"I don't like the idea of something existing if I can't get a copy of it."
There once was a show. You know, that show. It was a really good show. Or maybe it was something else. Still, you'd love to relive the memories, and share it with your friends.
There's just one problem: It's impossible.
Watch and record reruns? Of course you would...if it were on.
Buy the DVD? You'd already have it on pre-order...if it existed.
Watch it online? You'd bookmark it in a second...until the company that owns the series threatens the video provider with legal consequences unless they remove the content.
Netflix? Hulu? iTunes? Not there.
What's a fan to do? It isn't that you're setting out to break copyright law...you'd be more than happy to pay to acquire it legally! At the same time, though, you realize that the market is too niche for a super-deluxe bells-and-whistles compilation DVD to be justifiably profitable... no matter how many online petitions your forum sends.
Keep Circulating The Tapes (a phrase attributed to Mystery Science Theater 3000) is an option of last resort. It's when a show you like is denied to you, except through methods of questionable legality — shady file-sharing sites, tape trading/buying... it's either that, or the show's likely to be Lost Forever outside of fan recordings and film company archives. It's also the rule rather than the exception for video games and other non-simple media, to the point where the Abandonware concept and emulation were created to bring common sense into the situation (the Virtual Console, PlayStation Network, GameTap, Steam, GOG.com, and to a smaller extent Xbox Live Arcade are finally starting to remedy this situation with games, but it's still a long way to go).
Try not to be angry that you can get the complete Brady Bunch Variety Hour, Van Pires, The PJs, Robot and Monster, Making Fiends, Two Guys, a Girl and a Pizza Place and T.J. Hooker on DVD but not Muppet Babies, Our Miss Brooks, Whatever Happened to... Robot Jones?, The Raccoons, Recess, KaBlam!, Fame (post-season 2), Shining Time Station, Perfect Strangers (post-season 2), Murphy Brown, Fillmore!, The Hogan Family, Sheep in the Big City, Roundhouse, Kids Incorporated, Free Spirit, The Replacements, Hi Hi Puffy AmiYumi (in its entirety), You Can't Do That on Television, or the original cut of Frosty the Snowmannote (among others).
After steam stops shooting out of your ears, the question you're asking is probably... why? Well, a typical answer is that the television companies (correctly or incorrectly) don't think there's enough of a market for it to be worth releasing them, but it's not always their fault... directly. An all-too-common cause is music rights. Mission Hill halfway fell victim to this with the show released to DVD, but most of the popular music was omitted and replaced with Countdown Singers-esque soundalikes. Baby Blues wasn't as lucky; its DVD release may never see the light of day due to the theme being "It's All Been Done" by the Barenaked Ladies. Royalties play a large part in it.
...this requires some explanation.
The tape circulators could've probably hazarded a guess, but absolutely nobody else saw the TV-on-DVD boom coming. TV on VHS had been tried, sure, but it wasn't even barely successful for even music-compilation heavyweights like Time-Life and Columbia House for several reasons:
— Brad Jones, DVD-R Hell.
- The cost of the tapes.
- The outrageous amounts of shelf space needed for even one season of a series; a 22-episode season of an hour-long series needed 11 VHS tapes to fit on, though 2-per-tape was the standard even for 22-minute-without-commercials shows (for which 5 episodes could fit on a two-hour tape), which even carried over into some DVD releases. This despite the fact that a VHS tape is capable of holding as much as 8 hours of footage on it.
- The fragile nature of the format, allowing for a $300 investment to be ruined by a hungry VCR or a fridge magnet.
- Up to the early 2000s, television syndicators did all they could to keep the public from buying a television series, basically so channels would continue to see reruns as valuable and pull in ratings. As a result, only PBS documentaries were offered.
Examples
- Anime and Manga
- Comics
- Fan Works
- Film
- Literature
- Live-Action TV
- Music
- Magazines
- New Media
- Radio
- Software
- Sports
- Tabletop Games
- Video Games
- Web Comics
- Web Original
- Western Animation
- Works that were rescued after a stint in limbo.
Professional Wrestling
- In the pre-VCR/cable television era, most local or small regional promotions that were fortunate enough to have their own syndicated television programs have been erased to history. First, videotape (prior to the 1980s) was an expensive commodity, and promotions that were able to afford it simply reused the tapes when recording their material. Second, due to (perhaps) a perceived lack of future rerun potential, many promotions and/or television stations destroyed the tapes (or more likely, films) once they aired or wore out, their (wrestling) companies ceased their promotional activities or other reasons. This means that – with the exception of those having foresight or individuals who recorded the show and still have the tapes stashed away somewhere – the history of these promotions no longer exist in video form, much less in broadcast quality (due to derogation).
- World Wrestling Entertainment (WWE) is a notable exception, having hundreds of thousands of hours of videotapes and films of classic programming available for broadcast or on-demand download; this includes programming from promotions the McMahon family has acquired the rights to, including the NWA(some of it, as it still exists independent of McMahon), WCW, ECW and AWA. They've even got some wrestling footage from Du Mont! But even in this case, it is possible that individual episodes of syndicated programs (especially those prior to the late 1970s) have been recorded over or otherwise have been destroyed for various reasons. There is also some footage WWE seems dead set on not using, such as Smokey Mountain Wrestling.
- That said, the sheer amount of footage would, sadly, make DVD releases of television shows all but impossible. In 1998, among the main shows alone, WCW, WWF and ECW had over 300 hours of footage. This would make even a volume release of the year impractical, even divided among promotion.
- In addition to this, the NWA itself has its "Classics On Demand" service, which helps but still doesn't begin to cover all the content its member promotions have produced.
- This also applies to Owen Hart matches, as his widow refuses to allow WWE to use his image; and Chris Benoit matches, due to his murder-suicide.
- If you want to see a Ring of Honor that took place before 2010, well, good luck. Tapes do exist but between losing a distributor and switching DVD companies, you're not going to get them from ROH itself. If you're unlucky enough not to find a seller of any particular show you may be lucky enough to able to piece together enough of it through compilation DVDs dedicated to specific wrestlers, which ROH didn't stop selling with older footage, and their web videos such as "Throw Back Thursday", which is free so long as you have access to the world wide web.
- SHIMMER found continued bulk orders of DVDs cost prohibitive compared to focusing on the release of new ones, leading to shows gradually reaching this status, unless a retail version hit shelves. The ClickWrestle website alleviated this once they gained access to SHIMMER's video library.
- The new WWE Network which launched in February 2014 promises to make a large part of the WWE archives, along with the purchased tape archives listed above from other circuits available for their small subscription fee, including Benoit matches with a content disclaimer beforehand. How much of the archive will be available however is still yet to be found out.