troperville

tools

toys

Wiki Headlines
We've switched servers and will be updating the old code over the next couple months, meaning that several things might break. Please report issues here.

main index

Narrative

Genre

Media

Topical Tropes

Other Categories

TV Tropes Org
random
Lyrical Shoehorn
Slumming in at number two are songs that try to pass off "na nas," "la las," and "doot doos" as legit lyrics, as evidenced in Limozeen's bizarrely-titled "Feed the Childrens".
Strong Bad's bottom 10, Homestar Runner

So you're listening to a new song, and really like it! Not only is the melody awesome, but the lyrics seem really deep and poignant. But is he talking about shoes there? You're not sure, so you go to the Internet, pull up a lyrics site, and look up to the words to the song.

And they end up looking something like this:

I put 'em in my hat, I eat it just like that,
I put 'em in my ears and in my shoes,
I put 'em in my pants, do a little dance,
It always seems to take away my blues!

Uhh.

While song lyrics are a form of poetry, there's one simple fact about songs that sets them apart from poems: They're meant to be sung. So lines that make no sense on paper—such as run-on or fragmented sentences, strange contrivances of grammar, and outright nonsense—are not only accepted in songs, but they can actually make them better, since it flows better with the music. Whether the words are written to fit the music, or the music written after the words are down, a song and its lyrics have to fit together—and if the words have to be "squeezed" a little to make them fit, well, that might just happen.

See also Word Salad Lyrics, when the words don't even attempt to make sense (or occasionally, even be grammatical), and Singing Simlish, for songs that are just gibberish. Lyrical Tic is for particular shoehorns that become a certain artist's Catch Phrase.

See also Scatting.


Examples:

  • Pick any Brian Eno song. He does this intentionally because he doesn't like writing lyrics and doesn't think that lyrics should be read as poetry.
    • Or much of Talking Heads' output during his time as their producer. As a matter of fact, "I Zimbra" is based on an actual sound-poem, specifically one by Dadaist Hugo Ball.
  • Those Fabulous Sixties!:
    • Brenton Wood's "Oogum Boogum Song": "Oogum, boogum, boogum, boogum now baby, now cast your spell on me."
    • Manfred Mann's "Doo Wah Diddy Diddy": "There she was, just a-walkin' down the street, singin' 'doo wah diddy, diddy dum, diddy do'".
    • Bo Diddley by way of the Remains, "Diddy Wah Diddy": "She don't come from no town, she don't come from no city, she lives way down in Diddy Wah Diddy".
    • The Chipmunks' "Witch Doctor": "Oo ee, oo ah ah, ting tang, walla walla bing bang..."
  • Dr. Horrible's Sing-Along Blog has wacky phrasing and rhyme scheme to fit the tempo of the song. Witness "Slipping", where the verse ends in the middle of a sentence and the continuing sentence starts the next verse.
    Now that your savior
    Is still as the grave, you're
    Beginning to fear me

