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Video Game: Mafia II
The fate that awaits all in the Mafia.

During World War II, Vito Scaletta, a young poverty-stricken resident of the city Empire Bay (a Fictional Counterpart of New York City, with elements from San Francisco), is caught committing robbery and he chooses serving in the army during their invasion of Europe instead of going to jail. Vito is however wounded in service, and is sent home to Empire Bay for a month - but upon his arrival, he discovers that the things has taken a turn for the worse. His father has died and has left his family with a massive debt of $2000... money which the local loan shark is getting quite anxious to get back.

While Vito has been gone, his friend, the small-time criminal Joe Barbaro, has been busy getting connections within the local Clemente crime family. He is able use them to get Vito some forged discharge documents and foot in the mob's door, offering Vito a chance to pay off the family debt.

Mafia II is a 2010 video game, more of a Spiritual Successor to the original Mafia: The City of Lost Heaven than it is an actual sequel. While the two games share the same universe, there is only one direct connection between them.


  • Aborted Arc: One of those prostitutes that Joe brought along and who clearly showed she had hots for Vito, and was later saved by him when she accidentally bumped into some hothead's car upon leaving? She's never mentioned again and Vito, quite surprisingly, hasn't got in a relationship with any girl by the end of the game.
  • Absurdly Spacious Sewer: Semi averted during "Balls and Bean", when Vito must sneak into a slaughterhouse through a sewer. Although the sewer has ample room for him to walk through and allows him to enter undetected, the trip is unpleasant, as Vito is unable to avoid stepping in revolting sewage water and even has unmentionable sludge dumped on him halfway in. It goes without saying that Vito's presence is easily sensed, or rather smelt, after that.
  • All There in the Manual: The Family Album you get after beating the game provides a lot of the backstory to various secondary characters not explained otherwise.
  • Anachronism Stew: Playboy magazines appear throughout the game, which starts in 1945 and ends in 1951, when in Real Life Playboy's first issue was realeased in 1953.
    • The game also has a radio newsflash about polls showing Dwight Eisenhower and his running mate Richard Nixon easily winning the presidency in the 1952 election in September of 1951. Eisenhower didn't announce his candidacy until March of 1952 and even after announcing it faced a tough primary battle before getting the nomination.
    • Empire Bay has a SWAT Team, as seen in the DLC's "Joe's Adventures" and "Jimmy's Vendetta", both of them set in The Fifties, although the very first SWAT Team wasn't operational until 1968.
    • The Remington 870 Field Gun, a shotgun manufactured starting in 1950 can be seen used by the Empire Bay Police Department in 1943.
  • Authority Equals Asskicking: Mostly averted with the gunfights, bullets will happily tear up bosses as easily as they do mooks. In the final fight Don Falcone can take about 3 or 4 times as much punishment as a standard Mook, but that still means he'll go down in less than a dozen shots.
  • Bag of Spilling: There are several points in the game where you end up losing all your money and guns. This is especially aggravating if you spent time selling stolen cars to grind up your cash reserves, although it does help emphasize the game's point that the criminal life isn't all it's cracked up to be.
  • Back Seats are Just for Show
  • Badass Bystander: While robbing a store there's the chance that one or more customers will pull handguns and fight Vito.
  • Being Evil Sucks: At the end of the game, it's clear that being a mafioso has done Vito more harm than good, such as his going to jail likely causing his mother's death, driving his own sister away due to to his now violent attitude, learning that some of the people he works for are the same ones that screwed his parents over, and virtually all his friends dying left and right.
  • Berserk Button: Mention Vito's father Hurt Vito's sister Mention money to Vito Murder his colleagues EVERYTHING
  • Big Applesauce: Empire Bay.
  • Brooklyn Rage
  • Butt Monkey: Poor Vito spends the entire game bouncing from one collossal fuck-up to another, without ever really getting a chance to enjoy La Dolce Vita. This is in contrast to Tommy from the first game, who's shown to live it up pretty well up until his fall from favor at the end.
  • Casual Danger Dialogue: Even if you're driving terribly and keep on crashing into people, cars, and/or street signs. Even if you're being chased by the police, your friends in the car will continue to talk casually. The worst you can get is Joe scolding you for running the red light.
