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Voiced by: Bobby Stewart (first film; baby), Donnie Dunagan (first film; young), Hardie Albright (first film; adolescent), John Sutherland (first film; adult), Alexander Gould (Bambi II)The central protagonist of both films and the first novel, Bambi is a deer destined to grow up to become the next Prince of the Forest.
- Adaptation Species Change: He's a roe deer in the original books, but was changed to a white-tailed deer in the Disney adaptation due to the setting being moved to America.
- Adorkable: As a fawn, Bambi is bashful, clumsy, and incredibly sweet natured. This aspect of him doesn't exactly leave as an adult, either.
- Babies Ever After: As an adult, he and Faline have twin fawns.
- Badass Adorable: As an adult in the original film, and in the climax of the midquel (while he's a fawn). Not bad for a little fawn.
- Beware the Nice Ones: He has a long fuse for sure, but push his buttons and he will show his ugly side—such as taunting him about his father or trying to make a move on Faline.
- Break the Cutie: Three times:
- Happens in the first film when his mother dies and his father tells him what happened.
- Happens again in the midquel, once Bambi's hope of his mother being alive get dashed, as well as getting berated by his father for falling for the hunter's trick. A second time occurs when, after spending much time bonding with his father, he discovers he is to be adopted by another doe, leading him to furiously call out his father for sending him away.
- Bully Hunter: Does this in both films (despite his fear) against Ronno's possessiveness towards Faline.
- Characterization Marches On: In both interpretations, amusingly enough:
- The sequel novel Bambi's Children depicts Bambi with a more warm and direct relationship with his children, despite the end of the first novel implying he would repeat the Great Prince's more distant and aloof methods.
- The midquel for the Disney film depicts Bambi as much more talkative and precocious as a fawn. Also, as a result of his mother's death and his aloof father adopting him, he is shown to be more self deprecating and proactive in proving himself. He is also demonstrated to have affections towards Faline even prior to the Time Skip.
- Childhood Friend Romance: Some time during the two-year Time Skip, Bambi and Faline realize that they are more than just old playmates.
- Children Are Innocent: Bambi as a fawn, especially in the original film.
- Cowardly Lion: Which is expanded on in the midquel. He is deadly scared of Man, and not without reason, but when someone else is in danger because of Man, Bambi won't run away or stand scared.
- Curtains Match the Window: Big brown eyes matched with brown fur.
- Death Glare: When those iconic doe eyes start to furrow, you know some ass-kicking is about to ensue from this cute young deer.
- Deer in the Headlights:
- Quite literally in the midquel. As a result of his traumatic experiences with Man, Bambi is left paralyzed with fear whenever he spots hunters or dogs closing in on him. He overcomes it in the climax.
- Amusingly enough, his one speaking role in House of Mouse is comparing this trope to a stage frightened Shelby the Turtle, before getting stunned himself by Benny the Cab.
- Did You Just Punch Out Cthulhu?: In the second novel, he bucks and scares off a young hunter trying to shoot his family, making him the one animal in the series to ever directly defeat Man.
- Dork Knight: Gradually becomes more capable and heroic under the Great Prince's upbringing. His shy, clumsy side still remains however, even as an adult. He is most blatantly such around Faline.
- Early-Bird Cameo: Bambi's first appearance in a Disney feature was in fact not the first Bambi film, but the Walt Disney Studios tour piece The Reluctant Dragon. The film made fake "clips" of both him and Casey Jr. for the film to represent the two projects in production.
- Guile Hero: In the midquel, when trying to evade some hinting dogs. He is too young to fight them off directly like he does an adult in the original film, so lures them into the forest's harmful elements (eg. Deadly Dodging two while in the tall grass, or dislodging a small avalanche while climbing a cliff).
- The Hero: The story focuses on Bambi's life. From his birth to early childhood to taking on Man as an adult.
- Heroes' Frontier Step: In the original film, him rescuing Faline from Ronno and a pack of hunting dogs was to establish his evolution from a sweet but cowardly and oblivious kid to a selfless and bold young adult and future Prince of the Forest. The midquel, however, sets it even earlier in childhood when, despite being broken over being sent to live away from his father, he chooses to rescue his adoptive mother by distracting a hunter's dogs onto him.
- Heterosexual Life-Partners: With Thumper, who had been wanting to play and interact with him since his birth.
- Incorruptible Pure Pureness: Kingdom Hearts utilizes this as a plot point for the Disney version's role, and it isn't denied in the films, either. He suffers much in life, but still comes to act on selfless terms.
- Kissing Cousins: With Faline in the original novel. Bambi and Faline are still listed as cousins in some licensed books based off the Disney version. Whether or not it's canon in the movies is unknown but it is never mentioned.
- Let's Get Dangerous!:
- Right before engaging in combat with Ronno for trying to separate him from Faline. He repeats this shortly afterward when taking down a whole pack of hunting dogs chasing after her.
- Repeated in the midquel when Ronno presses Bambi's Berserk Button by taunting him because his father sent him off to live with another doe. Again furthered afterward when Mena gets caught in a snare and Bambi skilfully deals with the pursuing hunting dogs.
- Lightning Bruiser: Like his father before him, the adult Bambi is very big and strong for his speciesnote but also quick enough to react to Ronno's trick in their battle and turn the tables before Ronno can gain an advantage.
- Like Father, Like Son: The end of the first movie implies that, as in the novel, Bambi became regally aloof like his father when it shows him standing besides said father, observing Faline and their newborn children from a distance.
- Made of Iron:
- In the first film, he took a direct (albeit unseen) hit from a hunter's bullet as an adult, but after being briefly incapacitated, was able to shrug it off in order to outrun a forest fire (with the help of his father goading him) and survived it in the long run.
- In the midquel, he manages to survive a high fall with no long term injuries, even though it seemed like it should have killed him (and for a moment it seemed like it did).
- Nice Guy: Bambi is thoughtful, polite, and heroic, although this is more pronounced in the Disney adaptation (especially the midquel).
- Official Couple: With Faline.
- Papa Wolf: In the second novel, he directly opposes Man to protect his children.
- Pinball Protagonist: He is this in the first half of both movies, which is justified by his young age. Halfway through both, he does learn to take the initiative to help others and fend for himself.
- Protagonist Title: His name is the title of the book and Disney film, so of course he's the main character.
- Puppy-Dog Eyes: A Trope Codifier alongside Betty Boop, considering theirs were the bases for Osamu Tezuka's, and by extension anime as a genre's, large eye style.
- The Quiet One: In the original film, Bambi usually emotes more from facial expression. In the midquel, while still more reserved than Thumper, he is much more talkative.
- Red Oni, Blue Oni: The reserved and quiet Blue to Thumper's mouthy and loud Red.
- Royals Who Actually Do Something:
- In the second novel, Bambi is essentially the king of the roe deer. His duties, which include arbitrating disputes among the roe deer and monitoring human activity in the forest, keep him so busy that his children Geno and Gurri don't see him for the first time until they are several weeks old.
- Though the Disney version doesn't delve into it much besides inheriting his father's duties, the young Prince's Character Development in the midquel is signified by him protecting a doe from Man and his dogs.
- Shrinking Violet: To an extent, Bambi is portrayed as somewhat shy and insecure, especially as a fawn.
- Single Tear: In the first film after learning his mother's fate.
- The So-Called Coward: When pit against Ronno in the midquel, Mena gets caught in a trap and begs the two to save themselves. Ronno runs away screaming, while Bambi lures the approaching hunting dogs away from Mena.
- Took a Level in Badass: In the novel and first film, Bambi shows his new-found badassery after the two-year Time Skip by defeating Ronno in battle and managing to evade the hunter and his dogs despite being wounded. The midquel shows the leveling-up process in a fair amount of detail.
- Underdogs Never Lose: In the Disney films, Ronno is older, bigger built, more aggressive, and has larger antlers (or in the case of the midquel, has any at all), yet he can never quite manage to outdo Bambi.
- Violently Protective Girlfriend: Gender-inverted. Bambi will always protect Faline from danger, either from Ronno or Man.
- Warrior Prince: Grows into this when he takes on Ronno and Man to protect Faline. And like his father, Bambi becomes the next Great Prince of the Forest.
- "Well Done, Son!" Guy: In the midquel, his desire for his dad's good opinion is a large pivot. Played around with, since his father blatantly cares for Bambi, but favors a distant, unaffectionate relationship due to tradition.
Voiced by: Peter Behn (first film; young), Tim Davis (first film; adolescent), Sam Edwards (first film; adult), Brendon Baerg (Bambi II)Bambi's best friend, a peppy little rabbit.
- Babies Ever After: Has a number of bunny daughters with Miss Bunny.
- Big Brother Instinct: Thumper is older than Bambi, so he takes to helping him out as he grows into a Prince, even helping him talk as an infant. Less prominent with his own younger sisters, who chase and bug him to the point of annoyance.
- Bratty Half-Pint: A downplayed nice version, but he can be annoying or impatient at times.
- Breakout Character: Was the star of his own series of books; "Disney Bunnies". He was also intended to have his own spin-off feature film and TV series in the Disney Afternoon block, though these ideas were dropped.
- Bunnies for Cuteness: An adorable, friendly rabbit.
- Canon Foreigner: Although Thumper superficially resembles the novels' Friend Hare (called simply "the hare" in the second book), his personality and role are very different in keeping with the film's Lighter and Softer feel.
- Character Tics: Thumps his foot to get someone's attention or when excited.
- Dude Looks Like a Lady: Like some Elementary and Middle School girls, Thumper is hyper, excitable, goofy, and talkative. His voice and prominent buckteeth help with the "goofy girl" appearance.
- Heterosexual Life-Partners: This was already heavily implied in the first film, but it's in full throttle in the midquel. Thumper does everything to help Bambi connect with his father and greatly prefers his company over his sisters.
- Keet: By far the most energetic in the trio of him, Bambi, and Flower.
- Meaningful Name: Thumps his foot to get someone's attention or when excited.
- Mouthy Kid: Far more talkative and blunt-speaking than Bambi.
- Official Couple: With Miss Bunny.
- Outnumbered Sibling: All of his siblings are girls.
- Plucky Comic Relief: His main role in the original film.
- Red Oni, Blue Oni: The mouthy and loud Red to Bambi's reserved and quiet Blue.
- Ridiculously Cute Critter: A cute little rabbit.
Voiced by: Stan Alexander (first film; young), Tim Davis (first film; adolescent), Sterling Holloway (first film; adult), Nicky Jones (Bambi II)A minor character in the films, he is friends with Bambi and Thumper.
- Adorkable: Even more shy and innocent than Bambi.
- Advertised Extra: Usually given billing on par with Bambi and Thumper, but gets a lot less focus than them in the films.
- Brick Joke: Flower's "Turtles are so scary" line midway through the midquel gets backed up at the end when Ronno winds up with a turtle clinging to his nose.
- Camp Straight: Despite whatever misconception you might have had, Flower is male, one who was even the first of the trio to have a girlfriend. When Friend Owl is discussing the "horrors" of springtime, he points to each male, saying "You! And you!" in turn. When he gets to Flower, he pauses for a moment before saying, "Yes... it could even happen to YOU!"
- Canon Foreigner: An original character for the Disney adaptation, created to help with the Lighter and Softer feel of the film similar to Thumper. Unlike Thumper or Friend Owl, he doesn't even have any loose counterpart in the novel, which takes place in Europe where there are no skunks.
- Dude Looks Like a Lady: Before he grows up. He has a very high, cute voice, and acts very demure and a bit shy, and would rather sit and smell the flowers than go on an adventure. After he grows up, his voice gets deeper, the first hint that he is actually a male, but he still looks effeminate.
- Innocent Blue Eyes: They make him look even more sweet and innocent.
- Ironic Name: A skunk named "Flower".
- Line-of-Sight Name: Sort of; see Only Known by Their Nickname below.
- Nice Guy: He's kind and friendly, if a bit shy.
- Only Known by Their Nickname: The infant Bambi, who has just learned the word "flower" but is still unclear on its meaning, calls the young skunk that, and the name sticks.
- Ridiculously Cute Critter: Big time. For a cartoon skunk, Flower is adorable.
- Shrinking Violet: Very quiet and shy.
- Smelly Skunk: Averted in the first film, played straight in the midquel as part of a gag. It later becomes a Chekhov's Gag when Flower uses it to scare off one of the dogs that was chasing Bambi.
- Through a Face Full of Fur: Flower turns red when being kissed for the first time, the blush traveling from his nose all the way to the tip of his tail.
- Why Did It Have to Be Snakes?: He has a fear of turtles in the midquel.
Voiced by: Paula Winslowe (first film), Carolyn Hennesy (Bambi II)Exactly What It Says on the Tin. Killed in the most famous moment of the original film, her death is the driving force of the midquel.
- Adaptational Nice Guy: Downplayed. In the books, she was still a Nice Girl but applied some Tough Love to Bambi. This was dropped in the Disney adaptation.
- The Cameo: Footage of her grazing with Bambi right before she dies appears in The Sword in the Stone, The Jungle Book, The Rescuers, and Beauty and the Beast. Ironically enough, as this blog points out, for having been one of their most infamous Character Deaths, Bambi's mother may be Disney's most frequent recurring character (across the films, at least).
- Childhood Friend Romance: In the midquel, the Great Prince recounts to Bambi of how she and him first met as fawns.
- Childhood Friends: Was friends with Mena since they were fawns.
- Deceased Parents Are the Best: Possibly the Ur-Example. Which was a result of her trying to get Bambi away from Man and to safety.
- Disney Death: One of, if not the most infamous aversion of this trope in Disney history.
- Dream Sequence: She briefly appears to Bambi by this in the midquel.
- Flat Character: She lacks a clear personality beyond being a generic good mother, and her only purpose in the story is to die to further Bambi's character development. They didn't even bother coming up with a name for her.
- Good Parents: In the both the book and the movie, she's shown to be a kind and caring mother to Bambi before she dies (even if she uses Tough Love a bit more in the novel).
- Heroic Sacrifice: She dies in order to get her son away from Man.
- Mama Bear: As stated under Heroic Sacrifice, she went as far to be killed by Man to give her son a chance to run to safety.
- Missing Mom: To Bambi after she is shot and killed by Man, leaving her son in the care of her mate, the Great Prince.
- Mood Whiplash: Bambi's mother's death scene is so memorable because the film had been much lighter and softer up until that point. Directly afterwards, there's a cut right into spring with joyful birds singing an upbeat song about the mating season.
- Nice Girl: In both the book and the movie, she is loving, kind, and patient.
- No Name Given: Her real name isn't given, everyone just refers to her as "Bambi's mother".
- Parental Neglect: In the novel, she gradually grows more distant to Bambi, eventually abandoning him for a time once mating season arrives. She does come back, however, only to vanish during the hunter's rounds in the following wintertime, where it's strongly implied, but never explicitly stated, that she was killed.
- Plot-Triggering Death: The midquel starts right after the Great Prince informs Bambi of his mother's death and her passing is one of the biggest subjects during the movie.
- Sacrificial Lion: She was a major character in the first part of the original novel and film, and her death is essentially the end of Act 1.
- Snow Means Death: A heavy snowfall begins as Bambi goes back out calling for her.
