"Kids, don't buy drugs. Become a rock star and they give 'em to ya for free."The Power of Rock is awesome. I mean, c'mon! What problem do you have that wouldn't be solved by an awesome guitar solo, an elaborate dance routine, and a heartfelt song with kickass drums? Whose life can't be saved by "Stairway To Heaven"? Rock solves all, right? Wrong. On the cynical end of the scale, rock is actually pretty screwed up. Drugs are prevalent throughout the culture, rock musicians themselves use their inflated stardom to become real-life Karma Houdinis, and the whole scene is decadent on the top and seedy on the bottom. The consequences are emphasized more than the fun in this view. Portrayals can be broadly divided into two types of Sex, Drugs, and Rock and Roll. The hedonist sees all that is available with their fame and money, taking advantage of it until they wake up with a hangover. The escapist has a Dark and Troubled Past, uses drugs to escape their pain, sex as a replacement for intimacy, and music as an outlet for their anger. Media portrayals often cross this trope with the Mad Artist, Addled Addict or the British Rock Star for maximum craziness. Not so much a response to The Power of Rock as an exposition of Real Life. Certainly Truth in Television, but often exaggerated in media for added effect, and mostly averted in Real Life. Also Older Than Dirt, being well documented at least as far back as Ancient Egypt. Hookers and Blow is the Super Trope. Often goes hand in hand with Three Chords and the Truth. Compare A Party Also Known as an Orgy.
— Billy Mack, Love Actually
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- Detroit Metal City makes fun of this quite a bit... what with the protagonist being a fan of Euro-pop who joins a death metal band for the money. Needless to say, he ends up rather over his head...
- K-On! is about a school rock band where instead of sex and drugs, they have hugs and cake.
- The opening sequence of The Legend of Black Heaven implies that Oji did drugs when he was in the band, and as for sex, he got one of his groupies pregnant and married her.
- In the Heat Guy J episode "Brother," there is a young man named Kia, who is trying to get into the music industry. It is revealed that his father used to be a famous musician, who let fame go to his head, and started drinking heavily and cheating on (and beating) his wife. Eventually, the man left his wife when he found out his mistress was pregnant, and he married her and started a new life with her and the son he had by her. Kia resents his father, and decides to kill his half-brother as revenge. His brother gives him a Cool Down Hug, and he can't bring himself to shoot the boy.
- While not a full example of this trope, Alpha, Peter Parker's unwilling sidekick became this due to obtain his powers. He lived the lifestyle of a rock star, going so far as to abandon his parents and his first crush. It took watching him nearly kill people in the air with his recklessness for Alpha to get his powers taken away. Coming back to normal wasn't easy. At all.
- Velvet Goldmine. And yet, it has some rather positive messages.
- Almost Famous.
- This Is Spinal Tap plays Sex, Drugs and Rock & Roll for laughs.
- The Wrestler looks at the life of a wrestler once the glitz and glamour wear off.
- Parodied to hell and back in Walk Hard: The Dewey Cox Story.
- Mostly played seriously in Rock Star, but a notable subversion is Steel Dragon's original lead singer, who notes that he's gay and never did drugs, so, so much for "sex drugs and rock n' roll."
- The trope-naming song by Ian Dury (see below) was also the title of a 2010 biopic of Dury, with the profoundly awesome Andy Serkis in the main role.
- Walk the Line - Johnny Cash gets deep into drugs. The love of June Carter brings him back.
- In Get Him to the Greek, Aldous Snow is portrayed as being heavily into the sex, drugs, and rock & roll lifestyle. To the point where he even convinces his record company handler to smuggle a balloon of heroin for him during an airline flight.
- The Decline of Western Civilization Part II: The Metal Years - A documentary featuring many of the most notorious hard partiers in rock at the zenith (or nadir, depending on your point of view) of their debauchery.
