Music: Amanda Palmer
"I am the Girl Anachronism!"Amanda MacKinnon Gaiman Palmer (also known as "Amanda Fucking Palmer", born April 30, 1976) is a singer, songwriter, pianist, former Living Statue, and ukulele player. Before her music career, Palmer worked for years as a living statue called "The Eight Foot Bride". She then co-founded the "Brechtian punk cabaret" band (a term originally coined by her friends The Tiger Lillies) The Dresden Dolls, along with drummer Brian Viglione. They released three studio albums: their self-titled debut album was followed by the releases Yes, Virginia in 2006 and No, Virginia in 2008. The band went on hiatus in 2008, the same year Amanda released her solo album Who Killed Amanda Palmer. Although they've done shows together since then, the band stays officially broken up.She married Neil Gaiman in January 2011, and released her second solo album, Amanda Palmer Goes Down Under later in the same month, with the first single, "Map of Tasmania", gaining much controversy. (It's a happy little song about pubes.) The album eventually charted at number 88 on the Billboard top 100 album list.Most recently, she released an album with her newest band Amanda Palmer and The Grand Theft Orchestra called Theatre is Evil. Palmer used the website Kickstarter to raise funds to produce this album, and raised more money than any other musical Kickstarter up until that time. She released the album for free through her website, and then debuted on the Billboard top 100 Album list at number 10 due to the immense number of Kickstarter pre-orders.Her songs vary wildly in style and topics, with many featuring some Dark Humor and subject material. Most of them are chock full of nice puns, and there's a strong running theme of children's songs in a new grownup context. Amanda's also known for performing covers of whatever she feels like — ranging from Radiohead, to classic musicals, to Black Sabbath, to Britney Spears. She also once did a parody of Rebecca Black's song Friday from the perspective of a truck-stop prostitute.Along with Jason Webley and Sxip Shirey, she spent much of 2010 on tour with the Evelyn Evelyn project.Amanda and her new band The Grand Theft Orchestra are going on tour!In 2014 Amanda released a book called ''The Art of Asking'', which is part-memoir, part philosophy, and an expansion of her TED talk. In late February 2015 she teased a "big announcement" on Twitter, which many fans thought would be saying she was pregnant, but turned out to be a new crowdfunding project on Patreon. Then on March 18 2015, she revealed that she actually is pregnant, with a due date in September.
This musician shows examples of:
- Audience Participation: Audience singalongs, audience sleepovers, audience makeshift-French-hotel-wine-parties.
- Body Paint: Used to entertaining effect in her music video of "Want It Back"(NSFW).
- Broken Ace: "The Perfect Fit" is a very good Broken Ace anthem.
- Broken Record: In the second verse of "Coin-Operated Boy".
- Country Matters: "So we hide from the cunts/On a night reconnaissance" from Night Reconnaissance.
- Epic Rocking: "Mandy Goes to Med School" has been known to become this in concert. It's a song about a pair of backstreet abortionists, yeah.
- Fanservice: Sometimes spiraling into Full-Frontal Assault. What is this "modesty" you speak of?
- Fille Fatale: "Missed Me"
- Freeze-Frame Bonus: Palmer's purple "Map of Tasmania" (pubic hair) can be briefly seen about 5 or 6 seconds into the video, before appearing in all its glory at 0:35.
- Ironic Echo: A standby.
- "Night Reconisannce" has one where the song starts off with the narrator being yelled at as a satanist worshiper, among other labels, and by the end of the song they've started calling themselves such with pride.
- Last Note Nightmare: "Slide".
- "The saddest note in the world"
- Location Song:
New Zealand, New Zealand, my song is coming to an endI hope you have enjoyed it and I hope I get my periodI also hope I haven't grossed you outBut that's what you get when you ask me to write a song about your country in twenty minutes
- "Australia", about a woman dissatisfied with her boring domestic life, fantasizing about going to Australia and having adventures. The general structure of the song is verses describing the boring things she could do with her life, and then a chorus beginning "Or I could go to Australia" followed by the adventurous things she could do. The last chorus subverts this by going "Fuck it, I'm gonna go to Australia!"
- "New Zealand", supposedly written in 20 minutes in the dressing room of a club because a New Zealander fan heard "Map of Tasmania" and asked "Where's our fucking song", is an irreverent little ditty about Amanda being on a tour through New Zealand, admiring (and Twittering) the scenery, and worrying about why she hasn't gotten her period and her pubic hair is turning grey, "but I don't believe in the beauty standard and there's no way that I'm pregnant so it's technically okayyyyyy!" At the end, she lampshades the trope with the following Last Note Hilarity (the rhythm deliberately falls apart on the last line, delivered in a Motor Mouth style to cram it all in):
- Lyrical Dissonance: Many of her songs, but "Oasis" takes the cake. The song is about a girl getting raped at a party and then going to get an abortion, It's presented with a very upbeat tone, almost entirely in major chords. One time in concert, she tried performing the song the way critics thought the song should have sounded: much slower, and with a depressing tone, replete with lots of minor chords. Halfway through the first verse, she says, "fuck it" and goes back to playing the song as originally written.
- Madness Mantra: "I'm not the killing type, I'm not the killing type, I'm not, I'm not..." In "The Killing Type" she lists her profound frustration with a significant other, all while insisting that she's not the killing type. The whole thing steadily turns more and more violent and eventually devolves into her simply yelling "Die! Die! Die! Die!", and finishes by meekly repeating once more: "I'm not the killing type..."
- The Musical: The Onion Cellar
- Refuge in Audacity / Crosses the Line Twice: "Oasis", especially the music video.
- Sanity Slippage Song: "Girl Anachronism", "Runs in the Family", and many others.
- "Guitar Hero" is another one with some serious Sanity Slippage...
- Self-Backing Vocalist: Done on "Half Jack."
- Shout-Out: Who Killed
I'd love to have you up to see the place... I'd like to do more than survive, I'd like to rub it in your face!"
- From "Good Day", a Shout-Out to Gloria Gaynor ("I should have changed that stupid lock (...) I will survive"):
I see a red jeep and I want to paint it black!"
- From "Jeep Song":
- From "Sing":
I walk New Orleans with a knife / like Mackie hidden out of sight...
- "Oasis" contains references to blur and, yes, Oasis.
- "The Killing Type" references The Threepenny Opera:
Do you wanna hit me, baby, one more time?
- "Do It With A Rockstar" includes:
- The Something Song: "The Jeep Song", "The Sheep Song", "The Bed Song" and her cover of Nick Cave's "The Ship Song".
- Stealth Pun: In every single song.
It's a hit!
- From "Guitar Hero":
I'm not right now at all.
- From "Girl Anachronism":
You'll never hear the little pitter patter pitter patter of this little feat of engineering...It leaves you feeling pretty hollow...
- From "Sex Changes":
- This entire song could stand as an example, title included. Depending on which parts you take literally and which you take as metaphors, the song is either about a person considering gender reassignment surgery (a literal sex change), someone who has taken up self-abuse to deal with the shame of losing their virginity to someone who didn't actually love them (sex changed the their relationship), or someone who had an abortion (sex changed their life, essentially).
You'll learn to hear the differenceBetween the halves and the half-nots.
- From "Half-Jack":
She lost her legs in a car crash three years ago,
- From "Ultima Esperanza":
- Wardrobe Malfunction: When the Daily Mail reported on a nipple slip and neglected to discuss anything else about her concert, she responded epically by writing them a song that devastatingly deconstructed the trope's misogynist undertones. During which she proceeded to outright defy the trope by stripping completely naked onstage. (Link NSFW.)