversations with fascination.
Virginity Makes You Stupid: Sexual naivety is one of Gary's defining features. As a major example — one would think that he could tell the difference between kissing a man and cunnilingus even when blindfolded. (He does, to be fair, eventually catch on to the fact that he can hear Amber talking clearly and moaning some distance away from where he thinks "his" mouth is.) However, he doesn't get much sharper when he does eventually get laid; his problem isn't virginity so much as it's being Gary.
Yank the Dog's Chain: Gary and Kiley really hit it off when they meet, and it looks like Gary might actually have a meaningful relationship with someone who respects him. But it doesn't last; it seems, at that point, that Gary is just not allowed to be happy. Though many of Gary's problems can be said to be his own fault, that one wasn't.
You Need to Get Laid: Gary's entire story throughout the comic is a subversion of this trope. At the start, he wants to get laid, and his friends generally agree that, yes, that'd be good for him — though they tend to have their own ideas about details. Then, after hundreds of strips, he not only gets laid, he has multiple women interested in him. It introduces a whole new set of plotlines, but it makes no detectable difference to Gary's personality. He's mistaken a symptom (virginity) for the problem (his marginal social skills).
Suzi "Zii" Nielsen
An originally bandless rock guitarist who is not ashamed of herself. She is bisexual, has a penchant for yaoi and is certainly not afraid to take the chance if it presents itself. She also enjoys comics and has a cat.
Attention Deficit... Ooh! Kinky!: She's not normally overly distractible, and is only mildly hyperactive sometimes, but sexual temptation can obliterate Zii's self-control, and even the mere sight of two cute gay guys making out can throw her off track. For example, when she tries talking Sonya into patching things up with her boyfriend, Zii makes an honest effort despite Sonya's attempts to come onto her, until Sonya mentions the kitty costume she wants to wear for Zii, and also the bunny one. So much for that... A much later strip where Zii abandons Sonya in mid-cunnilingus on receipt of an offer from DiDi would be another case in point.
Badass: In one guest strip, she claims to have once done it with live tarantulas on her boobs. Why? Because it's badass!
Berserk Button: Internet trolls and being called a dude based on her appearance have both set her off.
Butt Monkey: Not on Gary's level (before fortune finally started to smile on him), but a twist in the plotting certainly turns events against Zii for at least a while after he starts getting more random good luck.
First, after a drunken night out, she ends up participating in a lesbian orgy, despite the fact she's in a relationship with Erik. That wouldn't be bad luck; Erik walking in on the scene would. He dumps her, and Zii is desolated for a while (not to mention he was her band's manager before that).
Then, due to Gary being in Paris courtesy of Senna, Zii's lesbian urges for DiDi and her bodacious Amazon body shoot through the roof; it seems that they were somehow kept in check with Gary around. This leads to some tense situations between the two ladies. Add lingering feelings for Sonya, with Peggy pulling the sort of long-term seduction scheme on her behalf that Zii can only claim to manage, and Zii ends up calling in Amber for sexual tension relief; Amber comments just how tense she is.
Gary returns from Paris and cheerfully recounts his adventures to Zii. This actually rubs her up the wrong way, as she's used to Gary having things not go his way, and he can no longer serve as a sexual-emotional damper in the apartment.
And then, one's band playing their first gig against an old rival is bad enough; it's even worse when one's ex is their manager. Zii is really beginning to feel down by now... Though her own band's triumph in that competitive gig pulls her back somewhat. Now she just has to stop her drummer and her bass player from killing each other.
The Casanova: She's a female version, having quite a knack for seducing presumably straight women into lesbian encounters. She's been with many of the female characters in the comic, with DiDi as the only major character who seems to be (unknowingly) immune to her seduction techniques. She's been with a lot of men, too, but since All Men Are Perverts that doesn't really count.
Cat Girl: Noticing the effect that her new work outfit has on Gary, she decides toplay it up a bit — with mixed results. Perhaps more significantly, Sonya finds the effect irresistibly cute. Later, Jung incorporates the ears from that outfit into the stage costume that he designs for her — and Sonya is affected once again.
Cat Smile: Appears occasionally, when she's got something to be pleased about.
Cosplay: One of the requirements of her job at the comic shop is that she models Jung's cosplay outfits. (This isn't actually in her contract of employment, but any time Jung gets the upper hand over her, he may require it.) Jung also ends up designing her band's stage costumes, though Zii insists that these must be original, not cosplay designs.
Character Development: Over time, she has displayed a more morally complex personality, taking umbrage at being offered up by someone else for a threesome and being genuinely supportive of Gary and Kiley's brief relationship. Her romantic attachment to Erik was certainly a surprise to her, too. This in turn may mean that she can find her past behavior embarrassing, though she mostly seems to avoid thinking about that.
Face Palm: When she realizes Yuki and Sonya are about to restart their rivalry.
Fallen-on-Hard-Times Job: Suffered by Zii in distinctly distorted form, as her need for an income obliges her to take a job as "counter candy" in a comics shop, being "ogled by geeks" as she puts it herself. This hard-times job even comes with its own version of the traditional humiliating uniform, as seen here.
Informed Attribute: Zii is repeatedly described, by herself and others, as a "punk rock chick", and yet is never shown listening to punk music. All the music she is shown listening to is metal or classic rock, despite the fact the two scenes generally don't get along. This veers into Critical Research Failure. Her t-shirts, on the other hand, hint at a somewhat wider taste: she's been depicted with The Ramones, Melvins, Jet, Cheap Trick, Sloan, Blondie, and White Zombie t-shirts, among others. Ironically, though, Yuki may have been depicted wearing more punk band t-shirts than Zii.
Jerk with a Heart of Gold: She is definitely one of these no matter who you ask. Most of her previous jerkass tendencies tend to slowly evaporate through the course of the story — though booze can reset her to her start condition.
In early strips, Zii suffers dramatically little or no comeuppance for some of the sleazy things she does, such as leaving Gary handcuffed to a man-hater who thinks he's a rapist, or barging in on a naked Gary with a camera. She seems to be immune to either consequences or real misfortune. For example, in this strip, she initially seems to be at least discomfited — but in the next strip she's making out with the waitress (Sonya).
Some of her actions do have consequences, but they are never reliable and rarely proportionate, and tend to be Played for Laughs or used for fanservice, like her first experience with "show-accurate" cosplay. One escapade lands her an attractive, intelligent, sensitive and rich boyfriend she admittedly isn't prepared for. She is also supposedly forced by Gary to watch the entire G1 Transformers series. How much of a punishment that constitutes is a matter of interpretation.
However, things get much more complicated later, as her actions sometimes come to have serious consequences, notably her relentless pursuit by past conquest Sonya. The culmination of this is a drunken night out which leads to her acting a little too much in character, which in turn caused her a really quite painful disaster. Nor is she let off lightly after that, as Peggy, actually performing the kind of manipulation that Zii boasts about but never really accomplishes, gets deep into her head with an Operation Jealousy scheme that leaves Zii stunned and traumatized (and sexually frustrated).
It sometimes seems that sex just happens to her — not to mention that at one time, everywhere she went there always seemed to be a gay male couple making out for her to watch. However, her habitual pursuit of sex has earned her serious consequences on occasion, such as infatuated former lovers, or a musical colleague turning into a bitter rival after they caught her with their boyfriend.
Pride: Zii is smug about her skills at seduction, but isn't always prepared for the consequences. She also tells Gary that she's a genius at hooking people up, but her attempts to improve his love life are intermittent and not especially impressive.
Sex Goddess: With all the practice she gets, it'd be hard for her not to be good at sex, and the results do sometimes seem to verge on the supernatural. How good? Well, sleeping with Amber inspired the latter to choose a career in porn just for the sex. One of her ex-lovers said that she made him feel like the most desirable person in the world, and it does seem that the psychological effects of her enthusiasm are a big part of her secret.
Ship Tease: Gets a few with Gary, mostly early in the comic's history.
She's always naively inconsiderate, however, and as the comic continues and her sexual frustration increases, she becomes more and more selfish and obsessively, increasingly averting the trope.
Blessed with Suck: DiDi's sex appeal is so extreme it verges on being a super-power — and not an entirely positive one. No man who has sex with her is capable of lasting long enough to bring her to orgasm, and her gorgeousness may have warped her entire life and personality; men all lust after her, most women envy her or worry about the way their partners look at her, and she's never developed proper social skills.
Boobs of Steel: She's so strong, that it was originally suspected that she might be a drag queen.
Buxom Is Better: She has enormous breasts and is considered supremely attractive by everyone in the strip.
The Ditz: She seemed quite together, if a bit naive sometimes, to begin with — but that naivety, plus nigh-autistic social incompetence, sometimes leaves DiDi looking very ditzy.
Feminine Women Can Cook: DiDi may not have all the traditional attributes of ultra-femininity, but she's very, very female, and she's a keen and highly competent cook.
Flanderization: DiDi's sexual frustration becomes more and more prominent over time — though this may be considered a matter of Character Development, as she is becoming more desperate.
Flat Character: Somewhat averted. Her point of view is shown only rarely in the comic, and she is generally treated as somewhat other, but she sometimes seems to have more going on than just the rather flat window dressing — she's very athletic, her sense of humor shows hints of being decidedly twisted, and she has a passion for horror movies. Her slide into obsession over her orgasm deprivation also adds a little complexity.
Friendless Background: In a subtle and strange way, DiDi manifests this trope at the start of the comic, despite having a list of boyfriends so long that she can't keep track of it. Her problem is that she treats those men as disposable and interchangeable, and she says herself that she has few or no female friends — presumably, although she may not know it herself, because she makes other women insecure, jealous, or intimidated, and would distract their male friends too much. She's sweetly grateful when Sandra calls her a friend, she does become some kind of friend with Zii and to a lesser extent Gary thanks to sharing an apartment with them, and her relationship with Matt starts as friendship before getting complicated. But she always has problems with social relationships.
Gag Boobs: Although DiDi's voluptuous bust is mostly used to signify her near-supernatural sexual desirability, it also gets used for straightforward jokes from time to time, from her very first appearance onwards.
Good Bad Girl: Her (initially) sweet and wholesome personality can make one almost forget that she has a list of ex-boyfriends and casual sexual encounters so long that she can't keep their names straight.
The Ingenue: DiDi verges on this type, at least to begin with, despite being far from virginal; she has a genuinely sweet, naive nature.
Innocent Fanservice Girl: DiDi just never seems to have acquired much of a nudity taboo. She enjoys the sun on her skin, goes in for a lot of sweaty work-outs in skimpy garb, and sleeps (and indeed lounges round the house) in minimal babydoll nighties if she's not simply naked. Given her figure, the results are often dramatic. She isn't entirely unaware of her effects on other people — nobody could be that stupid — and she knows that nudity taboos exist, but she can be terribly forgetful sometimes.
Lack of Empathy: In one, very specific area. DiDi has zero regard for the feelings of her boyfriends; one of them outright says (after DiDi cancels a date with him by text message) that she doesn't understand that they have feelings. Oddly enough, most of the rest of the time, she seems rather soft-hearted (though in a rather shallow way), except when distracted by her hunger for an orgasm.
Long Hair Is Feminine: DiDi's quite impressive mane is all part of her ultra-feminine package. She had to be dissuaded from cutting it off when she thought that she might be a lesbian.
Never My Fault: Some fans began to suspect that DiDi's problems with climaxing weren't necessarily because her partners were lousy lovers, but because she never properly communicated with them and because she has a poor concept of foreplay. Her encounter with Peggy pretty much confirmed this, while reinforcing past hints that there might actually be even deeper problems.
Sex Goddess: Subverted. Everyone finds DiDi insanely desirable, to the point that her male partners tend to suffer from premature ejaculation and experienced bisexual women can be quite intimidated by the idea of sex with her. In many ways, she could pass as a downright mythical goddess of love and sex. But it doesn't seem like she's actually especially good at sex, technically speaking; she's never had to be, and she lacks the empathy that she really needs for the purpose.
Supreme Chef: Zii insists that she get the other spare room in the apartment on learning that she can cook (Zii and Gary can't), and the appeal of her breakfasts and her general competence in the kitchen become a minor plot point from then on. She may not quite hit true supreme chef levels, but she's clearly very good.
Took a Level in Jerkass: After deciding that she was straight after all, DiDi became noticeably more immature, bitchy, and self-centered. Oddly, she went from being the nicest girl in the cast to (for a while at least) the meanest right around the time that Zii took a stab at being more responsible and a bit less selfish, making it seem like they switched roles. Mostly, though, this seems to have been a product of DiDi's increasing sexual frustration, and her attitude seemed to be more crazy than evil, so her level in jerkass may yet go away again.
Gary's other former roommate and Dillon's boyfriend until Dillon caught him with a woman. Matt is an underwear model, and a bisexual with a mild taste for kinky sex, with above-average emotional intelligence by the standards of the comic.
Gag Penis: Senna implies this (in Portuguese), although she's maybe engaging in routine compliments at the time, and Dillon hints once or twice that Matt is fairly impressive. However, neither of them makes ... that big a thing of it.
In Harm's Way: Matt originally seemed to be merely a compulsively promiscuous sleaze, but it eventually became clear that his real problem is an addiction to danger in his sex life. This can explain his inability to stay faithful to one person, and why he never locks the door while having sex in the living room; in both situations, he maybe wants the chance of getting caught. It may also serve as an even deeper reason as to why he cheated on Dillon; by not telling Gary about their relationship over the course of those three months, they created an ongoing risk of Gary catching them in the act. So once Gary found out, Matt cheated on Dillon for a new thrill after the old one was gone. He certainly remembered the sense of danger from his first night with Dillon with pleasure. And he reacted to several minutes of very real danger of having his genitals maimed by Yuki, which had left him hyperventilating in fear, by engaging in enthusiastic animalistic sex with Kiley (who had put him in that danger in the first place). Apparently, risk really turns him on.
Jerkass: In the opening strips, Matt and Dillon completely shake up Gary's life, getting caught by him having sex in the living room, destroying his work table by having sex on top of it, and not telling him they are moving out until the last possible second, then leaving "just in case some of the strangers they invited over are axe murderers". And yet Matt outstrips Dillon handily — not only cheating on Dillon with Sandra, but then seducing Dillon while on a date with her, then when the whole night goes to hell for pretty much the entire cast, winding up as the middle of a sandwich, with two of Dillon's cast-mates (one female, one male) as the bread. And he admits it, at least to himself. Later reactions to people who imply that he's a good guy show that, for all his flaws, he does at least have some self-knowledge.
Jerk with a Heart of Gold: He's generally been a pretty good friend and decent person in any context that doesn't require romantic monogamy — and when he realizes he's a douche-bag in that area, he apparently stops trying to get into serious relationships for a while, in lieu of being with people who are as casually sexual as he is. His relationship with Kiley may involve him getting a bit more serious again, and maybe even trying to do the right thing by her; that remains to be seen. He's also smarter and more empathetic than most of the cast, allowing him to be a useful friend; during a guest appearance in Sticky Dilly Buns, he handles an encounter with a disguised Ruby with some grace, seeing through her disguise but playing along and guiding her out of an embarrassing situation.