    • And every other small infraction, which can be distracting when trying to outrun police.
  • Chekhov's Gun: In Chapter 3, Vito steals ration stamps from the Office of Price Administration and sells them to gas station attendants around the city. Three chapters later, it turns out one of the attendants ratted Vito out. He goes to jail.
  • Chronic Backstabbing Disorder: Everybody in the Mafia, towards everybody else. The only exception is the bond of loyalty between Vito and Joe that endures throughout the entire game, which makes the ending all the more tragic.
  • Cluster F-Bomb: Just watch this video. It has broken the previous record for most f-bombs in one game, previously held by The House Of The Dead Overkill.
  • Continuity Nod: Vito and Joe are the gunmen who kill Tommy Angelo from the first Mafia. They even drive a similar red and white Ford Thunderbird-like car.
    • Retcon / Broad Strokes: In the original Mafia, Tommy is killed in 1957 and not 1951 when Mafia II is set. Vito and Joe are also not wearing the same clothing as the hitmen in Mafia (although Vito can be, if you put on the corresponding suit before accepting the mission) and Joe shoots Tommy with a full-sized shotgun, rather than the sawn-off "lupara" shotgun that the hitman used in Mafia. And the house and background are slightly different, particularly the conical bushes in the yard.
    • When Leo Galante decides to disappear (a situation almost identical to what happened with Frank in the first game), he off-handedly mentions that he's going to Lost Heaven.
  • The Consigliere: Leo Galante.
  • Controllable Helplessness: In the start of the prison sequence, you are marched single file into the prison facility. Policemen stand in front of the two opposite gates where jeering prisoners flock. You are able to use the controller to turn your head around, look at your hands (well, your fingers, mostly), but beside that, you're stuck.
  • Cool Car: Most of them could qualify, really.
  • Critical Existence Failure: In the fighting sequences, Vito can take a parade of haymakers, jab combos and uppercuts. But once his health is too low, a single jab will send him crashing to the floor in a heap.
  • Deconstruction: Mafia II deconstructs Neighborhood Friendly Gangsters and Wide Open Sandbox crime games like GrandTheftAuto by juxtaposing the tense shootouts and high living with prison time, fearing for your life at all times, crossing a Moral Event Horizon or two and in the end losing everything you care about
  • Deliberate Values Dissonance: The characters are about as racist as you can get in a game without causing a controversy. For instance: Vito asks Joe if he drove to the bar (in an African-American community), and Joe replies, "I wouldn't park my car in this neighborhood!"
    • Not to mention the countless times somebody says 'chink', 'dago' and 'mick'.
  • Die, Chair! Die!: A lot of Empire Bay's environment is destructible, notably the Hotel interior in Room Service and an entire Diner in The Wild Ones.
  • Do Not Do This Cool Thing: "The old game was a tribute to gangster movies, a romantic vision. Mafia II is grittier, real, a darker world, and the effects are based in reality." - Daniel Vávra, Writer and Director of Mafia explaining the decision to make the sequel Darker and Edgier.
  • Downer Ending: Vito has fulfilled his end of the "deal" that Leo has tasked him with to kill the Big Bad and save his own life. Its too bad that Joe wasn't apart of the deal. Congratulations! You're now, if you're lucky, at the bottom of the mob food chain once again, still pretty broke and all of your friends are dead!
  • Dropped a Bridge on Him: Joe in the ending, but YMMV a lot.
  • Drugs Are Bad: Actually, the message is more "Drug dealing is bad." Henry comes to you with a chance to make a little money on the side by dealing heroin. So they borrow money from Bruno, and go to work only to be attacked by a horde of gangsters trying to steal their stash, Henry getting hacked to ribbons by Chinese Triads, and your money being stolen. So at the end of the day, your friend is dead, you're over fifty large in debt to a vicious loan shark and the Triads and a rival family are out for your blood. And don't worry, it gets worse.
  • Drunken Song: Joe and Eddie at one point drunkenly sing along to Dean Martin's "Return to Me" on the radio.
  • Drowning My Sorrows: Joe does this after Marty's death, and get so drunk that he waves his gun around and scares off the other patrons. Vito must swing by the bar and pick him up, before things get really bad. They do.
