"The fifties. Y'know, back when everything was like a sitcom from the seventies."
The Fabulous Fifties: An era of identical pink pressboard suburban houses
filled with smiling
, apron-clad housewives
. All the men wear slippers and fedoras and smoke pipes
, all the girls are teenaged and wear poodle skirts, and all the boys are cute, freckle faced scamps with slingshots in their pockets. Parents sleep in separate beds and only kiss each other on the cheek.
Anyone who isn't any of these characters are either greasers
, gas-station attendants, or Elvis
(who, in this era, wouldn't be caught dead in a rhinestone jumpsuit). With the possible
exception of the gas station attendants, everyone on that list is a direct threat to the upright morals and values of the era and will not be afforded a spot in the basement bomb shelter when the Reds
drop The Big One
. Meanwhile, Martin Luther King and the burgeoning Civil Rights Movement
stride across America, slowed down only by the occasional Corrupt Hick
. The birth of rock 'n' roll
took place in this era, to the horror of Moral Guardians
, which also showed a resurgence in popularity.
At least that's the popular view of the real Fifties. In media, there are three versions of The Fifties. The first is the Fifties Fifties, i.e. how the time was portrayed in many works that were actually made then. In this version, The Fifties were a suburban paradise where everyone was always happy, either forgetting the bad events
that happened during the last decade
or reminiscing the prosperous times
of previous decades, and there were no problems except for all those juvenile delinquents
running around. Unless the local college had some commies spreading un-American values or the flying saucers are landing
. The fifties uptightness was linked to real world anxieties and atom-bomb jitters, after all. Don't expect the civil rights movement to show up. Hell, seeing actual black people is a bit of a crapshoot. The Fifties Fifties are in contemporary times a popular subject of The Parody
The next version is the Nostalgic Fifties of The Seventies
and The Eighties
. By that time, there were a huge number of adults nostalgic for the "simple times" of their youth and Hollywood obliged. The biggest difference between this version and the Fifties Fifties is that the rebellious teenagers are now the heroes. We learn that all the teenagers back then liked to hang out at the local Malt Shop
, where a jukebox played Nothing But Hits
. The girls were only Seemingly Wholesome
and both sexes were experiencing their own Coming Of Age Stories
while necking down at the Drive-In Theater
and watching Robot Monster
Finally, there are the Historical Fifties of The Nineties
and the Present Day
. The Nostalgic Fifties are now starting to die out, replaced by other decades as there are becoming fewer and fewer writers in Hollywood who remember the Fifties... and many of these writers are the children
of those former "rebellious teens", and take a somewhat more jaundiced view of their parents' upbringing. Therefore, the time period, as portrayed by Hollywood, is becoming more the textbook version. Films about The Fifties today tend more to deal with the political issues of that era (civil rights, McCarthyism, etc.) and less with its teen culture. Which is not to say it is necessarily
any more accurate of course, merely that the decade is now filtered more through a political/ideological lens than a nostalgic one and teenagers aren't the only people that matter.
For a glimpse of what (some) Americans actually living in the Fifties thought of their world, read the Time Travel
stories of Jack Finney. His heroes are generally lonely, frustrated, unhappy bachelors eager to escape from their conformist gray-flannel-suited world, usually into The Gay Nineties
Note that Film Noir
was a major genre during the Fifties (though more so in the late 40s/early 50s) that doesn't easily fit in with any of the mainstream versions of the decade listed above. This includes modern noir set
during the Fifties like L.A. Confidential
or The Black Dahlia
One of the longest cultural "decades"- in many ways its tropes cover the period from V-J Day to the Kennedy assassination, 1945-63, with a shift in trappings in about 1955-57 as TV ownership reached a tipping point, tailfin cars got REALLY wild, women's skirts got shorter in reaction against the neo-Victorian "New Look" that had started in the late '40s, Rock & Roll
started getting serious radio play and the first wave of Baby Boomers
reached Junior High
Interestingly, the decade has triggered highly contradictory reactions among people who do not remember it well since the 1970s. Fifties cars are still admired aesthetically (in some areas, you can still find them on the street), Fifties clothes are enormously popular for costume parties, and Fifties music (at least, the sort that doesn't sound like holdovers from the Forties) will probably never be thought unfashionable. In addition, many seem to view the decade, with much sadness, as a forever-vanished idyllic time that was infinitely more conservative and family-friendly (although this is not what people actually living through the decade necessarily thought). At the same time, the 1950s is often treated as a sort of historical Butt Monkey
- an all-purpose dartboard on which anyone who is irritated by social repression - especially
if it concerns sex - can feel free to take out their frustrations. (Whenever you hear of someone described as having "Fifties values," it usually isn't a compliment.)