Karma Houdini: After cheating on his girlfriend with his ex boyfriend (who is ex- because of him cheating with the aforementioned girlfriend), and having it all blow up in his face, he still manages to get himself into a threesome. Frankly, the Ménage à 3 universe really doesn't do karma very much, at least in this comic; see the discussion of the topic on the comic's main page.
Pet the Dog: Despite the fallout with Dillon, he has a good friendship with Gary. He even consoles Gary when Gary doubts his heterosexuality, and helps him decide that he isn't gay. His treatment of Ruby during his guest appearance in Sticky Dilly Buns also brings out his kind-hearted side.
Jung even appears to be immune to DiDi — he's the only major character who has never shown any attraction to anyone as of yet, and even when DiDi kissed Zii, he was shown in the background ignoring them, looking smug, and counting money.
Also, when Yuki went on her rampage, attacking every man she encountered, she completely ignored Jung's presence — though that may have been because he was behind the counter and out of range.
He may be Married to the Job; at the very least, he seems more into comic books than anything else.
Then again, we get shotslikethese. He even designed that personally. Some readers sense a Covert Pervert there. Though of course, a man can be a little perverse in some areas but still be totally uninterested in sex as such.
Alternatively, Junghan could just be a regular guy with a normal sex life. He might only appear asexual compared to everyone else.
Big Eater: Early on, he mentions he can't move out of his mom's basement because the food bills alone would bankrupt him. In his subsequent appearances, he is often shown consuming some form of snack food.
Caustic Critic: Subverted; he originally wasn't even going to consider that Dillon's play would be any good, but when he ends up really enjoying it, he writes an extremely positive review, making the play a success.
Only Sane Man: As close to it as anyone in this series can probably get. Justified since he's also The Stoic: the closest he's ever come to strong emoting is smirking, which appears to be his substitute for chuckling.
Zii's ex-girlfriend and Stalker with a Crush. Has a complex about phallic tentacles and, thanks to this, Does Not Like Men, even though it seems that she's attracted to them on some level. Yuki is a wannabe manga writer who used a mixture of blackmail and Gary's crush on her to get an artist for her work; she is also a competent drummer who works with Zii on occasion.
Age-Inappropriate Dress: A borderline case. Yuki is a twenty-something woman who dresses to emphasize her undeniable innate cuteness. Her style might be considered a bit less strange in her native Japan than in Canada.
All Take and No Give: The benefits of her relationship with Gary are extremely one-sided. It pisses Amber right the hell off. Yuki does eventually realize this and break up with him.
Character Development: Trying to get over her penis-phobia has the effect of making her a nicer and less violent person. Not necessarily nice, or non-violent, just nicer.
Cloudcuckoolander: She's very impulsive and just all-round strange, in an egocentric way, seeming to see herself as the heroine of a romance manga. For example, when she wakes up in bed with Sonya (for reasons on which neither of them are actually clear), she accuses Sonya of taking away her "precious innocence", despite the fact that, as Sonya points out, she's been sexually active for years.
Clingy Jealous Girl: Originally (and mostly before the comic begins) with Zii, and subsequently while pursuing or dating Gary.
Cute and Psycho: Her "psycho" side is mostly played for comedy, showing up in brief bursts of violence mostly screened by amnesia, and she has a Freudian Excuse. But given that her capacity for violence is independent of her romantic inclinations, she probably demonstrates this trope more than, say, the Yandere label.
Does Not Like Men: Due to having been exposed to so much of her father's tentacle porn as a child, she hallucinates tentacles in place of penises, and adopts a pose of half-baked feminism at times to justify her aversion to men. However, she slowly warms to Gary and eventually falls in love with him. She even tries to get over her penis-phobia as a result.
Drama Queen: Yuki is usually exuberant, at the very least, and occasionally downright dramatic in an egocentric way that may owe a lot to manga romances. She jumps to the conclusion that DiDi is tragically in love with her on very little evidence, and when she wakes up in bed with Sonya, she not only assumes that they had sex, she bewails the loss of her "precious innocence".
Dual Wielding: She hits Gary with a Hello Kitty doll in each hand after she catches him with his hands on Sonya's breasts.
Freudian Excuse: The reason for her issues with men is her exposure as a little kid to her father's work; he was a famous Hentai artist, dubbed "The Tentacle King". (Initially, she wasn't even aware of the nature of her problem. When Gary covered up a naked man's crotch with his hands to stop her from Groin Attacking him, she snaps out of "TENTACLLLLES!" mode and promptly asks "Hey, how come you've got your hands over that guy's junk?" In a later strip she's absolutely dumbfounded to hear that she destroyed an entire store's worth of pornography, one thumb-through-a-TENTACLLLLE at a time.)
