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Round the Horne was a 1960s British radio comedy starring Kenneth Horne, Kenneth Williams, Hugh Paddick, Betty Marsden, Bill Pertwee, and their announcer Douglas Smith. The main writers were Barry Took and Marty Feldman. The show was a Spiritual Successor to Beyond Our Ken, which had featured many of the same cast but a different head writer; when he left it was decided to revamp the series with a new title and characters.

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It took the form of a ramshackle local variety show with Kenneth Horne as MC, with sketches, songs, incomprehensible public service announcements, and "the answers to last week's questions" (the questions themselves were never actually announced). Double Entendre and corny old gags were rife, and sketches frequently appeared to break down into out-of-character bickering about the size of the parts and the quality of the scripts.

The show was also populated by a collection of eccentric local characters (actually played by the cast, but treated as separate people within the show and never broke character). These included the folk singer Rambling Syd Rumpo, whose songs were peppered with incomprehensible words that sounded like they'd be extremely rude if one only knew what they meant; J. Peasemold Gruntfuttock, the world's dirtiest Dirty Old Man; and the show's breakout stars, the perpetually out-of-work actors Julian and Sandy, who were originally only supposed to appear in a single sketch but wound up returning in nearly every episode for the rest of the series.

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Was scheduled to return in 1969 for a fifth series but Kenneth Horne died of a heart attack aged 61 in February of that year, precluding any further series.

BBC Four broadcast stage performances of the original scripts in 2004.

Not to be confused with Around the Horn, the ESPN sports pundit show.


The series provides examples of:

  • Ambiguously Gay: Julian and Sandy are textbook cases: walking camp stereotypes, not to mention speech peppered with Polari, but it's never actually stated that they're gay, and indeed the subject of sexuality is never discussed, only sniggeringly alluded to. In what turned out to be the final episode, they casually reveal that they both have wives.
  • As Himself:
    • Kenneth Horne always acted as if he was himself, even in the main sketches where he's usually playing a part. (A lot like Neddie Seagoon, except even more of a Straight Man).
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    • Douglas Smith really was a BBC continuity announcer, who were VERY straight laced at this period.
  • Authority in Name Only: His Holiness, J. Peasemold Gruntfuttock the First, of the Kingdom of Peasemoldia, a micro-nation consisting of his house and some of the surrounding neighbourhood, and a citizenship of three citizens, Gruntfuttock himself included.
  • Bad "Bad Acting": Douglas Smith, nominally just the announcer, whenever he was called on to play a small role in a sketch.
  • Bawdy Song: Rambling Syd Rumpo's songs.
  • Brick Joke: So very many.
  • Brutal Honesty: One of the Secret Spy sketches deals with a horrific outbreak of Truth, so newscasters commenting on society weddings comment on how much they hate everyone involved, and judges admit to their own crimes in court. Naturally, it's the work of Chou-En Ginsberg.
  • Catchphrase: All the recurring characters had one; probably the most famous was "Hello, I'm Julian and this is my friend Sandy."
  • Department of Redundancy Department: Charles and Fiona were prone to this.
    Charles: I know.
    Fiona: I know you know.
    Charles: I know you know I know.
    Fiona: Yes, I know.
  • Dirty Old Man: J. Peasemold Gruntfuttock, undoubtedly.
  • The Dividual: Julian and Sandy always appear and act together.
  • Doomy Dooms of Doom: Spasm the butler, in the recurring skit "The Clissold Saga", took every opportunity to declare that doom was upon them.
  • Double Entendre
  • Evil Is Petty: Doctor Chou-En Ginsberg starts blocking out BBC Radio because they wouldn't give him a job.
  • Faux Documentary: The 'Backroom Boys of the BBC' sketches were essentially this.
  • Fictional Holiday: The public service announcements often featured unusual festivals and commemorations, such as Immerse An Orangutan In Porridge Week.
  • Folk Music: Rambling Syd Rumpo.
  • For the Evulz: One of Chou's schemes has him making rockets to launch cold porridge into the atmosphere because... well, what else is he supposed to do with several hundred pounds of cold porridge?
  • Getting Crap Past the Radar: Julian and Sandy did this by using Polari to great effect:
    'We're a couple of omi-palones'
  • Gratuitous French: The writers were quite fond of using your actual French.
  • Have a Gay Old Time: Played absolutely deliberately
  • Hearing Voices: Gruntfuttock claims he is led by "the voices" to his latest odd action. Funnily enough, they usually only start speaking to him after he's left the pub...
  • Hypocritical Humour: Just as Citizen Grunt-Futtock's wife is insisting he's a lovely man, he screams at her to shut up.
  • I Could Have Been A Contender: Several sketches have Kenneth Williams "breaking character" to whine about his part in the sketch isn't doing his career any good.
  • Inherently Funny Words:
    • Gruntfuttock.
    • Cephalopod.
    • Lummock.
    • Pretty much every character's name would adhere to this.
    • Rambling Syd Rumpo's entire purpose is to say nonsensical words which, in his hands, sound either silly or suspiciously dirty. Or both.
  • Interactive Narrator: Douglas Smith is this. Oh boy, is he this...
  • I Read It for the Articles: One of the running gags is Kenneth Horne mentioning some absurd and often vaguely smutty-sounding publication and claiming to read it for the crossword/spot the ball competition/etc.
    "Recently I was leafing through my copy of Throw off Your Clothes and Live — I buy it for the chess problems..."
    "The other day, as I was glancing through my copy of Forbidden Flesh Weekly - (pause for scandalised laughter from the audience) - it's a vegetarian magazine..."
  • Japanese Ranguage: Played appallingly straight with Doctor Chou-En Ginsberg.
  • Larynx Dissonance: Lotus Blossom, played by Hugh Paddick with a deep raspy voice.
  • Medium Awareness: Especially in the Kenneth Horne, Secret Spy sketches.
  • Moral Guardians: The series fell afoul of them. Including at least one MP who was outraged by their making a joke about Queen Victoria.
  • Morally Ambiguous Doctorate: Parodied with recurring villain Doctor Chou-En Ginsberg, M.A. (failed).
  • New Job as the Plot Demands: Julian and Sandy tried a new job every week while waiting for their acting careers to pick up. The standard set-up for their sketches was for Kenneth Horne to enter a shop or some other place of business and discover that, coincidentally, it was the place where Julian and Sandy were working this week.
  • Noodle Incident:
    • Answers to Last Week's Questions often ventured into this territory. What the questions were to cause such outlandish answers was never revealed.
    • After the 'Julian and Sandy' bits, which always started by Kenneth Horne recounting why he walked into the business of the week, the show would sometimes come back to the present, with him finishing "... and that, Ladies and Gentlemen on the jury, is why I am standing here today" (or similar). Why it was that the Julian and Sandy punchline caused the trial was never explained.
  • Not Even Bothering with the Accent: Kenneth Horne plays every part in his own voice, a fact often lampshaded in the script.
  • Parody: Everything from Moby-Dick to Brief Encounter. The plays Charles and Fiona star in are caricatures of Noël Coward's style.
  • Previously On: Spoofed. The "previously on" segments have nothing to do with whatever happened last week, and are divorced from all sanity, inevitably ending with a disparaging introduction for Horne.
  • Pun: Any introduction of Doctor Chou-En Ginsberg begins with him going "Ah, Horne" and being met with the response "ah, Chou".
  • Running Gag: Phew, where do we start?
    • Kenneth Williams breaking character to rant about how he's not being serviced ("I need servicin'").
    • Whenever a question is asked, it's followed by "Answers on a postcard, care of the BBC..."
    • Douglas Smith going off on narcissistic tangents.
    • "Many times. Many, many times."
  • Shout-Out: "A handbaaaag?"
  • Straight Man: Kenneth Horne. (Not like that! Although, admittedly, when he's up against Julian and Sandy...)
  • Strapped to an Operating Table: Occurs in a horror movie parody.
    Female Victim: Why have you strapped me to this operating table?
    Mad Scientist: Call it an old man's whim.
    Female Victim: All right — why have you strapped me to this old man's whim?
  • Theme Naming: All of Julian and Sandy's business tended to be called 'Bona' followed by whatever the business dealt with.
  • Un-Installment: One of the show's spoof dramas jumped from part one to part three, with the explanation that "you wouldn't have liked part two - it was all plot." On another occasion, a Three Musketeers spoof stretched over two shows; in the show after that, it was announced "At this point we were going to do The Three Musketeers part three... But we got fed up with that."
  • Unusual Euphemism: Rambling Syd Rumpo's act was peppered with invented words that sounded in context like they were euphemisms for something.
  • Variety Show
  • Who Writes This Crap?!: Sketches are often interrupted by a cast member, usually Kenneth Williams, complaining about the quality of the script or that he's been given a part that doesn't allow him to show off the full range of his talents.
    • Kenneth Williams and Barry Took said in the years since the show aired that all of Williams' "ad-libs," especially those complaining about the material, were actually in the script. None of your actual ad-libbing was ever in the show.
  • Yellow Peril: Parodied with the villainous Dr Chou En Ginsberg, MA (failed) and his concubine, the lovely (but suspiciously deep-voiced) Lotus Blossom.

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