But those who wish to Flanderize
an entire decade should know that the 1950s were actually marked by great strides forward in social progress, sexual and otherwise, even if they still existed mostly on the theoretical level. And in any case, they were a lot less repressed than the eras that preceded them
. The decade was also a period of relative stability and unprecedented optimism, both probably enhanced by comparison since the period was bracketed by the horrors of World War II
and the upcoming turbulence of The Sixties
. This was particularly prevalent in the US, which had not only triumphed in the war but, more importantly, was just about the only major nation to come out of the conflict with its infrastructure intact. With no rebuilding to do, the focus was on innovation; there was a strong belief in the prospect of limitless progress through science and industry, which led to a lot of gee-whiz science fiction that's now covered with Zeerust
. It's no coincidence that the ultimate embodiment of optimism, Disneyland
, opened in 1955, with its cornerstone of Tomorrowland, promising a "great big beautiful tomorrow." Compare Aluminum Christmas Trees
Roughly speaking, the political decade of fifties began with the start of The Korean War
in 1950 and ended with the escalation of the Vietnam War
in the early 60's. Culturally speaking, it started with the start of I Love Lucy
in 1951 and ended with the release of Psycho
in 1960, or arguably with the death of John F. Kennedy
For more information, see our swell Useful Notes page
Compare Victorian Britain
across the pond, a similar era of prosperity with similar underlying problems (conformity, stratification, bigotry, and limited roles for women) - although as with the 1950s, people were struggling for progress, as evidenced by early stirrings of anti-imperialism and demands for women's suffrage.
See Also: The Roaring Twenties
, The Thirties
, The Forties
, The Sixties
, The Seventies
, The Eighties
, The Nineties
, Turn of the Millennium
and The New Tens
Fifties slang. If you want to talk like it's the Fifties, be sure to use these words:
- "Swell" - Say this a lot, especially if you're a teenage girl and you're talking about something you like (usually a boy). Be sure to say it in an extra cutesy and/or sweet way. The more affected it sounds, the better. ("Oh, that's just swell!")
- If you get tired of "swell" try "keen" or "neat" instead, but don't say "neat-o" or "cool" unless you're a beatnik.
- "Gee whiz" - Be sure to say this every two seconds if you're a boy under twelve. It can be used in any situation since it doesn't really mean anything.
- "Golly" can essentially serve the same purpose.
- Actually "gee whiz" is a Gosh Dang It to Heck! version of Jesus and Golly for "god".
- "Square" - Someone dull, out of it or otherwise not "in". Usually used to refer to a nerd, since the Fifties were before Nerds Became Sexy and long before nerds were hardcore.
- "Dreamboat" - If you're a girl, use this word to refer to your crush.
- "Baby" - If you're a guy, this is what you call your girlfriend. Be sure to add the word "hey" before it whenever you address her, or start with "hello", but the second syllable should be of much lower tone. If you're The Big Bopper you can elongate both words. This is a great way to cover up if you can't remember her name (after all, all girls back then seemed to have names like Peggy Sue or Mary Lou, so it's easy to get them mixed up). If that doesn't work, call her the name of a candy, confection or anything else that tastes sweet. Fifties girls like to think that they remind you of what causes cavities.