Fumbling The Gauntlet: When Yuki is trying to keep Sonya from getting her hands on Zii, Sonya points out Yuki isn't Zii's girlfriend but Gary's.
Yuki: It doesn't matter! You can't have her either! Sonya: Oh yeah? Well, maybe I'll steal them both!
Genki Girl: To the point of ethnic stereotype at times.
Hilariously Neglectful Childhood: She was regularly traumatized by her father's work as a child, and he apparently didn't care enough to try to hide it. Eventually, Yuki's mother left him because of that.
I Did What I Had to Do: How she justifies hog-tying DiDi and spanking her, in an attempt to force DiDi to promise not to make any moves on Gary.
It's All About Me: Yuki is highly self-centered. For example, when DiDi tries to tell her that she wants Gary, Yuki first thinks that DiDi is in love with her, then somehow concludes that DiDi has the same problem (phallophobia) as herself. And after Gary starts giving her the Swirly-Go-Round, she has him do it multiple times in one day, never thinking to return any kind of physical affection until called on this by Sonya.
Japanese Politeness: Actually, few people would consider Yuki terribly polite; all the men she's kicked in the crotch would certainly have arguments there. But she herself invokes the trope, combined with Canada, Eh?, here.
Jerk with a Heart of Gold: Character development seems to have her moving up the ladder from Jerkass towards this. Like so many other things with Yuki, however, this evolution is very much "two steps forward, one step back", and Gary suffers for it.
Older than They Look: Yuki is actually 24. It doesn't help that she's very immature, and always dresses like a schoolgirl.
Pet the Dog: Her relationship with Gary showed her at her selfish and borderline-abusive worst — but then she suddenly ended it with a huge display of nobility, passing Gary on to Sonya, and was next seen crying pathetically.
Poirot Speak: She speaks fluent English, but often uses Japanese idioms.
Pintsized Powerhouse: Yuki is a petite girl, but she's able to knock a guy out with one punch, or throw DiDi over her head.
Pre-Asskicking One-Liner: Although it might not necessarily be the ass, the location is pretty close by. When Yuki yells out "TENTACLLLLES!", run.
Psycho Lesbian: Yuki plays stalker towards Zii, and makes life hell for Gary early in their acquaintanceship. However, the writers seem to be playing with this trope. Yuki has her Freudian Excuse, and she gradually comes to understand a little more about her own faults as her story progresses. At worst, she is a rather tame example — more of a cuteclingytsundere. More to the point, she turns out actually to be, as Zii says early on, bisexual.
A ditzy waitress who Zii seduced one day, which led to a threesome with Sonya's boyfriend, which led to Sonya having a lot of lesbian sex. Likes Gary, but lusts madly after Zii, and has concluded that actually she's in love with her. Yuki has a kind of rivalry with her and they usually don't get along well (it's a long story). She also turns out to be a competent singer and bassist.
Belligerent Sexual Tension: With Yuki, at least by implication, though more on Yuki's side and only hinted at for a long time — but then resolved spectacularly.
Brainless Beauty: Sonya ... jet black hair, stunning figure, and dumb as a bag of hammers, bordering on total ditziness. She didn't even seem to be aware that technically she was cheating on her boyfriend with Zii. She does develop a little highly unreliable low cunning as the plot continues, though.
Catch Phrase: The line "I'm not a lesbian!" has become a standing joke with Sonya.
Character Development: It's subtle, but Sonya's shift from a rather conventional waitress to a bisexual rock bassist with a penchant for questionable plans, losing an inconsiderate boyfriend and gaining a huge crush and a lot of confusion about her sexual identity along the way, is probably going to be good for her in the end. Unfortunately, she doesn't gain any intelligence in the process, but Hidden Depths only go so deep. She eventually lampshades the development; "I... I was so different then."
Competition Freak: She's a minor case, but the one thing that always seems to set Sonya off is some kind of rivalry — especially (but not only) if the rival is Yuki.
Cry for the Devil: She'd developed stalker-ish tendencies towards Zii, and her relationship with Gary was largely about using him for sexual satisfaction and to make Yuki jealous, (and she dumped him, fairly politely but in the middle of sex, when she realised that she found him boring). But then, when she realised that Zii didn't reciprocate her feelings, she went back to sleep in Gary's bed, weeping and in need of a hug (February 19 2013, strip 710, NSFW).
The Determinator: Sonya takes seduction very, very seriously — at least when it's Zii she's after. (She gave up trying with Erik when he proved resistant and something more amusing came along.)
The Ditz: The open question with Sonya is whether she's actually as stupid as she sometimes looks, or whether she just doesn't bother to use her brain. Her occasional flashes of low cunning and even what might be wit may subvert the trope in her case.
Drama Queen: Sonya loves drama, and will occasionally provide her own when necessary.