- The members of the Chelsea and Millwall firms in The Football Factory live this lifestyle, even though they're only extreme fans of football. Every Saturday, they meet up to party hard in popular nightclubs, have their way with strippers and other female partygoers, and do recreational cocaine in the restrooms.
- Charlie's backstory on Lost is all about how he went from altar boy to this.
- Behind The Music is built upon this trope. To the point that when they did "Weird Al" Yankovic, he expressed disbelief that he was the subject of a Behind The Music since he never had a huge angsty blowup with his band, and never had a struggle with heroin or alcohol. They ended up blowing a few of his less popular projects (such as UHF and the Polka Party album) into much bigger deals than they actually were; the only serious "struggle" they covered was his then-unsuccessful love life (which has become Hilarious in Hindsight with his subsequent marriage and birth of his daughter).
...AND THEN MY SEVENTH ALBUM ONLY WENT -GOLD- INSTEAD OF PLATINUM! I HAD TO GET THE MEDIUM SIZED JACUZZI! * sob* [stops sobbing and retains professionalism] Will that work for you?"
- Behind The Music eventually did several bands popular at the time that did not have those things; the same tactics were used.
- Played with in Flight of the Conchords. The Conchords don't like beer (it makes Bret "have to go to the toilet"), don't smoke, and Bret at least is rather inhibited about sex. Their manager, Murray, wants them to adopt a more rock and roll image, and two of their fans manage to persuade them to take some acid. They claim to have just eaten potato salad and have plans to go jogging in the morning, so they'd better only have half...or half of a half...in the end, Bret accidentally takes a sixteenth of a hit, leading to the psychedelic "Prince of Parties" number, winding up with him perched on a toilet while the walls move around him.
- The Osbournes could either be seen as subverting this trope or playing it straight. On one hand, Ozzy is clearly a little burnt from his years of drug abuse and wild ways, and cynics could claim that the sad after-effects of a rock and roll lifestyle are being played for laughs as a desperate and exploitative cash-grab. On the other hand, he has a luxury house, lots of money and though his family and home life certainly aren't conventional (or sane, given your point-of-view), there is certainly a lot of love and happy moments shown on camera.
- The upcoming documentary "The Wreckage of My Past: The Story of Ozzy Osbourne," however, seems to be playing the trope straight judging from the trailer, which features images of Ozzy staring into space and sucking oxygen from a tank filmed with a shaky cam with sorrowful music playing over it.
- Perhaps some amount of sex and controlled substances are necessary to rocking out at all: Fitz, from the Doctor Who Eighth Doctor Adventures, plays guitar and wants to be a rock star some day. He also smokes thirty a day, gets quite drunk quite often and occasionally gets extremely drunk, tried laudanum once or twice, and has an active love life. Note the following LiveJournal icon, by redscharlach: ◊
- Parodied in Soul Music: "We're doing this for sex and drugs and Music With Rocks In!" "I don't think you've ever taken drugs, and for that matter, I don't think you've ever had—" "Well one out of three ain't bad!" "Yes it is, it's only thirty-three percent..."
- In Cold Iron, the first Rosie Lavine novel, by Melisa Michaels, elves who come from faerie to become elfrock stars usually indulge in the worst forms of this trope, at least according to Rosie. The trope is even mentioned almost by name by another character:
Hilly: Sex, drugs and elfrock ain't what their fans imagine it is.
- Some of the Loads and Loads of Characters in Ghoul are in a rock band.
- The Ian Dury song "Sex & Drugs & Rock & Roll", the Trope Namer (although variations on the phrase seem to have existed before he wrote the song in 1977)
- Probably the Ur-Example is Billie Holiday's Lady In Satin (1958), the last album to be released during her lifetime, where she was only in her forties, yet due to years of abusive relationships, alcohol, morfine, heroin and racial abuse sounds far more world wise, not to mention her voice, which is ravaged like a 70 year old due to her lifelong addictions.
- MGMT's Oracular Spectacular takes both ends of the scale to hell and back.