  • Dummied Out: A look on the script files in the PC version reveals that the game was originally going to be much bigger. Remains of scripting still exists for a bunch of missions and side missions, usable melee weapons and car trunks, sections of Empire Bay and children NPCs, all of which were cut from the final version. This has raised some controversy in the gaming community, to the point where it has invoked the Wiki Rule.
  • Enemy Detecting Radar: Here, it detects all enemies and police.
  • Even Evil Has Standards: Averted with most of the families except the Vinci family, who explicitly prohibit drug dealing. Given what happens after Vito and Joe's tryst into drug dealing you can see why.
  • Every Car Is a Pinto: Semi-averted. Cars won't explode if you smash them or shoot the engine, but will burst into flames and explode if you Attack Its Weak Point.
  • Evil Versus Evil: C'mon! This is Mafia! And the police ain't no better, either.
  • Exactly What It Says on the Tin
  • Excuse Plot: Jimmy's Vendetta's plot is Exactly What It Says on the Tin.
  • Fat Bastard: Frederico "Fat Derek" Papalardo and Sidney Pen.
    • Sidney is even nicknamed Fat Bastard by the protagonists.
  • The Fifties: 1951, to be precise, but many elements from the rest of the decade crop up during the period.
  • Fore Shadowing: Henry says that his thirteenth contract is unlucky because he almost got his balls shot off. He dies in Chapter 13.
    • "...but how's [your] English so good?"
    • When Vito introduces himself to Derek, Derek mentions that his father "drank like a fish". Derek had Vito's father drowned at the dock.
  • Game-Breaking Bug: In Chapter 14 (Stairway to Heaven) after dropping Joe off at El Greco's, you will be tasked with delivering the money earned to Bruno. When you arrive at Bruno's, the door that leads into the building will occasionally not allow entry, making further progression into the game impossible. Even more troubling is the fact that if the player is able to enter the door and trigger the cutscene, the game will sometimes enter an endless loading loop from which it will not recover.
  • Genre Shift: The game mostly involves driving and gunplay, but in a couple of missions - namely "Enemy of the State" and "Balls and Beans" - it shifts to a stealth-based game.
  • Good Times Montage: One shows up at the end of Chapter 9, appropriately set to "Let The Good Times Roll". And another one is in Chapter 12, as Vito, Joe and Henry get into drug dealing. Watching your character buy nice stuff and kick the shit out of a guy while "Let The Good Times Roll" plays is pretty representative of this game.
  • Gotta Catch Them All: Optional, hidden Playboy centerfolds, as well the harder-to-find wanted posters depicting members of the development team.
  • Greaser Delinquents: They appear as antagonists midway through the game.
  • Greedy Jew: Bruno, the loan shark. It turns out that he's the very loan shark who Vito's family owed money to.
  • Hey, It's That Voice!:
  • Hopeless Boss Fight: The first fistfight against O'Neil in the prison yard. After you land a few good hits on him, he automatically starts countering every single one of your attacks until your health almost drops to zero, which starts the next cutscene.
  • How We Got Here: The game starts with Vito looking in his photo-album and reminiscing his life. We finally catch up with him in chapter 15.
  • Hyperactive Metabolism: Consumption of food and drinks, including beer and cola, regains the part of your health that doesn't regenerate.
    • Lampshaded by Joe:
      "You've always been a quick healer, must be your diet or something."
  • Hyperspace Arsenal: In stark contrast to the first game.
  • I Have a Family: Sidney Pen mentions this as he's begging Henry for his life. It doesn't work.
  • It Will Never Catch On: One guard in the background at the government office describes his idea for an interactive television game, only to be scoffed at.
  • Knife Fight: Vito and Brian O'Neill
  • Luxury Prison Suite: Leo Galante's cell.
  • The Mafia: As the title shows, the game is about the Mafia.
  • "Mister Sandman" Sequence: For the 1950s when Vito gets out of prison, complete with the song in the trope name.
  • Mood Whiplash: The host of Empire Classic Radio gives one of these while reporting the finding of the infamous Auschwitz concentration camp. A bit jarring given on how he usually remains professional in the rest of the game but here he takes a moment to compose himself and actually apologizes for reporting such disturbing news.note .
  • More Dakka: The Model 1928 Thompson and, ultimately, the MG-42.
  • Nice Hat: Snappy fedoras are, of course, plentiful.
  • No Flow in CGI: Mafia II averts this, at least partially, with the loose ends of your character's jacket, tie or trenchcoat flapping about when in motion, courtesy of an improved Phys X engine. This feature was a selling point promoted by the developers before release, even though it has absolutely no bearing in gameplay. It's not perfect either; push the limits of the game engine, and said parts of Vito's clothes may end up stuck and mangled within his body.
    • Completely axed in the PS3 version
  • No-Gear Level: Played straight in Chapter 11 (when you also lose your money and nearly all of your clothes) and Chapter 14.
  • No Honor Among Thieves: One of the main themes of the overall story, in contrast to the more romantized version of "The Family" seen in the first game.
  • Police Brutality: Vito is both a witness and a victim of it in prison.
  • Politically Correct History: Oh, so averted. Racism of all stripes, segregation and sexism are on full display. Of course, to avoid being too offensive, they did have to dig up some pretty antique slurs.
  • Prison Rape: A few thugs try to pull this on Vito when he's in the slammer. He beats them all to a pulp.
  • Product Placement: Playboy magazine shows up (even if it's before 1953). Justified in that it amplifies the period atmosphere.
  • Previous Player-Character Cameo: It turns out that Tommy and his family was moved to the suburbs of Empire Bay. Oh, and you and Joe are tasked with killing him.
  • Punk in the Trunk: In the seventh chapter, Joe and Eddie Scarpa take Vito for a night out on the town to celebrate his release from prison. However, there's also the matter of needing to bury Frankie Potts, whos corpse has been in the trunk for "a couple of days" and is starting to smell. Not quite the welcome home Vito wanted.
  • Real Men Cook: Leo Galante cooks for himself in prison, and has a rather nice kitchen in his mansion.
  • Real Men Wear Pink: You have the option of wearing a pink suit and fedora, which is not very far-fetched as the color was associated with boys up until the late-1950s. Still, the notion of going on a murderous rampage dressed in what is now considered a girly color will strike some players as being ironic and hilarious.
    • Wear it to the tense and dramatic initiation scene and watch the atmosphere dissolve!
  • Regenerating Health: Moving away from the first game's reliance on wall-mounted first aid kits, Mafia II now has the player's health roughly refilled automatically by up to 60% after taking several serious hits and avoid further injuries for several seconds (except during fistfights). The rest is healed by eating or drinking.
  • Roof Hopping: In "Murphy's Law".
  • Roaring Rampage of Revenge: Vito, after he discovers who killed his father. Also, Jimmy in Jimmy's Vendetta.
  • Scenery Porn: Empire City is really quite gorgeous, especially in the snow.
  • Schizophrenic Difficulty: With good cover, you can take on entire armies of wiseguys. Without cover, you die after couple of shots. Regenerating health helps a lot, but you better pray there isn't any mook hiding with Tommy gun. And don't think hiding in the car will save you, like in GTA- here, you are a sitting duck.
  • Shout-Out: "Would you kindly?". I see what you did there Take-Two.
  • Shoplift and Die: Attempting to steal items from a gunstore will cause the owner to pull out a shotgun and shoot you.
  • Shown Their Work: It's an almost totally accurate period piece; notably, when Vito mentions to Joe in 1945 that he's driven a Jeep, Joe replies, "What the hell's a Jeep?" as the first civilian models didn't appear until later that year.
    • Depends on where you're looking. Barring the storyline, many aspects of the game appear ahead of their time, like songs ("The Fat Man" by Fats Domino, a 1949 song, shows up in 1945 Empire Bay, and Dean Martin's "Ain't That a Kick in the Head?" only debuted nine years after the end of events in the game in real-life) and cars (especially those circa 1951, like the Shubert Beverly, a 1956 Chevrolet Bel Air look-alike). Seems more like the creators opted for an Artistic License to make the most out of the time periods the game is set in.
    • The most egregrious are a 1964 song in 1951, and a 1963 song in 1945, as well as a 1949 Caddilac Expy in 1945 and a 1957 Ford expy in 1951.
      • The worst part is that most anachronisms had been avoided had they just set the 50's in 1956, as almost all the music would fit and so would the cars...
      • The retcon above would have been unnecessary aswell.
  • Suspiciously Apropos Music: A lot, assuming you leave the radio on default stations—for instance, after you get handed a pistol for the first time, "Praise the Lord and Pass the Ammunition" comes on.
    • As well as "Happiness is a Thing Called Joe", "Maybe", "Chow Mein", and "Come Softly to Me" , and their granddaddy - "Bellville".
  • SWAT Team: One appears in the DLC "Joe's Adventures", which is a major anachronism as the first SWAT units weren't available until 1968, seventeen years after the events of this game.
  • Take Cover: Essential for your survival in gun fights, especially on hard difficulty.
  • The Theme Park Version: How the game treats The Fifties and to a lesser extent, The Forties.
  • The Triads and the Tongs: The latter play a pretty important role fairly late in the game.
  • Third-Person Shooter: With plenty of driving.
  • Tragic Villain: Vito, forced into the life of villainy only to save his own family from a monstrous debt - and ending up wasting all his effort! He also ends up becoming violent himself.
  • Two Shots From Behind The Bar: Bartenders will pull a shotgun on Vito if he tries to rob them.
  • Villainous Breakdown: Henry have a brief one when he rants about Sidney, who shot him in the leg. He shoots Sidney's dead body (after Vito and Joe kill him) and then threw his gun down at the body.
  • Villain Protagonist: In contrast to Tommy from the first game, a law-abiding schmuck who pretty much only joined because he needed protection and was gradually seduced by the Family way, Vito makes it clear he sees himself as a man of violence who is willing to hurt people for money and is simply in it to get rich or die trying. However, by the end he learns that Being Evil Sucks.
  • Wake-Up Call Boss: Derek. So you've gotten the hang of running and gunning. From cover, without it, doesn't matter to you, so long as you meet your enemy face to face. Not this guy. Not only is he surrounded by Elite Mooks, but he never stands still, uses cover almost constantly, and lobs molotov cocktails at you from the high ground. Be ready to have your skills tested.
  • Wanted Meter: For minor infractions like speeding, the cops only want to ticket you. For more severe crimes like beating people up, they'll bring out the cuffs and try to arrest you. Start killing? The gloves are off, and they'll bring out the guns - first pistols, then shotguns, and then Thompsons.
    • If you're fighting someone and no one has died, however, a cop will just stop the fight.
    • At lower wanted levels, it's feasible to simply bribe the police.
  • What Could Have Been: among the things axed from the final versions were working taxicabs, subway system, moving trains, ability to buy cars and houses, melee weapons like knives and baseball bats, a job system, a reputation system, and a race track. But considering the racing mission from the first game...
  • What Happened to the Mouse?: What happened to Vito's Sister? She is last seen late in the game, then she is never mentioned again.
    • When last heard from, she tells Vito that she never wants to hear from him again. That strikes me as enough justification for her not being seen again.
  • World War II: One third of the storyline is set against the latter half of the conflict. The United States' participation in the war is in full swing, evident in Empire Bay with World War II-themed music on the radio, and off-duty troops and army trucks. Vito's fate is also shaped by the war not once but twice; the first is in 1943 when he is arrested for burglary and enlists to fight for the army in Sicily as an alternative to prison; the second has Vito convicted of impeding the war effort in 1945 for stealing gas ration stamps from the Office of Price Administration, landing himself in the slammer for six years.
    • Hell, even the first chapter features Vito in battle in urban Sicily against fascist Italian soldiers.
  • Writer Revolt: Writer and Director Daniel Vávra, apparently dissatisfied with 2k, left the development team mid-production, explaining that "I want to do my stuff according to myself."
  • You Killed My Father: Vito to Derek.
  • You Bastard: Although the game never chastises you for it, it's hard for the player not to feel guilty for being the trigger man in killing Tommy, especially if you played the first game. It ramps up the sad music and everything.

Mafia: The City of Lost HeavenAction GameMappy
Death of a SalesmanThe FiftiesDepartment of Redundancy Department
Greaser DelinquentsImageSource/Video GamesDamn It Feels Good to Be a Gangster
L.A. NoireThe Forties    
Mafia: The City of Lost HeavenUsefulNotes/SteamMagical Diary
Mad DaedalusThe New TensMari0

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