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Comic Book Adaptation
Movies and TV shows are often adapted into comic book form. Comics have certain advantages over other media: They are much easier and cheaper to produce than TV shows, and since the reader isn't restricted to experiencing the story at a particular time each day, the creators are more free to write longer-running, more complex stories.

Such adaptations tend to take three forms:
  1. The comic retells the story of the original work.
  2. The comic takes the characters and setting of the original, but tells a different series of stories.
  3. The comic continues where the original left off, or fills in the backstory.

In cases where the comic is intended to be released right from the start, it sometimes appears before the work from which it is adapted.

Comic book adaptations of movies were fairly common in the 70's and 80's, before home videos became common. In those days, a comic book was the easiest way to re-experience a movie no longer playing in theatres. But because of Animation Lead Time the comics were often written and drawn based on earlier scripts than the final draft, and before the movie was edited, which could result in scenes appearing in the comic adaptation that was never in the movie.

See also Anime First. For comics adapted into other media, see The Movie, Animated Adaptation, and Licensed Game. Sometimes, the end product will actually be called Name: The Comic Book.

Examples

    open/close all folders 

    General 
  • Western Publishing (Dell Comics, Gold Key) did adaptations of many movies and TV shows, usually taking extensive liberties with the story and its continuity.

    Adapted from Anime 
  • Magical Girl Lyrical Nanoha The Comics. Covers the quiet moments not shown in the anime before, during, and after the season that it supplements.
  • Vision of Escaflowne was adapted into two different, simultaneously published mangas. One was aimed at boys, and focused on the fighting at the expense of the Love Dodecahedron. The other was aimed at girls, and went into much more detail of the love story while downplaying the fighting aspect. Both are considered inferior to the anime.
  • Haruhi Suzumiya is an interesting example. The first manga adaptation was based off the light novels; however, it was utterly terrible, and when the anime was released, the author actually disowned his manga out of shame, and instead gave way for another, much better manga adaptation, this time based off the anime.
  • While the Pokémon mainline franchise has a few notable game-derived manga in their own rights, The Electric Tale of Pikachu is set in a verse heavily influenced by the first two seasons of the anime. Later seasons and the movies also got their own manga adaptations. Anime adaptations (including Electric Tale) are Type 2, the movie adaptations are Type 1.
  • The two Tenchi Muyo! manga, No Need for Tenchi and The All-New Tenchi Muyo! (Tenchi Muyo! and Shin Tenchi Muyo! in Japan) is this. It was initially just a two volume story set in the OVA-verse, but when it proved popular, it kept going for an impressive 22-volume run, greatly expanding on the universe (even if it was just for that canon) and the characters living there.
  • A type 2 manga of The Big O was released.
  • The Detective Conan movies have manga adaptations...well, at least some of them. The Raven Chaser is the latest one to get a manga adaption as of far. They're type 1.

    Adapted from Comics 
  • Little Lulu comic books themselves were adapted from single-panel magazine cartoons that ran in Saturday Evening Post. The comic books are probably more well-known (and well-received) than the source material.
  • In a strange example, the W.I.T.C.H. comic was adapted into a manga to be published in Japan. There have also been manga adaptations of other existing "western-style" comic books, including Spider-Man and even Sabrina the Teenage Witch (albeit the latter was incorporated into the actual Archie publication itself).
  • There was also a Batman manga.
  • Many newspaper strips have had comic book adaptations, with longer stories involving the characters. These include:
    • Peanuts (Dell, 1960-62; Gold Key, 1962-64; KaBoom, 2011-present).
      • Schulz only drew the first issue; the rest were done by assistants.
    • Nancy (Dell, 1960-62)
    • Dennis The Menace (US) (Fawcett, 1959-79; Marvel 1981-82)
    • Heathcliff (Marvel, 1985-91)
    • Blondie (Charlton, 1969-76)
    • Beetle Bailey (1956-80, through Dell, Gold Key, King Comics, and Charlton)
    • Popeye (1948-84 through Dell, Gold Key, King Comics, Charlton, and Whitman; 1993-94 through Harvey; 2012-present through IDW)
    • Surprisingly, Garfield didn't get a comic book until 2012, through KaBoom.

