Follow TV Tropes


Literature / Aliss

Go To

Patrick Senécal's Aliss (2000) is a Bloodier and Gorier rewrite of Alice's Adventures in Wonderland, set in Daresbury, a mysterious neighborhood of Montréal. The teenage Aliss, rebelling against her normal life, finds herself following an absent-minded older man, Charles, to the previously invisible Daresbury stop on the Metro. Shortly after her arrival, she becomes obsessed with the mysterious building near her apartment, the residence of the Red Queen. Soon, Aliss decides that she will do anything to enter the Red Queen's employ—no matter how dangerous.

The novel is available only in French. Désolé.



  • Bilingual Bonus: There's some untranslated English, like Chair, ("Flesh") which is a Multiple Reference Pun, since it rhymes with "Hare."
  • Black Comedy: Bone and Chair usually add levity to horrible situations through morbid humor. The highlights include their reaction to Pouf tossing himself out a window and their Big Damn Heroes moment during the attempted assassination of the Red Queen.
  • Body Horror: Quite frequently.
    • Bone and Chair vivisect people (and cats) as part of their scientific research into the existence of the soul.
    • Verrue's decomposing leg.
    • Charles's work of art in the kitchen.
  • The Bore: Mickey and Minnie may be into bondage (see below), but the other characters find them excruciatingly dull.
  • Breaking Speech: The Red Queen delivers one to Aliss at the climax of the trial, exploding Aliss's fantasies about living in a Nietzsche-esque world.
  • Canon Welding: The Red Queen is none other than Michelle Beaulieu, who ran away from her Dysfunctional Family nine years prior, in Patrick Senécal's book 5150, Rue des Ormes. Michelle is mentioned in one of his later works, Le vide, and appears again in Senécal's 2015 book, Faims. Similarly, Mickey and the Royales make a surprise reappearance years later, in the second book of Patrick Senécal's quadrilogy Malphas.
  • Childless Dystopia: Lampshaded by Mario. Although birth control doesn't appear to exist, there are virtually no pregnancies. Andromaque is the sole exception.
  • Cloudcuckooland: This is Alice in Wonderland, after all. The novel's denizens range from pleasant but offbeat to full-blown villains. Most of them, however, are simply True Neutral: they have no real moral sense or taboos, and many have a Lack of Empathy.
  • Comically Missing the Point: Bone's and Chair's elaborate explanation for why they took so long to show up when La Résistance was trying to assassinate the Red Queen. As they quite seriously inform Aliss and the Queen, they'd locked themselves out of the car, and were debating about whether or not to break the window in order to get their guns. The Red Queen does not find this entertaining.
  • Composite Character:
    • The Red Queen (Queen of Hearts/Red Queen from Through the Looking Glass).
    • Charles is both the White Rabbit and Charles Dodgson/Lewis Carroll.
    • Given that they serve as the Red Queen's messengers, Bone and Chair are both the Mad Hatter/March Hare and their Looking Glass counterparts, Hatta/Haigha.
    • Due to running a brothel competing with The Red Queen's brothel and being an Abusive Parent toward her newborn child whom she eventually murders, Andromaque is both the White Queen and the Duchess.
  • Covers Always Lie: Aliss finds Bone and Chair relatively attractive, but you wouldn't know that from the cover, where they're both distorted grotesques.
  • Crapsack World: The Red Queen runs Daresbury like it's Gangster Land, complete with regular demands for protection money. If you don't pay up, you'll get a visit from one of her "servants," or, worse still, Bone and Chair. Moreover, much of Daresbury looks like a crumbling slum.
  • Death Equals Redemption: Charles's suicide initially looks like it's going to play out that way. Until Chess arrives and eats his soul, that is.
  • Death of a Child: Andromaque's baby dies near the end, probably at Andromaque's hand.