- The David Bowie album The Rise and Fall of Ziggy Stardust and the Spiders from Mars is all about this trope, with the "Ziggy Stardust" track being the crown example. The final track, despite the ominous title of "Rock n' Roll Suicide", ultimately subverts it however.
- Another Bowie example: "Ashes to Ashes" from Scary Monsters (and Super Creeps), in which Bowie uses the return of his character Major Tom as a metaphor for his struggle with addiction.
- Bowie's even played this for humor. In the Short Film/long-form video Jazzin' for Blue Jean one of his two characters, Screamin' Lord Byron, is a rock star implied to be living the hedonistic version of this trope. His handlers literally carry him around, and when he's first seen in the flesh (being hustled into his dressing room, to be specific) he's hooked up to a portable oxygen tank!
- Somewhat Bowie-inspired, Marilyn Manson's Mechanical Animals is a dual-layered odyssey that's half about this. The "Omega" songs are all Sex, Drugs, and Rock anthems of hollowness and empty glitter, while the "Alpha" songs are about overcoming pain and alienation.
- Lust for Life by Iggy Pop covers this theme as well.
- "Shooting Star" by Bad Company.
- Sixx:AM draws a lot of inspiration from the horrible things Nikki Sixx did back in his Mötley Crüe days.
- Mötley Crüe themselves spends a lot of time singing about getting high and/or laid because of their fame.
- Many songs by Pink Floyd from Meddle onward; mostly because the guy who wrote their happier stuff had been the Anthropomorphic Personification of this trope. Emphasis on had. (Shine on, you crazy diamond...)
- Metallica's "Some Kind of Monster" documentary covers this, though with the inversion of showing an older, wiser version of Metallica that had outgrown their wild hedonistic early years and now basically was all corporate-like (to the point of hiring a therapist to help the band co-exist) and largely being a bunch of middle-aged family men desperately trying to come up with a comeback album that would make the world love them again. They had to try twice for the comeback.
- The Arrogant Worms have a song called 'Sex, Drugs, and Rrsps' which deals with lead man of band who decides to invest his money in the stock market instead of blowing it on hookers and drugs.
- A lot of Velvet Underground, especially the first two albums, with the speed anthem White Light/White Heat the seventeen-minute tale of a drug orgy Gone Horribly Wrong "Sister Ray," and the heroin-inspired "I'm Waiting for the Man" and, well, "Heroin" from The Velvet Underground & Nico. Much of Lou Reed's solo work as well, especially Berlin.
- The downfall of Savatage's Streets: A Rock Opera's main character DT Jesus. A drug dealer turned rock star, the fame and the eventual drug abuse are explicitly part of his story. The sex can only be assumed, but the man made millions and was a house-hold name...
- The phrase itself was referenced by the Propellerheads' Decksanddrumsandrockandroll.
- The German national anthem is the third stanza of the Deutschlandlied. The first one was scrapped because it lays claim to areas of central europe that all lie outside of the current german state, and the second one was scrapped as well because it's really just about Sex (german women), Drugs (german wine), and Rock and Roll (german song). The third one is about unity, justice, and freedom, which is much more suitable for a national anthem.
- The Pantera home videos (Cowboys From Hell: The Videos, Vulgar Video, and 3 Watch It Go) contain interviews, music videos, and footage of the band performing. The videos also contain backstage footage of the band's wild partying, drunken shenanigans, pulling pranks on each other, and female fans flashing their breasts to the camera. Basically it's a concert video/documentary combined with Jack Ass and a touch of Girls Gone Wild.
- "Rockstar" by Nickelback is about a man who's aspiring to become a rockstar, just so he can lead this lifestyle.
- "Gone Guru" by Lifeseeker. A famous rock star who believes Celebrity Is Overrated gives up his hedonistic lifestyle to become a hermit living in nature. Ironically, his new lifestyle choice causes him to end up becoming even more rich and famous as a self-help guru (and/or possible cult leader), and he falls back into his former party animal lifestyle, even going as far as spending his entire fortune in his old age to get his head cut off and put on a robot body so he can keep partying for eternity.
- "Stayin' Alive" by The Bee Gees is about someone who tries to distract himself from his empty life with drugs, partying, and empty sex. He knows it, too.
- Parodied lovingly (as most things are) by Steel Panther.
- Feel Good Inc by Gorillaz from Demon Days touches on this theme in it's music video which according to the In Character Director's Commentary is about being entrapped in a hedonistic world of their own creation, trapped in the Feel Good tower. Noodle has managed to escape on her flying island (or never went into the tower in the first place), whilst Murdoc seems to be quite happy where he is.
- A Pale Horse Named Death has the song "Devil Came with a Smile", whereupon a wannabe rocker makes a Deal with the Devil to live this kind of life. It doesn't end well, of course.
- Rock & Rule plays this trope and The Power of Rock straight. The Big Bad is this trope personified: he's a burned out decadent rocker who wants to summon a demon using the heroine's voice. He is defeated when the male and female leads sing a duet that destroys his evil.
- Parodied in the Happy Tree Friends DVD with the story behind the creators' success. It plays like one of those E! biographies, with "jujubee and high sugar candy binges" as well as other amazingly harmless demonstrations of how the success went to their head. It even has them do a Power Walk down an alleyway! It mentions how the head animator got so hopped on sugar he animated an entire season in one night! However, it was a season they already had.
- The Simpsons:
- Bart Simpson did it with a fantasy sequence where Bart imagines himself as an alcoholic rocker, alienated from his friends, and insulting his fans in his songs. Note that this is his fantasy sequence!
- Little sister Lisa meanwhile has her entire career as a jazz musician planned out as far as cliches go, though she remains undecided towards whether or not she'll die young to cement her legend.
- One season finale, "Behind the Laughter", was a pitch-perfect parody of Behind The Music (complete with the actual show's narrator) chronicling how the family's hopes for stardom "began on a wing and a prayer, only to end with the wing on fire and the prayer being answered by Satan".
- Although not a musician, Krusty the Clown is shown many times to be heavily dependent on drugs (legal and otherwise), a heavy drinker (complete with Drunken Montage), and has had a good number of one-night stands, while being The Krusty.
- South Park: After Stan gets tired of ruining Guitar Hero, he starts playing "Heroin Hero", in which a person just plays a character who injects heroin into his body while chasing a dragon.
Murderface: Dammit, don't they know the order of things? You get famous, then you become a heroin addict!
- The band themselves are so rich and famous that they literally get away with murder, in addition to having scores of groupies and massive amounts of binge drinking and drug abuse
- Even moreso for Dr. Rockzo, the Rock 'n' Roll Clown. He does cocaine! It's one of the main reasons he's one of the favorite characters (specifically he's an expy of David Lee Roth).
- When Murderface and Toki try to start a record label, their first band runs into this problem before they even make a record.
- When Pickles' old band goes clean, he becomes offended, claiming that this trope is all part of the lifestyle
- Very, very numerous.
- This is the Trope Maker of 27Club. Many talented musicians have died on various causes in the age of 27. If a rock star survives beyond this age, he or she is likely to avert this trope. Examples are:
- Brian Jones from The Rolling Stones drowned in his swimming pool, probably while being high. His fellow band members had already the impression that he indulged too much in this sex, drugs and rock 'n' roll lifestyle.
- Jimi Hendrix died of an overdose, choking on his own vomit.
- Janis Joplin died a week after Hendrix, also of a heroin overdose.
- Jim Morrison was considered a Sex God to many women, but apart from LSD and peyote his drug abuse wasn't as extreme as many other musicians on this list. He suffered more from alcoholism and was often drunk on stage, growing more obese during his final years, eventually making it difficult for his fellow band members to continue touring and recording. He died in his bath of an apparent heart failure (although it's also been speculated that it was a heroin overdose after Morrison snorted what he believed to be cocaine; no autopsy was performed, so we'll likely never know).