Femme Fatale: What Sonya evidently wants to be. She pursues Gary largely to annoy Yuki (though she also thinks he might be interesting in himself until she catches him), flirts with him in front of both Yuki and Kiley or by text message when they're around, seeks to seduce Zii (who she does honestly believe she loves) despite Zii's declarations of disinterest, and makes a move on Erik in the hope of detaching him from Zii and thus getting the latter back (and because he looks like fun). Her weapons of choice for all of this are her formidable attractiveness and a willingness to flaunt it in a series of well-chosen outfits (including a Little Black Dress or two) or less, and while she doesn't seem to think of herself as evil, she doesn't worry much about morality either. And her seduction technique, while not overly subtle, is intermittently effective. However, aside from the fact that the comic is a comedy and not a thriller, she tends to avert the trope by not being very bright, by having an unreliable attention span, and by having less capacity for alcohol than her intended victims.
Jerk Ass: While she often seems to be blissfully unaware of the nature of her actions, Sonya can come off as callous and selfish.
Took a Level in Jerkass: Her personality shifted for the worse as she discovered her considerable sex appeal and passionate enthusiasms. She was a significant factor in Gary and Yuki breaking up, because she had an ongoing feud with Yuki and thought Gary was a sex god. She then took up with Gary, but when it turned out that he was seriously inexperienced and had poor stamina, she dumped him.
Meanwhile, though Zii was in a serious relationship with Erik, the infatuated Sonya continually pursued her. This finally lead up to her convincing Zii to break up with Erik and have sex with her, with the excuse that Zii could always make up with Erik the following morning. (They were both very drunk at the time.) Though Erik didn't even know about this 'breakup', as Zii never actually got in contact with him before she started having sex with Sonya. Well, she did leave a voicemail... A subsequent strip revealed that this had successfully broken up Zii and Erik (or at least Sonya believed so), and she was happy about it.
Jerkass Has a Point: For all the faults listed here, and despite her dimness, Sonya sometimes displays flashes of perception. However selfish she was in her pursuit and then dropping of Gary, she was perfectly correct that his relationship with Yuki was unsustainable and unsatisfactory for him, and she was happy to show him the advantages of dating a slightly saner woman. She also tried to offer him advice about his limitations when she dumped him, although he didn't listen. Even her seduction of Zii involved her pointing out that Zii didn't seem to find her relationship with Erik totally satisfactory.
Kick the Dog: After taking Gary off Yuki, Sonya attempted to gloat over the other woman — despite the fact that Yuki had handed Gary over voluntarily, more or less throwing Gary at Sonya. She was, however, disappointed by the fact that Yuki was morose and depressed rather than angry. It has been suggested that Sonya is primarily an adrenaline junkie; she maybe wasn't trying to be evil here so much as looking for excitement.
Manipulative Bitch: Possibly one of Sonya's ambitions, but subverted by the fact that she really, really isn't smart enough to carry off the trope. She set out to break up both Gary and Yuki and Zii and Erik because she wanted Gary and/or Zii for herself, but any eventual break-ups were actually almost accidental by-products of her actions. Her plans tend to be short-term and improvisational.
Ms. Fanservice: Perhaps even more than DiDi; she's far more aware of her own attractiveness, and plays it up. A lot.
Playboy Bunny: Fairly early on, Sonya acquires a bunny-ears headband for use in her seduction of Zii, following an evening involving the latter and some cat ears. It's not clear if Jung actually finds out about this somehow, but when he later designs costumes for the women's band, not only does he give Zii a Cat Girl outfit, but Sonya's design is a kind of Playboy/anime blend, complete with the ears and a bow tie.
Statuesque Stunner: In pretty much any comic which didn't feature DiDi, Sonya would have at least a borderline claim to this title. She's actually about as tall as DiDi, with a superb figure.
Boyish Short Hair: Although Kiley isn't especially tomboyish, and is comfortably and actively heterosexual, she is unusually cerebral by the standards of this comic, and is usually disinclined to use sex appeal to get her way — and her short bob fits all that.
Chekhov's Gunman: First seen in that one-panel background gag (see above), Kiley was subsequently discovered working on a magazine stand, where her role in the story became clear. She eventually even ended up taking Gary's virginity (December 13, 2011, NSFW).
I Want Them to be Happy: She calls things off with Gary out of concern for Yuki's feelings and mental state. How far she's thinking about Gary there is more questionable; she evidently thinks it's right, and that he should be able to handle it, but she's more concerned about her own ethics — and this does rather leave Gary in the lurch.
Playing Cyrano: She coaches Yuki through several dates with Gary and thus sort-of inverts the trope when she ends up briefly falling for him herself, and even takes his virginity.
Puppy-Dog Eyes: Her face is suited to this effect, although she doesn't use it often in any but the mildest form. However, when she needs a risky favour from Matt (strip #758, June 27, 2013, NSFW), she hits him with full-on "doe eyes", apparently knowing exactly what she's doing and how effective it'll be.
One of Matt's model colleagues. Senna is an extremely attractive Brazilian transwoman with a "perfect peach of a butt" and a prima donna personality. She has also played a significant role in the plot of Sandra on the Rocks, where her characterization shifted from whimsical to egocentric to outright nuts.