  • Defrosting Ice Queen: Aliss believes that, thanks to the Power of Friendship, both Andromaque and the Red Queen are genuinely discovering new emotional depths. As it turns out, the novel subverts the trope. Aliss is completely wrong about the Red Queen, which is par for the course. In Andromaque's case, there really is some defrosting at work, but the results are ultimately tragic.
  • Disproportionate Retribution: Displeasing the Red Queen in any way usually results in death, no matter what the offense.
  • The Dividual: Micha and Hugo, Bone and Chair, Mickey and Minnie. Micha and Hugo, the expies for Tweedledee and Tweedledum, are the twindividual variety, while the other two pairs are syndividuals.
  • Drugs Are Bad: Aliss's experiences with Micros and Macros are almost all nightmarish, and even when they aren't, the pills' overall effects are obviously bad.
  • Ear Ache: By sheer accident, Aliss manages to slice Chair's ear off.
  • Expy: Just about every major character has a parallel in Alice in Wonderland and/or Through the Looking Glass.
    • Aliss is Alice, of course.
    • Charles is the White Rabbit, but he is also an Expy of Lewis Carroll himself (sharing his real first name).
    • Chess is the Cheshire Cat.
    • Bone and Chair are the Mad Hatter and the March Hare, respectively.
    • Verrue is the Caterpillar.
    • Micha and Hugo are Tweedledee and Tweedledum.
    • Marco is the Knave of Hearts.
    • Andromaque is a Composite Character of the Duchess and the White Queen.
    • The Red Queen is The Queen of Hearts.
    • Mme Letendre is The Doorknob.
    • Pouf is The Dormouse.
  • Fan Disservice: Every single sex scene has something grotesque, repulsive, or outright criminal about it.
  • Fantastic Drug: The Micros, Macros and the Royales. The former two make one feel tiny and huge, respectively, and the latter is an ultra-powerful aphrodisiac.
  • Faux Affably Evil: Bone's manners are often quite elegant. Of course, he'll happily vivisect you at a moment's notice.
  • Finger in the Mail: A rare example of the delivery making the recipient happy. Bone brings Charles a head as a gift.
  • Fingore: Chair deliberately slams a car door on Pouf's finger.
  • Functional Addict: Played with in Chess's case. Chess looks like a stereotypical example of someone suffering from the results of Drugs Are Bad, but he's one of the more rational conversationalists in Daresbury. He gets high on souls.
  • Genre Blind: Aliss (see Nietzsche Wannabe).
  • Gorn: The Tea Party chapter, which features vivisection, corpses hanging from the rafters, and body parts on display.
  • Hemo Erotic: Bone and Chair find vivisection very...exciting.
  • Humanoid Abomination: Chess, who claims to have read every book in existence, can appear and disappear into any shadow (with his grin disappearing last), knows everything about any residents of Daresbury, and, oh, consumes souls. May double as a Time Abyss, as he claims only two kinds of people can see souls: those who are near death and immortals, and Chess is not near death.
  • Human Pincushion: The Red Queen executes Mario by painting a dart board on him. The audience at the trial then skewers him with gigantic darts.
  • I Coulda Been a Contender!: Part of Chair's backstory: he ran track in college and had lofty ambitions, but never made it to the big leagues. However, he still wears running shoes all the time.
  • La Résistance: Mario and Pouf are in charge of it. They don't win.
  • Life Drinker: For Chess, souls are a drug. It's not clear if he's a vampire, an Eldritch Abomination, the Grim Reaper, or something else.
  • Limited Wardrobe: Aliss notices that Bone is wearing the same suit and hat every time she sees him.
  • Mad Scientist Laboratory: The basement of Bone's and Chair's house.
  • Major Injury Underreaction: Several.
    • Verrue (the Caterpillar) is shot in the leg early on; then, after the leg becomes gangrenous, a doctor amputates it. With an axe. And without anesthesia. Verrue manages to stay philosophical about the entire affair.
    • Minnie keeps reading from the Marquis de Sade even though Chair has just slashed her throat open.
    • Chair seems only mildly annoyed by the loss of his ear.
    • At the end, Aliss keeps going for a surprisingly long time, despite being both shot and raped.