- Kurt Cobain committed suicide, though his substance abuse had already taken a toll on him. One of the last things he did before killing himself was take a heroin shot.
- Amy Winehouse was a living example of this trope. She had numerous violent relationships, took about every drug in existence and died because her body couldn't take her self-destruction anymore, even when she tried to kick her habit.
- Drug abuse took its toll on Aerosmith; Steven Tyler and Joe Perry's nickname "The Toxic Twins" stems from their severe drug abuse, and Tyler infamously collapsed during several shows in the early 80's. All five members went through rehab in the 80's and have been clean and sober since. In the words of Steven Tyler: "Sex, drugs, and rock and roll: stop doing drugs, and you have more time for the other two."
- Mötley Crüe is legendary for the debauchery and hedonism they engaged in during the 1980s. The members of the band gorged themselves on pretty much every vice imaginable: alcohol, cigarettes, marijuana, cocaine, heroin, groupies, strip clubs, etc. After Nikki Sixx nearly died of a heroin overdose (his heart stopped for a couple of minutes, but a paramedic managed to revive him with adrenaline shots to the heart), the band's managers canceled their European tour and convinced everyone in the band to enter rehab (Mick Mars refused, and instead cleaned up on his own). Although the band members are now more or less sober, they still have a reputation for being icons of the sex, drugs, and rock & roll lifestyle.
- Elvis Presley became this trope from the late 1960s on. He had a constant supply of groupies, alcohol, fast food, amphetamines and pills and grew obese. His manager Colonel Parker didn't care about his health and used all kinds of miracle cures to get him back on stage to perform. His close associates and friends didn't do enough to help him either. This eventually lead to Elvis' death at the age of 42.
- The Beatles were on just about every substance you could come up with. Contrary to popular belief, they didn't actually record any of their songs while high, since they didn't like the results when they tried it. And as George Harrison said: "After a while taking drugs just gets boring." John Lennon got hooked on heroin in 1968, but was smart enough to quit just two years later, inspiring his song "Cold Turkey".
- Visual Kei and Japanese Hard Rock / Heavy Metal + the Japanese underground club scene are all nigh-infamous for it... except it's not officially done, and it's a secret, because of the drug laws in Japan where even having pot can get you jailed for 10 years or more and your career ruined. Alcohol, tobacco, and lots and lots of often unsafe sex are the open parts of the iceberg, with everything else being known but not said. The first iteration of Visual Kei, Visual Shock, was infamous for it. It was primarily X Japan and the other Extasy Records bands that brought it to a true art form, though Buck Tick and Kuroyume could easily compete. Somewhat died out with the decline of Visual Shock in The '90s and a series of high-profile drug busts late in The '90s - but popped back up in, of all places, the Oshare subgenre - and is relatively common everywhere in modern Visual Kei, unless the band is Straight Edge, has a large amount of members that went sober - or the entire band did- or it is Oshare and actually abides by its "we are cute and clean" rules rather than violates them privately.
- Taiji Sawada was probably one of the more infamous figures in Visual Kei for it. He struggled with mental illness and an addiction to alcohol and stimulant drugs throughout his life, which possibly figured into his relatively short tenures in bands that weren't his own projects. He would die soon after turning 45, in a suspicious death in custody (after a strange episode of disturbing the peace on a flight that seemed to be an epileptic seizure or being high on something), written off as suicide, but that carried all of the hallmarks of a covered-up murder via Police Brutality.
- Averted in Straight Edge hardcore.
- This trope tends to be most prevalent near the middle of the Mohs Scale of Rock and Metal Hardness, while bands at the extreme ends of the scale tend to have far more laid-back lifestyles (save for Black Metal, whose musicians embody a different trope altogether).
- This trope was probably most prevalent during the 80's. Once grunge hit the mainstream, it (or, at least, its glorification) cooled down significantly. Lemmy Kilmister has even complained about boring, clean-living attitudes of modern rock musicians.