    Like cavemen fear thunder
    I still have to wonder
    Can you really hear me?
    • Same is true for Captain Hammer's intro, "A Man's Gotta Do":
      Stand back everyone, nothing here to see.
      Just imminent danger; in the middle of it, me!
      Yes, Captain Hammer's here, hair blowing in the breeze,
      The day needs my saving expertise!
  • Most songs written by Benjamin Gibbard subvert this trope. He writes long, grammatically correct(Or sometimes run-on) sentences that have to squeeze themselves awkwardly into the rhythms and often don't even rhyme.
    • The lines in "Such Great Heights" are so long they overlap at the ends and it's difficult to mark breaks in the phrases:
      I am thinking it's a sign that the freckles in our eyes are mirror images and when we kiss they're perfectly aligned
      And I have to speculate that God himself did make us into corresponding shapes like puzzle pieces from the clay
  • Tom Lehrer's "The Folk Song Army":
    The tune don't have to be clever,
    And it don't matter if you put a couple extra syllables into a line.
    It sounds more ethnic if it ain't good English
    And it don't even gotta rhyme... (excuse me: rhyne!)
    • Even more shoehorned is ''We Will All Go Together When We Go":
    And you may have thought it tragic
    Not to mention other adjec-
    Tives to think of all the weeping they will do...
    I love she and she loves me
    Enraptured are the both of we
    As I love she and she loves I
    And will through all eternitye!
  • "All I Want To Do" by Sugarland is a rather notorious example. Just look it up on Youtube and take a listen.
  • "Bop bop she bop" appears in Rammstein's Adios
  • Billy Joel was prone to these. From "Tell Her About It":
    Listen, boy, it's good information from a man who's made mistakes:
    Just the word or two that she gets from you could be the difference that it makes.
    • In "Piano Man" he inverts the usual order of "gin and tonic" because "in" doesn't rhyme with "tonic".
  • There's Céline Dion's "With This Tear" (written by Prince):
    With this tear, I thee want
    I long for you to talk me like you did that night in the restaurant.
  • Who could forget the memetic part of Ievan Polkka as performed by Loituma? Traditionally, that part is ad-libbed in random, interesting-sounding scatting.
  • The Christian folk hymn "I Wonder As I Wander":
    I wonder as I wander out under the sky
    How Jesus the Savior did come for to die
    For poor ornery creatures like you and like I
    I wonder as I wander out under the sky
  • In the much-covered "Umbrella" by Rihanna there's a lyric that goes "When the war has took its part..." Irritating, but "taken its part" wouldn't scan, so...
  • Soulja Boy, particularly adding his own name.
  • "Land Of A Thousand Dances" opens up with one long strand of "na na"s.
    • Speaking of "nah nahs," Train's "Drops of Jupiter" has a fair few of those as well as "yeahs/heys" at the end of some lines.
    • My Chemical Romance actually named a song "Na Na Na (Na Na Na Na Na Na Na Na Na)". Its chorus is three lines of 16 "na"s each.
    • "Hey Jude" is composed of about 3 minutes of regular song... and four minutes of "Nah nahs."
    • Also speaking of "Na"s, xkcd gives you this.
    • One Direction also seems to be incredibly fond of "na na"s.
  • In Dave Barry's Book of Bad Songs Dave calls out "Baby I'm-a Want You" by Bread. "Baby, I'm-a too lazy to write lyrics that scan, so I'm-a just add an extra 'a' whenever I'm-a need a syllable."
  • Jimi Hendrix: "And so castles made of sand fall/melts/slips in/into/into the sea, eventually."
  • Plain White T's "Hey There Delilah": "Even more in love with me you'd fall", clearly phrased in that borderline nonsensical manner to both fit the meter and rhyme with "all".
  • Ring, Ring, Ring, Ring, BANANNA PHONE!
  • Incubus seems to make a game out of smashing as many free-verse syllables as possible into every stanza.
  • They Might Be Giants' song "Don't Let's Start":
"They want what they're not/and I wish they would stop/ saying: "Debbity dog dog a ding dang doobie doobie debbity dog dog a ding dang doobie doobie" D: World Destruction/ O-ver an overture/N: do I need/Apostrophe T: need this torture?
  • Linnell has stated that the music for Don't Let's Start was written before the lyrics, and the lyrics were mostly chosen because they fit the number of syllables for the melody. When asked about the song's meaning, Linnell simply answered that it was about "not let's starting."
  • Timbaland's "The Way I Are":
    I ain't got no money. I ain't got no car to take you on a date.
  • Jet's "Are You Gonna Be My Girl" subverts this by having perfectly intelligible lyrics at some points, at the expense of rhythm.
    Oh 4,5,6