Break the Haughty: Senna suffers a comedy version during the extended crossover sequence with Sandra on the Rocks when she encounters Sandra in Paris and jumps to the conclusion that Sandra's modelling career has failed. She suffers painful disillusionment here. Later getting a modelling job offer ... for a hemorrhoid cream commercial, just as she was reflecting how well her own career was going, also pulls her up hard. How far she stays broken may be another matter, though; she's suffering a fair amount of "karmic" backlash, but she seems quite resilient in a delusional way.
Cloudcuckoolander: Taking other people on international private jet flights on a whim merely looks self-indulgent, and her claim that Sandra used witchcraft to distract world-famous photographer Domenico away from herself might be taken as poetic exaggeration. However, interpreting Gary's teaching Sandra about geek culture as him sabotaging Sandra's career as a favour to herself marks her down as just plain delusional.
It's All About Me: Senna seems to suffer from this in a mild but pervasive form. She took Sandra off to Brazil on a drunken spree, and then showed little interest in Sandra's situation until Sandra kicked up a fuss. When she employed Sandra, she treated her as a lowly minion. And when she returned to Montreal, she visited Matt and then Gary in search of sympathy for her recent setbacks, laughed off Gary's suggestions for their date as of no interest to herself, and then hauled him onto a flight to Paris, largely ignoring his evident discomfort about flying. She's quite fun to be around, and she can be polite enough, in a casual way, to people she finds attractive or amusing, but there's little evidence of her caring very much about anyone else.
While they are in Paris together, Senna suggests to Gary that they might visit some of the famous museums and galleries — but Gary dives straight into a video game shop, much to Senna's annoyance. She may be a cultural snob, but some readers share her exasperation at Gary's narrow vision.
Later, Gary dumps her — for which few readers blame him. But he doesn't seem to understand that he's done so, and makes a joke of the idea to Senna herself. Few readers blame her for slapping his face, either.
Narcissist: Senna is vain, self-centered, and delusional. In fact, some fans have suggested more or less jokingly that she's a full-on sociopath, as she shows few signs of empathy, lies on a whim, possesses casual charm, pursues all sorts of thrills, and is unremittingly vain. If so, she's a fairly harmless comedy version at worst, this being a comedy, but she does come close. She shows flashes of some kind of fondness for Gary, though.
No Name Given: Her last name has never been revealed, and for all that readers know, even "Senna" could be a professional pseudonym. As even the cabin crew on a private jet she uses address her as "Miss Senna", it seems that she more or less always goes by the single name.
Rich Bitch: She's initially dismissive towards Sandra's panicky behavior, lack of a place to stay in Brazil, and any way to get home, but eventually gives her a job as a personal assistant. However, as it turns out, she's an awful boss. She's also rude to the cabin crew on the private jet she uses — admittedly after one of them interrupts her during sex, but the interruption was necessary.
Shameless Fanservice Girl: Her first appearance was a nude scene in which she was completely relaxed, and when she subsequently appeared dressed, it was always as appropriate for a glamorous (and rather flashy) lingerie model who is vain about her looks and uses them to intimidate. The fanservice aspect of her character is pretty overt; Gary was essentially seduced by that peach-like butt, and the comic let the readers see that this was understandable.
Transsexual: Pre-op, and evidently happy not to have any more surgery.
Hinted at here, to slightly surprising effect. Senna had previously been shown as an egotistical, high-maintenance, somewhat vacuous fashion victim, and she's in Paris, a city full of fashion houses and expensive designer shops — and yet her first idea of places to go are three museums and a cathedral. Even if she's showing off to Gary, she knows what names to drop. Of course, the strip may mostly be intended as a joke about Gary's hopeless geekiness, but she also later name-drops at least one less-well-known modern art gallery to someone else.
Originally one of DiDi's boyfriends. He was nice and all, but she wasn't entirely satisfied with (or by) him, and dropped him like so many others. His role became much bigger when he started dating Zii. Later, for reasons of plot, he started showing up in Sticky Dilly Buns.
Cool Shades: Erik rarely if ever takes his shades off, and definitely has a cool image. It's possible that he works at this consciously, with the shades as a prop; his cool does crack a little occasionally.
Sunglasses at Night: He has maybe taken his glasses off once or twice, but he leaves them on during a movie, sleep, or sex.
A nurse who had the interesting luck to be sitting at the next table in the restaurant where Sonya was attempting to seduce Erik. By the end of the evening, she'd dumped her boyfriend and was engaged in typical Ménage à 3 sexual hi-jinks with various cast members — despite the fact that she seems to be one of the sane ones in this universe. May be a very rapidly Ascended Extra, or even an expy of Emma Thompson's character in The Tall Guy.
Boyish Short Hair: Something of an aversion, in that she has the shortest crop of any of the female characters, but she is neither youthfully boyish nor at all unfeminine. However, she has an unusually serious job by the standards of this cast, and is unusually practical; her hairstyle may reflect that. She looks distinctly ridiculous when Sonya puts her into a wig, although she later manages to wear it with reasonable credibility.
Heroic Fatigue: She's the kind of nurse who can end up working four-day double-shift marathons, which leave her quite understandably exhausted. The need for a decent night's sleep can then drive her to make fairly extreme offers. See strips #768-9, July 23-25, 2013 (NSFW).