    Adapted from Films — Animation 
  • Several Disney movies have some sort of Comic Book Adaptation, which either end up in their own special promotional comic book/mini-series, or simply in the pages of Walt Disney's Comics and Stories. Sometimes both.
  • Gold Key's adaptation of The Beatles Yellow Submarine follows the basic premise of the film — the Blue Meanies attacking Pepperland—but it changes the entire continuity. A more faithful adaptation was planned in the late 90s after the movie was re-released on DVD but Apple (the Beatles' corporate entity) nixed it.
  • Marvel Comics did a An American Tail: Fievel Goes West comic. It's Off Model. Very off model.

    Adapted from Films — Live-Action 
  • The Wizard of Oz, with versions by DC and Marvel.
    • The first Marvel/DC collaboration was an oversized edition of MGM's Marvelous Wizard of Oz, based on the 1939 film. Marvel had almost completed its adaptation when they discovered that DC was working on their own adaptation and held the actual rights.
  • Graphic novels based on Clive Barker's Hellraiser were more like anthologies of short illustrated stories that invited writers and artists to contribute their own interpretations to the continuity. Adaptations of the movies were made later, and Pinhead had his own (brief) regular title with Marvel.
  • The 2010 The A-Team had two four-issue series released just prior to the film.
  • Inception had a one-shot comic, The Cobol Job, which recounts the events immediately leading up to the movie. A motion comic version is included in the Blu-ray release of the film.
  • An especially interesting example of these was Harvey's adaptation of The Flintstones. It presented the film's story in two forms — one drawn in the live-action style, the other drawn in the cartoon's style.
  • Similar to Flintstones movie instance, a comic adaptation of Ghostbusters II was published, with the characters drawn in their cartoon designs.
  • In addition to adaptations of the first two movies, Bill And Teds Excellent Comic Book was a continuation of the Bill & Ted series, starting after the second film. It was written by Evan Dorkin, published by Marvel Comics, and ran for twelve issues.
  • The now-defunct publishers Dell Comics and Gold Key Comics published many standalone adaptations of movies from the 1950s through the 1970s, including many Walt Disney titles. Dell published many of these under its Four Color anthology title.
  • Labyrinth has one, though it's based on the novelization. Justified, seeing as it would be hard to put the musical numbers into a comic book.
  • Pacific Rim: Tales From Year Zero which was written by the film's screenwriter Travis Beacham. The comic acts as a prequel to the film covering the events of the first Kaiju attack, how the Jaegers were created and goes into details about the backstories of characters such as Stacker Pentecost and Mako Mori.