    C'mon and get your kicks
    Now you don't need money
    When you look like that do ya honey?
  • "Running Through the Back Brain" (which is to be fair a comic song) written by Michael Moorcock and performed by him with Hawkwind:
    Killers on the street are wearing striped pants
    They are interfering with my larynx
  • There's an Oscar Meyer Lunchables Commercial:
    Girl: WRAPZ are a taste you can't deny.
    Boy: I know you're gonna love 'em just like I.
  • "Na Na Na Na Naa" is the name of a song by Kaiser Chiefs, as well as a great deal of the lyric. It verges on being the band's Lyrical Tic.
  • From early in Jeff Wayne's Musical Version of The War of the Worlds:
    "The chances of anything coming from Mars
    Are a million to one," he said.
    (In the original novel, it's "The chances against anything...")
  • Similar to the Jets subversion above, Strong Bad's Cool Game for Attractive People fits the words "unless you're a lady, then you're cordially invited to have a giant slice of my style" into a space of five seconds.
  • Brendon Small's songs in Home Movies and Metalocalypse have "doodley-doo" in the lyrics, a lot.
    Skwissgaar Skwigelf, taller than a tree
    Toki Wartooth, not a bumblebee
    William Murderface, Murderface, Murderface
    Pickles the drummer, doodly-doo, ding-dong ding-dong doodly doo
    Nathan Explosion!
  • Frequently averted by the Minutemen: Since the words often came first and sometimes were scraps of poetry that weren't even originally intended to be sung, there would frequently be an excess of syllables. For example, "My Heart And The Real World" finds D Boone having to rapidly sing lines like "And if I was a word, could my letters number a hundred? More likely coarse and guttural one syllable Anglo-Saxon" in order to stay on beat.
  • Vagiant's FTK, a Bowdlerization of one of their songs for Guitar Hero 2, has to fall into this at one point to match a rhyming scheme and meter that was originally intended for more... colorful lyrics, inserting the bizarre nonsequitur "Take this car and fill it up with tons of gas".
  • Harry Chapin's hit "Cat's in the Cradle": "It's been sure nice talking to you."
    • From the same song: "What I'd really like, Dad, is to borrow the car keys/ see you later, can I have them please?"
  • Carl Newman of The New Pornographers takes this trope and just runs with it. He's admitted that a lot of his lyrics don't really mean anything, that he just uses whatever sounds best in the song, or will use certain words because their vowels and consonants go well with a melody.
  • Don't listen too closely to "World Without Logos" (the opening theme of Hellsing TV). The lyrics are so full of this and Gratuitous English that it's practically scat-singing.
  • Peter Schickele's annotations to the lyrics of P.D.Q. Bach's madrigal "My Bonnie Lass She Smelleth" insist that the second line in this couplet is absolutely meaningless:
    My bonnie lass liketh to dance a lot;
    —>She's Guinevere and I'm Sir Lancelot.
    • Of course, given the parodic nature of the Anti-Love Song as a whole, and given the illicit nature of Lancelot and Guinevere's affair...
  • In the Stephen Sondheim musical Merrily We Roll Along, the main character is demoing one of his songs to a producer, and expresses his dissatisfaction with the line, "They're always popping their cork."
  • "Do Re Mi" from The Sound of Music has the irritatingly shoehorned line, "La: a note to follow so." It's probably because there just isn't a good pun on "la."
    • The line is the subject of a Douglas Adams essay, as he uses it as an example of "Unfinished Business of the 20th Century", things that really should be sorted out before the digits change. He even tries to repair it himself before conceding that perhaps it's not as easy a problem as it first appears.
  • Cracker's "Teen Angst (What The World Needs Now)" plays with this trope:
    'Cause what the world needs now
    Is some true words of wisdom
    Like la la la la, la la, la la la
  • The Gorillaz song Rock It consists mostly of the word "blah." People have variously interpreted this as incredibly deep or incredibly lazy. Word of God is that it's about rock stars who pump out a few good albums and then start cranking out lazy shit (hence: "I'm walking to the something, blah blah blah blah blah", among other lines).
  • Nine Inch Nails is usually better about this, but the beginning of "Terrible Lie" is somewhat cringe-worthy.
    Why are you doing this to me
    Am I not living up to what I'm supposed to be
    Why am I seething with this animosity
    I think you owe me a great big apology
    • "Only" has the rather awkward "Yes I'm alone, but then again I always was", where "I've always been" would have sounded much better. But it needed to rhyme with "because", so...
