, actress, activist, and musician Margaret Cho was born Moran Cho in 1968 to a Korean family in California. Her routines often talk about her bisexuality, sexuality in general, Asian-American stereotypes and politics. She had a short-lived sitcom called All-American Girl
based on her life as a second generation Korean-American. The show is known for featuring the first Asian-American family on prime-time tv. She currently plays Terri on the Lifetime
series Drop Dead Diva
. She also lends her voice to the stop-motion comedy Rick & Steve: The Happiest Gay Couple in All the World
. Was once on Dancing with the Stars
, but was eliminated in the third round. She released a music comedy album, Cho Dependent
, in 2010.HUGE
gay following. We're talkin' second Judy Garland
here. It helps that Cho has been quite open about her love for gays for her entire career.
Provides the page quotes for:
Tropes in her work:
- All Women Are Prudes — In All-American Girl, her character was written to turn down sex at every opportunity, even in cases where she herself would have consented. Cho found this annoying, as the show was based on her.
- Ms. Cho herself averts this trope to hell and back. "Slut pride!"
"I want morning-after pills more than over-the-counter; I want morning-after pills with my check at dinner. I want morning-after pills on my pillow before I go to bed."
- Asian Rudeness — Her mother, but brought up in an affectionate manner.
- Beautiful All Along — in the semi-autobiographical Bam-Bam & Celeste
- Berserk Button — The "Hong Kong Phooey" font, that stereotypically Asian typeface used to advertise anything remotely Asiatic. In I'm The One That I Want, she talked about how she once yelled at a passing driver for having that on a bumper sticker ("This car was made with tools, not chopsticks"), forcing him into the wrong lane.
- Bi the Way — Her bisexuality is a frequent topic in her comedy.
- Bilingual Backfire — Inverted. While promoting All-American Girl, she appeared on a morning talk show for a local station that was recently bought out by Disney. At the end of the interview segment, the host, in a Critical Research Failure, asked Cho to tell the people at home "in [her] native language" that they were changing over to an ABC affiliate. As Cho was born and raised in California and is actually not fluent in Korean, she simply looked at the camera and curtly said in plain English, "They're changing over to an ABC affiliate."
- Cluster F-Bomb — Her own swearing is average for a raunchy comedian, but she loves telling the story of a profanity-laden hatemail she got after criticizing then-president George W. Bush. It started with "GOOK CHINK CUNT FAT DYKE!" and got even more poetic from there.
- Cowboy Bebop at His Computer: She once ranted about how Hello Kitty doesn't have a mouth and is unable to speak, as if telling little girls they shouldn't have voices. Except she does have a mouth, it's just small and is only drawn when she's speaking.
- Critical Research Failure — In-universe. Often directed at her when people assume she herself is an immigrant.
"I can't go back to my 'home country.' I was born and raised in San Francisco; I'm IN my home country!"
- Dream Team — On Cho Dependent, Margaret collaborated with indie/alternative musicians like Fiona Apple, Tegan And Sara, and Ani DiFranco.
- Fluffy Fashion Feathers — Inspired by Cher and Björk, Margaret once wore an outlandish peacock dress to the Grammy Awards. While she didn't win the Grammy she was up for, she was named Worst Dressed by various fashion magazines. This was met with cheers, since it came after a rant on how everybody at award shows dress the same, and the ones named Worst Dressed are really the best since they created their own look.
"If you win a Grammy, you beat out, what, four or five people? If you win Worst Dressed, you beat out 15,000 people. I beat out Mary J. Blige! I beat out Lil' Kim!"
- N-Word Privileges — Large debate as to whether or not she has these when she pokes fun at Asian and/or LGBT culture. One's view on the debate often makes the difference between loving her and hating her.
- Reality Is Unrealistic — Her biggest bone of contention with the producers of All-American Girl was how she was forced to lose weight for her role. To play herself.
- Sit Comic — her sitcom, All-American Girl
- Stop Being Stereotypical — She's gotten this from (many non-Asian) critics. Also, inverted by some conservative elements within the Asian/Korean American community who would prefer a more "traditional" image of Asians in the media. This was the reason the "Asian Consultant" was hired and manages to be a topic of great ire for her today.
- Yandere — her song "I'm sorry." is a Gender Flip of a Real Life male example.
Tropes she deconstructs in her comedy routines: