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Music / Hideto Matsumoto

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On guitar, hide!

Hideto Matsumoto (December 13, 1964 - May 2, 1998), known as hide, was the lead guitarist and one of the major creative members of X Japan from 1987 until 1997. He is co-credited, often, with Yoshiki for beginning Visual Kei as an artistic movement, and while working with Yoshiki, encouraged him to sign the band Luna Sea to Extasy Records, which eventually led to their own success as a popular band. He was also primary A&R for Extasy alongside Yoshiki during its days as the biggest Visual label, and arguably The Man Behind the Man for much of Yoshiki's own work both with visuals and writing for X Japan and with developing the growing label and Visual scene. Writing songs such as "Joker," "Love Replica," "Miscast," "Celebration," and "Drain," he soon branched out into an enormously successful solo career that encompassed 1993 to 1998.


Having been a hard rock guitarist with Yokosuka Saber Tiger, before joining X, he tended to prefer Hard Rock and Heavy Metal to ballads, notably being on record as saying Endless Rain was the only X ballad he truly liked to perform. In his solo career, he would do everything from jazz to Electronic Music to pop to Heavy Metal to gothic industrial, often combining said styles wildly in songs or albums. He was one of the first true cyberpunk musicians, his promotional videos and live solo act, hide with Spread Beaver, would often incorporate cyberpunk or technological themes, and he defined his solo style as "digital kei." He would, near the end of his life, try to break into the American music industry with the band Zilch, which released one album featuring his works posthumously.

Being a former hairdresser and stylist, hide was one of the most truly visual members of X Japan, continuing to appear with his trademark red-spectrum color hair, unique clothes and guitars, and badass stage presence well into when the rest of the band had traded shocking attire for more traditional expensive rocker styles. With his solo career, he became one of the founding artists of the Eroguro Kei subgenre of Visual along with Kuroyume, and is even argued to have had somewhat of a hand in Oshare Kei's development with In Motion and his love for bright colors (though this is very much played up by Hiroshi Matsumoto in an attempt to cash in on Oshare).


On May 2, 1998, hide was found dying. He was taken to a hospital, where efforts to revive him were unsuccessful and he was declared dead. The best comparison of what unfolded to something the Western music scene could be familiar with would be if Buddy Holly and Elvis Presley had died at the exact same time, of reasons no one could really ascertain. Yoshiki went into a deep depression and many years of mourning for his closest best friend and soulmate, and some fans committed suicide at the thought of being faced with a world without him. Many theories were and still are debated.

Was the first late musician to be made into a Projected Man / Virtual Ghost in live stage performance as opposed to video alone (where Nat King Cole was the first) in X Japan's shows in 2008 and 2009, predating the more commonly known Tupac Shakur Coachella performance.

hide's music is now the centerpiece of a Rock Opera produced by his brother and other musicians. It is called "Pink Spider," and if anyone reading has seen it, please launch a separate page for it and link it here.

Has sadly been made into a Cash Cow Franchise. Also spawned a thriving industry of clones.

Band Members

  • hide solo works: Pata, Kiyoshi, D.I.E., Chirolyn, Ran, I.N.A., Joe, KAZ Iwaike
  • Zilch: Ray McVeigh, Paul Raven, Joe Castillo, I.N.A.

Studio Albums

  • Hide Your Face (February 23, 1994)
  • Psyence (September 2, 1996)
  • Ja, Zoo (November 21, 1998) with Spread Beaver (posthumous release)
  • 3.2.1. (July 23, 1998) with Zilch (posthumous release)


  • "Eyes Love You" (August 5, 1993)
  • "50% & 50%" (August 5, 1993)
  • "Dice" (January 21, 1994)
  • "Tell Me" (March 24, 1994)
  • "Misery" (June 24, 1996)
  • "Beauty & Stupid" (August 12, 1996)
  • "Hi-Ho"/"Good Bye" (December 18, 1996)
  • "Rocket Dive" (January 28, 1998)
  • "Pink Spider" (May 13, 1998) (posthumous release)
  • "Ever Free" (May 27, 1998) (posthumous release)
  • "Hurry Go Round" (October 21, 1998) (posthumous release)
  • "Tell Me" (re-recording, January 19, 2000) (posthumous release)
  • "In Motion" (July 10, 2002) (posthumous release)

Notable Live Albums

  • "Psyence a Go Go"
  • "Hide Our Psychommunity"


  • Tune Up (June 21, 1997)
  • Tribute Spirits - covers of his work by contemporary artists (May 1, 1999)
  • Best: Psychommunity (March 2, 2000)
  • Alivest (Video live clips)
  • Ugly Pink Machine I and II (More video live clips)
  • PsyClone (May 22, 2002)
  • Singles - Junk Story (July 24, 2002)
  • King of Psyborg Rock Star (April 28, 2004)
  • We Love hide ~The Best in The World~ (April 29, 2009)
  • Tribute Spirits II, III (2012)
  • Tribute Spirits IV, V (2013)
  • Tribute Spirits V, VI, VII (2013)