- "Dolls/Dames" - Girls/women collectively. If you happen to be a private detective, use it whenever you can justify it.
- "Get with it, kid" - What you say to a square.
- If you're a dad, call your teenaged daughter "Kitten" and your preteen son "Sport".
Popular tropes from this time period are:
- 3-D Movie
- The All-American Boy
- Babies Ever After: The post-World War II Baby Boom continued unabated throughout the decade. People born in the second half of the decade only stopped being called "Baby Boomers" when people noticed that they, largely immunized from polio at birth, with TV in their homes from earliest living memory, too young to go to Vietnam with their adolescence well into The Seventies and at the start of The New Tens still a decade or more from retirement with kids just starting High School, are really a generation unto themselves.
- Badass Biker: James Dean and Marlon Brando.
- Beatnik: The original Hipsters, man.
- Cool Car: the late 1940s to early 1950s marked the beginning of the car culture as modern people understand it, very much unlike the age of the Ford Model T.
- Cut-and-Paste Suburb: Technically the proliferation of standardized housing started in The Forties when all those veterans came home and started housekeeping, but The Fifties is when this trope really came into prominence.
- Dad the Veteran: Of World War II and/or The Korean War, naturally.
- Deliberately Monochrome: In many call-backs to the decade.
- Dirty Communists
- Doo Wop Progression
- The Generation Gap: Starts to take root in this era. before heading full swing in The Sixties and The Seventies.
- The end of the Golden Ages of film and animation, although the medium in the USA finally got First Amendment free speech protection during this decade for the first time in generations.
- Gosh Dang It to Heck!
- Greaser Delinquents
- The Hays Code: The reason for many of these tropes in fiction of the period. (Somewhat paradoxical, as its power began to crumble at about the middle of this decade.)
- Hartman Hips: After three decades of exposing the legs, the back and the shoulders as the erogenous zones, the decade went on focusing the hips, whether it's wearing a circle skirt, a pencil skirt, or pants.
- Hell-Bent for Leather: The teenage greasers in their leather jackets.
- High School Dance
- I Love Nuclear Power
- Jive Turkey: Classic radio skits from The Forties.
- Malt Shop
- "Mister Sandman" Sequence: Mister Sandman was a popular late-50s hit, thus fueling the trope in nostalgia flicks.
- The New Rock & Roll: Well... the original Rock & Roll.
- Nostalgia Filter: Throughout The Seventies and The Eighties, and even into The Nineties, the 1950's were the go-to decade for nostalgia in the media, as well as the retro movements of the 70's and 80's. That being said, during the 1950's, the eras synonymous with nostalgia was The Edwardian Era and The Roaring Twenties. That being said, during the 2000's and 2010's, The Eighties has replaced The Fifties as the nostalgia filter era, namely because Generation X is replacing the Baby Boomers (kids of The Fifties and The Sixties) and Silent Generation (kids born in The Great Depression and The Forties).
- Nuclear Family
- Nuke 'em
- Old School Dogfight: Every film set During the War.
- Opera Gloves the Fifties were the very last era in which gloves were considered a standard part of a woman's outfit. Everything after that was either a special occasion (like a fancy dress ball or a wedding) or fetish-wear.
- Pimped-Out Dress: From sharp suits with slinky pencil skirts to wide circle skirts with poodle appliqués to pretty cocktail dresses to white dresses with voluminous pleated skirts enough to be blown away from the subway vents to the loose sack-like dresses reminiscent of flapper frock to stunning strapless evening wear made by world-class designers like Dior, Balenciaga, Balmain, Fath, Chanel and Givenchy, topped it all off with stiletto heels, it was a decade of high fashion.