Only Sane Woman: No, really, despite a willingness to throw food around in moments of irritation and make passes at men she doesn't actually know. She called Zii out for a physically dangerous tackle on Sonya, backed away politely when she blundered into a room containing a copulating couple, and actually suggested that someone with clear psychological/medical problems should seek professional help. Even some of her other actions seem to involve a conscious tolerance of the madness around her, rather than just being crazy herself.
Zii's pet cat.
Cats Are Mean: Zii says that Lita hates everyone. However, Lita seems to take an immediate liking to Gary, and even sleeps in his arms. Zii even says that Lita pretty much belongs to Gary now; Gary accepts this situation despite his ensuing allergy problem. The people she gets along with despite her hatred can thus rate as kindhearted cat lovers.
Cool Cat: Her empathetic but ironic behaviour is pretty cool.
Empathy Pet: Lita often mimics Zii's behavior and expressions, even when Zii isn't around.
Also known as "Dexter" or "Poindexter", but that's just Zii's nickname for him. Generally one of the background geeks at the comic-book store, but is named and gets some conversation with Zii when his advice is needed during the Precious Overlord incident.
Ascended Extra: Not ascended very far, it's true, but Aaron was originally a nameless comic-shop geek, occasionally glimpsed in the background or delivering minor dialogue, before he proved useful that one time.
Geek: When Jung calls on you for expert advice on geek matters (specifically relating to Transformers in this case), you have some geek credibility.
Sonya's colleague at the cafe where they both work work as waitresses. Allie gets to hear stories of Sonya's newly complicated life, witness some incidents in that life, and occasionally provide Sonya with common-sense advice. She seems like a nice person who wouldn't want Sonya to lose her job or get badly hurt, but she can't help being amused by some of Sonya's antics, and she occasionally suffers a blue screen effect when Sonya says or does something especially weird.
Dramatic Drop: It's something of a recurring joke that Sonya's most unnerving statements often come when Allie is holding something fragile (or pouring a customer's coffee).
Honest Advisor: Allie seems to be one of the few people to whom Sonya can turn for objective advice. She does her best to help, but sometimes ends up as more of a Deadpan Snarker.
Only Sane Woman: Allie inevitably looks this way when Sonya is being confusing or confused.
Straight Woman: Probably literally as well as in the stand-up comedy sense; she's the most frequent recipient of Sonya's denials of lesbianism.
One of Dillon's fellow thespians. Apparently almost as big a bastard as Matt.
Jerk with a Heart of Gold: His method of trying to help Gary understand his sexuality wasn't necessarily a good idea, but his heart seems to have been in the right place.
A waiter, and one of DiDi's many past conquests who failed to satisfy her. Note that the same name is also used in one strip for a completely different character.
Butt Monkey: DiDi repeatedly forgets his name, and tells him that he failed to satisfy her, leaving him feeling inadequate as a man. Then, when he's out getting drunk with Erik while they commiserate over the problems of being one of DiDi's exes, they meet Zii, who seduces them into a drunken threesome, leaving Adrien worried about his sexuality. Then, when he goes to ask a girl he knows who works in a delicatessen for a day to reaffirm his heterosexuality, she offers him a large meaty sausage which she thinks he'll like.
Dramatic Drop: Adrien's response to having his sense of worth accidentally devastated by DiDi.
The lecherous producer who tried to exploit Amber and Dillon, and ended up giving them an apartment. Definitely at least bisexual, whatever he says.
Carpet of Virility: A fairly minor case, but Nathan is one of the few guys in the comic with significant chest hair.
Casting Couch: His seduction method of choice, it seems. The effectiveness of this strategy is sometimes undermined by his desperation.
Even Evil Has Standards: He wouldn't actually want to traumatise real twin sisters by getting them to enact his Twincest fantasy — so he goes to some lengths to get Amber and Dillon to fake it.
Hanlon's Razor: It's hard to tell if Nathan is evil, moronic, or simply insane, but he is perhaps the most romantically toxic character to grace the strip. Case in point: his "explanation" for cheating on Dillon and Amber and his wife all at the same time, to say nothing about his "explanation" about how he's not gay or bisexual, despite starting each day out by having anal sex with one of his male subordinates.
Jerk Ass: His appearances tend to involve a string of minor but slimy acts of exploitation and self-deceit.
Yuki's father and Gary's artistic idol, a famous manga artist.
Amazingly Embarrassing Parents: He hasn't said much about Yuki's childhood (yet), but his first reaction on Gary being introduced to him as Yuki's new boyfriend was to start talking marriage and babies in faintly creepy terms. And Yuki would doubtless be embarrassed by his porn work if she didn't simply hate it.
Bleached Underpants: The former "Tentacle King" of Hentai manga is now moving into more respectable work, apparently as part of his attempt to improve his relationship with his daughter.
I Want Grandkids: He brings the subject up within seconds of Gary being introduced to him as Yuki's boyfriend.
The Mentor: Takeru is said to be mentoring Gary at one point, though not much has been seen of this.