Useful Notes relevant to hide: Alcoholism and Alcohol Abuse | Punk | Heavy Metal | Japan | Los Angeles | Suicide | Visual Kei

Provides Examples of:

  • Abduction Is Love: Genkai Haretsu's PV seems to be playing the trope straight, but is actually subverting it - the love is the selfish need of the predator.
  • Accidental Hero: In at least two ways. In the first, he and his music tapped into the hopelessness and ennui of especially rural or "outsider" young Japanese of The '90s in such a powerful way that he became a "spokesperson in effect" for the angst and suffering hidden behind the "ganbare" mask of Japan. In the second, a young fan suffering from a blood disorder, Mayuko Kishi, happened to meet with him and they formed a deep connection, to the point where hide seemed to see her as the daughter he never had and, on finding out he couldn't donate blood or bone marrow for her, became a strong advocate and financial donor for blood cancers and similar disorders, as well as bringing her onstage at his shows, helping her family financially, and visiting her regularly.
  • Accidental Murder: His suicide/accident can be argued to be this (in the involuntary manslaughter/criminal negligence sense) as well as suicide/accident, from known fact. His brother and manager Hiroshi at the very least knew the state he was in and, instead of separating him from further alcohol and drugs and/or supervising him or getting medical help, allowed him to be alone while approaching alcohol poisoning and in an emotionally agitated state. How accidental this was may also depend on your views of Hiroshi's post-death monetization of his brother...
  • The Alcoholic: Alcoholism defined his life especially after 1990 or so, sometimes his works, and was part of why he died.
  • Alcohol-Induced Idiocy: Being The Alcoholic invoked this trope too often for hide, the final time being his death. Being drunk led him into repeatedly engaging in the Bar Brawl and other seemingly pointless physical aggression and assaults, at least one major accident with pyrotechnics, a fall that left him with a broken leg and skull fracture, at least one car accident, and alcohol poisoning itself on at least one occasion prior to his death, and he committed suicide either accidentally during a drunken sex act, or intentionally when so drunk and high he was pushed beyond his emotional limits.
  • Angel Unaware: Some of hide's fandom actually thinks he was this. He himself would have probably laughed at the idea or been embarrassed at such though, and those fans are often seen as weird and too willing to give his bad behavior a pass. That said, Hiroshi Matsumoto seems to have no problem encouraging them and making money off of them.
    • Ironically enough, that attitude would actually confirm eligibility for being a Bodhisattva in some Buddhist views of the Mahayana strain, as humility and sincerity are often considered higher virtues than sexual morality or abstinence from alcohol in those views (which could possibly make this trope very applicable to him), unlike Theravada Buddhist belief where they are equivalent virtues, and someone who is not celibate and an alcoholic would be seen as utterly incapable of becoming a Bodhisattva without several cycles of reincarnation free of sexual vice and drunkenness.
  • Anger Born of Worry: There was this back and forth between hide and his friends.
    • Most prominently between him and Yoshiki, to the point of eventually undermining their relationship, because he and Yoshiki were both The Alcoholic and out of control, but at the time, Yoshiki had less severe mental health problems in general and yet little knowledge of mental illness or how he could actually help hide, and things only got worse from there.
    • Pata, Sugizo, J, Taiji, and pretty much all of hide's other close friends near the end of his life 1996-98 all suspected something was horribly wrong, and would later mention this at various points, that hide seemed almost terrified of being alone, that his drinking was worsening by the day, and that he was emotionally falling apart - yet if they acted or said anything, hide would become angry and deny that anything was wrong, which only made matters worse.
    • Hiroshi Matsumoto claimed that he and hide fought a lot at the end of hide's life. That said, whether this was actually this (as he claims it to be) or over financial issues and hide seeking new management is very much in question.
  • Angrish: "Doubt." Much of the song is arguably screamed in Angrish.
  • Annoying Younger Sibling: Hiroshi was occasionally seen as such by hide in life, and large sections of the fandom pretty much began to treat him as such after the events of 2008-10 and the Koda Kumi cover.
  • Anyone Can Die: One reason hide's death made such an impression and was such a shock. He seemed to be the least emotionally damaged ex-member of X at the time, had a public face that appeared lively and interested in life, and even seemed to be planning for the future in an interview he did the day before he died.
  • Apathetic Citizens: Oblaat is in part a furious and snarky (and prophetic, see below) denunciation of apathetic citizens, as is Bacteria. Doubt is aimed at apathetic, corrupt, and lazy leaders and politicians.
  • Artistic Stimulation: hide was a heavy drinker, possibly an alcoholic, though no one really knows "why" outside of speculation, and this inspired his solo songs Drink Or Die and Lemoned I Scream among others. There is also a video clip where he's obviously enjoying some good weed. There are rumors of his using/abusing other substances, but these are best not discussed online unless one enjoys backlash.
  • Attention Whore: Out of necessity, and why this trope isn't necessarily bad. That said, he hated being one, and "felt trapped in the body of a pop star" after his Breakup Breakout and career ascendance.
  • Attractive Bent-Gender: One of the earliest examples in Visual Kei, and the other one making up the more "androgynous" part of 87-92 X Japan (along with Yoshiki), in contrast to the more masculine Taiji, Toshi, and Pata.
  • Audience Participation Song: Audience participation LIVE. hide's lives often involved a great deal of audience participation and interaction, and the audience at memorial events will often sing along to his songs.
  • Alternative Metal/Avant-Garde Metal: One of the early pioneers, when both genres were pretty much Unbuilt Tropes. Zilch is a rather bizarre mix of the former with Nu Metal and Industrial Metal.
  • Ax-Crazy: A common theme in hide's photoshoots (there's even one of him as Chucky, and one of him as the main character of A Clockwork Orange) and occasionally in his lyrics.
  • The Band Minus the Face: Zilch tried to go on after hide's death, to rather limited success. Spread Beaver occasionally reunites for memorial shows and such. Arguably, X Japan's reunion is this, since hide was one of the three Faces Of The Band (the other two being Yoshiki and Toshi)
  • Bar Brawl: hide, along with Taiji and Yoshiki, were the biggest troublemakers in regard to the fighting and damage that X Japan caused in its earlier days. If running around a hotel fighting with the desk people for no reason at all can be considered under this trope...
  • Berserk Button: Lots and lots of things, and anything once hide had consumed enough alcohol.
  • Bishōnen / Biseinen : Often crossing into true androgyne better than even David Bowie, his inspiration for androgyny.
  • Beggar with a Signboard: Done in the Misery PV, with the song title and with lyrics of the song in English.
  • Be Yourself: The overarching Arc Words and message of hide's work and life - be yourself, even at the cost it may take. The songs Pose and Pink Spider are explicitly about this, and Ever Free is a semi-deconstruction that reconstructs itself.
  • Breakup Breakout: hide became most famous after leaving Yokosuka Saber Tiger and joining X Japan, and his career only improved more when he went solo from X Japan to his own career.
  • Break-Up Song: Hey Man So Long, is a breakup song directed toward another man with whom the singer was in a relationship. It's even sprouted three Epileptic Trees: that the song was about X Japan in general and the band's breakup, that the song was about Toshi's having left for Home of Heart and his bitter take on that, or that the song was about him and Yoshiki having broken up. No one knows if any of the above are true and what the song was about, though.
  • Bury Me Not on the Lone Prairie: While hide has a grave in Japan and his funeral was held at the Hongan-Ji temple, his ashes were scattered off the Santa Monica Pier and Marina Del Rey Pier in Los Angeles.
  • Camera Abuse: One of hide's favorite stage tricks. Probably the crowning example would be in the video footage of the Chi to Bara/Rose and Blood tour with X Japan where he took a signature Burny Fernandes guitar to an expensive stage camera combining this trope, Rockers Smash Guitars, and Trash the Set all in less than five minutes. The monetary cost was probably over US $10,000.
  • Careful with That Axe: "DOUBT/Tell Me." Epic metal screaming in that performance of "Doubt." Also, on backing vocals for "Sadistic Desire" with X.
  • Cassandra Truth / Junkie Prophet: People who knew hide around 1997-1998 mentioned that he insisted on telling them a story about a nightmare he often had. About a massive earthquake, followed by a nuclear disaster. The song Oblaat also is a stinging prediction of a society of Apathetic Citizens under constant surveillance judging each other for the stupidest points while ignoring their own apathy and imprisonment.
  • Cast Full of Pretty Boys: Spread Beaver, hide's solo band, back in The '90s. Of course there was hide, but Pata, Chirolyn, Die, Ran, Kiyoshi, and Joe all also fit the description.
  • Cerebus Syndrome: Zigzagged. hide's work was some of the darkest of X Japan including Sadistic Desire and Joker and Love Replica. At the beginning of his solo career, his stuff seemed like it was taking a lighter turn somewhat with Tell Me and kept the slightly lighter musical tone but exploited Lyrical Dissonance as the lyrics got even more dark and serious for the most part (aside from the Oshare In Motion, which is so much an outlier that some fans question if he even wrote it), and then played straight with Zilch, as his work with Zilch/his later solo works all increased both in musical and lyrical hardness and darkness.
  • Cloudcuckoolander: From mental illness including Bipolar 1 and bulimia and addiction to alcohol and possibly methamphetamine, yet somehow, it didn't affect his abilities as an artist too negatively.
  • Cluster F-Bomb: Like Yoshiki, a walking Cluster F-Bomb, with a few musical examples.
  • Cool Car: The '50s finned Cadillac with a few mods for The '90s. It was a large enough car to do inside shots for the Ever Free PV with several members of Spread Beaver in the backseat, had his vanity license plate, and comparisons to the Batmobile have been drawn. It was even built strongly enough to be driven in reverse uphill into a tree and not be destroyed in the resulting accident with no severe injuries to anyone inside.
  • Cool Shades: His yellow wraparounds. Rather unique to say the least.
  • Cover Version: hide has done work on many covers, but the two most notable are "Ace of Spades" done at one of the Extasy Summits, and "New Rose" at one of his solo lives. "New Rose" is notably Covered Up since hide's version is likely the second most known to the version done by Guns N' Roses. "Light My Fire" by The Doors is also somewhat notable.
  • Creepy Cockroach: See Eek, a Mouse!! below - hide was terrified of roaches.
  • Cyberpunk and Post-Cyberpunk
  • Dead Artists Are Better: Sadly so in hide's case. This is probably because of the rise of Visual Kei as well as the internet. Many western v-kei fans are curious and many v-kei artists have performed at the hide memorial summit. they look into who he is and instant popularity. With that said, had he lived he would have probably been as influential as Kurt Cobain, John Lennon or Elvis. It's obvious the Japanese viewed him that way.
  • Disability Superpower: Bipolar 1 was this for him in that had he not been bipolar he likely wouldn't have conceived of some of the Mind Screw nightmarish lyrics he did (which actually made for incredible music), likely would not have even considered half of his onstage antics and his public persona, and more. The "outsider looking in"/"uncontrollable emotions" view it gave him arguably fueled much of his work.
  • Dramatic Shattering: Combined with Rockers Smash Guitars and Camera Abuse, see above. A common trope in his videos and in his life - he was almost if not more famous for breaking stuff than Yoshiki.
  • Drunk Driver: See the incident listed under Cool Car above - that crash was how hide lost his California driver's license (which it was amazing that he ever had in the first place), though it was never really known whether it was hide or Pata who was the drunk driver that time, as everyone fled and both claimed to have been driving.
  • The Drunken Sailor: Obviously not one himself, but in hide's days in Yokosuka Saber Tiger, he would allegedly get into bar fights with drunken sailors (which, due to Yokosuka being a US Navy base, were often in quite plentiful supply) on occasion.
  • Drunken Song: Drink Or Die was often this, in contrast to hide's usual rule of waiting until getting offstage to drink.
  • Doomed Supermarket Display: There's one in the Misery PV. Which gets a shopping cart crashed into it and hide sitting in the middle of the debris eating some of it.
  • Double Entendre: From hide's solo career, the song Rocket Dive. The Performance Video is about spaceflight and in a "spaceship." The lyrics can be about finding hope in life or, to the overanalyst, bipolar mania. They're actually about neither... a look at the cover will tell you what the song is actually about.
    • hide's work in general heavily relies on wordplay, double-entendre, and the like. As a result, many translations of his lyrics can be slightly confused.
  • Driven to Suicide: Misery, Goodbye, Oblaat, and arguably Pink Spider, though the "suicide" in it is symbolic for jumping into a new life. As for hide in Real Life, there's a few theories that claim that he was driven to intentional suicide.
  • Drowning My Sorrows: See Artistic Stimulation, above.
  • Drunken Master: Not as much of one as Pata, but very close - it's often impossible to tell his level of intoxication onstage watching him perform unless he makes a major mistake, and that's a rare occurrence.
  • Drunken Song: DRINK OR DIE!!!!
  • Dude, She's Like, in a Coma!: Genkai Haretsu PV's ending involves this and/or I Love the Dead. Despite the light musical sound, the PV makes it one of hide's creepiest songs.
  • Easily Forgiven: Massive popularity and then Never Speak Ill of the Dead led to this for him, along with the unfortunate fact that few people took his alcoholism, his dangerous or violent actions under the influence, or his mental illnesses seriously at the time.
  • Eek, a Mouse!!: hide was terrified of cockroaches. One time, he was with Yoshiki in a hotel room and saw one, which led to both screaming and running around until Tetsu from Lordi.5 (or Yoshiki, in another common telling of the story, or Taiji, in another) killed the roach.
  • Elvis Lives / He's Just Hiding!: Some vociferous and heavily in-denial fans subscribe to a Conspiracy Theory that claims hide didn't really die and is still alive somewhere. This sounds familiar...
  • Epic Rocking: hide's guitar parts in "Art of Life" and "Rose of Pain" with X Japan, and for almost all of his solo music, though "Oblaat," "Junk Story," and "Dice" are all some of the best examples. "Dice's" vocals are especially epic for the rapid-fire delivery and breakdown. His vocal parts on the Stab Me In The Back live version also qualify.
  • Erotic Asphyxiation: There is a common theory that his "suicide" was not intentional, but was actually this. Whether it was or was not, this is a good place to add the warning: never, ever, ever, EVER do this alone or drunk.
  • Everyone Knew Already: That hide had feelings for Yoshiki.
  • Finger Gun: Used in the "Death Hollywood" remix/live of Eyes Love You.: hide mimes a gun with his fingers, wildly aiming around the stage to the sound of FX gunshots, until finally pointing it at himself and falling to the sound of the last gunshot.
  • Formerly Fat: One of the more sad examples of this trope. All of his family seems to be overweight to some degree (as exemplified in his brother, who is well over 200 pounds at this point), and he was mercilessly abused/teased in school for being a fat child and fat teen. As he hit his late teens, he discovered alcohol, bulimia, and possibly amphetamines. His weight dropped, he joined his first bands Dementia and Yokosuka Saber Tiger, and from then on felt that he had to maintain perfect thinness to keep the new life as something other than a target of abuse, and even when he had gotten to the point that no one would have cared had he gained weight again, his eating disorders and alcoholism had taken on a life of their own. It could even be argued that he was a "delayed bullycide" as in, someone so emotionally damaged from the childhood abuse and mockery that he resorted to the behaviors that would in part later on lead to his death.
  • Franchise Zombie: LEMONED, Lemoned Plant, and the entire hide "estate" or "empire." It can be argued fairly well that Hiroshi Matsumoto has no idea of what hide would have wanted for it, and is solely using it as a personal ATM to gain payment from fans and from artists who admired hide.
  • Freakiness Shame: hide is widely admired as one of the most absolutely beautiful paragons of Visual Kei by almost anyone in the scene on a basis of appearance and style if nothing else (trolls and anti-fans aside), and yet viewed himself as ugly and disgustingly fat, partially due to a severe eating disorder and childhood abuse and bullying.
  • Freaky Fashion, Mild Mind: Zigzagged. Sometimes hide could be far crazier and scarier than anything done onstage or that hide dressed like (when drunk and fighting for no reason but to fight, as in the hotel anecdote) and yet was the Team Mom for X Japan almost as soon as joining the band, one of the more calming influences in Yoshiki's life, often tried to help other bandmen as much as he hurt them in fights (and once actually avoided a fight that Yoshiki had picked and became close friends with Tomoyasu Hotei of Boowy as a result) and did some incredible charity work, specifically reaching out to sick and injured children.
  • Frivolous Lawsuit: Was in part the subject of one well after his death. In 2010, hide's brother Hiroshi sued Yoshiki over the use of hide's image in X Japan. The case was met with the judicial-language version of Flat "What" and promptly thrown out of court.
  • Gaia's Lament: Bacteria and Damage in part, as both called out the destruction of the earth and natural environments carelessly produced by human violence and human greed among the other reasons Humans Are Bastards.
  • Genre Roulette
  • Greatest Hits Album: more than one. People are beginning to complain about the abundance of these.
  • Grief Song: "Hurry Go Round" can be seen as a grief song, of hide grieving his mood changes.
  • Guide Dang It!: Understanding some of hide's lyrics or expressions, or the meaning in some of his songs or Performance Videos.
  • Hair-Trigger Temper: hide was nearly legendary for just how hair-trigger his temper was especially when drinking or consuming other substances, and often over the most ridiculous of reasons.
  • Heterosexual Life-Partners: With Pata, also with Sugizo and J.
  • Hey, Let's Put on a Show: The hide memorial summit, as well as his annual birthday shows from other old bandmates.
  • Hologram: How INA accomplished bringing him back to "life" for several X Japan concerts in 2008 and 2009 - he created a hologram consisting of footage of hide playing guitar to various songs, speaking, and otherwise acting onstage to create a very natural looking reconstruction of him.
  • Hot-Blooded: hide could often get very angry very fast, as a result of bipolar, alcohol, and possibly drugs. He got into arguments and fights quite often as a result.