    Adapted from Literature 
  • The Saga of Darren Shan has a very faithful manga adaptation.
  • The first three The Hitchhiker's Guide to the Galaxy books were adapted by DC Comics.
  • The Dark Tower currently has an ongoing comic adaptation being published by Marvel, both adapting portions of the novels and introducing new material.
  • Battle Royale has had a manga made. The manga series differs from the novel in three areas. It is far more graphic (not surprising, considering it's in a visual format), spends much more time on developing the whole cast of characters, and ramps up the action as it approaches the conclusion.
  • The first two Artemis Fowl books. They retell the plot accurately and well, the art is quite eyecatching, and the graphic novels are pretty well-liked among casual fans, but the character designs have been criticized. A lot. Among the criticisms are characters who pass as human in the books looking like they couldn't pass for Rubber-Forehead Aliens, Foaly the centaur appearing to have the top half of a baboon rather than a human, and just plain contradictions with the originals — Artemis's eyes not being blue is comparatively minor, but a pet peeve for his fangirls. Captain Holly Short, the heroine, is arguably recognizable only by her role in the story, as other than being female and attractive, the drawings have nothing in common with the descriptions — among other things, her hair is an ash-brown bob instead of an auburn crew cut, and her skin colour has changed from coffee-brown to almost exactly the same shade as Artemis's.
  • The first book of Robert Asprin's Myth Adventures series was adapted into comic form by him and Phil Foglio; the adaptation was mostly faithful, but there were some noticeable differences, mostly to do with the motivations and ultimate fate of the Big Bad.
  • Some of the Discworld novels — The Colour of Magic, The Light Fantastic, and Mort — have been adapted into graphic novels.
  • Maximum Ride had a manga adaptation by NaRae Lee.
  • Classics Illustrated printed comic versions of classic literature, such as Moby-Dick, for 20 years.
    • Though a few comic book adaptations of the novels of Jane Austen existed prior to 2009, they were mostly small press, low profile works, such as the Graphic Classics inclusion of a short, black-and-white Northanger Abbey in their "Gothic Classics" anthology. However, in 2009, Marvel Comics revamped the "Marvel Illustrated" line and started adapting the novels. So far, Pride and Prejudice, Sense and Sensibility, and Emma have been adapted, with Hugo Petrus, Sonny Liew, and Janet Lee on art, respectively, and Nancy Butler on scripting. Northanger Abbey is scheduled to start shipping November 2011, with art again by Lee.
  • Deltora Quest has a manga adaptation to go along with its anime and Video Game counterparts, which mostly follow the original story but with a few changes (hair color changes, changes in story sequences, more battles...). Most of which have yet to come out of Japan.
  • Richard Matheson's seminal vampire novel I Am Legend (responsible for inspiring both Charlton Heston's The Omega Man and George Romero's Night of the Living Dead) was put in graphic novel form a few years ago. It is a great work, all black and white art, and contains virtually all of the original's text. Anyone reading it before reading the original novel could be forgiven for assuming it was a word for word transcription!
  • Quite a few of Neil Gaiman's novels and short stories have been adapted to comic book form.
    • Neverwhere had a 9 issue adaptation by Mike Carey which was otherwise pretty good but left out a few things (Lamia's not in it).
    • Coraline has a graphic novel adaptation that retains every scene and all the dialogue.
    • Dark Horse Comics published 3 trade paperbacks adapting his short stories; Harlequin Valentine, 'Murder Mysteries' and 'Creatures of The Night' (it collects 'The Price' and 'Daughter of Owls')
    • The Sandman: The Dream Hunters, the only Sandman novel, was turned into a comic book by Vertigo.
    • His short story 'Goliath' (the one based on The Matrix) was illustrated and put in with the Matrix comics.
  • The Warrior Cats series has four manga trilogies and a standalone volume that tell some side stories, such as a villain's backstory and what happened to a character when he disappeared for several books. The Super Editions, after the first one, also started doing a short manga chapter at the end that shows a brief scene that takes place after the end of the book.
  • Agatha Christie has over fifteen graphic novel adaptations of her works.
  • The comic version of Left Behind. Unfortunately only the first book of the series and Tribulation Force were adapted.
  • The Bible. Several in fact.
  • Sci-fi author Harry Harrison saw two of The Stainless Steel Rat novels adapted into comic form for British serial comic 2000AD. The two strips were later released in Graphic Novel format.
  • The Book of the Named has an adaptation planned for its first novel (Ratha's Creature), successfully funded on Kickstarter.
  • The Uglies series has a graphic novel trilogy, showing the events of each book from Shay's point of view.
  • A serial adaptation of Bram Stoker's Dracula ran in the pages of Marvel's Dracula Lives. After the book was cancelled, the remaining chapter was released in Legion of Monsters.
  • The first three issues of The Monster of Frankenstein adapt Mary Shelley's Frankenstein in a form of flashbacks.
  • Beautiful Creatures received a manga adaptation entitled Beautiful Creatures: The Manga, in February 2013 shortly before The Film of the Book was released.

