
- Noise Rock, Experimental Music, sometimes New Wave Music, Alternative Metal, Pop Punk, and even Progressive Rock and Electronic Music on some bands
What Post-Punk was to the original punk movement, this was to Hardcore Punk. Obviously Darker and Edgier version of Post-Punk (itself a Darker and Edgier version of New Wave Music).
It evolved basically the same way: Hardcore bands started experimenting with the basic template, including influences from other genres, and frequently experimenting with loud-soft song structures. Some of these bands included the Minutemen. It is mostly considered to have been influenced by hardcore forefathers Black Flag, who took on influences from various other genres and the use of experimental song structures. Many of them also took influence from the genre of Noise Rock, such as Big Black and Naked Raygun.
One important scene was concentrated around Washington D.C. and, in particular, Dischord Records, with bands such as Fugazi, Jawbox, Embrace, and in particular Rites of Spring. Rites of Spring began using more melodic riffs, shifting song structures, and deeply personal lyrics. And in this, a new post-hardcore subgenre was born — Emo.
"The Wave" of post-hardcore is a scene gradually building in popularity with bands like Defeater, La Dispute, and Touché Amoré. The style harks back to classic post-hardcore as well as elements of math rock and emo.
Some bands that are commonly referred to as post-hardcore:
- 36 Crazyfists
- Actor|Observer
- AFI
- Aiden
- Alesana
- 2010 - The Emptiness
- Alexisonfire
- The Appleseed Cast
- Arcwelder (Also borderline Pop Punk — they were very heavily Hüsker Dü influenced, after all)
- Armor For Sleep
- At the Drive-In
- Bastro
- Bayside
- Biffy Clyro
- Big Black (also Noise Rock- one of the first bands to combine the two genres)
- Billy Talent (Perhaps the poppiest band in the genre — they border on Pop Punk)
- Black Flag (One of the key Hardcore Punk bands, as well as being one of the first to expand the genre's musical horizons, making them an Ur-Example)
- black midi (Certain songs like "Near DT, MI" are in this genre, but it's not their only style by any means.)
- Blind Channel
- Braid
- Brainiac (Also Post-Punk Revival)
- Brand New
- Burning Airlines
- Cap N Jazz
- Chavez
- Chiodos
- Circa Survive (also progressive rock)
- Circle Takes the Square (vaguely; they also qualify as screamo, Progressive Rock, probably Progressive Metal, and in all likelihood several other genres as well)
- Circus Lupus
- City and Colour
- Clutch (Their first two EP's and Transnational Speedway League. Basically Alternative Metal).
- Coheed and Cambria (Their early material — they're also a case of Genre-Busting however, and are more frequently categorised as Progressive Rock)
- Coldrain (also Alternative Metal and Metalcore)
- Conquer Divide
- The Contortionist (Clairvoyant, also some progressive rock elements)
- Dag Nasty
- Dance Gavin Dance
- Daughters (Primarily on their first two albums; mixed with noise rock and mathcore)
- A Day to Remember
- Dead Sara
- Deftones (Mostly on Gore, though they have had significant elements of this since their first album and have recorded quite a few songs in this style)
- Die Kreuzen
- The Dismemberment Plan (Also Dance-Punk and Post-Punk Revival)
- Drive Like Jehu
- The Effigies
- Emarosa
- Embrace
- Enter Shikari (started out as this before taking a hard left into Alternative Rock with The Spark, but still maintain some elements; also electronicore and Progressive Rock)
- Escape the Fate
- The Evens
- Fall of Efrafa
- The Fall of Troy (also Progressive Rock)
- Falling in Reverse
- Fightstar
- Finch
- fIREHOSE
- Foxy Shazam (in their early years)
- Fugazi (Trope Codifier alongside Refused)
- 1990 - Repeater
- Funeral for a Friend
- Girls Against Boys
- Glassjaw
- Gray Matter
- Halo Of Flies
- Hawthorne Heights
- Helmet (also Alternative Metal)
- Hum (also Space Rock)
- Hüsker Dü (also Hardcore Punk and Pop Punk; their work from Metal Circus on can be considered an early example of this)
- IDLES
- Jawbox
- Jawbreaker
- The Jesus Lizard (also Noise Rock)
- Jets To Brazil
- KEN mode
- La Dispute
- Lostprophets (also Alternative Metal)
- Lungfish
- The Mae Shi
- Marmozets (Also Genre-Busting and are often categorized as Alternative Rock)
- The Mars Volta (they're also a case of Genre-Busting however, and are more frequently categorised as Progressive Rock)
- mclusky
- mewithoutYou
- The Men That Will Not Be Blamed for Nothing
- Mineral
- Minutemen (The Trope Makers)
- My Chemical Romance (early)
- Naked Raygun
- Nation Of Ulysses
- One OK Rock
- Pegboy
- Pierce the Veil
- Poster Children
- Quicksand (Also Alternative Metal)
- Rapeman
- The Receiving End Of Sirens (also Progressive Rock, Emo, Space Rock, sometimes Ambient, and possibly other genres)
- RedHook
- The Red Jumpsuit Apparatus
- Refused (the Trope Codifiers alongside Fugazi)
- Remo Drive (early)
- Rites of Spring
- Rolo Tomassi
- Saosin
- Scratch Acid (also Noise Rock)
- Senses Fail
- Shellac
- Silverstein
- Six Finger Satellite (also Post-Punk Revival)
- Shudder To Think
- Sleeping with Sirens
- Slint (also Post-Rock and Math Rock)
- 1991 - Spiderland
- Squirrel Bait
- Taking Back Sunday
- Tar
- Tequilajazzz
- Texas Is The Reason
- Thrice (when they're not busy being Hardcore Punk, Folk Rock or Blues Rock)
- Thursday
- Title Fight
- ToucheAmore
- Trophy Scars (they've taken on a more blues-oriented sound (retaining post-hardcore influences) since Bad Luck came out)
- Underoath (from They're Only Chasing Safety onward, mixed with Metalcore, Sludge Metal, and Post-Rock)
- Unwound
- 2001 - Leaves Turn Inside You
- Unsane
- The Used
- Viva Belgrado
- The Word Alive
Tropes Common In Post-Hardcore:
- Harsh Vocals: Some bands will throw in screamed verses in songs with otherwise normal singing.
- Noise Rock: Both an influence and a close relative of this genre- the two often overlap (i.e. Unsane, The Jesus Lizard, any band Steve Albini was in...).
- Older Than They Think: There are some casual listeners who believe this genre only came into being in the late 90s/early 2000s, when the truth of the matter is that it goes all the way back to the early-mid 80s. Though that can mostly be attributed to the fact that only in the last decade or so have Post-Hardcore bands really experienced commercial success.
- Post-Punk: A pronounced influence on the genre, and some bands (i.e. the Minutemen, Big Black) can be thought of as both. There are also Post-Hardcore bands such as The Dismemberment Plan and Six Finger Satellite who helped kickstart the whole Dance-Punk / Post-Punk Revival genres.
- Spin-Off: Both Math Rock and Emo are this to Post-Hardcore. In the case of the latter, it's also a More Popular Spin Off.
- Trope Codifier: Probably Fugazi, as far as many people are concerned. It helps that Ian Mackaye, who's their lead singer, also runs Dischord Records, which is a key label in the genre's history and has released records by many of the genre's important bands (i.e. Rites of Spring, Embrace, Jawbox, Shudder To Think, etc.). Refused are also an example: their third album, The Shape of Punk To Come, introduced much of the sonical experimentation that many other bands in the genre have since replicated.