  • Humans Are Bastards: A VERY frequent theme in hide's work. Genkai Haretsu, Eyes Love You, and Blue Sky Complex center around protagonists or the concept that humans are rapists/will happily take advantage of other humans. Junk Story was inspired by a molested child's diary entries. Oblaat was aimed at Apathetic Citizens who still found time to judge each other over petty issues living under constant surveillance, Damage, Bacteria and Doubt are all denunciations of politicians and leaders and similar, combined with Gaia's Lament and War Is Hell, and in Bacteria, humans are the bacteria killing the world.
  • I Do Not Drink Wine: A literal non-superhuman version of the trope, combined with Artistic License – Pharmacology. In the Arena 37 C interview where he (perhaps unintentionally) revealed the severe extent of his alcoholism, he mentioned that he didn't like to drink wine because he believed it had a worse effect on him than other alcohol.
  • Ignored Confession: There were a few of these, in everything from things in his art to things he mentioned in interviews to his actions - and had one of them gotten more attention, he might still be alive.
    • Probably the biggest was the aforementioned Arena 37 C interview in 1994. He checked off almost every point on the Michigan Alcoholism Screening Test in describing his drinking habits and what they did to his life, and yet at the time, no one saw fit to tell him that he was an alcoholic.
    • His obsessive focus on death/suicide/suicidal feelings in his lyrics and promotional videos - even though he almost always subverted or inverted the trope or treated it in a Black Comedy sense, it was obvious he was severely troubled in that nearly almost anything that wasn't written for him by someone else had these themes. Goodbye and Pink Spider especially are a Gut Punch in how Harsher in Hindsight they are.
    • The equal obsession with abandonment and betrayal he developed in his later writing and the outright bitterness of it - especially in the Zilch songs he wrote - can come across also. Especially with that his last words alive, on seeing Hiroshi for the last time before retreating to his room, were reported to be "and you, too?"
  • Indecipherable Lyrics: Much of "Doubt," "Bacteria," and "Fish Scratch Fever." "Dice" is a little better, but the rapid-fire delivery pretty much necessitates having the lyrics there too. "Lemoned I Scream" is entirely in English, but good luck understanding it through the megaphone and fuzz filter.
  • Intercourse with You: Many of hide's songs, whether it's the main theme of the song or the "B plot" of it, though hide's takes on the theme were often nightmarish and twisted.
    • Sadistic Desire (about Murderers Are Rapists, from the murderer/rapist's perspective) and Joker (about mitsu) were the most famous from his X Japan days.
    • Eyes Love You and Genkai Haretsu reference Date Rape and drugged sex/sex as manipulation/loveless sex, perhaps as metaphors for the music industry/Hollywood.
    • Beauty And Stupid seems to be about one-sided love during sex/sexual manipulation.
    • Hi-Ho is about sex with prostitutes and sex as a prostitute, both of the ordinary and mitsu/host varieties.
    • Natural Born Onanist is a celebration of masturbation.
    • Doubt and Bacteria reference political sex scandals and sex as a loveless act of mindless reproduction respectively.
    • Rocket Dive is a long series of Double Entendre about mutually satisfying sex (and possibly gay sex depending on who you ask/who's translating).
    • Electric Cucumber and Leatherface/Inside The Pervert Mound and Fuctrack #6 are all about BDSM and various aspects of it.
    • Psyche references the sexual element of the titular mythos somewhat graphically.
  • Large Ham: hide could definitely have his ham moments.
  • Lyrical Dissonance:
    • Hurry Go Round and Goodbye seem like quiet, slow songs. Both are ruminations on mental illness and death and reincarnation (Hurry Go Round about bipolar mood swings, Goodbye about death and suicide).
    • Hi-Ho sounds like a cute proto-Oshare romp but the title itself is a pun referring to what the song is actually about: prostitution, both of the usual and mitsu varieties.
    • Eyes Love You sounds like it's about love but it's actually about predation and being burned out with a possible subtext of Date Rape, and Genkai Haretsu which sounds like an upbeat summer rock song, is about Date Rape and necrophilia.
    • Misery was written for (and about) a terminal cancer patient who was a fan. It is one of the happiest sounding songs you will ever hear.
  • Lunatic Loophole: Played straight almost too many times to count in Real Life: he survived alcohol poisoning on repeated occasions, almost lighting himself on fire in a pyrotechnic stunt gone wrong, being in a rather large number of fights despite being short and scary skinny, sustaining a skull fracture and leg injuries in a fall, a car wreck, and that's just what's known about. Sadly, also subverted in Real Life in a horrific way.
  • Manic Pixie Dream Girl: The rare male version. That said, as he said in at least two interviews, he *wanted* to be a combination of Manic Pixie Dream Girl and The Lad-ette if he could have. Whether this means he was actually bigender or simply perverted is unknown.
  • Matter of Life and Death
  • Meaningful Name: hide = the concealment of his true self and his vulnerabilities and problems at an absolute surface level, with their only being able to be discerned with more scrutiny and/or personal knowledge.