    Adapted from Live-Action TV 
  • Smallville now has its "season 11" comics.
  • The Babylon 5 comic is fully "in continuity", covering early events only mentioned in passing in the TV show.
  • Buffy the Vampire Slayer and Angel both have sequel comics currently being published.
    • Angel also has comic adaptations of some of the TV series' stories.
    • Both also had Type 2 comics while the shows were on the air.
  • The Prisoner was given a sequel in the four-issue comic miniseries "Shattered Visage" (books A through D), later collected, of course, in one volume. Patrick McGoohan read it and said he didn't hate it.
  • There's 50+ years' worth of Doctor Who comics across various publishers. The style of later (1990s to present) comics have strongly influenced the 2005 television revival; Russell T Davies is an avowed fan of the comics, even writing into Doctor Who Magazine to praise a particular character development.
  • There are two Firefly comic miniseries, Those Left Behind and Better Days, which fill in events between the series and the movie.
  • The first Star Trek comic started in 1967. Since then, the license has jumped between various publishers; currently, it's held by IDW, who publish stories based on the TV series and the movie reboot.
  • Pushing Daisies will have a 12-issue series from DC Comics to close out loose ends and unresolved plots from the series, written by Bryan Fuller. At least it has been announced.
  • Even Married... with Children had a few years' worth of original comics based on it.
  • Charmed has a season 9 in comic book form.
  • In addition to the above, it should be noted that the now-defunct publishers Dell Comics, Gold Key Comics, and Charlton published dozens upon dozens of comic books based upon TV series of the day, from westerns and sci-fi, to straight dramas. Some, like Gold Key's version The Twilight Zone, ran for decades after the original series ended. Many others ran for only one or two issues. One of the best examples of "keeping it alive" was a comic based upon a short-lived Boris Karloff series entitled Thriller. After the series was cancelled after one season, Gold Key, rather than cancelling the comic book version, renamed it Boris Karloff Tales of Mystery and kept it going for 20 years after the series ended and more than 10 years after Karloff himself died.
  • In Great Britain there have been numerous long-running publications featuring licensed comic strips based upon TV series. TV Comic ran for some 1,700 issues starting in 1952, and there was also TV Action, Countdown, TV Century 21 (aka TV 21) - based on Gerry Anderson's puppet series primarily, and Look-In, as well as a handful of series-specific publications such as Doctor Who Magazine (formerly Doctor Who Weekly/Doctor Who Monthly) which has featured an original comic strip based upon the TV series since 1979.
  • Apparently, there's a manga adaptation of Bones on the way. It's rumored to be a prequel of the show but there's not much info at the moment.
  • There have been a number of attempts to create comics based on Power Rangers. Gladstone did two mini-series based off of season 2. Marvel did an adaptation of Mighty Morphin' Power Rangers: The Movie along with two series based off of season 3, one of them with back-up stories featuring VR Troopers. Image attempted to do one for Power Rangers Zeo, but it ended up ceasing after its first issue. Acclaim Comics released a few comics based on Power Rangers Turbo, including a crossover with the Beetleborgs. Tokyo Pop did a series of Cine-Manga for Power Rangers Dino Thunder and Disney Adventures did a series of comics based off of Power Rangers S.P.D. With the exception of the movie and the SPD series, they were all Type 2s.
  • Marvel Comics published an adaptation of the original Battlestar Galactica TV movie, and then (unusually for most comics based on TV series) went on to adapt some of the early episodes as well before branching into original stories (the comic ran for nearly two years, outliving the TV series). Dynamite Comics later published comics based on the classic series alongside its adaptations of the remake.
  • Due to what can charitably be called a case of "getting totally shafted in favor of Battlestar Galactica", Farscape got a comic spin-off a few years after the miniseries finale, which was a truncated version of the show's promised fifth season. The comic series gave the show's executive producer a chance to further some languishing plot threads like Rygel's quest for his throne, which is the very first story arc.
  • There was a newspaper comic strip based on Dallas that ran from 1981 to 1984.
  • In a recursive example Arrow (itself based on the comic book Green Arrow) has a comic book adaptation published by DC Comics (the same company that publishes Green Arrow). The comic fills in parts of the backstory, and deals with what happens between episodes of the TV series.
  • Grimm has a comic book adaptation from Dynamite Comics telling new stories. It is supposedly set in the same continuity as the TV series, although it has yet to be seen how well the two mesh.

    Adapted from Puppet Shows 
  • The Muppet Show has been turned into a comic book, The Muppet Show Comic Book. While it doesn't have guest stars (for obvious reasons), it does well on focusing on characters and manages to get a lot of the show's regular sketches in.
  • Sesame Street finally got a comic book adaptation in the second quarter of 2013.

    Adapted from Theater 

    Adapted from Toys 
  • Transformers has had quite a few. Generation 1 has had comics published by both Marvel and Dreamwave, and new stories are currently being published by IDW, not to mention several mangas. Dreamwave also was publishing an adaptation of the Unicron Trilogy before it went bankrupt. IDW is currently publishing both a sequel and a prequel to 2007's live movie, as well as an Animated comic. IDW also published a few Beast Wars: Fun Publications published Beast Wars and Beast Machines comics, while the Japanese-only Beast Wars II and Beast Wars Neo each had a companion manga.
    • IDW also published a Transformers Prime comic that came out before the show and functioned as a prequel. Sadly, it's since been contradicted by the show itself, likely rendering it non-canonical.
    • The original comic series actually started slightly before the cartoon; essentially they were parallel canons working from the same starting point.
      • It then met up with the cartoon again when the 1986 movie adaptation came out, although the comic used an early script and abridged many scenes, leading to some odd differences.
  • G.I. Joe has also had multiple comics published, many of which are considered superior to the cartoon. Although the comic actually debuted a year before the animated series.
  • Throughout the full span of its run, BIONICLE was accompanied by a comic series published by DC Comics. It was initially virtually the sole storytelling source for the series, and arguably remained the primary one throughout its run. Its successor line, Hero Factory, also has one; however, its distribution is limited to LEGO's magazine and the internet, instead of being a standalone comic book. Other LEGO lines have received smaller, lower-key comic adaptations on occasion as well, such as Lego Exo-Force.
  • The Mad Balls had their own comic book adaptation published from 1986 to 1988 and had them depicted as ordinary rubber balls mutated into grotesque but friendly beings who frequently thwarted the plans of Mad Scientist Dr. Frankenbeans and his assistant Snivelitch.

    Adapted from Tabletop Games 

    Adapted from Video Games 
  • Assassin's Creed has adaptations ranging from the Roman Empire to the Russian Revolution.
  • Kingdom Hearts had a manga adaptation.
  • Devil's Due is publishing a killer7 comic, presumably to explain what the game is about.
  • Indiana Jones and the Fate of Atlantis was adapted into a four part comic book series by Dark Horse Comics.
  • Due to the long-running status of Archie Comics' Sonic the Hedgehog, it is the only thing left that tries to keep the Western continuity (Robotnik, Mobius, etc.) It was originally a spin-off inspired by the Saturday morning TV show's proposal.
  • Metroid has a manga series that depicts the events before the games. Reveals, among other things, how Samus and Ridley first met, Samus' time with the Chozo, and the history of Mother Brain and the Metroids.
  • Wild ARMs: Flower Thieves is set in Filgaia, but with different characters and a different continuity. There are also manga adaptations of the games themselves.
  • Resident Evil has had a number of comic book adaptations, all of which are fairly terrible except the Korean manhwa adaptation of Code Veronica which is slavishly accurate to the game. Meanwhile, Wildstorm released a couple of short-lived Resident Evil series in the late '90s, the latter of which managed to make STARS into an angst-laden version of G. I. Joe, even including a half-zombie member with Zombie Sense and a disgruntled convict who was given the choice of joining STARS or life in prison. They blow up a Mexican Day of the Dead celebration and circus. The first series uses the RE 1 and RE 2 characters, but in situations that featured things such a walking Fish Tyrant. The new 2009 series seems poised to join their ranks, as it begins with zombies in space and a main character named... Holiday Sugarman.
  • The writer/artist duo known collectively as Akira Himegawa has made official manga based off of several The Legend of Zelda titles: Ocarina of Time, Majora's Mask, Oracle of Seasons, Oracle of Ages, Four Swords Adventures, The Minish Cap, and Phantom Hourglass. They usually, though not always, follow the plot pretty well.
  • Back in the NES days, Nintendo authorized Valiant Comics to write Nintendo Comics System, comics based on a number of their most popular video game titles, including Super Mario Bros. and Metroid. The Zelda comics based on The Legend of Zelda are set in the world of the original NES Zelda games (the first two in the series), although rather than retelling the stories of those games as the manga do, they focus on the continuing adventures of Link and Zelda.
  • Super Mario Adventures, which was loosely based on Super Mario World and ran in Nintendo Power for a few issues.
  • Metal Gear Solid and its sequel were turned into comic book form by IDW, with art by Ashley Wood. The first series was adapted into a PlayStation Portable game titled Digital Graphic Novel; essentially it was a digital version of the comic with limited interactive functions.
  • Mercenaries was turned into a three-issue comic book miniseries by Dynamite Entertainment in anticipation of the second game (Brian Reed wrote both the comic and Game Script). It features the mercenaries fighting in war between China and Taiwan, and gives Jennifer Mui two brothers on opposite sides of the conflict, Chris Jacobs trying (and failing) a fake defection, and Mattias Nilsson getting intel by drinking half the People's Liberation Army under the table.
  • Mega Man was supposed to be adapted into a comic by Dreamwave — but it came out at around the time Dreamwave was in the toilet, so to speak, and thus only three issues were released, with the fourth delayed for months and leaving a few plot threads hanging. If nothing else, the artwork was great, and the plot for the first three issues was all right.
  • Final Fantasy XII has a manga adaptation, and the story started a few times later in the game.
  • The Breath of Fire series has a whole series of Comic Book Adaptation treatments, including a separate set of Shoujo and Shonen comics for I, a side-story/continuation for II, and a complete "graphic novelisation" for IV.
    • The Comic Book Adaptation for IV is especially notable as it fell under the Fleeting Demographic Rule and the final volume is to be released just in time for the 10th anniversary of IV's release (lending to fan speculation that the manga was meant as Capcom's way of doing an acknowledgement of the anniversary). It is also the sole Breath Of Fire-related Comic Book Adaptation that isn't Japan-only, having officially licensed Chinese and French versions.
  • The Persona series has a comic for each game, with the exception of Persona 2, which has at least three. They also provide the near-universally accepted names for the protagonists in each. Persona 2 is again exempt because the protagonists for those games already have Canon Names.
  • Pokémon has several adaptations, the most prominent of which is Pokémon Special (Pokémon Adventures in English markets). These are a combination of types 1 and 2, loosely retelling the games (challenging the gyms, fighting an evil Team) but adding subplots and character interactions that have no game basis.
  • There are several Street Fighter comic and manga adaptations, the most recent being the one by Udon.
  • Gotham City Impostors has one in the form of Batman Impostors. Due to the rather plot-less nature of the original videogame it's closest to being a Type 2.
  • Mortal Kombat Komiks.
  • Ultima had four manga adaptations when it was translated into Japanese in order to build interest. The plots range from quite divergent to completely original.
  • Pocket God is an adaptation of the video game of the same name. It started out as a four-issue miniseries, but was so well-received that it became an ongoing series.
  • The Idolmaster has spawned a number of manga adaptations, some original, some not.
  • Kantai Collection received six different manga adaptations in its first year, all telling different stories. Then again, it has Loads and Loads of Characters, and only the vaguest semblance of a plot in the game itself.