  • Nickelback songs should only be listened to and never analyzed on paper for this very reason. The lyrics come off as a bit sing-songy and childish when they're just read through.
    Kim's the first girl I kissed
    I was so nervous that I nearly missed
    She's had a couple of kids since then
    I haven't seen her since God knows when
  • Jules Shear's "If She Knew What She Wants". Grammatically, it should be "If She Knew What She Wanted", but that would really mess up the meter.
  • An infamous example is Paul McCartney's "My Love," whose lyrics are copiously padded with the syllable "wo."
  • Almost anything written by John Rich. One particularly painful example is "New York City town" from "Shuttin' Detroit Down". Not to mention that he uses the town/down rhyme ''twice'' in the chorus.
  • The Dixie Chicks' "Not Ready to Make Nice" somehow manages to use "mad as hell" twice in the chorus just because they couldn't think of another line.
  • "8.7 seconds on a bull named Fu Manchu" from Tim McGraw's "Live Like You Were Dying".
  • "She got it goin' on like Donkey Kong" from Trace Adkins' "Honky Tonk Badonkadonk" (see also Stuffy Old Songs About the Buttocks).
  • Endemic in Starflyer 59's music. Jason Martin always writes the music first and the lyrics last, and he admits to padding songs with lyrics that sound good and mean nothing—and for the fans, it's usually impossible to tell the difference.
  • From James Blunt's "You're Beautiful": "There must be an angel with a smile on her face/When she thought up that I should be with you."
  • "In The Garage" by Weezer has "garage" repeatedly pronounced as "grodge" to better fit the meter of the chorusnote . It works in a Narm Charm sort of way though.
  • Bruce Springsteen has a bad habit of adding "mister" to lines when he needs a couple of extra syllables to fill out the meter.
    • "Hungry Heart": "Got a wife and kids in Baltimore, Jack" so he can rhyme it with "back".
  • The Killers' "Human": In order to rhyme with "answer," the grammatically incorrect "Are we human or are we dancer?" was made the focal point of the chorus.
    • There are times when such nouns are treated as adjectives (if you were asking about a group's nationality, both "Are they German?" and "Are they Germans?" would be accepted), so the lyrics are only asking us to start considering 'dancer' to be a biological classification mutually exclusive with 'human'.
      • Then again, they credit the line-as-written to Hunter S. Thompson, so make of that what you will.
  • Interpol's "Obstacle 1":
    "Her stories are boring and stuff,
    She's always calling my bluff"
    • From the same band, "PDA":
    Sleep tight, grim rite
    We have two hundred couches where you can
    Sleep tight, grim rite...
  • Collin Raye's "On the Verge" uses the phrase "slow down me" to rhyme with "around me."
  • Aaron Tippin wants you to know that he's looking for his "blue-ahoo-ooh-ahoo-ooh" angel. It's almost like a yodel, but not quite.
    "She isn't a Cadillac, and she isn't a Rolls, but there isn't anything wrong with the radio."
    "It's well, it's soundin' uh, real good, but replacing "ain't" with "isn't" ain't cuttin' it for me, pal.
  • Do you know where you're going to?
  • The Chemical Brothers song "Let Forever Be" starts 85% of the lines by asking the listener the question "How does it feel like?" Fits the meter, but is a grammatical train wreck that just keeps going.
  • A lot of The Protomen's lyrics look quite strange on paper, and it doesn't help that their lyric sheets are interspersed with things happening during the song that are not actually sung, resulting in instrumental songs with three paragraphs of "lyrics".
    "Send your armies. There's no man or machine who can stop me, and you'll soon see.
    I come for vengeance for the first Son of Light. I'm ready, I'm willing, I'm prepared to—"
    • It should be noted that that particular part is interrupted, and the closing word is 'fight'.
  • "It's the Most Wonderful Time of the Year" with its mentions of "marshmallows for toasting" and "scary ghost stories," which are about as far from Christmas imagery as you can get (you could count A Christmas Carol but that's a stretch).
    • Possibly an example of something becoming this over time. There are traditions of telling ghost stories at Christmas, as seen here for example.
  • The chorus of Everclear's "I Will Buy You A New Life" includes the line "I will buy you a new car, perfect shiny and new". The second "new" does need to be there to slant rhyme with "bloom", but plenty of other one syllable adjectives could have come before "car" while still fitting the meter.
  • "Concrete jungle where dreams are made of" in Jay-Z and Alicia Keys' "Empire State Of Mind", though "Concrete jungle that dreams are made of" would have made more sense and still fit in.