- Sound-Only Death: Originally, she was shown collapsing into the snow after jumping over a log, but it was scaled back to just having a gunshot sound right after a scene change.
- Unnamed Parent: She's only known as "Bambi's mother" in the book and film.
The Great Prince of the Forest
Voiced by: Fred Shields (first film), Patrick Stewart (Bambi II)The wise guardian of the forest, the oldest surviving deer in the forest, and the father of Bambi.
- Action Dad: Downplayed. He warns the other forest animals when there is danger most of the time, but when it comes to his son, he's not afraid of getting violent.
- Adaptational Badass: The Great Prince is called that only once in the novel, where he's usually called "The Old Prince" or later, "The old stag"note .
- Anger Born of Worry: In the midquel, Bambi's well-being is an enormous trigger; thus, he uncharacteristically stammers and snaps at him when he nearly gets himself killed by a pack of hunting dogs:"What if I hadn't gotten to you in time?! You could have been... When I tell you, "run", you run! NEVER freeze like that!"
- Ascended Extra: He barely talks in the first movie. In the midquel, he is the Deuteragonist.
- Big Damn Heroes: Saves Bambi from a pack of hunting dogs in the midquel. To a lesser degree, he appears before Bambi to motivate him to escape the forest fire in the first film.
- Big Good: Seen as the protector of the forest.
- Broken Ace: He has an air of dignity and is the Big Good. He becomes the "broken" part following his mate's death, which he spends the midquel struggling to come to terms with.
- Childhood Friend Romance: In the midquel, he recounts to Bambi of how he and his mother first met as fawns.
- The Comically Serious: A few jabs at the Great Prince's humorless demeanor are made in the midquel, especially in his attempts to raise Bambi:The Great Prince: A prince does not "Woo-hoo".
- Cruel to Be Kind: In the midquel, he insists that raising Bambi like his mother is not his place, and completely against tradition. As such he attempts to remain aloof towards his son and sets upon finding him a surrogate mother. Despite Bambi being extremely crushed by this decision, he believes it is for the best for his son's upbringing, though starts to regret it later on.
- Curtains Match The Windows: He has brown fur and brown eyes.
- Defrosting Ice King: In the midquel, he becomes more open and fatherly to Bambi as they bond.
- Deuteragonist: He became the second main focus in Bambi II.
- Disappeared Dad: Zigzagged. It's true that male deer leave their children to be raised by their mates, plus it is his job to protect the forest. But, he took on fatherly role for Bambi after the death of his mate.
- Everyone Calls Him "Barkeep": Like all the films' parents, he has no known name, but he does have his title.
- Good Is Not Nice: He's all for keeping the animals safe from Man, but he's also a Disappeared Dad and can be rather harsh and distant. Justified in that traditionally the Prince looks after the forest as a whole while the does are the ones who usually care for the fawns, a case of Truth in Television, so he's not used to hands-on parenting at first.
- Heartbroken Badass: In the midquel, the loss of Bambi's mother hits him extremely hard. Discussing her is visibly painful for him, and he at times appears to view Bambi as the only thing he has left of her.
- Jerk with a Heart of Gold: Elements of this are present in both films, but it's more obvious in the midquel. He's intimidating and aloof, but does care for his son and takes his job as a protector for the other animals seriously. Plus, he softens up over the course of the film.
- Lightning Bruiser: Not shown in the first film, but the midquel upgrades him to this; when Bambi is endangered by a hunter, he shows up to his rescue in seconds, and he effortlessly fights an entire pack of hunting dogs on his own, literally sending them running off in fear.
- Luke, I Am Your Father: The Great Prince turns out to be Bambi's father midway through the first film. The midquel (which takes place immediately after the death of Bambi's mother) also states early on that he is his father.
- Manly Tears: The sign of his full defrosting when he believes Bambi is dead in the midquel.
- The Marvelous Deer: Bambi's father is the Great Prince of the forest who guards the woodland creatures from the dangers of hunters.
- Mundane Made Awesome: The Great Prince does everything in a ridiculously majestic manner but somehow seems to do it all with his eyes closed.
- The Obi-Wan: Raises Bambi into a prince after his mother's death. Some of his tutoring is shown in the midquel (and put to use by Bambi during the climax).
- Papa Wolf: Despite his aloof parenting, he genuinely loves Bambi. A few of Man's hunting dogs found that out the hard way.
- Parental Neglect: In keeping with the semi-realistic deer behavior of the first film, he doesn't seem to have much to do with his son until his mother's death. This comes back to haunt him in the midquel, where he is left to care for Bambi alone.
- Parents as People: In the midquel. His handling is sympathetic and he genuinely wants what is best for his son, but his favouring of natural tradition and stern distant upbringing leads to some contention between him and Bambi.
- The Quiet One: He really doesn't talk that much, having about five lines in the original film. Similar to Bambi, he has far more lines in the midquel, despite keeping his reserved personality for the large part.
- Royals Who Actually Do Something: Namely, raising and protecting his son and heir, as well as warning other deer whenever Man is nearby and protecting them from traps the latter sets.
- Spared by the Adaptation: In the novel, the Great Prince is last depicted leaving Bambi to die, presumably of old age. A similar transition of him departing as Bambi takes his place appears in the film, but the Great Prince's death is not directly implied. note
- The Stoic: In the original film. He's initially this in the midquel, too, but softens.