Lemmy: It kills me how bland this period is... You go backstage these days and you see 20 bottles of Perrier and a bag of nuts. What’s wrong with this fucking picture? Everything is so healthy today and it’s terrible. I don’t get it...
- The Rolling Stones were known for this trope (especially Keith Richards), and it spawned a (false) rumor about Mick Jagger being caught eating a Mars Bar from Marianne Faithfull's vagina. They were caught in a drug raid, and while Ms. Faithfull was nude and covering herself only with a blanket, they were not doing that with a Mars Bar.
- Marianne Faithfull also was a walking addict from the 1960s until the end of the 1970s.
- This Cracked article, written by Mara Wilson (the girl who played the eponymous Matilda in The Film of the Book), explains why people who become famous during their formative years are particularly susceptible to this trope.
- Ozzy Osbourne may be the best example of how this lifestyle eventually will take its toll on your health. He's still alive today, but barely able to stand on his feet.
- Funnily enough, the reason he's still alive is because his DNA literally contains a genetic mutation that allowed him to metabolize drugs much faster than the average human being.
- Courtney Love is another infamous example of someone who goes through life while being drunk, high, having sex, showing off her breasts and playing rock.
- Serge Gainsbourg was notorious for smoking several packs a day and often appearing drunk during public appearances. He also had a lot of affairs with many women, including Brigitte Bardot.
- David Bowie smoked fifty cigarettes a day until 2004, snorted coke and injected heroin for most of his career and had sexual relationships with both men and women.
- Iggy Pop was also a poster boy for this trope throughout most of his career.
- Nico: Heroin abuser, smoker, wild love life, died from a heart attack at age 49.
- Lou Reed was the embodiment of this trope during the 1970s, often appearing high and drunk on stage. He had to be put back on his feet a lot and during a few cases roadies had to give him reanimation to breath new life into him.
- Christiane F, author of the autobiography Wir Kinder von Bahnhof Zoo, filmed as Christiane F. was a heroin prostitute during her teenage years. She is alive today, but never managed to kick of her drug habit and has recently announced that she is at death's door.
- Jazz musician Chet Baker was practically a broken shell of his former self during the last years of his life, destroyed by heroin and cocaine. He died from a fall through a window.
- Miles Davis didn't shy away from drug abuse either.
- Herman Brood, a Dutch rock 'n' roll musician was an attractive man whom many women fancied. At the same time he took about every drug in existence. By 2001, at the age of 54, his doctor told him his body was so spent that he practically had only two more months to live. Brood decided not to wait that long and committed suicide by jumping from a hotel building.
- Pete Doherty from The Libertines is perhaps the youngest most famous example of this trope, still alive today.
- Billie Holiday had a tragic life. She was born in poverty, barely escaped being raped at age 11, worked as a teenage prostitute together with her mother, got arrested and put in a workhouse. Her vocal talent provided her with means to escape this world and she started performing in night clubs, but her status as the most famous Jazz singer of her lifetime was tarnished by an endless spiral of abusive partners and addiction to morphine, alcohol and heroin, which paid their toll on her health. She got arrested several times during her lifetime and eventually died at age 44 from liver cirrosis.
- Megadeth gained much notoriety for this during their early years. To begin with, Dave Mustaine created the band after he was was kicked out of Alcoholica for his violent behavior when intoxicated. They spent 3/4 of the (quite meager) budget for their first album on drugs, alcohol, and food. Band members getting kicked out due to their drug problems has contributed to Megadeth's status as a Revolving Door Band.
- The Weeknd is one of the best-known living embodiments of this trope in modern times. Weed, alcohol, ecstasy, cocaine, codeine, heroin... and he proudly sings about it.
- Soft Cell. According to Marc Almond, they basically treated pop stardom as their opportunity to abuse as many different substances as they could lay their hands on. Read Almond's autobiography Tainted Life and you'll wonder how on Earth they ever made it out alive.