  • The Residents album "Duck Stab" was built entirely around this concept often with unusual results...
    A red, red rose saw a big pig pose
    On the edge of a silver dollar
    The end of his tail was a long-necked nail
    And in place of his face was the scholar
  • King Crimson's song "Happy With What You Have To Be Happy With" is an intentional stab at this trope, with such lyrics as:
    And when I have some words
    This is the way I'll sing
    Through a distortion box
    To make them menacing.
    Yeah, then I'm gonna have to write a chorus
    We're gonna need to have a chorus
    And this seems to be as good as any other place
    To sing until I'm blue in the face.
  • Akon's "Dangerous" has the first line "I can't notice but to notice you, noticing me."
  • In the chorus of "Disturbia," Rihanna informs us that the titular state of mind "ain't used to what you like." That should probably be the other way around, in order to make any sense at all.
    • Probably intentional, considering what the song is about.
  • Frou Frou has a song, Flicks, which is basically this trope.
  • The Cranberries do this sometimes, for instance:
    People are strangers
    People in danger
    People are strangers
    People deranged are
    Loud And Clear
  • Carrie Underwood's "Undo It" has a couple, most notably "you stole my happy" (which one reviewer said made the song sound like she was singing in LOLcat speak) and "uh-uh-uh-uh-uh-uh-uh-undo it."
  • "Mack the Knife," as it appears in the Marc Blitzstein translation of The Threepenny Opera, has about every other line ending with a gratuitous "dear". It should be observed that some of the most famous covers of the song use Blitzstein's English version of the lyrics but with that word changed.
  • Canadian band Big Wreck may have the worst example of all with "That Song"- they changed the pronounciation of a word to make it fit better into the song! "Dumb" becomes "doom", simply so that it will rhyme with "room". Seriously, could no other word have been used there?:
    and it might sound doom,
    so just leave the room
    • On the plus side, though, it does sound very "doom," so it works in that regard.
  • Lady Gaga has a few songs that force unusual enunciation (not to mention some bizarre ad-hoc grammar) to fit the meter, almost as if she doesn't want fans to sing along, but the most egregious is "Telephone" (broken into syllables to demonstrate):
    Wha-wha-what did you say, huh? You're break-ing up on me.
    Sor-ry I ca-NOT hear you, I'm kin-da bu-sy.
    ...
    Just a sec-ond, it's my fav-rite song they gon-na play
    And I ca-NOT text you with a drink in my hand, eh?
  • Paula Cole's "I Don't Want To Wait":
    So open up your morning light
    And say a little prayer for I
  • Rascal Flatts's "Feels Like Today" has "The last sacred blessing and, hey / Feels like today." Really? That was the best rhyme the writers could come up with?
  • Faith Hill's "The Way You Love Me" features a completely avoidable pronoun flub:
    If I could grant you one wish
    I wish you could see the way you kiss.
    • So she'll grant him a wish, but she gets to pick it. Yeah, that makes sense. And the next lines are hardly any better:
      Ooh, I love watching you, ooh, baby
      When you're drivin' me, ooh, crazy
      Ooh, I love the way you, love the way you love me…
  • "Twenty years have came and went" from "Angry All the Time" by Tim McGraw. "Have come and gone" would have scanned, you know.
    • From another one of Tim's songs, "My Old Friend": "They laugh and they cry me / And somehow sanctify me".
  • Andy Partridge admitted he was forced to butcher the line "Please don't pull me out/I'm relax in the undertow" in XTC's "Summer's Cauldron" simply because that extra syllable from the correct grammar would screw up the meter.
  • Van Halen's "Why Can't This Be Love?": "Only time will tell if we stand the test of time".
  • Bob Dylan does this a lot, most famously adding the word "babe" at the end of lines. Other examples from his early work: "Don't Think Twice, It's All Right" (rhyming "knowed" with "road"); "Tomorrow Is a Long Time" ("there's beauty in the sunrise in the sky"—where else would the sunrise be?)
    • "If it works, why not?" is perhaps the closest Bob has to a philosophy. Consider—in these stanzas from "Motorpsycho Nitemare"—the elegant division of lines:
    Rita mumbled something
    'Bout her mother on the hill
    As his fist hit the icebox
    He said he's going to kill
    Me if I don't get out of the door
    In two seconds flat
    "You unpatriotic
    • Dylan also loves squeezing way too many syllables into a line. "Summer Days", for instance, has a standard AAB blues pattern, where he somehow manages to sing
