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Creator / Genndy Tartakovsky

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Genndy Tartakovsky (born Gennady Borisovich Tartakovsky, Геннадий Борисович Тартаковский, January 17, 1970) is a Russian-American animation director, producer, and one of the greatest minds to ever come out of classic Cartoon Network.

Born in the USSR to Jewish parents, Tartakovsky moved abroad with his family, afraid of anti-semitism, when he was seven years old. First they went to Italy, where he picked up art from their German neighbours' daughter. Upon his arrival in The United States, he got his first exposure to American cartoons and developed a deep love of comic books, Looney Tunes, and Humongous Mecha anime.

Genndy would attend the California Institute of the Arts a.k.a. "CalArts" (because he was too late to apply for a business school). There he embraced his future career as an animator and made his first two shorts. His senior thesis film, Changes, was later remade as the pilot for Cartoon Network's first original show, Dexter's Laboratory. While schooling, he formed a strong friendship with Craig McCracken and Rob Renzetti (My Life as a Teenage Robot), which often shows in their cooperation between series.


Following his work on another dialogue-heavy show with Thick-Line Animation was one that had neither: Samurai Jack, a hugely ambitious series with a unique, cinematic style, equal parts Akira Kurosawa, Spaghetti Western and anime, widely considered to be both his and Cartoon Network's greatest accomplishments. Plans to end the series with a theatrical feature were put on hold when The Powerpuff Girls Movie flopped and he would spend the next decade pitching it to various studios in between other projects.

After creating the Star Wars: Clone Wars mini series, Tartakovsky left Cartoon Network to start his own independent studio, The Orphanage. The timing could not have been worse, as the studio's formation coinciding with both the economic crash in 2008 and the downfall of traditional animation in America. In the end, the studio produced a handful of commercials and a single season of Sym-Bionic Titan for Cartoon Network which, while well-received, was dismissed by Cartoon Network when the creators refused to sign a toy deal and was Cut Short when everyone involved became too involved in other projects to want to make more episodes.


Genndy made his feature directorial debut in 2012 at Sony Pictures Animation with Hotel Transylvania (admittedly because he needed work) which was a financial success. After directing its sequel, he was pegged to do an All-CGI Cartoon Popeye feature, returning to his roots, and an original project called Can You Imagine? until both got shelved, instead being put on the third Transylvania movie.

In 2017, Genndy finally got the chance to give Samurai Jack a proper conclusion when [adult swim]'s Toonami block agreed to produce a mini-series, with him back in the director's chair, which would wrap up the story for good. The same year, he created Cage, a 4-issue Marvel Comics miniseries starring Luke Cage, which throws-back to the character's blaxploitation roots.

2019 has seen Tartakovsky at his most prolific thus far, with two films in development at Sony, the adult comedy Fixed and the adventure film Black Knight, and a new series for Adult Swim entitled Primal. He would also make his return to Cartoon Network with the announcement of Unicorn: Warriors Eternal. note 

He has been Happily Married to Dawn David since 2000, around the time his notoriety as an animator really took off (he spend part of their honeymoon storyboarding the pilot for Samurai Jack). They currently have two sons.

His notable works include:

Tropes applicable to him and his works include:

  • Happily Married: He's shown to be very close with his wife Dawn, to the point that he made an animated short about their relationship to play at their wedding.
  • Hartman Hips: As the trope namer used to work for him, it's no surprise that his cartoons are full of some very shapely women.
  • He Also Did
    • Animated on the Batman: The Animated Series episode "Night Of The Ninja" at the show's studio in Spain. He completed one scene before returning to America to care for his dying mother.
    • One of his first animation jobs was animating Tiny Toon Adventures for StarToons, but only completed two sequences before leaving.
  • Leave the Camera Running: The deliberately cinematic pacing of Tartakovsky's action cartoons (Samurai Jack, Star Wars: Clone Wars) is one of their most strikingly distinct qualities. In contrast to the gag-a-minute style of most Western cartoons, Tartakovsky's work contains many scenes of the characters just...waiting for things to happen, whether it's a dramatic staredown between two foes or a character traveling through an otherwise empty landscape. As a result, he's really good at keeping viewers in suspense while they wait for the tension to finally snap.
  • Lock-and-Load Montage: Apparently a big fan of these; they can be found quite frequently in all of his cartoons.
  • Ms. Fanservice: Even when they aren't overtly sexual characters, Tartakovsky's cartoons are full of some very attractive women.
  • No Name Given: He openly admits that he's not great with names and indeed has many characters who are either never named (Dexter's parents, including the family's surnames, and Jack's father), Only Known by Their Nickname (Jack himself) or are only named outside of the work itself (Spear and Fang).
  • Playing Against Type: Tartakovsky returned Samurai Jack to television with a 10-episode fifth season, which is more adult-oriented than the last four, although there isn't that much subject matter. He cranks it Up to Eleven with Fixed, which will be his first R-rated film.
  • Promoted Fanboy
    • A lifelong Star Wars fan, he was eventually invited by George Lucas to create the first Clone Wars mini series.
    • Conan the Barbarian is one of his favorite movies, and was later given the privilege to work with Mako Iwamatsu on his first two shows. And if that weren't enough, Mako later narrated Genndy's life story in the documentary featurette "Gendy's Scrapbook." You don't get a much higher promotion than that.
    • Subverted with his tenure at Hanna-Barbera. While he was a fan of theirs in his youth and continues to borrow from their aesthetic in his later work, he finds their shows too corny for him to enjoy as an adult the same way he did as a child.
  • Rated M for Manly: His action scenes almost invariably involve a bulletpoint list of everything that's cool, like giant robots and titans brawling with one another or lone, frequently musclebound warriors slaughtering entire armies of foes or giant monsters all by themselves. As far as character design goes, his action heroes tend to either be enormous musclebound brawlers or deceptively small combatants capable of beating the tar out of the aforementioned musclebound brawlers.
  • Renaissance Man: Within the context of animation, anyway. He's worked in pretty much every genre of animation imaginable, from comedy and action cartoons aimed at kids, to CGI feature films, to dark adult drama.
  • Rule of Cool: Even in his non-serious related works such as Dexter's Laboratory, he'll often have some form of action scenes in some episodes that either involve or invoke ancient Japanese customs or warriors such as Ninjas or Samurais or Humongous Mechas. Sometimes all at once.
  • Saved from Development Hell
    • While the Samurai Jack movie may never come to be, the [adult swim] mini-series serves as the proper conclusion that the original series' run never got.
    • Cage (2016) was on the back-burner for almost a decade due to Genndy being busy with other projects.
  • Serious Business: The writers for The Powerpuff Girls learned the hard way that he does not tolerate story meetings being used for idle chit chat about anything non-story related, such as discussing video games.
  • Signature Style: Tartakovsky's art style is extremely distinctive, with highly exaggerated anatomy and stylized characters composed of sharp, angular silhouettes and thick, blocky shapes. Compare and contrast his work with that of Mike Mignola.
  • Silence Is Golden: Most notably in Samurai Jack. Not as much, but still prominent in Star Wars: Clone Wars and Sym-Bionic Titan. He experiments with this a bit in Dexter's Laboratory. Primal became his first show told without any dialogue whatsoever (due to taking place in a prehistoric wilderness before the development of human language.
  • Sliding Scale of Idealism vs. Cynicism: His works are quite heavily on the idealistic end of the scale.
  • Sliding Scale of Seriousness Versus Silliness: Depending on the series, his work is either broadly comedic with some intense action scenes or dramatic action with a lot of comic relief. Dexter's Lab is the only one that's explicitly a comedy while Primal is the only one that's explicitly a drama, with Samurai Jack being the only one that falls squarely in the middle (Sym Bionic Titan is closer to melodrama while the Hotel Transylvania films were not of his conception).
  • Technician vs. Performer: The technician to Craig McCracken's performer: Craig was a stronger draftsman while Genndy handled timing.
  • Thick-Line Animation: Played straight with most of his work, but consciously subverted with Samurai Jack: it has the look, just not the lines.
  • Tom Hanks Syndrome: Started with the broadly comedic Dexter's Laboratory and immediately followed it up with the darker, more atmospheric Samurai Jack. Then, after making a brief return to comedy with the Denser and Wackier Hotel Transylvania films, he went even darker with Primal (2019).
  • What Could Have Been: Tartakovsky has been involved with multiple projects which either never came to fruition or were canceled just as production got started.
  • Widget Series: But as Sym-Bionic Titan proved, this has never looked so cool.
  • The Workaholic: Downplayed. While he eventually did have a family which he makes time for, he makes no secret that he's first and foremost married to his career. He admits that he never saw a completed episode of Dexter's Laboratory until it was on the air, simply because he was too busy making the next episodes, and had next to no social life when it was running. He had to set time aside during his honeymoon to storyboard the pilot for Jack and later spent his date night with his wife doing a Q&A livestream.


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