  • Metal Scream: Backing vocals for Vanishing Vision and live "Sadistic Desire." The Doubt/TELL ME performance in his solo career, and any performance of Doubt.
  • The Mentally Disturbed: hide may have suffered from bulimia and alcoholism according to various sources. Whether it's Word of Dante or Wild Mass Guessing, some fans also say he suffered from Axis 1 bipolar disorder.
  • Mohs Scale of Lyrical Hardness: His credited works with X Japan were three 7 (Joker, Celebration, and Love Replica) two 8 (Miscast, and Drain) and one 9 (Sadistic Desire) His solo works could be anywhere from a 0-1 (Oedo Cowboys and Psyence) to a solid 9 (Bacteria, Doubt, Genkai Haretsu) and he hit 10-11 with some of his Zilch work (Sold Some Attitude, Fuctrack #6). Average is around an 8-9, for his love of Intercourse with You and some fairly twisted takes on it and for the generally dark themes.
  • Mohs Scale of Rock and Metal Hardness: Usually averages out around a 6-7 for his X Japan work, a 4-6 with some occasional drops to 1-2 and occasional bounces all the way up to 9 for his solo work with Spread Beaver, and 4-9 for his work with Zilch. See Lyrical Dissonance and the above though - even the songs where he's slower and that can't be classified as "metal" by any means are often fairly dark and deal with some deep and troubling issues - and when he goes to harder metal, the lyrics follow (his metal songs are all 8-9 on the lyrics scale above)
  • Motor Mouth: YES. So very yes. Enough that it might make one wonder how he can be so speedy... *cough*
  • The Musical combined with Rock Opera: his songs have now become a part of one, called "Pink Spider."
  • Musical Pastiche: "Rocket Dive" was written as a tribute to his idol Ace Frehley, and borrows Frehley's guitar intro to "Rocket Ride".
  • My Nayme Is: It's spelled hide and pronounced hee-day in reference to his solo career. Do not capitalize it there, even if That Other Wiki does. In regard to his X Japan career, on the other hand, it is pronounced the same way but written in ALL CAPS as HIDE.
  • Neoclassical Punk Zydeco Rockabilly
  • Never Speak Ill of the Dead: Played straight AND averted like hell. Backlash tends to happen when extreme partisans of playing this straight and of averting it end up in the same location. One side will deny things that hide actually did on stage, and the other will post accusations that are patent falsehoods just to "look cool" or out of Shipping related rage.
  • Noodle Incident: Quite a few, almost always due to Alcohol-Induced Idiocy, and his death itself was one.
  • Ode to Intoxication: Drink Or Die!!! is definitely this, as well as Drowning My Sorrows, Drunken Song, and much Harsher in Hindsight. Lemoned I Scream is this for either alcohol or hallucinogens or both. Sold Some Attitude is so much of a deconstruction of the idea (bitterly referencing either mania or amphetamine psychosis) that it is arguably an Ode to Sobriety.
  • Off the Wagon: Subverted. To argue that hide ever was *on* the wagon is laughable.
  • Our Ghosts Are Different: The hologram in 2008-09 X concerts could be considered a constructed variant of this. Could be played straight also, if you believe some of the stories from some fans who claim to have seen/channeled/otherwise met hide's soul somehow. Of course they/we could all be batshit. Or maybe they/we aren't.
  • Parental Incest: Blue Sky Complex is a deconstruction of this and paedophilia, from the perspective of the abuser.
  • Pastiche: "Lemoned I Scream" sounds an awful lot like The Smashing Pumpkins, both musically and lyrically.
  • Performance Video: While the technology of the time dates some of hide's performance videos, almost all are very unique and very artistic. The art of the video actually creates its own scene, its own comparison piece to the song for almost all of the songs that have a Performance Video. Especially interesting are "Misery," "Eyes Love You," "Genkai Haretsu," and "Bacteria."
  • Persona Non Grata: Banned from more than a few bars and hotels.
  • Precision F-Strike: The lyrics to "Celebration" and "Doubt" are specifically awesome examples of a Precision F-Strike.
  • Projected Man: One of the most successful and scarily Uncanny Valley (even to Yoshiki, to whom this was so much so that he personally ended the practice) examples ever in regard to the hologram. He was the first musician to have a believable holographic form onstage, this having been accomplished in 2008, long before Tupac Shakur at Coachella.
  • Protest Song:
    • Bacteria is Humans Are Bastards / humanity is a bacteria on the planet + War Is Hell.
    • Doubt is a protest of political corruption likening politicians and leaders to groupies and prostitutes.
    • Oblaat is a protest of The '90s Japanese society and its desire to "look the other way" and to ignore problems and sweep issues under the rug.
  • Rant-Inducing Slight: Anything could be this for hide depending on his alcohol consumption.
  • Refuge in Audacity: This quote on the Refuge in Audacity article sums up hide's career and life:

    "This isn't Getting Crap Past The Radar. This is crashing the crap through the front doors and out the back doors of the radar installation in an armored car with sunglasses-wearing flaming skull decals on every flat surface and a Hieronymus Bosch reproduction on the door, hood-mounted machine guns blazing, Motörhead blasting on the jury-rigged PA system, the tires leaving tracks painting sex and violence on the floor and walls and one arm hanging out of the window making a rude hand gesture."

  • Religion Rant Song: "Easy Jesus" with Zilch.
  • Rule of Drama: Invoked it by dying.
  • Sanity Slippage: Arguably, his life from 1997 onward. The pressures of his solo career, his alleged drug use catching up to him, the pain of the band that had made him famous and his friendships from said band breaking up, and his increased need for alcohol all pointed to hide's being in somewhat of a downward spiral toward the end.
  • Sanity Slippage Song: "Drain" for X Japan, and solo: "Doubt," "Hurry Go Round," "Genkai Haretsu," "Breeding", "Lemoned I Scream," "Drink or Die," and "Sold Some Attitude"
  • Secret Relationship: Though one that becomes more of Everybody Knew Already over time. hide and Yoshiki.
  • Self-Harm: See Formerly Fat above - hide suffered from bulimia.
  • Sex, Drugs and Rock & Roll: Quite possible. Quite arguable.
  • Shout-Out: The target of quite a few, including a NSFW manga featuring the Yokosuka Pink Spiders, possible partial inspiration for Shuichi Shindou of Gravitation, and a partial one (along with Nikki Sixx of Mötley Crüe or, in the Japanese version, Slash of Guns N' Roses ) in Chrono Cross
    • Of course, the reason for this being the amount of influence hide had on Visual Kei and in rock music in Japan in general. Anything related to Visual Kei or similar genres, or written/made/produced by someone who is Japanese and was/is into 90s Visual Kei, has a high likelihood of a hide Shout-Out somewhere - much like the James Dean and Elvis Presley ShoutOuts that appear in some US media.
  • Sliding Scale of Idealism vs. Cynicism: He's near the middle of the scale but leans cynical. His songs include dark lyrics about date rape such as "Genkai Haretsu", and angry protest songs such as "Doubt", "Oblaat" and "Bacteria" (Which compares humanity to a virus), along with themes of suicide. Despite this, he's not wholly cynical, as demonstrated by songs in the middle of the scale such as "Dice" and "Pink Spider", with his overarching messages being about pushing forward through pain and depression and Be Yourself.
  • Smoking Is Cool: hide was a rather notorious tobacco addict, who once posted a blog whining about not being able to smoke indoors in California, and who would occasionally even smoke while performing. He provided quite the free advertising for his preferred brand, too.
  • Stylistic Suck: Some of hide's P Vs are either this, No Budget, or both - a good example being the contrast between Genkai Haretsu and Eyes Love You, which may seem dated but are competitive with anything else filmed in the early to mid 1990s, and Misery and Oblaat, which have far less of a "polished" look.
  • Team Mom: Despite his issues, he was, according to everyone else, this for X Japan while he lived.
  • Too Much Information: How he died. If someone tells you "it was an accident," asking "why" may very well lead to this trope being invoked.
  • The Trickster: Often seen as sympathetic to the Egyptian mythological deity Set/Seth due to his role as such in the art film "Seth et Holth" and due to a few photoshoots on this same theme.
  • The Tyson Zone: When he actually entered it and with what particular incident out of all of them is somewhat in doubt, but he definitely did - and it was part of why he was able to do half of the stuff he did without any severe negative consequences imposed from the outside.
  • Unstoppable Rage: Often as a result of consuming alcohol, and directed at some of the oddest targets. Being a hotel desk clerk was not safe when you had hide staying there...
  • War Is Hell: The Bacteria PV.
  • Virtual Ghost: Overlapping with Projected Man and Hologram above, he was likely the first of these to be created in Real Life, although he still had to be animated by another human being using composites of his moves and synching footage used for the hologram to the songs everyone else was playing.
  • Vitriolic Best Buds: Yoshiki and hide could be a type of this.
  • Vulgar Humor:
    • The "Dice" live with the squirming nude men and women in cages and "Natural Born Onanist" from his solo lives, the lyrics to "Doubt," the live (and the album cover and possible meaning) of "Rocket Dive," "Fuctrack #6" with Zilch...
    • Which has led to some (hopefully) unintentional creepiness, when fans go overboard, especially on exposing their kids to his stuff way too early. For example, the Youtube video of the 3 year old singing "Rocket Dive." Do not look it up - there is not enough Brain Bleach in the world.

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