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Short Film
In the United States, a "short film" usually means a movie between 20 and 40 minutes, while anything shorter than 20 minutes is supposedly called "short subject". The two terms are sometimes used interchangeably, though, and either can get shortened to just "shorts". The universal maximum length is 40 minutes; anything longer is a "feature film". Minimum lengths vary by region and organization.

Live-action shorts were very common in the days when cinemas ran all day and people came and left pretty much at will at any point. The types could be included in a regular program were Newsreels, comedy shorts like The Three Stooges and Laurel and Hardy, musicals that are a de facto Concert Film focusing on some particular music act and cartoons such as Walt Disney's primary output until Snow White and the Seven Dwarfs was shorts. In certain home video editions of vintage Disney and Warner Bros.-owned films, you can watch a bonus feature collection of film shorts that are assembled like a typical theatrical short film line up of the appropriate decade.

Unfortunately, shorts were paid with a set fee regardless of the audience response and were of course overshadowed by the feature films, which got the advertising. That's why Walt Disney took a chance with Snow White and the Seven Dwarfs as a feature, which could allow him to see real profits as well as to pay for the high production standards he strove for. With the rise of the double feature gradually squeezed out the shorts, leaving only the cartoons and newsreels until TV killed them off.

Short films nowadays tend to be student, independent projects or public institutions like the National Film Board Of Canada, often short in time and budget. It's a challenging medium in which to work, given the constraints, but like all media, it has its perks. Short films are great training projects for beginners since they are easier to make than a feature film, and can be very personally rewarding, considering the filmmakers can go wild with crazy ideas that they don't have to sustain for a feature film or a series. Major studios like Walt Disney Pictures in the past with their Silly Symphonies and Pixar now also use them as a good way to try out new film techniques before using them in features. Most Web Original projects could easily be called short films; so could some entries in Le Film Artistique.

Most films made specifically for novelty/large-screen formats such as IMAX — nature and science documentaries, performance art showcases, animated shorts/compilations, etc. — and screened in museums or amusement/theme parks, rather than given mainstream theatrical releases, are short films. With IMAX, this was partially due to the logistics of changing the giant reels of film it required until digital filmmaking/projection came along and made it much easier for mainstream films to be released in the format, but the short film format persists for other productions.

However, the short film has had a bit of a semi-revival as mainstream fare, such as the aforementioned Web Original films on sites like YouTube. In addition, Pixar, DreamWorks Animation and Warner Bros. have regularly produced animated shorts for both theatrical release, as TV special material and as DVD Bonus Content. In Canada, there is Moviola, a Cable TV Channel that features only film shorts.

The term comes from the number of reels it took to play the film on a projector. Shorts were typically two reels (hence 20-40 minutes), and features were usually four to six reels (when these terms were coined, features were usually 60-90 minutes).

See also Short Anime Movie.

Examples:

Animated Shorts

Live Action Shorts

Shorts that were later made into feature films
  • 9: This was a short before it was a feature.
  • Battle for Terra: This was a short before it was a feature.
  • District 9: As Alive in Johannesburg
  • Frankenweenie: A live-action short from 1984 before being remade as a 2012 stop-motion animated feature.
  • Kids
  • Saw: This series began as a short film, with the Reverse Bear Trap that was later incorporated into the first Saw feature.
  • The Wizard of Speed and Time: Both produced/directed/animated by and staring Mike Jittlov, but separated by nearly a decade.

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