    Adapted from Visual Novel 

    Adapted from Web Original 

    Adapted from Western Animation 
  • Gargoyles had a comic written by the original director, which followed on from the end of the second series of the cartoon. There was also a comic published by Marvel while the show was still in production. It portrayed Xanatos as an over-the-top evil villain and featured a romantic subplot between Goliath and a cloned amalgam of his own DNA combined with Elisa's. Needless to say it is Canon Discontinuity.
  • Teenage Mutant Ninja Turtles: the '80s cartoon, itself an adaptation of a comic (more or less) had its own comic spinoff, which rapidly developed its own characters and continuity and is still well-remembered among fans.
    • Some of the talents that worked on the original independent comics even worked the title, most notably artist Jim Lawson.
  • Teen Titans Go!: Originally a tie-in book to the TV show, had A-name talents like J. Torres, Todd Nauck, and Sean Galloway working on it. After the show ended, the series continued a few of its unresolved story lines.
  • Most Disney movies and cartoons usually have some form of comic book adaptation. This includes DuckTales, which was already an Animated Adaptation of Carl Barks' comic stories.
  • The Powerpuff Girls has had four of its TV episodes directly and indirectly distilled from stories from their comic book (by DC Comics). "Squirrely Burly" (issue #1, reprinted in #70) became season four episode "Stray Bullet." Issue #7's "Remote Controlled" was initially written as a season 1 episode but the staff feared a lawsuit from Fred Rogers (Mister Rogers' Neighborhood), so they gave the outline to DC to do as the comic. The story would eventually surface in season 5 as "Neighbor Hood." Issue #21's "Big Fish Story" would be tweaked as the episode "Lying Around the House." Issue #46's "See You Later, Narrator" would see TV as "Simian Says," but the TV episode was produced and screened elsewhere before it aired in the United States and before the comic story was published. The adaptation of The Powerpuff Girls Movie was put on sale the same day as the movie release (July 3, 2002). An unmade episode, "Deja View", was published as issue #50 of the comic.
  • Since the original days of Tom and Jerry, various Hanna-Barbera cartoons have had comic books made based on them, published by different companies over the years (Dell, Gold Key, Whitman, Charlton, Harvey Comics, Marvel Comics, Archie Comics, and most recently, DC Comics). Currently, though, Scooby-Doo is the only one that still has a comic running.
    • In the Gold Key run, Scooby-Doo had the gang going from solving mysteries as a hobby to being ghost breakers for hire. And Scooby Snacks were used only in the first issue.
  • During the original run of The Real Ghostbusters, a comic book series was also published. A few issues also came out several years after the show ended.
  • Avatar: The Last Airbender has both backstory/fill comics and "The Promise," "The Search," and the upcoming "The Rift," all three of which connect The Last Airbender to The Legend of Korra, and the second of which resolves a long-demanded plot point from the series finale.
  • The Amazing Chan and the Chan Clan had four volumes published by Gold Key and drawn by Warren Tufts. They were adaptations of episodes 1, 2, 3, 5 and 11 plus a new adventure not seen in the cartoon.
  • In addition to the above, pretty much every major animated TV series of the late 1950s, 1960s, and 1970s saw comic book adaptations published by Dell Comics, Gold Key Comics, and Charlton Comics (now all defunct), with Marvel Comics taking a stab at Hanna-Barbera's stable of characters in the late 1970s; the H-B characters were also later licensed by Archie Comics and Harvey Comics.
  • In The Nineties Marvel put out comic books of several shows, including:
  • Dexter's Laboratory had a comic book through DC Comics (1999-2003; 34 issues). After that more stories were made for Cartoon Network Block Party (2004-2009), also from DC.
  • DC Comics put out Cartoon Network Block Party (2004-09), which compiled comic versions of all of their shows airing at the time, including Courage the Cowardly Dog, The Powerpuff Girls, Foster's Home for Imaginary Friends, Camp Lazlo, and Chowder. Some of those shows continued to have comics long after they were cancelled from the network and taken off regular time-slot.
  • 2012 saw the debut of Adventure Time (KaBoom!) and My Little Pony: Friendship Is Magic (IDW) comic books.
  • Failed prime-time cartoon Calvin And The Colonel had two issues put out by Dell in 1962.
  • Sponge Bob Square Pants had several comics published in the Nickelodeon Magazine until it went under. Eventually got its own title in 2011 through its production company, United Plankton Pictures.
  • A lot of animated works were adapted for newspaper comics. These include:
  • Ultimate Spider-Man has one. Annoyingly, it's titled Ultimate Spider-Man and thus easily confused with what is now Ultimate Comics Spider-Man.
  • The Avengers: Earth's Mightiest Heroes has a four-issue miniseries, 12 issues' worth of new stories, and five comics adapting episodes.

Canon InvasionComic Book TropesComic Book Limbo
Canon FodderDerivative WorksCompressed Adaptation
Cipher ScythingMedia Adaptation TropesComic Book Movies Don't Use Codenames

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