- Sugar and Ice Personality: His stern and serious personality can make him seem aloof and uncaring, but he has a soft side for his family.
- Unnamed Parent: As with many other characters. He is only known by epithets: The Great Prince in the films, and the Old Prince or simply "the old stag" in the novel.
Voiced by: Cammie King (first film; young), Ann Gillis (first film; adult), Andrea Bowen (Bambi II)Bambi's love interest.
- All Animals Are Dogs: She wags her tail and wiggles her rear like a dog during her first encounter with Bambi.
- Babies Ever After: As an adult, she and Bambi have twin fawns.
- Beware the Nice Ones: While she herself is pretty powerless against Ronno, she gets visibly angry with his bullying of Bambi in the midquel, and snaps at him to back off when he tries to make her leave.
- Childhood Friend Romance: She took a liking to Bambi practically from the first moment they met. In the original, he didn't reciprocate — or even encounter her again — until they were adults. The midquel makes it a point to flesh out their relationship.
- Damsel in Distress: Bambi has to rescue her twice as an adult, first from the unwanted attentions of Ronno and then from a pack of hunting dogs. A downplayed case as a fawn, where Bambi stood up for her as she was being bullied by Ronno.
- Dude Magnet: Both Bambi and Ronno have an interest in her.
- Genki Girl: As a kid, Faline was extremely hyper. Case in point, her reaction to Bambi saying a simple "Hello" to her for the first time is to squee in euphoria.
- Girl Next Door: Gives off this vibe, particularly in the midquel where her genkiness is substantially toned down from what it was in the first film.
- The Hyena: She was quite the giggly girl as a fawn. She gradually sheds this trope as she grows older.
- Innocent Blue Eyes: Representing her friendly nature.
- Kissing Cousins: She was Bambi's cousin in the original novel. This is not true in the movie, obviously.
- Little Miss Snarker: A moderate playful example as a fawn, teasing Bambi when they first met and having a few unimpressed one-liners towards Ronno.
- Neutral Female: When Bambi and Ronno fight over her, she just stands against a rock wall and watches. Justified because female deer are perfectly fine with being battled over during the mating season.
- Nice Girl: Sweet, loving, caring, and likable.
- Official Couple: With Bambi.
- Off-Model: Her eyes are canonically blue, but they are brown in several scenes in the original film.
- Pale Females, Dark Males: Much lighter in color than Bambi. It's even more pronounced when you compare her to Ronno.
- Protectorate: Despite his timid streak, Bambi will always stick up for Faline.
- Related in the Adaptation: Inverted. The book has them as cousins, which is dropped from the Disney film.
- Satellite Love Interest: Especially in the original, she doesn't really have much personality (she appears to be a Genki Girl as a fawn but we don't know anything about her and loses even this trait as an adult), and sparsely interacts with anyone besides Bambi. The midquel fleshes her personality out a little more and gives her more screen time with the other characters, although she remains fixated around Bambi and is still often kept Out of Focus.
- She Is All Grown Up: She invokes this reaction in Bambi after they've both hit puberty.
- Single Woman Seeks Good Man: Faline naturally prefers Bambi over Ronno.
- Spell My Name with an "S": Many fans misspell her name as "Feline".
- Stepford Smiler: Has traces of this in the novel, where she cheerfully and bluntly defines danger to Bambi and Gobo as "what you run away from" before going back to playing, unable to cope with the emotion of fear. The novel doesn't go deep enough to show whether or not she ever developed the repression problems that usually come with this trope.
- Weakness Turns Her On: Notably, Bambi never pursues her, romatically or otherwise; even as far back as their very first encounter (long before Bambi evolved into her Dork Knight), she's always the one pursuing him (or in the case of Ronno targeting her as adults, the one imploring him to intervene).
- Wise Beyond Their Years: In the midquel, she is more grounded and insightful, despite the ending also suggesting she is the youngest of the main cast.
Other Residents of the Forest
Voiced by: Will Wright (first film), Keith Ferguson (Bambi II)A mentor of sorts to the heroes.
- Ascended Extra: Appears a bit more in the sequel.
- Composite Character: Friend Owl draws traits from the second novel's characterizations of the screech owl and the captive horned owl.
- Cool Old Guy: If he's not in a grouchy mood, he's quite mellow and amiable.
- A Dog Named "Dog": He's an owl named "Owl". "Friend" might not actually be part of his proper named due to The Great Prince once referring to him as simply "Owl" in the midquel.
- Grumpy Old Man: Don't wake him up; at least, not during the mating season.
- Jerk with a Heart of Gold: Friend Owl is something of a pompous crank, but seems to care about the youngsters of the forest.
- Jump Scare: Gets up close and personal with the camera twice in the first film.
- Know-Nothing Know-It-All: Not very good at mentoring the heroes.
- No Name Given: Simply called "Friend Owl".
- The Obi-Wannabe: He attempts to act like a mentor, but he's not so good at it.
- The Owl-Knowing One: Played with. While something of a Know-Nothing Know-It-All, he seems genuinely knowledgeable in some areas. In the midquel, he is near instantly observant that Bambi would be in better care with his father.