- The mentioned designers have their trademark silhouettes copied by fellow designers, tailors and housewives everywhere, like:
- Christian Dior's ultrafeminine New Look, debuting in 1947 relieving wartime austerity fashions;
- His contemporary, Spanish designer Cristobal Balenciaga, with his Spanish-style aristocratic chic and in 1955, his sack dresses;
- Pierre Balmain, co-introducing the postwar full-skirted silhouette, having royalty and famous film stars as his clients, therefore, he had a more pimped-out look in his designs;
- Jacques Fath, despite imitating the styles of Dior and dying in 1954, his unique designs are more focused to the American market;
- Coco Chanel, who reopened her shop in 1954, introducing her simplistic and modified jersey suits; and
- Hubert de Givenchy, known for his elegant simplicity, and having Audrey Hepburn as his top model.
- Pretty in Mink: It seemed every housewife wanted a mink wrap. A common accessory for teenage girls going to dances was a white fur shoulder wrap, especially white rabbit with two puff balls on either end.
- Red Scare / Mnogo Nukes: You really don't understand the Red Scare hysteria of this period until you get the "bomber gap": the perception that the Soviets had thousands of nuclear-armed bombers ready to unleash fiery death on American cities, largely caused by an atrocious quality of the American intelligence, which the Soviets managed to fool parading the same few bombers around.note
- Retro Rockets: The design theme for the whole decade, fins and all.
- Seemingly Wholesome '50s Girl
- Standard '50s Father
- Stay in the Kitchen
- Stepford Smiler
- Stepford Suburbia
- Suburbia itself
- Sweater Girl
- Teens Are Monsters
- Teen Idol: From Elvis to Frankie Avalon.
- There's No "B" in Movie
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Examples of the "Fifties" Fifties
Anime and Manga
Music Genres That Started in the Fifties
- Tintin. Series started in 1929.
- Spirou and Fantasio. Series began in 1938.
- Tom Poes. Series began in 1941.
- Suske en Wiske. Series began in 1945.
- Paulus De Boskabouter. Series began in 1946.
- Blake and Mortimer. First appeared in September, 1946.
- Nero . Series began in 1947.
- Lucky Luke. Series began in 1947.
- Piet Pienter en Bert Bibber. First appeared in 1951.
- Disney Ducks Comic Universe
- The Junior Woodchucks. First appeared in February, 1951.
- The Beagle Boys. First appeared in November, 1952.
- Gyro Gearloose. First appeared in May, 1952.
- April, May and June. First appeared in February, 1953.
- Glittering Goldie O'Gilt. First appeared in March, 1953.
- Flintheart Glomgold. First appeared in September, 1956.
- Little Helper. First appeared in September, 1956.
- Argus McSwine. First appeared in July, 1957.
- Grandpa Beagle/Blackheart Beagle. Composite Character based on two different depictions of the Beagle Boys' founder.
- Blackheart Beagle. First appeared in August, 1957.
- Grandpa Beagle. First appeared in March, 1958.
- General Snozzie. First appeared in June, 1958.
- Dennis the Menace (UK). First appeared in March, 1951.
- Archie Comics
- Midge Klump. First appeared in April, 1951.
- Miss Bernice Beazley. Appeared c. 1957.
- Mr. Svenson. First appeared in July, 1958.
- MAD originally started as a comic book, with it's first issue debuting in August, 1952. It later converted to a magazine format by issue twenty-four in order to appease Harvey Kurtzman and keep him on as editor.
- The Phantom Stranger. First appeared in August-September, 1952.
- Richie Rich. First appeared in September, 1953.
- Red Skull /Albert Malik is established as a Communist agent. First appeared (in this role) in December, 1953.
- Mickey Mouse Comic Universe
- Gilbert. First appeared in May, 1954.
- Scuttle/Weasel. First appeared in February, 1957.
- Krypto the Superdog. First appeared in March, 1955.
- Jommeke. First appeared in October 30, 1955.
- Martian Manhunter. First appeared in November, 1955.
- The Topper. Comic launched in February, 1953.
- The Beezer. Comic launched in January, 1956.
- Batwoman/Kathy Kane. First appeared in July, 1956.
- The Flash
- Flash/Bartholomew "Barry" Allen. First appeared in October, 1956.