    She looks into my eyes, she's a-holdin' my hand
    She looks into my eyes, she's a-holdin' my hand
    She says "You can't repeat the past." I say "You can't? What do you mean you can't? Of course you can!"
  • The third verse of Alan Jackson's "Where I Come From". Besides having Painful Rhymes out the wazoo, it tries to pass off "use my finger" as a synonym for hitchhiking, and… well, it's anyone guess what the second half of this verse is trying to even say:
    I was chasin' sun on 101
    Somewhere around Ventura
    I lost a universal joint
    And I had to use my finger
    This tall lady stopped and asked
    If I had plans for dinner
    Said, "No thanks, ma'am, back home
    We like the girls that sing soprano"
  • John Conlee's "Old School" has a rather shoehorned word: "We both made it to our graduation / You chose a college, I chose a vocation / Driving 18 wheels."
  • "That's Enough of That" by country singer Mila Mason: "That's enough of this crying, enough of this whining, enough of this over-react".
  • The large majority of the lyrics of Yes are picked for sound over anything else. "Love Will Find A Way", though, has their most blatant and famous one:
    ''Here is my heart
    Waiting for you
    Here is my soul
  • The Sex Pistols' "Anarchy in the UK" opens with the following couplet, with the second line mispronounced to rhyme with the first (anarkaist):
    I am an antichrist
    And I am an anarchist
    • Johnny Rotten has gone on record saying that was the only part of the song he didn't like.
  • Neil Diamond: "Songs that she sang to me, songs that she brang to me". No, the verb "to bring" does not work that way...
  • Tears For Fears' song "The Hurting" opens with the line "Is it an 'orrific dream" which should be "Is it a horrific dream?" but this would not fit in with the song".
  • Done intentionally by Frank Zappa for "I Have Been In You," as it was an IKEA Erotica parody of Peter Frampton's "I'm In You":
    "I have been in you, baby
    And you
    Have been in me
    And we
    Have be
    So intimately
    Entwined
    And it sure was fine
    I have been in you, baby
    And you
    Have been in me
    And so you see
    We
    Have be so together
    I thought that we would never
    Return from forever
    Return from forever
    Return from forever..."
  • Steely Dan's "Soul Ram", where every line seems to have been written purely to give the song lyrics, making no sense at all. In particular, the line "Just pretends knows the score" which omits "she" twice in order to fit with the meter of the song.
  • A substantial amount of Goth music fits this trope and Word Salad Lyrics. Artists are divided between those who freely admit that they choose lyrics strictly for sound and cadence, and those who insist that there is a deeper symbolism, only critics are too stupid or superficial to understand them. Andrew Eldritch of Sisters of Mercy, and Valor Kand of Christian Death are classic examples of the latter.
    • Example of the former, Bauhaus' "In The Flat Field"
      Yin and yang lumber punch
      Go taste a tart, then eat my lunch
      And force my slender thin and lean
      In this solemn place of fill wetting dreams
      Of black matted lace of pregnant cows
      As life maps out onto my brow
      The card is lowered in index turn
      Into my filing cabinet hemispheres spurn.
  • Edwin McCain's "I'll Be" has "I'll be your crying shoulder". It's not grammatically incorrect or anything, but it sounds a little odd because no one really phrases "a shoulder to cry on" that way.
  • Diamond Rio's "How Your Love Makes Me Feel":
    It's like just before dark, jump in the car
    Buy an ice cream and see how far
    We can drive before it melts
    Kind of easy
    (That's how your love makes me feel)
    Then there's a cow in the road and you swerve to the left
    Fate skips a beat and it scares you to death
    And you laugh until you cry
    That's how your love makes me feel inside.
  • Steam's "Nah Nah, Hey Hey, Kiss Him Goodbye", ends in an extended chorus of the refrain, "Na-na-na-nah, Na-na-na-nah, Hey-hey-hey, goodbye", because the band realized that the track was a bit short without it.
  • Dave Barnes' "God Gave Me You" (Covered Up by Blake Shelton) has "That you, an angel lovely, could somehow fall for me." This is particularly baffling, as the particular line could've been the much better-sounding "a lovely angel" since it's mid-line and doesn't have to rhyme with anything.
  • Ed Sheeran's "The A-Team" (a song about a woman addicted to drugs) has some seriously Painful Rhymes because of this:
    But lately
    her face seems
    Slowly sinking, wasting
    Crumbling like pastries
  • The Beatles' "In My Life": "But of all these friends and lovers, there is no one compares with you". It should probably be "...there is no one who compares with you", but that would throw off the meter a bit.
  • The chorus of R.E.M.'s "Leaving New York" has the grammatically odd line "leaving was never my proud" (probably meaning "pride", but that wouldn't slant-rhyme with "around" and "down"). Like the Carrie Underwood example, it can be read as being in LOLCat speak.
  • Reba McEntire's "You're Gonna Be" contains a particularly Yoda-esque lyric:
    Life has no guarantees
    But always loved by me
    You're gonna be
  • Jessi Colter's "I'm Not Lisa" gets a mention for having "I'm not Lisa, my name is Julie." First of all, "Jessi" would've fit, and second of all, there isn't a single rhyme in the whole chorus, so there was really no reason to use "Julie" instead. (And even if there were a rhyme scheme in the chorus, nearly anything that rhymed with "Julie" could at least passably rhyme with the long E sound of "Jessi".)
  • Krispy Kreme's "The Baddest" has "I have four hundred houses / I have four hundred mouses and four hundred houses". It's not just the improper plural of "mouse", but also the fact that mice themselves are an unlikely thing to brag about having in a Boastful Rap unless you just really need something that rhymes with "house". Though it's possible he means computer mouses - "mouses" is considered an acceptable plural in that context, and it'd be a slightly more logical thing to brag about than having a rodent problem.
  • Taylor Swift's "Fearless": "And I don't know why, but with you I'd dance / In a storm in my best dress, fearless". Also, about half the song has very odd line breaks and a bad case of Accent On The Wrong Syllable.
  • The first verse of "Dear Mr. Governor" by Da Yoopers starts off fine, but totally derails on the last line:
    "What's this on my mitten?" said the troll from down belownote 
    "Is it just a picker, or a piece of dirty snow?
    I think I'll just brush it off and kick it in the lake
    And stay down below the bridge and eat my birthday cake"
  • The song "We're Knights of the Round Table" from Monty Python and the Holy Grail is composed entirely of this trope, to the point that it includes the Lampshade:
    But many times
    We're given rhymes
    That are quite unsing-able
  • Brazilian musician Carlinhos Brown has this as a Signature Style. Even when he writes in English.
  • The Queens of the Stone Age song "Turnin' On The Screw" has this rather cringe-worthy line:
    You want a reason? How's about because
    You ain't a "has been" if you never was
  • "Moody River". When the song's original artist Chase Webster wrote it (credited under his real name, Gary D. Bruce), the first line of the chorus was "Moody River, more deadly than the sharpest knife", but when he recorded the song he kept popping the P on "sharpest", so the producer asked him to change the word. He sang the first thing that came to mind, "vainest", even though "vainest knife" makes absolutely no sense. When Pat Boone Covered Up the song a little while later, his producer actually checked with Webster to make sure that was the correct lyric.
  • Maroon5's "Payphone" has the line "Even the sun sets in paradise" - in context, this is clearly supposed to mean "Even in paradise, the sun sets", but that wouldn't fit into the meter or rhyme with "paralyzed".
  • In the Eegah! song "Valerie", Arch Hall Jr. very clumsily tosses in the words "gallery", "calorie" and "salary" just so they can rhyme with the title.
  • The theme song for Murder Most Horrid has a line at the end which goes "and you wake in the night, wipe the sweat from your forehead (pronounced as forrid)/ Murder Most Horrid", and each episode has a different word substituted that rhymes with "horrid", such as torrid and borrowed (pronounced "borrid"). They seem to run out of words at one point, and the line becomes "and you wake in the night... la la la la la lorid".
  • In The Black Eyed Peas' song "Imma Be", in between repeating its title over and over again, had Will.i.am deliver the immortal line: "Imma be a brother, but my name ain't Lehmann; Imma be a bank, I be loaning out semen." No-one is quite sure why.
  • The Steve Miller Band's song "Take the Money and Run", does this for a set of Least Rhymable Words:
    Billy Mack is a detective down in Texas
    You know he knows just exactly what the facts is
    He ain't gonna let those two escape justice
    He makes his livin' off of the people's taxes

Loud of WarMusic TropesMagic Music

random
TV Tropes by TV Tropes Foundation, LLC is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
Permissions beyond the scope of this license may be available from thestaff@tvtropes.org.
Privacy Policy
60329
2