Voiced by: Margaret Lee (mother); Ariel Winter, McKenna Cowgill, Emma Rose Lima (sisters)Thumper's mother and five sisters (four in the midquel).
- All There in the Manual: According to the Disney's Bunnies storybooks, four of Thumper's sisters are called Trixie, Daisy, Ria, and Tessie.
- Annoying Younger Sibling: All of Thumper's sisters in the midquel, who follow and cling to him perpetually. He is constantly trying to ditch them.
- Ascended Extra:
- Thumper's Sisters end up as supporting characters in the midquel complete with their own scenes. While they are mostly remembered for trying to help Bambi say "bird" in the first film.
- The whole family is in focus in the Disney's Bunnies storybooks. Papa Bunny even breaks from his role as The Ghost.
- Big Brother Worship: All the sisters towards Thumper. They always want to play with him.
- Bratty Half-Pint: The sisters can act annoying to Thumper.
- Four-Temperament Ensemble: His mother is Phlegmatic; his sisters are Sanguine.
- Genki Girl: The sisters are very playful and energetic.
- The Ghost: Thumper's father does not appear at all in either film, but is mentioned a few times, always by Thumper's mother when she reprimands him by making him repeat words of advice his father gave him. He was originally planned to appear in the original film (a concept that was eventually utilised in some Disney storybooks).
- Kiddie Kid: Thumper's sisters are older than Bambi and Faline. However, while the latter two act more like adolescents by the Interquel, Thumper's sisters act pretty exactly the same as they did when Bambi was born in the first film.
- Mythology Gag: The midquel's Annoying Younger Sibling dynamic between Thumper and his sisters is ripped from a Disney storybook "Thumper's Little Sisters". Curiously there are also less sisters there than in the original film as well.
- No Name Given: None of his family members are given names in the films. Thumper's sisters are occasionally named in Disney storybooks, though his parents remain Mama and Papa Bunny.
- What Happened to the Mouse?: The fifth sister is inexplicably gone from the midquel (and the Disney storybooks), and none of them are present during the ending of the first film.
Voiced by: Thelma HubbardThumper's future mate.
- Age Lift: Interestingly, a lot of Disney merchandise ages her down to pair her with Thumper as a child, despite only meeting him as an adult in the film.
- All There in the Manual: She is referred to as "Miss Bunny" in merchandise, though is unnamed in the film itself.
- Babies Ever After: Has a number of bunny daughters with Thumper.
- Breakout Character: Despite only appearing in one scene of the first film, she is popular in Disney merchandising, especially in Japan.
- Innocent Blue Eyes: Though they prove very seductive.
- Love at First Sight: Thumper is assured he will never be "twitterpated"....then he sets eyes on her.
- No Name Given: If "Bunny" is indeed her last name, than her first name is not revealed.
- Official Couple: With Thumper.
- Species Surname: She's a rabbit named Miss Bunny.
Voiced by: Brian PimentalA territorial porcupine who Bambi and his friends cross paths with during the midquel.
- Chekhov's Gunman: Ends up used as one during the climax. Bambi wakes him up and then catapults him at one of the hunting dogs chasing him.
- Creator Cameo: He's voiced by midquel director Brian Pimental.
- Defeat Equals Friendship: A downplayed one. After getting his revenge sting at the end of the film, he is shown rather contently waving Bambi goodbye.
- Grumpy Old Man: The resident one for Bambi's forest, even moreso than Friend Owl.
- Hypocritical Humor:Porcupine: That's the problem with these kids today: no respect. No respect at all! [The Great Prince comes by and stares at him] What're you looking at, you big moose?
- No Hero to His Valet: He doesn't seem to recognize the Great Prince despite him being the one who keeps the entire forest safe, and also doesn't seem to take Bambi's truthful claims of being the Young Prince seriously.
- Shipper on Deck: Though a little more violent than most, the Porcupine uses his quills to get Bambi to kiss Faline.
- Would Hurt a Child: Played for Laughs in this case, but he has no qualms or shame over shooting his quills at Bambi.
Voiced by: Brian PimentalA skittish groundhog that predicts the end of winter every year.
- Creator Cameo: Like the Porcupine above, the director of the midquel provides his voice.
- Nervous Wreck: The stress that comes with having to potentially tell all of the forest that winter's not over year after year has not been kind to him.
Voiced by: Cree SummerA childhood friend of Bambi's mother who was intended to be Bambi's stepmother, but an encounter with a hunter's trap and his dogs, as well as Bambi bonding with his father, changes this. Only had a couple of minutes of screentime.
- Caught in a Snare: Ronno rams Bambi into her, causing her to lose her balance and trigger a hunting trap.
- Childhood Friends: With Bambi's mother, as said above.
- Damsel in Distress: Got her back leg stuck in a trap thanks to Ronno and had to be saved by both Bambi and his father.
- Expy: Of Nettla from the original novel, who took Bambi in after his mother died. Unlike Mena, however, Nettla was a Grumpy Old Doe.
- I Will Only Slow You Down: She urges both Bambi and Ronno to run after getting caught. Both do, but Bambi takes the time to catch the attention of the hunting dogs before fleeing.
- Meaningful Echo: When the above happens, she says the exact words Bambi's mother said to him before she died.
- Nice Girl: In the short time she adopts Bambi, she displays a kind, motherly personality. Her first instinct after getting caught in a trap is to urge Bambi to run and save himself.
- Parental Substitute: After the death of Bambi's mother, the Great Prince selects Mena to raise Bambi in hope of avoiding Sink-or-Swim Fatherhood.
- Small Role, Big Impact: She only appears near the end of the midquel, but her role sows the seeds for Bambi's Heroes' Frontier Step and growth into a future prince.
Voiced by: Anthony GhannamBambi's rival, a bratty, dimwitted, smug bully.
- Abled in the Adaptation: In the novel, Ronno has a lame leg due to surviving a gunshot. In the movies, he lacks any disabilities in order to be more of a rival to Bambi.
- Adaptational Villainy: In the novel, he was actually Bambi's friend until the latter matured and became a rival for does. In both movies, he is explicitly portrayed as a rival and enemy of Bambi.
- Adaptation Dye-Job: He has brown eyes in the original, but in the midquel he has green eyes, probably to help further distinguish him from Bambi.
- Age Lift: In the novel, he is implied to be several years older than Bambi. In the midquel film, he is almost the same age as Bambi.
- All There in the Script: Even though his name is never given in the first film proper, he is still named in character design material for the first film.
- Always Second Best: A partial reason for his growing hatred of Bambi in the midquel, growing rather competitive around him in terms of athleticism and skill.
- Ascended Extra: He was just a brief rival for Bambi in one scene of the original film and had miminal characterization and no dialogue. In the midquel, he's a fully fledged antagonist who appears in several scenes.
- Attempted Rape: Implied in the first film, when he forces Faline away from Bambi. Luckily for her, Bambi's quick to put a stop to it.
- Attention Whore: Implied in his first scene in the midquel.
- Ax-Crazy: As an adult. Ronno was willing to kill Bambi and rape Faline.
- Balance Between Good and Evil: The midquel fleshes out Ronno and Bambi's rivalry akin to this. Ronno's introduction and Start of Darkness coincides with (and usually pivots) much of Bambi's Heroes' Frontier Step and Character Development.
- Bratty Half-Pint: As a fawn, Ronno was a braggart, a bully, a liar, a coward, manipulative, and generally has no redeeming qualities whatsoever, seeming to mainly be brought about by his pride at having his antlers starting to come in and his spots having gone. He got worse as an adult.
- The Bully: He is presented as this, and is not shown to have any redeeming qualities at all.
- Butt-Monkey: Should Ronno's Jerkass antics ever get grating, just wait five seconds for him to fall victim to some Amusing Injury or other form of humiliation.
- Classic Villain: In the second film, he has the staple traits of pride, ambition, wrath, and lust (though that last one is not as explicit as the others).
- Cute Bruiser: The nearest to his fawn form's boasting being genuine is he can match Bambi in a fight.
- Demoted to Extra: And then re-ascended back to a role somewhat different than what he originally had. He had a larger role in the novel beyond simply being a rival to Bambi, being already grown and Bambi having already known him even before his mother died. The first film reduces him down to one scene, with no name, no dialogue and no real characterization. The midquel then expands his character back, but only really rebuilds his character on his rival status, portraying his rivalry with Bambi growing and building from childhood rather than having him become a rival only after Bambi grows up.
- Diabolus ex Nihilo: He literally comes out of nowhere in the original film, and is gone practically as fast as he appears.
- Early-Bird Cameo: Similar to Bambi, Ronno in fawn form first appeared in House of Mouse prior to the midquel.
- Ear Notch: He's had one since childhood.
- Entitled to Have You: Has this opinion of Faline.
- Even Bad Men Love Their Mamas: Zig Zagged. Ronno is even disrespectful to his own mother, but often goes crying to her whenever he is faced with danger.
- Evil Counterpart: To Bambi. The titular character is sweet, brave, humble, and respects Faline in spite of a shy crush; Ronno is callous, cowardly, arrogant, and tried to force himself onto Faline when they were adults. Even dynamically, pretty much everything that Ronno does as he becomes darker and more obsessive coerces Bambi into becoming more bold and altruistic.
- Flat Character: In the original film, he's just used as an antagonist to Bambi. The midquel fleshes out his character.
- From Nobody to Nightmare: Abiding by the midquel's chronology, his increasing jealousy and hatred of Bambi embittered him from merely a childish, cowardly braggart to a sinister, terrifying beast.
- Green-Eyed Monster: Quite literally, in fact; he has green eyes and is driven by the fact that he's always playing second fiddle to Bambi. He fulfills the "monster" part moreso as an adult. It's hinted that his jealousy is partly because of Bambi's status as the son of The Great Prince.
- Irony: In the midquel, he makes almost certainly false boasts of taking on Man single-handed. Rather poetically, that's exactly what Bambi did in the second novel.
- Jerkass: Let's count the ways: Relentlessly bullies Bambi, thinks Faline should be with him, was going to rape her as an adult, and then tried to kill Bambi for putting a stop to his heinous action.
- Jerk Jock: The deer equivalent, as he usually prefers intimidating others physically when they don't do as he wants.
- Lightning Bruiser: As an adult in the first film, he is basically equal in speed and strength to Bambi.
- Meet My Good Friends "Lefty" and "Righty": Calls his antlers "Stab" and "Jab". Or collectively, "the boys".
- Miles Gloriosus: In his child form at least. Despite his boasting, he is usually the first to run from even the slightest threat.Ronno: MOOOOOOMMMMMMMMMMYYYYYY!!!!
- Momma's Boy: Though based on all his boasting and posturing, he doesn't want to admit it.
- Nice Job Fixing It, Villain!: Throughout the midquel he was unintentionally the catalyst for a lot of Bambi's Character Development, as well as strengthening the bond between him and his father, and ultimately reuniting them during the climax.
- No Name Given: In the first film, Ronno has no name, no dialogue, no characterization, and is essentially a Random Encounter.
- Prince Charming Wannabe: Goes hand-in-hand with his constant placings in second and obnoxious attitude.
- Privileged Rival: Both played straight and inverted. On the one hand, he's older, stronger, and much more belligerent and go-getting than Bambi, which places him higher in the mating competition hierarchy. On the other hand, Bambi is the son of The Great Prince and makes an accidental habit of upstaging Ronno multiple times, something that fuels Ronno's jealous hatred of him.
- The Rival: In the midquel, Ronno is at odds with Bambi on a variety of matters.
- Took a Level in Badass: Timeline wise, he grows from a cowardly, dimwitted bully to a rather sinister, hulking deer.
- Took a Level in Jerkass: Ronno starts off a mere childish bully towards Bambi when they first meet. The midquel shows him embitter into a more personal rival, obsessed with besting and diminutizing Bambi. Taking this as Character Development into the original film adds to his sinister form as an adult, who even seems to provide an animal example of Attempted Rape when he tries forcing Faline apart from Bambi.
- Villainous Crush: In both movies, he wants Faline for himself and tries to drive her away from Bambi.
- Worthy Opponent: In the midquel, Bambi is initially little more than a bullying victim to Ronno. As events pass, however, Ronno becomes more competitive toward's Bambi's feats, culminating in him intentionally angering him into fighting him.
- Big Bad: They are central antagonists to Bambi and the other animals. They even kill Bambi's mother at one point.
- The Dreaded: All the forest animals are terrified of Him. All other hazards of forest life pale in comparison to His ability to kill from a distance and seemingly at will. In the novel, animals who encounter His scent for the first time barely have enough presence of mind to run away.
- Everyone Calls Him "Barkeep": In the novel he's known by the animals simply as "He" or "Him", plural "Hes", always in proper case.
- Family-Unfriendly Death: In an early draft for the film, there was a scene planned in which Bambi's dad showed Bambi the charred corpse of a mannote , so Bambi would learn that not even Man could escape death's clutches. Walt Disney found the scene too graphic and cut it.
- The Ghosts: At one point in the first film's production process, a hunter's shadow was to appear the first time Bambi and family were fleeing, but even that brief appearance was cut. The closest thing he gets to an on-screen appearance is the glint of a distant rifle scope in the midquel.
- Humans Are Cthulhu: More so in the first novel than in the second or the films. The first novel has a darker tone that extends to the portrayal of the hunters as well. In the films, he is more of an occasional hazard; but in the novel he always comes with a foreboding atmosphere and is viewed as all powerful, ultimately inescapable and so terrifying that deer can barely bring themselves to run away. The second novel downplays the trope greatly, with the animals understanding that humans somehow use an object (the "thunder-stick") to kill, although the operation of firearms remains beyond their ken.
- Humans Kill Wantonly: Though not intentional in the film (he was not shown as an attempt to strike a balance between not vilifying hunters while also averting No Antagonist, which kids would not understand), it, like the first novel, nevertheless tends to send this message. The second novel tones it down by introducing, among other things, the concept of "open" and "closed" seasons.
- Leitmotif: A chilling ostinato of three chromatically ascending notes: B♭-B-C. The story goes that John Williams was inspired by this theme for his famous Jaws leitmotif.
- Not So Different: In the novel, the Great Prince brings Bambi to His dead body for the purpose of teaching him one last lesson. Bambi learns man is not all powerful, he has needs like animals do and dies like animals do, and there is something greater than Him. The Great Prince then calls Bambi "my son" for the last and only the second time, before going off to die, presumably of old age.
- Nothing Is Scarier: He is never seen nor heard in either of the films, and is all the scarier for it.
- Obliviously Evil: In spite of his ranking in the twentieth rank in the AFI's 100 Years. . .100 Heroes and Villains list, He's still implied to be nothing more than a normal hunter. However, since the story is told from the perspective of the animals, he becomes some kind of inapprehensible threat.
- The Voice: In the sequel you hear him using deer calls. The deer hear it as "I'm here", "It's me", or "Hello." In the novel, Bambi hears it as Faline's voice saying, "Come!"
- Ultimate Evil: Disney's decision to not show Him to avoid vilifying hunters appears to have backfired on Disney as it just made Him scarier in peoples minds, so much so that he ranked 20 in AFI's 100 Years. . .100 Heroes and Villains list, also being the only character on that entire list who is never shown.