- Kid Flash/Wallace "Wally" West. First appeared in December, 1959.
- Gaston Lagaffe. First appeared in 1957.
- Brainiac. First appeared in July, 1958.
- Adam Strange. First appeared in November, 1958.
- Supergirl/Kara Zor-El/Linda Lee Danvers. First appeared in May, 1959.
- Suicide Squad. Debuted in August-September, 1959. Later stories established that the Squad was founded during World War II.
- Green Lantern/Hal Jordan. First appeared in October, 1959.
- Lana Lang. First appeared September/October 1950.
- Limited Animation became popular, first as a stylistic choice, reflecting the modernist aesthetic of the period, and only later as a cost-saving measure. UPA Studios produced:
- Popeye and other animated shorts still appeared in theatres, the only place you could see in color.
- Despite that most cartoon studios were in decline during this decade, Looney Tunes reached its heyday under the direction of Chuck Jones, as their most acclaimed shorts came out in the Fifties (though only 3 years into the next decade and the studio would be shut down).
- MGM was another cartoon studio that was still going strong through most of the Fifties, though they began to cut more corners and use more Limited Animation as time went on, to the point where the later Tom and Jerry shorts look a lot like Hanna-Barbera's 60's television work (they were both done by the same people).
- The Dark Age of Animation began as studios used the techniques of limited animation as an excuse to crank out productions faster. Many Dark Age TV shows through the late '60s depicted a Nuclear Family straight out of The Fifties, with the rare subversive cartoon (including fifties animated shorts themselves, that hadn't been told what the decade was about.)
- Baby Huey debuted in 1950.
- Humphrey The Bear debuted in 1950.
- Adventures in Music Duology debuted in 1953.
- Speedy Gonzales debuted in August, 1953.
- Chilly Willy debuted in December, 1953.
- Gumby debuted in 1956. Received his own series in 1957.
- Tom Terrific debuted in 1957.
- Sidney The Elephant debuted in 1958.
- Clutch Cargo debuted in 1959.
- Hashimoto-san debuted in 1959.
- The Hanna-Barbera studio was launched in this period and created some of its earliest characters:
Examples of the Nostalgic Fifties
- Superboy #171 (January 1971) saw his time era moved from being stuck in the 1930s to perpetually 15 or so years behind the then-present. Thus, 70s Superboy stories often featured nostalgic 1950s elements (Lana Lang interested in hula hoops, Clark pondering rock and roll, etc.).
- American Graffiti, though technically set in 1962.
- The version of 1955 seen in the Back to the Future films has elements of both the Nostalgic Fifties and the Historical Fifties, but seems to generally lean more in the direction of the Nostalgic Fifties.
- The John Waters movie Cry-Baby is more like an Affectionate Parody of the fifties and juvenile delinquent movies, but it still counts.
- Peggy Sue Got Married (technically 1960, but it might as well still be the '50s)
- The Last Picture Show is bit more complicated than some on this list, in that it is both a rather bittersweet version of the period and one set unusually early (in 1951) which means it predates a lot of the standard decade tropes like rock 'n' roll or B-Movies. It's also set in a Dying Town in rural Texas, placing it at some remove from the middle-class "mainstream" of the era. (The teen characters listen to country and western songs and watch cowboy flicks!)
- The Porky's movies were a particularly sex-crazed version, or maybe just riding the coattails of a Seventies trend.
- Though the decade is never properly defined, Fido is set in a kind of alternate-history Fifties where a Zombie Apocalypse nearly wiped out humanity approximately twenty years before, and survivors live in fortress-like Stepford Suburbias surrounded by zombiefied wasteland.
- Matinee (1993), though technically set in 1962 during the Cuban Missile Crisis, attempts to pinpoint on film the moment when a town full of adorable scamps and movie lovers left The Fifties and entered The Sixties.
- It's a very Troperrific rendition, complete with the protagonist's bratty younger brother who is obsessed with The Lone Ranger and carries around die-cast pistols everywhere, "the Love Interest in poodle skirt" who his best friend is afraid to ask out to the dance, and the love interest's "abusive greaser ex-boyfriend".
- Stand by Me (set in 1959 and featuring an all-star soundtrack) attempts to do the same thing (mark the transition from The Fifties to the Sixties, from Innocence to Experience) on a smaller scale, reflecting the coming of age of four
Maine Oregon youths (and the youths of director Rob Reiner and author Stephen King).
- School Ties is set in the fifties, as evidenced by the 'uncivilized' rock music the kids listen to (that to a modern ear sound extremely boring, but to their contemporary audiences were quite wild). Also there's the rampant antisemitism for that special period touch.
- Happy Days: home of Fonzie, America's favorite greaser!
- Laverne and Shirley: Spun off from Happy Days. Both shows had technically moved into The Sixties by the time they ended.
- Sha Na Na
- Community - Troy and Abed lure Pierce into the glee club with their song "Baby Boomer Santa", stating "And when the commies gave the polio to Doris Day/Santa helped the Beatles chase Mc Carthy away".
- "American Pie", the song written by Don McLean in 1971, is in part a nostalgic look back at the more innocent Rock & Roll music and culture of his youth in the 1950s... and, of course, memorializing Buddy Holly's plane crash in "The Day The Music Died."
Examples of the Historical Fifties
- The Man In The Grey Flannel Suit, one of the most popular and influential books in the 1950s, Trope Codified (and attacked!) the whole concept of 50's conformism.
- M*A*S*H. The show either takes places in the Historical Fifties or else in a Present Day Past.
- Padre Coraje. Set in the Argentine Fifties.
- The Hour. Set in 1957-58 Britain, the Suez Crisis is the backdrop for season one, and the Cold War/Space Race is the backdrop for season two. The fashion runs the gamut from Marnie's stereotypical skirts and pearls and Hector's grey flannel suit to Lix's Katherine Hepburn suits and Freddie's beatnik look.
- The Doctor Blake Mysteries. Set in 1959 Australia.
- Masters Of Sex. Set in late '50s/early '60s St. Louis.
- Call the Midwife. Set in late '50s London.
- Mafia II plays in the 50s. It does however also show the dark sides of the 50s beyond Suburbia, like racial segregation, corruption, black market, slums, and mafia. But hey, at least you can encounter every 1950s stereotype known to man:
- the charming housewife returning from her local Piggly Wiggly (after visiting the opium house),
- the friendly next-door neighbour with the tie and the suitcase who scratched your car the other day,
- the friendly gas station attendant after robbing him and blowing up his petrol pump,
- the greasy radio host who ends every sentence with "folks" and promotes cigarette smoking,
- the no-nonesense, deep-voiced radio host who will piss off commies and promotes family values,
- the old grumpy hag who runs the local diner and still has problems with fitting her hair net,
- the shoeshine guy who shines shoes,
- the newspaper guy who begins and ends every sentence with "Extra!",
- the good-hearted Irish police officer who will most likely shoot you on sight,
- those greasers who always hinder your black trade because you're in their territory, and
- the bomberjacket-clad afro-americans who do the same thing, only on the other side of
Hudson Bay Empire Bay.
Examples which don't easily fit into any of the above
Anime and Manga
- The Silver Age of Comic Books began in this period, following the red-baiting and obscenity hysteria fueled by the publication of Dr. Frederick Wertham's book Seduction of the Innocent, which helped end the E.C. Horror Comics catalog that had supplanted superhero comics through most of the 1950s with grotesque and Weird Tales from the Crypt. The only E.C. comic to survive was...
- MAD Magazine, which defied the image of '50s conformity by satiring and skewering pop culture with a countercultural Manhattanite wit.
- League of Extraordinary Gentlemen: The Black Dossier is set in a ... somewhat skewed version of 1950s Britain. (It doesn't help that 1984 has just happened.)
- Lenny Bruce, the infamous comedian who broke free of "obscene language" taboos in the 1950s, got his start doing stand-up comedy in strip clubs in the heart of Los Angeles' middle-class suburban mecca of San Fernando Valley in the early 1950s.
- Bob & Ray, who themselves fit into the Historical Fifties as a result of spoofing the media conventions inherent in the Fifties Fifties.
- Stan Freberg
- Bill Bryson's The Life And Times of the Thunderbolt Kid, an autobiographical and historical account of 1950s and early 1960s America, when he was a child.
- Lolita was not only written in the 1950s, it was set in Nabokov's idea of a typical American community and helped inspire the later concept of "dark pathology hidden behind a facade of '50s conformity".
- Time Out Of Joint by Philip K Dick is a deconstructive Mind Screwdriver of an apparently realistic novel, written in 1959 and apparently set in 1959, but as the book goes on, the characters find apparent anomalies, such as ancient and water-damaged magazines with the previous year's date and featuring a photograph of a supposedly famous actress called "Marilyn Monroe" who they've never heard of, etc. Gradually it becomes clear that the year is 1998, and a war is going on between Earth and its plucky underdog colonists on Mars. The hero is actually a senior military stategist who's suffered a psychotic breakdown; the military machine wants him to continue his war work, so they've preserved his stability by building a "Fifties" Fifties small town just like the town he grew up in, complete with friends and neighbours (some of whom have been given Fake Memories), where he and nearly everyone around him thinks that he's just playing and winning a newspaper competition, but in fact he's predicting Martian attacks.
- The Honeymooners was made in the fifties, but it's far from "suburban paradise": it features a married couple, who live in a crappy, cold-water walk-up apartment, can't afford a TV or a vacuum cleaner, and fight all the time. This was, of course, typical for many Americans at the time.
- Dragnet was a Police Procedural that ran from the late Forties through the Sixties. While there is Fifties conformity scattered throughout the series, the show is not completely clean, showing the ugly side of society as they solve each week's crime. Was somewhat made in response to the negative view of the police force during the time period.
- Destroy All Humans!
- Stubbs the Zombie A parody of the 50's mindset with large doses of cold-war hysteria and obsession with The Future.... as envisioned by someone from that era.
- The Fallout series not only is a throwback to 1950's sci-fi, it also have many parodies of that time period — such as a virtual reality 50's simulator with kids and adults repeating those same phrases at the beginning of the page.
- One of the simulations used in Saints Row IV is Steelport set in this time. Bright, sunshiny, whimsical track. Driving is done safely, at the speed limit. And no swearing or violence. The game's base genre is crime Wide Open Sandbox. No points for guessing what the Boss does when he/she is snapped out of it.
- The Iron Giant is mainly a deconstruction of Fifties alien invasion movies, but it also has large dollops of nostalgia (the director was born in 1957, the year the movie was set) and delves into some of the issues of the day, particularly Cold War paranoia, as personified by Kent Mansley.
- Moral Orel has no set time period, but its characters are blatant 50's stereotypes, a lot of 50's architecture and technology is present, and there's an omnipresent theme of hiding away your sins and mistakes.
Works made, but not set, during the fifties
Anime and Manga
- Dan Dare. First appeared in April, 1950. Set in The Nineties.
- Johan and Peewit. Series started in September, 1952. Set in The Middle Ages.
- Scamp. Series started in October, 1955. A spin-off of Lady and the Tramp, a film set in the The Edwardian Era.
- Legion of Super-Heroes. Debuted in April, 1958. Their tales were set in The Future.
- Bizarro. Debuted in October, 1958, in a story set in the past of Superman.
- The Smurfs. First appeared in October, 1958. Set in The Middle Ages.
- Sgt. Rock. First appeared in April, 1959. His series was set in World War II.
- Astérix. First appeared in October, 1959. Set during The Roman Republic.
- Barbe Rouge. First appeared in October, 1959. Set during The Cavalier Years and The Age of Sail.