  • Maybe Magic, Maybe Mundane: Daresbury itself. On the one hand, regular technology works there, residents listen to music from outside, and it's possible to leave by Metro or phone Montréal. Crucially, as Aliss discovers, the effects of Daresbury's drugs and bullets carry over to the rest of the world, and vice-versa. On the other, there's no way to walk out of Daresbury, and it can only be reached by those in the right frame of mind. There are no sexually-transmitted diseases or pregnancies (except for Andromaque's child). Moreover, at least one of the residents is immortal. There's also the matter of Verrue's fate.
  • Meaningful Rename: Alice changes her name to Aliss in Daresbury as a sign of her new life.
  • Naïve Newcomer: Aliss. Despite her best efforts, she never really stops being naïve (see Only Sane Man).
  • Nietzsche Wannabe: Aliss is absolutely convinced that she's in Also Sprach Zarathustra, which is why she becomes so intent on pursuing the Red Queen: she thinks that the Queen is the "surfemme" (Superwoman). However, as several characters point out to her, she hasn't understood what little she's read of Nietzsche.
  • No Good Deed Goes Unpunished: After Aliss refuses to torture Mickey, Bone shoots her in the leg, and then he and Chair abandon her. Mickey rapes her.
  • Old, Dark House: Bone's and Chair's decaying Victorian-style mansion, which is weltering under years' worth of dirt.
  • Only One Name: Just about everyone. Characters addressed by their last name appear not to have a first name, and vice-versa.
  • Pay Evil unto Evil: Daresbury justice works like this. Assault someone, and they have the right to assault you back. When Mickey attacks Aliss while she is working for the Red Queen, Bone and Chair offer her the opportunity to torture him as retribution. She can't do it, and therefore fails the Red Queen's test.
  • Put the "Laughter" in "Slaughter":
    • Bone and Chair are extremely cheerful during their little "experiments."
    • The audience at the trial has a grand time with the dartboard execution.
  • The Reveal: Played with. During the trial, Aliss finally lets out the Red Queen's secret past as a serial killer. Everyone is momentarily shocked, but that's it.
  • Rhymes on a Dime: Andromaque speaks entirely in couplets.
  • Safe, Sane, and Consensual: If you're frequenting the Red Queen's brothel, don't even think about harming a prostitute who isn't interested in BDSM. That's grounds for immediate Pay Evil unto Evil, up to possible Death by Sex (implied at the big party).
  • Scrapbook Story: Most of the novel is told in the first person, but there are also numerous framing interviews with Aliss's parents, friends, and teachers.
  • Secret Test of Character: The entire plot. The Red Queen has designed all of Aliss's experiences in Daresbury to demonstrate that she cannot abandon conventional morality.
  • Start of Darkness: 5150, Rue des Ormes and the 2012 web series La Reine Rouge for the Red Queen.
  • Unconventional Formatting: When Aliss takes a Micro, the font shrinks; when she takes a Macro, it grows and shifts to ALL CAPS.
  • Verbal Tic: Most characters have one. Notably, Bone and Chair pun endlessly, Charles stutters, Andromaque rhymes, Mme. Letendre drops all her vowels, and the Hulk drops all his consonants.
  • Villainous BSoD: Andromaque collapses at the end of the novel after she murders her baby in order to free herself of real-world morality. It doesn't work.
  • Villainous Rescue: Bone and Chair save Aliss from potentially life-threatening situations three times. Aliss thinks, all evidence to the contrary, that the two of them are being Good Samaritans; it's only the third time, when they save her from Mickey, that she realizes the truth. It's part of the Secret Test of Character.
  • Vomit Indiscretion Shot: Andromaque's baby vomits over everything just about every time it appears.
  • What Happened to the Mouse?: In-universe, Verrue's disappearance.
  • You Look Familiar: In-universe. It takes the entire novel for Aliss to figure out why she recognizes Mme. Letendre.


How well does it match the trope?

Example of:


Media sources: